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Rolling Stone (3/14/02, p.70) - 3.5 of 5 stars - "...Jackson has a lovely, loping voice....[and] hits all the coutry cliches with amiable accuracy..."Q (2/02, p.110) - 3 stars out of 5 - "...With 20 country #1s and 50 Country Music Awards nominations, Jackson knows better than to rock the boat an ddelivers yet another set of unremarkable but harmless country rock tapalongs..."100.0126

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Rolling Stone (3/14/02, p.70) - 3.5 of 5 stars - "...Jackson has a lovely, loping voice....[and] hits all the coutry cliches with amiable accuracy..."Q (2/02, p.110) - 3 stars out of 5 - "...With 20 country #1s and 50 Country Music Awards nominations, Jackson knows better than to rock the boat an ddelivers yet another set of unremarkable but harmless country rock tapalongs..."100.0126

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Entertainment Weekly (11/12/93, p.59) - "...You have to love any seasonal album with a song called 'Please Daddy (Don't Get Drunk For Christmas)'..." - Rating: B+80.01009

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Spin (2/97, p.91) - "...offers the repetitiveness of pure formula: ten songs, played by the same supple studio musicians who spruce up everyone else's records, with one fun oldie...homespun wordplay...and honky-tonk weepers delivered in a twang worth leaning into. Song quality guaranteed..."Entertainment Weekly (11/1/96, p.71) - "While so many of his country contemporaries rush headlong into the middle of the road, Jackson still keeps it lean and pure..." - Rating: A-Q (12/99, pp.160-2) - 3 stars out of 5 - "...just a lot of good songs about separation, fathers and sons, Jack Daniel's, love, beer and television."80.01009

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Rolling Stone (5/13/99, p.72) - Included in Rolling Stone's "Essential Recordings of the 90's."Entertainment Weekly (7/8/94, p.53) - "...Jackson's trademark sound--a smart tapestry of acoustic, electric, and pedal-steel guitars, set off by tick-tack bass, moaning fiddle, and snappy snare--remains undiminished..." - Rating: B80.01009

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Entertainment Weekly (p.75) - "[T]he results float comfortably in the haze of Jackson's 20-year career."Billboard - "Jackson combines genuine emotion with a clever twist on 'Tail Lights Blue.'"Uncut (magazine) (p.91) - 3 stars out of 5 -- "He's uncontroversial and reliable, singing mostly about love, and loss."80.01009

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Rolling Stone (p.90) - 3 stars out of 5 - "Jackson exudes a warm, fatherly vibe. Restraint is this fifteen-year veteran's greatest gift as a vocalist..."Entertainment Weekly (p.78) - "His new record reaffirms his position as one of the genre's most believable balladeers..." - Grade: B+80.01009

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Spin (2/97, p.91) - "...offers the repetitiveness of pure formula: ten songs, played by the same supple studio musicians who spruce up everyone else's records, with one fun oldie...homespun wordplay...and honky-tonk weepers delivered in a twang worth leaning into. Song quality guaranteed..."Entertainment Weekly (11/1/96, p.71) - "While so many of his country contemporaries rush headlong into the middle of the road, Jackson still keeps it lean and pure..." - Rating: A-Q (12/99, pp.160-2) - 3 stars out of 5 - "...just a lot of good songs about separation, fathers and sons, Jack Daniel's, love, beer and television."80.01009

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80.01009

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Rolling Stone (p.82) - 3 stars out of 5 -- "[H]is finest songs are always his romantic ballads, and the best one here also sounds like the one he wrote the quickest: '1976,' where he sings about meeting his wife..."80.01009

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Entertainment Weekly - "...[Jackson] hits his stride..." - Rating: BQ - 3 Stars - Good70.00883

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Entertainment Weekly (11/3/95, p.66) - "Jackson has established himself as one of country's savviest New Traditionalists, largely through a fresh approach to neo-honky-tonk, hook-laden songs, and a sly, deep-in-the-pocket sense of humor..." - Rating: A-Q (1/96, p.152) - 3 Stars - Good - "...one of the safest pairs of hands operating out of Nashville, with just about everything he touches turning to gold..."Journal Of Country Music (Vol.18, Num.1, pp.52-54) - "...traditional and cut-by-cut excellent....it is part of Jackson's talent that he makes his humility as convincing as he does the varying rhythms of his brand of country music..."60.00757

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Rolling Stone (2/3/00, p.62) - 3.5 stars out of 5 - "...'90s Nashville's smartest and sanest classicist...lavishes attention to soulful old records....[INFLUENCE] is a group of 12 vintage tunes that comprise a collection of what he calls 'just songs that I like'..."Entertainment Weekly (10/29/99, p.115) - "...In assembling these fine covers...[Jackson] updates classics with poignant readings and eloquent instrumental solos, finding the poetry in country's forgotten gems." - Rating: B+No Depression (1-2/00, pp.82-3) - "...the most rebellious mainstream country album of the year....[it] flies in the face of current fashion by daring to feature music that is explicitly, unabashedly, sometimes even unreconstructedly country....the best album of Jackson's career..."Mojo (Publisher) (12/99, p.124) - "...complete satisfaction. He is still the connoisseur's hat act....a master of mellow honky tonk vocalizing..."60.00757

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Entertainment Weekly (6/01/01, p.91) - "...Full of old-time Nashville hallmarks...this stylish effort harkens to the best of Alan Jackson, George Strait, and the freewheeling '60s honky-tonkers..." - Rating: B+0.631382

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Entertainment Weekly (6/01/01, p.91) - "...Full of old-time Nashville hallmarks...this stylish effort harkens to the best of Alan Jackson, George Strait, and the freewheeling '60s honky-tonkers..." - Rating: B+0.631382

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Entertainment Weekly (11/6/92, p.66) - "...the most creatively consistent honky-tonker of the new breed, and the most authentically retro in attitude, instrumentation, and tradition...Jackson's songs crackle succinct character sketches and vibrant language..." - Rating: AQ (1/94, p.96) - 3 Stars - Good - "...Alan Jackson is right in the vanguard of modern country where a rock n' roll swagger and presentation is harnessed to traditional-sounding values...."0.4509872

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Uncut (p.104) - 4 stars out of 5 -- "[T]hese soulful honky-tonk songs are given further heft by guest vocalists Emmylou Harris, Patty Loveless and Buddy Miller..."No Depression (p.67) - "Burton's muscular riffs, Perkin's smart embellishments, and the granite-solid Hardin-Tutt-Tallent rhythm section offers a flawless, cohesive foundation..."Q (Magazine) (p.135) - 3 stars out of 5 -- "These classically-styled honky tonk tunes, particularly 'I'm Almost Back,' kick the dust in the eyes of any number of big-hat Alan Jackson clones."0.3607897

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Entertainment Weekly (9/4/98, p.85) - "Many performers with marital problems (Jackson recently separated from, then reconciled with, his wife) channel their trauma into memorable art. Jackson's largely autobiographical eighth release, though, is solid..." - Rating: BQ (12/99, p.122) - 3 Stars (out of 5) - "...Alan Jackson's appeal is based in part on the fact that the Georgia-born singer appeals to Nashville 1998, but can equally make records that recall the golden era of Jones-Haggard-Owens, etc..."0.3607897

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Entertainment Weekly (9/4/98, p.85) - "Many performers with marital problems (Jackson recently separated from, then reconciled with, his wife) channel their trauma into memorable art. Jackson's largely autobiographical eighth release, though, is solid..." - Rating: BQ (12/99, p.122) - 3 Stars (out of 5) - "...Alan Jackson's appeal is based in part on the fact that the Georgia-born singer appeals to Nashville 1998, but can equally make records that recall the golden era of Jones-Haggard-Owens, etc..."0.3607897

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