beyond-all-recognition,Wonderland [The Charlatans UK] [CD] [1 disc], Load [Metallica], Load [Metallica], Load [Metallica] [856115004538], Perversion: For Profit

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Q (10/01, p.120) - 4 stars out of 5 - "...With every track a winner...the work of a band in indecently rude health..."CMJ (9/17/01, p.10) - "...Alice would definately dig this wonderland..."Mojo (Publisher) (1/02, p.71) - Ranked #35 in Mojo's "Best [40] Albums of 2001".Mojo (Publisher) (9/01, p.114) - "...A transformation beyond all recognition....most striking in the vocal department..."NME (Magazine) (12/29/01, p.59) - Ranked #30 in NME's 50 "Albums Of the Year 2001".NME (Magazine) (9/8/01, p.39) - 8 out of 10 - "...A great album...This is Tim Burgess finally singing from the heart, unselfconsciously and true. It's great..."0.3916137

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Rolling Stone (7/11-25/96, p.85) - 4 Stars - Excellent - "...with LOAD, the foursome dams the bombast and chugs half-speed ahead, settling into a wholly magnetizing groove that bridges old-school biker rock and the doomier side of post-grunge '90s rock..."Entertainment Weekly (6/7/96, pp.56-57) - "...captures the band's earnest pursuit of its Sisyphean mission: to create hard rock that reaches grown-ups and basement-dwelling teens..." - Rating: BQ (7/96, p.119) - 4 Stars - Excellent - "...These boys set up their tents in the darkest place of all, in the naked horror of their own heads....Metallica make existential metal and they've never needed the props....Metallica are still awesome....What is new is streamlined attack, the focus and, yes, the tunes..."Melody Maker (6/8/96, p.49) - "...A Metallica album is traditionally an exhausting event. It should rock you to exhaustion, leave you brutalised and drained. This one is no exception. It is, however, the first Metallica album to make me wonder at any point, 'What the f*** was that?' It's as if the jackboot grinding the human face were to take occasional breaks for a pedicure..."Musician (8/96, p.85) - "...The smoother, broader sound that distinguished...1991's METALLICA is even more apparent here, as is the tendency to write accessible tunes....the exploration of new sounds does nothing but good for the guitar duo of [James] Hetfield and Kirk Hammett..."New York Times (Publisher) (6/2/96, Sec.2, p.28) - "...On LOAD, Metallica has altered its music, learning new skills. Hetfield has committed himself to melodies, carrying tunes where he used to bark, and he no longer sounds sheepish when he sings quietly..."NME (Magazine) (6/1/96, p.44) - 7 (out of 10) - "...like triumphant warriors returning into a world changed beyond all recognition...Metallica emphatically prove they are still unsurpassed in their self-created genre of stadium nihilism..."0.1958068

$33.58
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Rolling Stone (7/11-25/96, p.85) - 4 Stars - Excellent - "...with LOAD, the foursome dams the bombast and chugs half-speed ahead, settling into a wholly magnetizing groove that bridges old-school biker rock and the doomier side of post-grunge '90s rock..."Entertainment Weekly (6/7/96, pp.56-57) - "...captures the band's earnest pursuit of its Sisyphean mission: to create hard rock that reaches grown-ups and basement-dwelling teens..." - Rating: BQ (7/96, p.119) - 4 Stars - Excellent - "...These boys set up their tents in the darkest place of all, in the naked horror of their own heads....Metallica make existential metal and they've never needed the props....Metallica are still awesome....What is new is streamlined attack, the focus and, yes, the tunes..."Melody Maker (6/8/96, p.49) - "...A Metallica album is traditionally an exhausting event. It should rock you to exhaustion, leave you brutalised and drained. This one is no exception. It is, however, the first Metallica album to make me wonder at any point, 'What the f*** was that?' It's as if the jackboot grinding the human face were to take occasional breaks for a pedicure..."Musician (8/96, p.85) - "...The smoother, broader sound that distinguished...1991's METALLICA is even more apparent here, as is the tendency to write accessible tunes....the exploration of new sounds does nothing but good for the guitar duo of [James] Hetfield and Kirk Hammett..."New York Times (Publisher) (6/2/96, Sec.2, p.28) - "...On LOAD, Metallica has altered its music, learning new skills. Hetfield has committed himself to melodies, carrying tunes where he used to bark, and he no longer sounds sheepish when he sings quietly..."NME (Magazine) (6/1/96, p.44) - 7 (out of 10) - "...like triumphant warriors returning into a world changed beyond all recognition...Metallica emphatically prove they are still unsurpassed in their self-created genre of stadium nihilism..."0.1958068

$19.86
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Rolling Stone (7/11-25/96, p.85) - 4 Stars - Excellent - "...with LOAD, the foursome dams the bombast and chugs half-speed ahead, settling into a wholly magnetizing groove that bridges old-school biker rock and the doomier side of post-grunge '90s rock..."Entertainment Weekly (6/7/96, pp.56-57) - "...captures the band's earnest pursuit of its Sisyphean mission: to create hard rock that reaches grown-ups and basement-dwelling teens..." - Rating: BQ (7/96, p.119) - 4 Stars - Excellent - "...These boys set up their tents in the darkest place of all, in the naked horror of their own heads....Metallica make existential metal and they've never needed the props....Metallica are still awesome....What is new is streamlined attack, the focus and, yes, the tunes..."Melody Maker (6/8/96, p.49) - "...A Metallica album is traditionally an exhausting event. It should rock you to exhaustion, leave you brutalised and drained. This one is no exception. It is, however, the first Metallica album to make me wonder at any point, 'What the f*** was that?' It's as if the jackboot grinding the human face were to take occasional breaks for a pedicure..."Musician (8/96, p.85) - "...The smoother, broader sound that distinguished...1991's METALLICA is even more apparent here, as is the tendency to write accessible tunes....the exploration of new sounds does nothing but good for the guitar duo of [James] Hetfield and Kirk Hammett..."New York Times (Publisher) (6/2/96, Sec.2, p.28) - "...On LOAD, Metallica has altered its music, learning new skills. Hetfield has committed himself to melodies, carrying tunes where he used to bark, and he no longer sounds sheepish when he sings quietly..."NME (Magazine) (6/1/96, p.44) - 7 (out of 10) - "...like triumphant warriors returning into a world changed beyond all recognition...Metallica emphatically prove they are still unsurpassed in their self-created genre of stadium nihilism..."0.1958068

$9.42
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0.1865085

$8.48
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Rolling Stone (12/11/03, p.114) - Ranked #77 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Youthful ambition bursts through the Clash's debut, a machine-gun blast of songs about unemployment, race, and the Clash themselves..."Rolling Stone (6/20/02, p.87) - 5 stars out of 5 - "...both a party and protest...The tunes still detonate as the group still insists justice must prevail..."Rolling Stone (12/11/03, p.114) - Ranked #77 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Youthful ambition bursts through the Clash's debut, a machine-gun blast of songs about unemployment, race, and the Clash themselves..."Spin (5/01, p.108) - Ranked #3 in Spin's "50 Most Essential Punk Records" - "...Punk as alienated rage, as anticorporate blather, as joyous racial confusion, as evangelic outreach and white knuckles and haywire impulses..."Q (6/00, p.70) - Ranked #48 in Q's "100 Greatest British Albums"Q (5/02 SE, p.135) - 5 stars out of 5 - Included in Q's "100 Best Punk Albums".Q (12/99, pp.152-3) - 5 stars out of 5 - "...[They] would never sound so punk as they did on 1977's self-titled debut....Lyrically intricate...it still howled with anger..."Q (10/02, p.136) - Indispensable - "...Unsurpassed for its concentrated anger and rebel bravado..."Alternative Press (3/00, pp.74-5) - 5 out of 5 - "...the eternal punk album....the blueprint for the pantomime of 'punkier' rock acts....for all of its forced politics and angst, THE CLASH continues to sound crucial..."Alternative Press (3/00, pp.74-5) - 5 out of 5 - "...the eternal punk album....the blueprint for the pantomime of 'punkier' rock acts....for all of its forced politics and angst, THE CLASH continues to sound crucial..."Mojo (Publisher) (3/03, p.76) - Ranked #2 in Mojo's "Top 50 Punk Albums" - "...The ultimate punk protest album....Searingly evocative of dreary late '70s Britain, but still timelessly inspiring..."Mojo (Publisher) (3/03, p.76) - Ranked #2 in Mojo's "Top 50 Punk Albums" - "...The ultimate punk protest album....Searingly evocative of dreary late '70s Britain, but still timelessly inspiring..."NME (Magazine) - Ranked #3 in NME's list of The Greatest Albums Of The '70s - "...The speed-freaked brain of punk set to the tinniest, most frantic guitars ever trapped on vinyl. Lives were changed beyond recognition by it..."NME (Magazine) (10/2/93, p.29) - Ranked #13 in NME's list of the 'Greatest Albums Of All Time.'0.1420315

$7.59
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Rolling Stone (12/11/03, p.114) - Ranked #77 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Youthful ambition bursts through the Clash's debut, a machine-gun blast of songs about unemployment, race, and the Clash themselves..."Rolling Stone (6/20/02, p.87) - 5 stars out of 5 - "...both a party and protest...The tunes still detonate as the group still insists justice must prevail..."Rolling Stone (12/11/03, p.114) - Ranked #77 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Youthful ambition bursts through the Clash's debut, a machine-gun blast of songs about unemployment, race, and the Clash themselves..."Spin (5/01, p.108) - Ranked #3 in Spin's "50 Most Essential Punk Records" - "...Punk as alienated rage, as anticorporate blather, as joyous racial confusion, as evangelic outreach and white knuckles and haywire impulses..."Q (6/00, p.70) - Ranked #48 in Q's "100 Greatest British Albums"Q (5/02 SE, p.135) - 5 stars out of 5 - Included in Q's "100 Best Punk Albums".Q (12/99, pp.152-3) - 5 stars out of 5 - "...[They] would never sound so punk as they did on 1977's self-titled debut....Lyrically intricate...it still howled with anger..."Q (10/02, p.136) - Indispensable - "...Unsurpassed for its concentrated anger and rebel bravado..."Alternative Press (3/00, pp.74-5) - 5 out of 5 - "...the eternal punk album....the blueprint for the pantomime of 'punkier' rock acts....for all of its forced politics and angst, THE CLASH continues to sound crucial..."Alternative Press (3/00, pp.74-5) - 5 out of 5 - "...the eternal punk album....the blueprint for the pantomime of 'punkier' rock acts....for all of its forced politics and angst, THE CLASH continues to sound crucial..."Mojo (Publisher) (3/03, p.76) - Ranked #2 in Mojo's "Top 50 Punk Albums" - "...The ultimate punk protest album....Searingly evocative of dreary late '70s Britain, but still timelessly inspiring..."Mojo (Publisher) (3/03, p.76) - Ranked #2 in Mojo's "Top 50 Punk Albums" - "...The ultimate punk protest album....Searingly evocative of dreary late '70s Britain, but still timelessly inspiring..."NME (Magazine) - Ranked #3 in NME's list of The Greatest Albums Of The '70s - "...The speed-freaked brain of punk set to the tinniest, most frantic guitars ever trapped on vinyl. Lives were changed beyond recognition by it..."NME (Magazine) (10/2/93, p.29) - Ranked #13 in NME's list of the 'Greatest Albums Of All Time.'0.1420315

$7.59
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Rolling Stone (12/11/03, p.114) - Ranked #77 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Youthful ambition bursts through the Clash's debut, a machine-gun blast of songs about unemployment, race, and the Clash themselves..."Rolling Stone (6/20/02, p.87) - 5 stars out of 5 - "...both a party and protest...The tunes still detonate as the group still insists justice must prevail..."Rolling Stone (12/11/03, p.114) - Ranked #77 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Youthful ambition bursts through the Clash's debut, a machine-gun blast of songs about unemployment, race, and the Clash themselves..."Spin (5/01, p.108) - Ranked #3 in Spin's "50 Most Essential Punk Records" - "...Punk as alienated rage, as anticorporate blather, as joyous racial confusion, as evangelic outreach and white knuckles and haywire impulses..."Q (6/00, p.70) - Ranked #48 in Q's "100 Greatest British Albums"Q (5/02 SE, p.135) - 5 stars out of 5 - Included in Q's "100 Best Punk Albums".Q (12/99, pp.152-3) - 5 stars out of 5 - "...[They] would never sound so punk as they did on 1977's self-titled debut....Lyrically intricate...it still howled with anger..."Q (10/02, p.136) - Indispensable - "...Unsurpassed for its concentrated anger and rebel bravado..."Alternative Press (3/00, pp.74-5) - 5 out of 5 - "...the eternal punk album....the blueprint for the pantomime of 'punkier' rock acts....for all of its forced politics and angst, THE CLASH continues to sound crucial..."Alternative Press (3/00, pp.74-5) - 5 out of 5 - "...the eternal punk album....the blueprint for the pantomime of 'punkier' rock acts....for all of its forced politics and angst, THE CLASH continues to sound crucial..."Mojo (Publisher) (3/03, p.76) - Ranked #2 in Mojo's "Top 50 Punk Albums" - "...The ultimate punk protest album....Searingly evocative of dreary late '70s Britain, but still timelessly inspiring..."Mojo (Publisher) (3/03, p.76) - Ranked #2 in Mojo's "Top 50 Punk Albums" - "...The ultimate punk protest album....Searingly evocative of dreary late '70s Britain, but still timelessly inspiring..."NME (Magazine) - Ranked #3 in NME's list of The Greatest Albums Of The '70s - "...The speed-freaked brain of punk set to the tinniest, most frantic guitars ever trapped on vinyl. Lives were changed beyond recognition by it..."NME (Magazine) (10/2/93, p.29) - Ranked #13 in NME's list of the 'Greatest Albums Of All Time.'0.1420315

$16.29
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BOOK REVIEWS COMING SOON!!!!0.1163818

$17.24
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0.09325425

$16.72
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Rolling Stone (5/13/99, p.80) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (1/23/97, pp.62-63) - 4 Stars (out of 5) - "...The DJ built songs out of layer upon layer of sampled instruments and other sound fragments, most of which he processed, looped and re-arranged far beyond recognition....funky rhythms that never sound like they've been cut and pasted together..."Spin (p.134) - "[T]his remains a stone classic, channeling Afrika Bambaataa's genre-splicing, DJ-booth mysticism into a fully realized studio epic..."Spin (9/99, p.126) - Ranked #15 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/97, p.59) - Ranked #12 on Spin's list of the "20 Best Albums of '96."Spin (1/97, p.81) - 9 (out of 10) - "...layers slinky break-beats with sampled sounds--anything from church bells to War Of The Worlds and, egad, Tears For Fears....a cosmic-chamber feel complete with choruses of fallen angels, plucked harps, Mellotron, and cello..."Spin (p.102) - "One of the best hip-hop, yes hip-hop - records ever made."Entertainment Weekly (11/29/96, p.92) - "...Unfolding lik a surreal film soundtrack on which jazz, classical, and jungle fragments are artfully blended with turntable tricks and dialogue snippets, ENDTRODUCING... takes hip-hop into the next dimension." - Rating: A-Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (11/96, p.120) - 4 Stars (out of 5) - "...Shadow's brief is to develop a totally sample-based idiom, weaving a cinematically broad spectrum so deftly layered that the sampling-is-stealing argument falls flat..."Uncut (p.121) - 4 stars out of 5 - "It's an elegy from a vinyl mausoleum, a sonic fiction assembled by a keen-eared archaeologist."Alternative Press (4/97, p.70) - 5 (out of 5) - "...an undeniable hip-hop masterpiece....DJ Shadow remembers that sampling is an art form."Magnet (p.88) - "An instrumental album entirely composed of samples and influenced by both prog rock and Public Enemy was, at the time, revolutionary....Still unmatched in its carefree invention."JazzTimes (4/97, p.65) - "Some consider...ENDTRODUCING... a broadcast from hip-hop's near future. But that notion ignores how much this disc reaffirms the music's creative roots....ENDTRODUCING is pretty damn good, with Shadow demonstrating an unerring ear for motif and texture, touching on everything from dub to funk to groove-jazz..."Option (1-2/97, p.73) - "...Shadow makes records the way Robert Rauschenberg made his combines: from scraps, pop artifacts, the things other people throw away....While some of his tracks float serenely on a cloud of jazzy phrasing and ambient textures, Shadow always lands on his beat..."Melody Maker (12/21-28/96, pp.66-67) - Ranked #2 on Melody Maker's list of 1996's "Albums Of The Year."Melody Maker (9/14/96, p.49) - Bloody Essential - "...it flips hip hop inside out all over again like a reversible glove, and again, and again, and each time it's sudden and new. I am, I confess, totally confounded by it. I hear a lot of good records, but very few impossible ones....You need this record. You are incomplete without it."Rap Pages (12/96, p.33) - "...Innovative arrangements and structures of sound are present here, reflecting a mind that is constantly summoning collage forms..."Village Voice (2/25/97) - Ranked #4 in the Village Voice's 1996 Pazz & Jop Critics' Poll.Mojo (Publisher) (p.65) - Ranked #18 in Mojo's "100 Modern Classics" -- "[The album] returned hip hop's focus from the MC to the music."Mojo (Publisher) (p.120) - 4 stars out of 5 - "A decade on, DJ Shadow's affirmatory essay on record collecting as a creative endeavour has lost none of its grandeur."NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #5 in NME's 1996 critics' poll.0.09046704

$9.58
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Rolling Stone (5/13/99, p.80) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (1/23/97, pp.62-63) - 4 Stars (out of 5) - "...The DJ built songs out of layer upon layer of sampled instruments and other sound fragments, most of which he processed, looped and re-arranged far beyond recognition....funky rhythms that never sound like they've been cut and pasted together..."Spin (p.134) - "[T]his remains a stone classic, channeling Afrika Bambaataa's genre-splicing, DJ-booth mysticism into a fully realized studio epic..."Spin (9/99, p.126) - Ranked #15 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/97, p.59) - Ranked #12 on Spin's list of the "20 Best Albums of '96."Spin (1/97, p.81) - 9 (out of 10) - "...layers slinky break-beats with sampled sounds--anything from church bells to War Of The Worlds and, egad, Tears For Fears....a cosmic-chamber feel complete with choruses of fallen angels, plucked harps, Mellotron, and cello..."Spin (p.102) - "One of the best hip-hop, yes hip-hop - records ever made."Entertainment Weekly (11/29/96, p.92) - "...Unfolding lik a surreal film soundtrack on which jazz, classical, and jungle fragments are artfully blended with turntable tricks and dialogue snippets, ENDTRODUCING... takes hip-hop into the next dimension." - Rating: A-Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (11/96, p.120) - 4 Stars (out of 5) - "...Shadow's brief is to develop a totally sample-based idiom, weaving a cinematically broad spectrum so deftly layered that the sampling-is-stealing argument falls flat..."Uncut (p.121) - 4 stars out of 5 - "It's an elegy from a vinyl mausoleum, a sonic fiction assembled by a keen-eared archaeologist."Alternative Press (4/97, p.70) - 5 (out of 5) - "...an undeniable hip-hop masterpiece....DJ Shadow remembers that sampling is an art form."Magnet (p.88) - "An instrumental album entirely composed of samples and influenced by both prog rock and Public Enemy was, at the time, revolutionary....Still unmatched in its carefree invention."JazzTimes (4/97, p.65) - "Some consider...ENDTRODUCING... a broadcast from hip-hop's near future. But that notion ignores how much this disc reaffirms the music's creative roots....ENDTRODUCING is pretty damn good, with Shadow demonstrating an unerring ear for motif and texture, touching on everything from dub to funk to groove-jazz..."Option (1-2/97, p.73) - "...Shadow makes records the way Robert Rauschenberg made his combines: from scraps, pop artifacts, the things other people throw away....While some of his tracks float serenely on a cloud of jazzy phrasing and ambient textures, Shadow always lands on his beat..."Melody Maker (12/21-28/96, pp.66-67) - Ranked #2 on Melody Maker's list of 1996's "Albums Of The Year."Melody Maker (9/14/96, p.49) - Bloody Essential - "...it flips hip hop inside out all over again like a reversible glove, and again, and again, and each time it's sudden and new. I am, I confess, totally confounded by it. I hear a lot of good records, but very few impossible ones....You need this record. You are incomplete without it."Rap Pages (12/96, p.33) - "...Innovative arrangements and structures of sound are present here, reflecting a mind that is constantly summoning collage forms..."Village Voice (2/25/97) - Ranked #4 in the Village Voice's 1996 Pazz & Jop Critics' Poll.Mojo (Publisher) (p.65) - Ranked #18 in Mojo's "100 Modern Classics" -- "[The album] returned hip hop's focus from the MC to the music."Mojo (Publisher) (p.120) - 4 stars out of 5 - "A decade on, DJ Shadow's affirmatory essay on record collecting as a creative endeavour has lost none of its grandeur."NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #5 in NME's 1996 critics' poll.0.09046704

$28.14
(0 reviews)

0.06303848

$41.46
(0 reviews)

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