andy-warhol,American Masters - Andy Warhol, Andy Warhol: A Documentary *, Art Lives: Andy Warhol, Andy Warhol Presents Man on the Moon, Portrait of an Artist - Andy Warhol

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141.8116

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141.0793

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112.8634

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98.75552

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84.64758

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Uncut (magazine) (p.91) - 3 stars out of 5 -- "[P]arts of this are exquisite -- the ghostly Velvets-ish ballad 'If Found It Not So', the sweet trundle 'Eyes In My Smoke'."70.53966

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"...THE STUFF mostly is amusing....It is a Pop Art piece, what Andy Warhol's art was to the soup can..."New York Times "...[The film] seems to fly right out of the '50s horror genre. It also has an underlying humor about it..."Variety0.6920797

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"...THE STUFF mostly is amusing....It is a Pop Art piece, what Andy Warhol's art was to the soup can..."New York Times "...[The film] seems to fly right out of the '50s horror genre. It also has an underlying humor about it..."Variety0.6920797

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Uncut (p.104) - 3 stars out of 5 - "[I]ntriguing, endearing and, given time, surprisingly addictive."Magnet (p.100) - "Akron/Family is John Brown's body, the ghost of Tom Joad and the art-school spirit of Andy Warhol crammed into one ornate, mossy mausoleum."The Wire (p.41) - Included in The Wire's "2005 Rewind: 50 Records Of The Year."The Wire (p.53) - "[T]his disc is brimful of quiet and felicitous touches."Mojo (Publisher) (p.106) - 3 stars out of 5 -- "[With] gorgeously melancholic synth ballads, white noise workouts, and fractures, lo-fi chamber pop."0.4613865

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BOOK REVIEWS COMING SOON!!!!0.4317802

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0.4317802

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Rolling Stone (10/28/99, p.100) - 4 stars out of 5 - "...as nakedly emotive a collection as anything in his iconic catalog; it's a summary statement from the man who invented postmodern rock & roll....HOURS is a testament to the serenity that comes with legend status, maturity and endurance..."Spin (11/99, p.181) - 6 out of 10 - "...His latest stab at relevance works best when it most resembles those simple anguished moments ['The Man Who Sold The World' and 'Andy Warhol']....[HOURS] attempts to reclaim the eternally hip early-'70s Bowie..."Entertainment Weekly (10/15/99, pp.77-8) - "...a concept album about what a drag it is getting old....the 52-year-old [Bowie] dares to feel tired, or maybe just really wistful, in this regret-filled song cycle....Given that the theme is maturity's flickering light, the pacing is probably deliberate..." - Rating: B-Q (1/00, p.83) - Included in Q Magazine's "50 Best Albums of 1999."Q (11/99, p.120) - 4 stars out of 5 - "...the Dame's latest LP is...just as good as they used to be....Bowie sounds influenced by nobody except himself, and he couldn't have picked a better role model."Uncut (p.143) - 3 stars out of 5 - "[S]teeped in Low-like melancholia."Alternative Press (12/99, p.88) - 4 out of 5 - "...a masterpiece....Solidly built around songs...and aware that songs need some depth as well....HOURS finds Bowie returning to basics he never should have left behind....it could be his second childhood."CMJ (10/18/99, p.22) - "...his most straight-forward rock album in nearly two decades. Giving the post-glam wankers who've cribbed his classic sound a run for their money....he continues to pull off fresh, unexpected things as only a chameleon of his caliber could."Mojo (Publisher) (1/00, p.30) - Ranked #30 in Mojo Magazine's "Best of 1999"Mojo (Publisher) (11/99, pp.98-9) - "...crowns a trilogy [1.OUTSIDE & 2.EARTHLING] that represents sigificantly more than a mere coda to a once-unimpeachable career....[HOURS] possesses a melancholy that runs deeper than mere pre-Millennium tension and one or two rueful meditations on his life..."0.3995724

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Rolling Stone (10/28/99, p.100) - 4 stars out of 5 - "...as nakedly emotive a collection as anything in his iconic catalog; it's a summary statement from the man who invented postmodern rock & roll....HOURS is a testament to the serenity that comes with legend status, maturity and endurance..."Spin (11/99, p.181) - 6 out of 10 - "...His latest stab at relevance works best when it most resembles those simple anguished moments ['The Man Who Sold The World' and 'Andy Warhol']....[HOURS] attempts to reclaim the eternally hip early-'70s Bowie..."Entertainment Weekly (10/15/99, pp.77-8) - "...a concept album about what a drag it is getting old....the 52-year-old [Bowie] dares to feel tired, or maybe just really wistful, in this regret-filled song cycle....Given that the theme is maturity's flickering light, the pacing is probably deliberate..." - Rating: B-Q (1/00, p.83) - Included in Q Magazine's "50 Best Albums of 1999."Q (11/99, p.120) - 4 stars out of 5 - "...the Dame's latest LP is...just as good as they used to be....Bowie sounds influenced by nobody except himself, and he couldn't have picked a better role model."Uncut (p.143) - 3 stars out of 5 - "[S]teeped in Low-like melancholia."Alternative Press (12/99, p.88) - 4 out of 5 - "...a masterpiece....Solidly built around songs...and aware that songs need some depth as well....HOURS finds Bowie returning to basics he never should have left behind....it could be his second childhood."CMJ (10/18/99, p.22) - "...his most straight-forward rock album in nearly two decades. Giving the post-glam wankers who've cribbed his classic sound a run for their money....he continues to pull off fresh, unexpected things as only a chameleon of his caliber could."Mojo (Publisher) (1/00, p.30) - Ranked #30 in Mojo Magazine's "Best of 1999"Mojo (Publisher) (11/99, pp.98-9) - "...crowns a trilogy [1.OUTSIDE & 2.EARTHLING] that represents sigificantly more than a mere coda to a once-unimpeachable career....[HOURS] possesses a melancholy that runs deeper than mere pre-Millennium tension and one or two rueful meditations on his life..."0.3995724

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Rolling Stone (10/28/99, p.100) - 4 stars out of 5 - "...as nakedly emotive a collection as anything in his iconic catalog; it's a summary statement from the man who invented postmodern rock & roll....HOURS is a testament to the serenity that comes with legend status, maturity and endurance..."Spin (11/99, p.181) - 6 out of 10 - "...His latest stab at relevance works best when it most resembles those simple anguished moments ['The Man Who Sold The World' and 'Andy Warhol']....[HOURS] attempts to reclaim the eternally hip early-'70s Bowie..."Entertainment Weekly (10/15/99, pp.77-8) - "...a concept album about what a drag it is getting old....the 52-year-old [Bowie] dares to feel tired, or maybe just really wistful, in this regret-filled song cycle....Given that the theme is maturity's flickering light, the pacing is probably deliberate..." - Rating: B-Q (1/00, p.83) - Included in Q Magazine's "50 Best Albums of 1999."Q (11/99, p.120) - 4 stars out of 5 - "...the Dame's latest LP is...just as good as they used to be....Bowie sounds influenced by nobody except himself, and he couldn't have picked a better role model."Uncut (p.143) - 3 stars out of 5 - "[S]teeped in Low-like melancholia."Alternative Press (12/99, p.88) - 4 out of 5 - "...a masterpiece....Solidly built around songs...and aware that songs need some depth as well....HOURS finds Bowie returning to basics he never should have left behind....it could be his second childhood."CMJ (10/18/99, p.22) - "...his most straight-forward rock album in nearly two decades. Giving the post-glam wankers who've cribbed his classic sound a run for their money....he continues to pull off fresh, unexpected things as only a chameleon of his caliber could."Mojo (Publisher) (1/00, p.30) - Ranked #30 in Mojo Magazine's "Best of 1999"Mojo (Publisher) (11/99, pp.98-9) - "...crowns a trilogy [1.OUTSIDE & 2.EARTHLING] that represents sigificantly more than a mere coda to a once-unimpeachable career....[HOURS] possesses a melancholy that runs deeper than mere pre-Millennium tension and one or two rueful meditations on his life..."0.3995724

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Rolling Stone (10/28/99, p.100) - 4 stars out of 5 - "...as nakedly emotive a collection as anything in his iconic catalog; it's a summary statement from the man who invented postmodern rock & roll....HOURS is a testament to the serenity that comes with legend status, maturity and endurance..."Spin (11/99, p.181) - 6 out of 10 - "...His latest stab at relevance works best when it most resembles those simple anguished moments ['The Man Who Sold The World' and 'Andy Warhol']....[HOURS] attempts to reclaim the eternally hip early-'70s Bowie..."Entertainment Weekly (10/15/99, pp.77-8) - "...a concept album about what a drag it is getting old....the 52-year-old [Bowie] dares to feel tired, or maybe just really wistful, in this regret-filled song cycle....Given that the theme is maturity's flickering light, the pacing is probably deliberate..." - Rating: B-Q (1/00, p.83) - Included in Q Magazine's "50 Best Albums of 1999."Q (11/99, p.120) - 4 stars out of 5 - "...the Dame's latest LP is...just as good as they used to be....Bowie sounds influenced by nobody except himself, and he couldn't have picked a better role model."Uncut (p.143) - 3 stars out of 5 - "[S]teeped in Low-like melancholia."Alternative Press (12/99, p.88) - 4 out of 5 - "...a masterpiece....Solidly built around songs...and aware that songs need some depth as well....HOURS finds Bowie returning to basics he never should have left behind....it could be his second childhood."CMJ (10/18/99, p.22) - "...his most straight-forward rock album in nearly two decades. Giving the post-glam wankers who've cribbed his classic sound a run for their money....he continues to pull off fresh, unexpected things as only a chameleon of his caliber could."Mojo (Publisher) (1/00, p.30) - Ranked #30 in Mojo Magazine's "Best of 1999"Mojo (Publisher) (11/99, pp.98-9) - "...crowns a trilogy [1.OUTSIDE & 2.EARTHLING] that represents sigificantly more than a mere coda to a once-unimpeachable career....[HOURS] possesses a melancholy that runs deeper than mere pre-Millennium tension and one or two rueful meditations on his life..."0.3995724

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0.3598168

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Rolling Stone (12/11/03, p.120) - Ranked #107 in Rolling Stone's "500 Greatest Albums Of All Time" - "[W]ith a new pop sound that seems just as modern today as it was then."Rolling Stone (1/6/72, pp.63-64) - "...HUNKY DORY not only represents Bowie's most engaging album musically, but also finds him once more writing literally enough to let the listener examine his ideas comfortably..."Q (1/03, p.64) - Included in Q Magazine's "100 Greatest Albums Ever"NME (Magazine) (10/2/93, p.29) - Ranked #38 in NME's list of the 'Greatest Albums Of All Time.'NME (Magazine) (9/18/93, p.19) - Ranked #12 in NME's list of The Greatest Albums Of The '70s.0.3598168

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0.3598168

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0.3598168

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0.3598168

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0.3598168

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0.3598168

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0.3562005

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0.2878535

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0.2878535

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0.2878535

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0.2878535

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0.2878535

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0.2878535

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0.2878535

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0.2518718

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0.2518718

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"Davis was friends with Basquiat, and brings in some never-before-seen interview footage throughout the film..." -- Grade: B+A.V. Club 3.5 stars out of 5 -- "[A] fine, visually handsome biographical documentary....Davis does a heroic job of bringing th edgy and diffuse mixed-media New York art scene of the '80s back to life..."Box Office "It places Basquiat's art in a cultural context with an enthusiasm and zest that make the many pictures shown come blazingly alive."New York Times "JEAN-MICHEL BASQUIAT: THE RADIANT CHILD is a remarkably rich documentary possessing depth, range, insight and compassion."Los Angeles Times0.2518718

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"[M]ixing several dozen recent interviews of core figures with rare early footage of many key bands." Mojo "Don Letts, the Clash's official filmographer and a DJ on the London scene of the 1970s, has the credentials to make a proper punk documentary." Rolling Stone0.2158901

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Rolling Stone (10/12/00, p.86) - 3.5 stars out of 5 - "...These discs offer a fascinating glimpse into the years when he transformed his words into a persona, Ziggy Stardust..."Q (1/01, p.95) - Included in Q's "5 Best Re-Issues of 2000".Q (11/00, p.123) - 4 stars out of 5 - "...We have the best of both the ZIGGY STARDUST album and HUNKY DORY, plus a brilliant, Lou Reed namechecking 'White Light/White Heat'. The songs here are rougher, liuder and often more exciting than their 'official' versions..."CMJ (12/00, p.52) - "...Key for ZIGGY STARDUST fans curious about how he got from the London folk-rock circuit to the cosmos in 4 short years..."Mojo (Publisher) (10/00, p.119) - "...Tracks his progress from Anthony Newley wannabe to the brink of ALADDIN SANE, offering a handy aural frieze of his surprisingly arduous climb to superstardom..."0.2158901

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"...Dead-on, kitsch-free period detail and a wonderfully agitated performance by Bale..." -- 3 out of 5 stars - A Satisfying Rental <BR> Premiere "...A satire of conspicuous consumption..."Variety "...A mordantly funny and agreeably blatant satire with genuinely subversive bite..."Film Comment "...An ingenious adaptation....Excellent direction and a set of self-effacing performances..." Sight and Sound "...AMERICAN PSYCHO is really brilliant in the way it takes the viewer inside Bateman's world..." -- 4 out of 5 starsBox Office "[D]irector Mary Harron impressively mines the dark social comedy from this scathing satire of the 1980s."Entertainment Weekly0.2158901

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"...Dead-on, kitsch-free period detail and a wonderfully agitated performance by Bale..." -- 3 out of 5 stars - A Satisfying Rental <BR> Premiere "...A satire of conspicuous consumption..."Variety "...A mordantly funny and agreeably blatant satire with genuinely subversive bite..."Film Comment "...An ingenious adaptation....Excellent direction and a set of self-effacing performances..." Sight and Sound "...AMERICAN PSYCHO is really brilliant in the way it takes the viewer inside Bateman's world..." -- 4 out of 5 starsBox Office "[D]irector Mary Harron impressively mines the dark social comedy from this scathing satire of the 1980s."Entertainment Weekly0.2158901

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0.2158901

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"...Dead-on, kitsch-free period detail and a wonderfully agitated performance by Bale..." -- 3 out of 5 stars - A Satisfying Rental <BR> Premiere "...A satire of conspicuous consumption..."Variety "...A mordantly funny and agreeably blatant satire with genuinely subversive bite..."Film Comment "...An ingenious adaptation....Excellent direction and a set of self-effacing performances..." Sight and Sound "...AMERICAN PSYCHO is really brilliant in the way it takes the viewer inside Bateman's world..." -- 4 out of 5 starsBox Office "[D]irector Mary Harron impressively mines the dark social comedy from this scathing satire of the 1980s."Entertainment Weekly0.2158901

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"...A film of great charm and uninhibited gusto..."Sight and Sound0.2158901

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0.1799084

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0.1799084

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Rolling Stone (p.110) - Ranked #3 in Rolling Stone's "The Top 10 Reissues Of 2006" -- "[T]here is a striking, psychedelic glow to the grind and wobble of 'Grounded' and 'Motion Suggests Itself'..."Rolling Stone (4/11/02, p.106) - Ranked #12 in Rolling Stone's "50 Coolest Records" - "...Warm, spaced-out guitar doodles; Malkmus murmurs like a surfer-dude Buddy Holly..."Spin (p.102) - 4 stars out of 5 -- "Slanted and tortured slow-dissolve rockers about generational angst plus tunes that cuddle your brain."Spin (p.58) - Ranked #1 in Spin's "The 10 Best Reissues of 2006" -- "The word games were never so hermetic, the guitar tangle never so dire."Spin (5/95, p.93) - 7 (out of 10) - "...Pavement crafts the everything aesthetic into real songs....[Stephen] Malkmus, the eternal sophisticate...[is] the sexiest word-mangler in the business....Occasionally--the lyric-drunk `Rattled By The Rush,' the stuttered chorus of `AT&T'...--the results rank with Pavement's hallowed best..."Q (p.150) - 3 stars out of 5 -- "Pavement's third album found them branching out stylistically....The one constant is Stephen Malkmus's pop nous, which underpins 'AT&T' to impressive effect."Q (5/95, p.110) - 3 Stars (out of 5) - "...Over-packed, sometimes too oblique for its own good and occasionally not that great, but it's pure Pavement."Uncut (3/03, p.117) - 4 stars out of 5 - "...Songs derail into unexpected territories....Adventurous..."Option (7-8/95, p.127) - "...With WOWEE ZOWEE, Pavement has proven unequivocally that they will never be superstars. Not because this record isn't worthwhile, but because they are uncompromising..."Melody Maker (12/23-30/95, pp.66-67) - Ranked #39 on Melody Maker's list of 1995's `Albums Of The Year' - "...inspired near nonsense, berserk tempo changes, wilfully obtuse hipster references and poignant, hooky, pure pop..."Musician (7/95, p.105) - "...Pavement spent 1994 touring, and WOWEE ZOWEE benefits as a result. The rhythm section...has cohered, and plays on the album like bandmembers rather than hired hands. The group has also continued expanding their sonic repetoire....delivers on all counts..."Village Voice (2/20/96) - Ranked #17 in the Village Voice's 1995 Pazz & Jop Critics' Poll.Mojo (Publisher) (7/95, p.114) - "...Stephen Malkmus' decision to spurn the enticing, flippant pop classic path...in favour of a nettly rummage through the sonic undergrowth, bespeaks the depth of his loyalty to the voices in his head....Heartfelt..."NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #16 in NME's `Top 50 Albums Of The Year' for 1995 - "...the wilful, askew guitar dissidence of Pavement's distant past meets their surprising melodic eloquence of CROOKED RAIN and carves out their most rewarding album yet."0.1439267

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0.1568448

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