alternative-rock,Birth of Alternative Rock, Vol. 1, Alternative Rock It Up, Pt. 2 (682364990601), Alternative Rock It Up, Pt. 4 (682364990625), Alternative Rock It Up, Pt. 3 (682364990618), Guitar Play-Along, Vol. 27: Alternative Rock

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74.67081

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65.33696

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65.33696

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56.17659

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Entertainment Weekly (5/12/00, p.78) - "...Famous for magnificent melancholia....They'll bring you down...and in the loveliest way....skirting the thin line between Gram Parsons and David Gates....prettily nervous." - Rating: BQ (7/00, p.118) - 3 stars out of 5 - "...Sees them returning to their early principles with an extra helping of sonic gloss....essaying their classic chord progressions, pristine CSN&Y harmonies and timeless melodies."CMJ (6/00, p.63) - "...The pop streak that cut across its rootsy rock...has come to full fruition on SMILE, a far more optimistic affair [than the act's last release]..."Mojo (Publisher) (7/00, p.104) - "...Thoughtful, poetic, adult music....a radio-friendly version of what they do best....their deep-rooted love of melody isn't diminished by the gloss..."NME (Magazine) (5/20/00, p.44) - 6 out of 10 - "...The trace elements of British invasion pop, Big Star and the lonesome call of the bayou are still present in [their] sound, but SMILE states its intentions not to be alt-anything with each confident chord..."46.66926

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0.3035898

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0.225357

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0.2168498

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Spin (6/96, p.115) - 6 - Reasonably Good - "...dominated by declarations of independence....may reaffirm your faith in rock as a vehicle for anguish..."Entertainment Weekly (5/3/96, pp.74-76) - "...Mould is often given to feelings of defeatism, anger, and self-pity. But what distinguishes BOB MOULD, his strongest album in years...is that the music constantly wards off those self-destructive feelings..." - Rating: A-Option (7-8/96, p.120) - "...as vengefully inspired as ever..."Musician (6/96, p.94) - "...Never the cheeriest of souls, the punk rock vet bursts out in all directions here, and the result is an unnerving psychodrama..."RIP (6/96, p.11) - 5 (out of 5) - "...With its bracing mix of multi-layered buzzsaw anthems and sparsely arranged one-man-and-his-guitar tracks, this masterful album presents, as never before, Mould's stunning range..."Mojo (Publisher) (6/96, p.117) - "...The sound is typical Mould: either stern, grey sheets of distorted guitar chording embellished with the occasional stab of feedback, or the furiously spartan acoustic guitar strumming, as in 'Thumbtack'..."NME (Magazine) (4/27/96, p.55) - 8 (out of 10) - "...Mould has spent 15 years making miserabilism listenable, draping the spangly cloak of pop about melancholy's sloping shoulders....Mould is most assuredly having his cake while still enjoying a slice..."0.2168498

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"No tantrums, just Barlow shaking his mop and Mascis in his favourite place, between a Marshall stack and a box of guitar pedals."Uncut0.2168498

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"No tantrums, just Barlow shaking his mop and Mascis in his favourite place, between a Marshall stack and a box of guitar pedals."Uncut0.2168498

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0.1734799

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0.1734799

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0.1734799

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Uncut (p.70) - 4 stars out of 5 -- "Writer/singer Emily Haines is still secretly one of the most articulate, compelling performers in modern rock....[With] a voice that's by turns scathing, despairing and, finally, defiantly hopeful."Magnet (p.102) - "'Poster Of A Girl' sports a slinky French-pop backbeat and matching breathy pouts..."CMJ (No. 930, p.6) - "...[A]n urgent and flexible dance-rock-pop album that fuses all three elements to conjure up the best of '90s alternative rock, with a splash of Brit intellect."0.1561318

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0.1517949

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Spin (11/95, p.126) - 7 - Flawed Yet Worthy - "...their world is full of bubbles, Ferris wheels, and flying saucers....their lyrics are seldom without some gentle-but-pointed metaphor or reproof....the Lips are...a unique voice within the post-grunge nightmare of soundalike alternative rock, creating a rarefied musical atmosphere full of humanity, kindness and humor..."Q (8/02, p.62) - "...A daring, headness of a record, trading in jaunty pop, most notably 'This Here Giraffe'..."Melody Maker (12/23-30/95, pp.66-67) - Ranked #12 on Melody Maker's list of 1995's `Albums Of The Year.'Musician (11/95, pp.86-87) - "...stands as their best Warners album....frontman Wayne Coyne finally locates the distinction between sophomoric self-indulgence and creative playfulness..."Mojo (Publisher) (7/02, p.60) - "...Lots of confidence..."0.1366154

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Rolling Stone (2/20/97, p.70) - 3 Stars (out of 5) - "...elements of alternative rock, jazz, samba, bolero, hardcore punk, classic rock, soul and disco...the kind of music Esquivel might have made if he had belonged to generation Equis....Violent Femmes-meet-Beck magical-realist melodicism..."Spin (2/97, p.86) - 8 (out of 10) - "...Platinum-selling avatars of el rocanrol Mexicano, Tacuba make no concessions to gringo tastes....Cafe Tacuba are, much like Talking Heads used to be, elegantly quirky exemplars of brains in an ongoing search for the heart of the heart of their country."Entertainment Weekly (1/10/97, p.58) - "...beatnik bandidos Cafe Tacuba rap with dry anger while irreverently subjecting Latin standards to techno synths and industrial clatter..." - Rating: B+Alternative Press (5/97, p.67) - 4 (out of 5) - "...This collection is thouroughly enjoyable, and Tacuba deserve the attention."0.1366154

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4 stars out of 5 -- "[D]irector Stephen C Mitchell throws together vivid archival footage, revealing interviews and bizarre character studies of local yokels, with surprisingly cogent results."Uncut0.1301099

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4 stars out of 5 -- "[D]irector Stephen C Mitchell throws together vivid archival footage, revealing interviews and bizarre character studies of local yokels, with surprisingly cogent results."Uncut0.1301099

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Rolling Stone (4/15/93, pp.61-62) - 3 Stars - Good - "...more than adequately captures the band's brittle adolescent thump..."Spin (4/93, p.100) - "...some of the best, anthemic alternative rock around--noisy guitar wrapped around uplifting, punk-pop melodies....exhilarating..."Q (3/93, p.92) - 3 Stars - Good - "...aggressive but accessible....Superchunk's reputation has been made on live shows and they've managed to retain that dirty edge here..."Alternative Press (7/95, p.94) - Rated #70 in AP's list of the `Top 99 Of '85-'95' - "...Superchunk's shining moment...expertly combining the band's early, hi-octane thrash moves with a slower, more mature melodic sound that diluted none of its power...a solid, thirteen-cut burner..."Record Collector (magazine) (p.93) - 4 stars out of 5 -- "[I]nvigorating....There are grungey undercurrents in `Mower' and `Swallow That'..."0.1170989

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Rolling Stone (p.92) - 3.5 stars out of 5 -- "I AM VERY FAR is dense and hallucinatory roots music: 'We Need a Myth' is lavished in baroque strings..."Spin (p.75) - "[S]imultaneously raw and symphonic....Sheff trades in his usual character studies for elusive images of regret, tinged with dark wit."Alternative Press (p.109) - 4.5 stars out of 5 -- "The album opens with 'The Valley,' a bold, hand-clap driven march showcasing both electric guitar and strings."CMJ - "[The band] picks up some instrumental polish and scales back the dramatics with tamer vocals....This new-found cool emerges early on 'Piratess'..."Record Collector (magazine) (pp.92-93) - 4 stars out of 5 -- "[T]hey've developed into a rabble-rousing, fiercely literate alternative rock band....I AM VERY FAR sees the band expanding their perimeters considerably."0.1170989

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Rolling Stone (p.92) - 3.5 stars out of 5 -- "I AM VERY FAR is dense and hallucinatory roots music: 'We Need a Myth' is lavished in baroque strings..."Spin (p.75) - "[S]imultaneously raw and symphonic....Sheff trades in his usual character studies for elusive images of regret, tinged with dark wit."Alternative Press (p.109) - 4.5 stars out of 5 -- "The album opens with 'The Valley,' a bold, hand-clap driven march showcasing both electric guitar and strings."CMJ - "[The band] picks up some instrumental polish and scales back the dramatics with tamer vocals....This new-found cool emerges early on 'Piratess'..."Record Collector (magazine) (pp.92-93) - 4 stars out of 5 -- "[T]hey've developed into a rabble-rousing, fiercely literate alternative rock band....I AM VERY FAR sees the band expanding their perimeters considerably."0.1170989

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Rolling Stone (5/13/99, p.61) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (9/21/95, p.82) - 4 Stars (out of 5) - "...Like so much fun and important rock & roll, it's the product of brilliant misunderstandings."Spin (10/95, p.112) - 7 (out of 10) - "...fluff deluxe. Vig's...genius as an alternative rock producer is the ability to make avant-pop sonic distortions ring out like cash registers....Rarest of all for American guitar music, dance beats proliferate everywhere...with techno and dub equally strong influences..."Entertainment Weekly (8/11/95, p.52) - "...With their menacing sexuality, sonic playfulness, inventive guitar treatments, and cool vocals by Shirley Manson, Garbage comes off like a punkier, less cerebral Golden Palominos."- Rating: AQ (10/95, pp.114-115) - 4 Stars (out of 5) - "...Garbage flip continually between restraint and letting loose, handling the changing energy levels with considerable skill..."Melody Maker (12/23-30/95, pp.66-67) - Ranked #18 on Melody Maker's list of 1995's `Albums Of The Year.'Melody Maker (9/30/95, p.34) - Recommended - "...way too gritty, too dark and grainy and stuck with metal burrs, it slouches and sulks and is too determinedly cynical to ever be considered beautiful...but...it brushes as close to perfection as a pop/rock record ever can..."Musician (11/95, p.93) - "...Despite its decidedly standard instrumentation, there's nothing conventional about Garbage's sound...the textures are as pliable as silly putty. Yet for all its sonic manipulation, the album never loses sight of the basic values of melody and groove..."Village Voice (2/20/96) - Ranked #19 in Village Voice's 1995 Pazz & Jop Critics' Poll.NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #19 in NME's `Top 50 Albums Of The Year' for 1995.NME (Magazine) (9/23/95, p.48) - 8 (out of 10) - "...they're the bees knees as far as alternative jangle-rock is concerned....GARBAGE is a reminder of how sweet angst can be in the hands of talented players..."0.1104019

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Entertainment Weekly (9/15/00, p.79) - "...Full of love in all its aching permutations...GIRL shimmers with poetic imagery and soul." - Rating: AQ (1/01, p.92) - Included in Q's "50 Best Albums of 2000".Q (10/00, p.119) - 4 stars out of 5 - "...[A] powerful new record that continues [her previous record, WRECKING BALL's] heavy/ethereal vibe....this is contemporary country of a kind never envisaged by Nashville..."Uncut (10/00, p.90) - 5 stars out of 5 - "...A wonderfully emotional and honest record, filled with thrillingly evocative songs which finds her staking out some new, undefined space between contemporary folk, alt. country and alternative rock..."CMJ (10/2/00, p.24) - "...Spectacular...leading one to wonder why she doesn't write more often - the dozen songs are like a book of short stories..."Down Beat (3/01, p.73) - 4 out of 5 - "...Her anguished soprano is in fine form, and WRECKING BALL's sonic fabric still prevails: acoustic instrumentation with rock and ambient shards and shadings."No Depression (9-10/00, pp.111-2) - "...[It] builds its sound from some solid sources....largely midtempo, familiar pop....There are songs that tell stories that jump out at you, and lyrics with traction..."Mojo (Publisher) (10/00, p.88) - "...An album to shatter your heart and lift your soul....[Her] greatest strength here remains her voice..."0.0975824

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Spin (p.72) - "Goth-folk slow jam 'Especially Me' burns with private anger, while 'Witches' sounds like Jimi Hendrix thawing in the sun."Alternative Press (p.93) - 3.5 stars out of 5 -- "Mimi Parker and Alan Sparhawk's honeyed, angelic harmonies are serene drones instead of obvious warnings, with the head-nodding folk gem 'You See Everything' emerging as the highlight."The Wire (p.60) - "Low's sound is pushed from the spacious to the truly anthemic when Nils Cline of Wilco adds lead guitar on 'Witches'....An interesting addition to an already impressive body of work."CMJ - "C'MON is a collection of modern-day hymns, appropriately recorded in a former Catholic church, that wrap around you and slow down the world."Paste (magazine) - "[A] song like 'Especially Me' might move at a stately waltz, with all of its harmonies in place, but it blisters with a seething heart."Record Collector (magazine) (p.90) - 4 stars out of 5 -- "C'MON sees them continue to hone their weird mix of post-rock dynamics with the song structures of classic alternative rock -- think Slint backing Neil Young circa ON THE BEACH."Uncut (magazine) (p.32) - Ranked #33 in Uncut's '50 Best Albums Of 2011' -- "A mightily effective summary of the Duluth trio's two-decade career..."0.0975824

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Rolling Stone (3/21/96, p.96) - 3 Stars - Good - "...there are elements of originality to be found in the way Afghan Whigs fuse alternative rock's victim mentality with funk and soul to find a moment of transcendence..."Spin (4/96, pp.111-112) - 8 - Very Good - "...wisely emphasizes the band's exceptional qualities and de-emphasizes the alt-rock overlays....when a couple of songs, like the magnificent `Going To Town' and `Faded,' use dance beats or gospel straight-up, Afghan Whigs never quite offer the mere soul recital..."Q (4/96, p.107) - 4 Stars - Excellent - "...its mature aspirations and stylish gait stand tall amongst the sorry, derivative imports that constitute this year's `American Invasion'..."Melody Maker (12/21-28/96, pp.66-67) - Ranked #8 on Melody Maker's list of 1996's `Albums Of The Year.'Melody Maker (3/2/96, p.36) - Bloody Essential - "...reeks of suspicion, doubt, paranoia, double-dealing and retribution....The Whigs' brand of rock has a kind of rich meatiness which not only marks them as quintessentially male...but also gives their slabby, prime-steak sound a suffocating darkness and density..."Musician (5/96, p.93) - "...seeking new and inventive ways to depict a soul on fire...BLACK LOVE...portrays lust, revenge, anger and other juicy stuff with [Dulli's] usual impressive fervor..."RIP (5/96, p.16) - 3 - Meat & Potatoes - "...the band excels, approaching genuine rock intrigue and mystery. Dulli's vocals on `Blame Etc.' really triumph with a frightening quality that is quite unique among today's plethora of pseudo-deep intellectuality."NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #31 in NME's 1996 critic's poll.NME (Magazine) (3/9/96, p.40) - 9 (out of 10) - "...the albums they make are the closest pop ever comes to imitating a novel--and not after a self-conscious, Lou Reed fashion, but with all the light and shade that a well-structured novel casts..."0.07806592

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Rolling Stone (10/31/02, p.140) - Ranked # 43 in Rolling Stone's "Women in Rock: The 50 Essential Albums" - "...[A] strange, affecting work..."Rolling Stone (5/13/99, p.61) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (1/25/96, p.41) - Tied for #7 in the 1996 Critics' Poll.Rolling Stone (6/29/95, pp.41-42) - 4 Stars - Excellent - "...POST comes up as victorious and gallant as any of her Viking forefathers. Chock-full of curious noises, mesmerizing vocals and musical surprises, POST provides a much-needed escape route from alternative rock's dull offerings of late..."Spin (9/99, pp.120-1) - Ranked #7 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (12/95, p.63) - Ranked #13 on Spin's list of the `20 Best Albums Of '95.'Spin (7/95, p.72) - 8 - Very Good - "...Bjork is a bit more controlled this time around, so when she does let loose with the PSYCHO screams...her extremes pack more impact....Whether her accompaniment is punk guitars, disco beats, jazz horns, or symphonic strings, Bjork always comes across as her own wacky and seductively weird creation."Entertainment Weekly (6/23/95, p.55) - "...the ex-Sugarcube finds a bizarre and irresistible connecting point between industrial-disco, ambient-trance, and catchy synth pop..." - Rating: A+Q (7/95, p.114) - 4 Stars - Excellent - "...avoid[s] both the usual follow-up pitfalls of repetition and encroaching commerciality....she's still finding the room to embrace the often convoluted twists and turns of emotion..."Vibe (12/99, p.162) - Included in Vibe's 100 Essential Albums of the 20th CenturyMelody Maker (12/23-30/95, pp.66-67) - Ranked #48 on Melody Maker's list of 1995's `Albums Of The Year.'Melody Maker (6/3/95, p.35) - Recommended - "...sonically, it's DEBUT with the edges filed down...But...the joyful news from the front is that, below the suspect surface, there is lava..."Musician (8/95, p.85) - "...The fluid textures fashioned by our heroine...have a subliminal resonance that might undermine a less assured performer, although its hard to imagine anything upstaging her..."Village Voice (2/20/96) - Ranked #7 in Village Voice's 1995 Pazz & Jop Critics' Poll.Mojo (Publisher) (p.60) - Ranked #53 in Mojo's "100 Modern Classics" -- "[B]old, cheeky, emotionally complex and musically ambitious."NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #35 in NME's `Top 50 Albums Of The Year' for 1995.NME (Magazine) (6/10/95, p.46) - 7 (out of 10) - "...a bit ethnic, extremely mysterious, a tad on the ooh-blimey-what-was-that??! side and a comprehensive summary of all that is good, grim and unnaturally groovy about one woman and her various mates' offbeat musical world..."0.06830768

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Rolling Stone (1/25/96, p.41) - Ranked #2 in the 1996 Critics' Poll.Rolling Stone (8/10/95, pp.56-57) - 4 Stars - Excellent - "...Like Nirvana's best work, these songs sagely embrace alternative rock's essential contradiction--this is 'popular' music devised by an alienated few....If FOO FIGHTERS has a theme, it's that music remains the ultimate anodyne."Spin (12/95, p.63) - Ranked #20 on Spin's list of the '20 Best Albums Of '95.'Spin (9/95, p.107) - 7 - Flawed Yet Worthy - "...Grohl hides behind his rapacious hooks like he disappears between his words...yet another impenetrable veil. FOO FIGHTERS seesaws efficiently, even rambunctiously, but there's a distance, a sheen to it..."Entertainment Weekly (7/14/95, p.55) - "...Most of these songs are so disarmingly hooky, and yet such a raw blast of energy, that it's as if Lennon and McCartney had grown up in Seattle. Not necessarily an important album, but a surprising one." - Rating: B+Q (8/95, p.118) - 3 Stars - Good - "...Foo Fighters are grunge-quite-lite....not with the country or pop leanings of, say, Soul Asylum, but with harder-sounding songs rendered accessible by layers of melody, much of it descended directly from Roger McGuinn if he'd had fewer strings..."Melody Maker (12/23-30/95, pp.66-67) - Ranked #26 on Melody Maker's list of 1995's 'Albums Of The Year.'Melody Maker (6/24/95, p.36) - Bloody Essential - "...a play-loud summer blast....the band is so blissfully on-the-money it's almost as perfect as The Young Gods, were the Swiss maestros weaned on Husker Du and Anastasia Screamed. We're talking THAT breathtaking, that joyously gone..."Musician (9/95, p.88) - "...full of smart, crafty, kick-ass music....one can hear how much Grohl's musicianship guided Nirvana's sound--the album is packed with simple, forceful melodies, precise harmonies, and inventive arrangements..."Village Voice (2/20/96) - Ranked #6 in Village Voice's 1995 Pazz & Jop Critics' Poll.New York Times (Publisher) (1/6/96, p.C16) - Included on Jon Pareles' list of the Top 10 Albums of '95 - "...[Grohl's] songs stare down misgivings with cryptic lyrics, memorable tunes and a willingness to bash ahead."NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #12 in NME's 'Top 50 Albums Of The Year' for 1995.NME (Magazine) (6/24/95, p.54) - 9 (out of 10) - "...hurtling, memorable songs, satisfyingly crunchy guitars, and an unambiguously joyful spirit....Grohl sounds blazingly optimistic....[a] talented man at last gaining the confidence and wherewithal to seize control of his own artistic destiny....a massively important record..."0.06830768

$9.04
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Rolling Stone (1/25/96, p.41) - Ranked #2 in the 1996 Critics' Poll.Rolling Stone (8/10/95, pp.56-57) - 4 Stars - Excellent - "...Like Nirvana's best work, these songs sagely embrace alternative rock's essential contradiction--this is 'popular' music devised by an alienated few....If FOO FIGHTERS has a theme, it's that music remains the ultimate anodyne."Spin (12/95, p.63) - Ranked #20 on Spin's list of the '20 Best Albums Of '95.'Spin (9/95, p.107) - 7 - Flawed Yet Worthy - "...Grohl hides behind his rapacious hooks like he disappears between his words...yet another impenetrable veil. FOO FIGHTERS seesaws efficiently, even rambunctiously, but there's a distance, a sheen to it..."Entertainment Weekly (7/14/95, p.55) - "...Most of these songs are so disarmingly hooky, and yet such a raw blast of energy, that it's as if Lennon and McCartney had grown up in Seattle. Not necessarily an important album, but a surprising one." - Rating: B+Q (8/95, p.118) - 3 Stars - Good - "...Foo Fighters are grunge-quite-lite....not with the country or pop leanings of, say, Soul Asylum, but with harder-sounding songs rendered accessible by layers of melody, much of it descended directly from Roger McGuinn if he'd had fewer strings..."Melody Maker (12/23-30/95, pp.66-67) - Ranked #26 on Melody Maker's list of 1995's 'Albums Of The Year.'Melody Maker (6/24/95, p.36) - Bloody Essential - "...a play-loud summer blast....the band is so blissfully on-the-money it's almost as perfect as The Young Gods, were the Swiss maestros weaned on Husker Du and Anastasia Screamed. We're talking THAT breathtaking, that joyously gone..."Musician (9/95, p.88) - "...full of smart, crafty, kick-ass music....one can hear how much Grohl's musicianship guided Nirvana's sound--the album is packed with simple, forceful melodies, precise harmonies, and inventive arrangements..."Village Voice (2/20/96) - Ranked #6 in Village Voice's 1995 Pazz & Jop Critics' Poll.New York Times (Publisher) (1/6/96, p.C16) - Included on Jon Pareles' list of the Top 10 Albums of '95 - "...[Grohl's] songs stare down misgivings with cryptic lyrics, memorable tunes and a willingness to bash ahead."NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #12 in NME's 'Top 50 Albums Of The Year' for 1995.NME (Magazine) (6/24/95, p.54) - 9 (out of 10) - "...hurtling, memorable songs, satisfyingly crunchy guitars, and an unambiguously joyful spirit....Grohl sounds blazingly optimistic....[a] talented man at last gaining the confidence and wherewithal to seize control of his own artistic destiny....a massively important record..."0.06830768

$9,999.99
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Rolling Stone (5/13/99, pp.62-62) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (1/25/96, p.37 & p.41) - Voted Best Album in the 1996 Readers' Poll. Ranked #5 in the 1996 Critics' Poll.Rolling Stone (11/30/95, p.66) - 3 Stars - Good - "...Although MELLON COLLIE clocks in at more than two hours, it's one of the rare epic rock releases whose bulk is justified in the grooves...even more impressive when you consider that Corgan single-handedly wrote 26 of the songs..."Spin (12/95, p.117) - 8 - Very Good - "...Billy Corgan has built the asteroid of his dreams....music that rejects standard song shapes in favor of a more ambient, uncontainable sonic narrative....all very lush....[Corgan] sings for the awkward adolescent in all of us, the mad little creature wanting to conquer, destroy, and embrace life all at once..."Entertainment Weekly (Spring 2000, p.166) - Ranked #7 in EW's "Top 10 albums of the '90s"Entertainment Weekly (12/29/95-1/5/96, p.131) - Ranked #2 on EW's Top 10 Albums Of 1995.Entertainment Weekly (10/27/95, pp.88-90) - "...A sprawling sonic carpet that never stops unfurling, its 28 songs careen from ravaged, apocalypse-now metal assaults to glucose-coated ballads. Corgan has stripped away the lacquered sheen of SIAMESE DREAM and replaced it with wild-eyed eclecticism that works..." - Rating: AQ (10/01, p.81) - Ranked #19 in Q's "Best 50 Albums of Q's Lifetime"Q (2/96, p.67) - Included in Q's 50 Best Albums of 1995.Q (12/95, p.150) - 4 Stars - Excellent - "...a mammoth, put-up-or-shut-up confirmation of four people's musicial ability, one man's floodgate songwriting and his penchant for head-in-the-clouds preposterousness..."Musician (1/96, p.85) - "...stridently all over the place...laughably ambitious, and yet...satisfying throughout....a wealth of distinctly original material....songs that will satisfy fans of SIAMESE DREAM...songs that will satisfy punk rock fans...songs of a new mythology..."Village Voice (2/20/96) - Ranked #14 in Village Voice's 1995 Pazz & Jop Critics' Poll.New York Times (Publisher) (1/6/96, p.C16) - Included on Neil Strauss' list of the Top 10 Albums of `95 - "...a well-crafted, bottom-heavy double album that never lets up..."NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #38 in NME's `Top 50 Albums Of The Year' for 1995.NME (Magazine) (10/21/95, p.50) - 8 (out of 10) - "...his magnum opus, a ludicrous, brilliant, bloated blunderbuss of love....you should be grateful that amid the acres of safe, generic stodge of American alternative rock, someone has this kind of rampant, scattershot ambition..."0.06830768

$9,999.99
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Rolling Stone (5/13/99, pp.62-62) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (1/25/96, p.37 & p.41) - Voted Best Album in the 1996 Readers' Poll. Ranked #5 in the 1996 Critics' Poll.Rolling Stone (11/30/95, p.66) - 3 Stars - Good - "...Although MELLON COLLIE clocks in at more than two hours, it's one of the rare epic rock releases whose bulk is justified in the grooves...even more impressive when you consider that Corgan single-handedly wrote 26 of the songs..."Spin (12/95, p.117) - 8 - Very Good - "...Billy Corgan has built the asteroid of his dreams....music that rejects standard song shapes in favor of a more ambient, uncontainable sonic narrative....all very lush....[Corgan] sings for the awkward adolescent in all of us, the mad little creature wanting to conquer, destroy, and embrace life all at once..."Entertainment Weekly (Spring 2000, p.166) - Ranked #7 in EW's "Top 10 albums of the '90s"Entertainment Weekly (12/29/95-1/5/96, p.131) - Ranked #2 on EW's Top 10 Albums Of 1995.Entertainment Weekly (10/27/95, pp.88-90) - "...A sprawling sonic carpet that never stops unfurling, its 28 songs careen from ravaged, apocalypse-now metal assaults to glucose-coated ballads. Corgan has stripped away the lacquered sheen of SIAMESE DREAM and replaced it with wild-eyed eclecticism that works..." - Rating: AQ (10/01, p.81) - Ranked #19 in Q's "Best 50 Albums of Q's Lifetime"Q (2/96, p.67) - Included in Q's 50 Best Albums of 1995.Q (12/95, p.150) - 4 Stars - Excellent - "...a mammoth, put-up-or-shut-up confirmation of four people's musicial ability, one man's floodgate songwriting and his penchant for head-in-the-clouds preposterousness..."Musician (1/96, p.85) - "...stridently all over the place...laughably ambitious, and yet...satisfying throughout....a wealth of distinctly original material....songs that will satisfy fans of SIAMESE DREAM...songs that will satisfy punk rock fans...songs of a new mythology..."Village Voice (2/20/96) - Ranked #14 in Village Voice's 1995 Pazz & Jop Critics' Poll.New York Times (Publisher) (1/6/96, p.C16) - Included on Neil Strauss' list of the Top 10 Albums of `95 - "...a well-crafted, bottom-heavy double album that never lets up..."NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #38 in NME's `Top 50 Albums Of The Year' for 1995.NME (Magazine) (10/21/95, p.50) - 8 (out of 10) - "...his magnum opus, a ludicrous, brilliant, bloated blunderbuss of love....you should be grateful that amid the acres of safe, generic stodge of American alternative rock, someone has this kind of rampant, scattershot ambition..."0.06830768

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97.16463

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68.15162

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68.15162

$9,999.99
(0 reviews)

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