beyond-fear,Tibet: Beyond Fear, Ultra-Lounge, Vol. 13: TV Town, Beyond Humanity *, FEAR ITSELF HULK PREM HC, The Great White Beyond [610585200735]

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84.09727

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0.1194631

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38.13906

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BOOK REVIEWS COMING SOON!!!!26.0119

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21.87016

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3 stars out of 5 -- "[N]oirish lensing enhances the moody, dream-like atmosphere."Total Film "With a haunting, melodramatic score by Miklos Rozsa and beautifully stark noir cinematography from Stanley Cortez, Lang's brilliant update adds a psychoanalytic Freudian twist...and is a distinct throwback to his German Expressionist roots."Film Comment19.09768

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3 stars out of 5 -- "THE RUINS plays on the post-9/11 fears of Americans abroad....[With] committed performances..."Total Film 3 stars out of 5 -- "[E]ffective in execution, relying less on jump scares than icky amateur surgery and self-harm....It will take root in your subconscious."Empire0.2035251

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3 stars out of 5 -- "THE RUINS plays on the post-9/11 fears of Americans abroad....[With] committed performances..."Total Film 3 stars out of 5 -- "[E]ffective in execution, relying less on jump scares than icky amateur surgery and self-harm....It will take root in your subconscious."Empire0.2035251

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0.2034474

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CMJ - "[A] juggernaut of melody, force and mythological grandeur....This trio adds sinister shreds and an incessant flair for fantasy metal folklore..."Kerrang (Magazine) (p.56) - "[O]ne of the best heavy metal album you'll hear all year, strewn with titanic riffs forged from the purest and heaviest of metals."0.1970778

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0.1970778

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Rolling Stone (12/11/03, p.98) - Ranked #19 in Rolling Stone's "500 Greatest Albums Of All Time" - "...ASTRAL WEEKS is Morrison going deep inside himself, to the far corners of his life and art, without a net or fear..."Q (6/00, p.89) - Ranked #6 in Q's "100 Greatest British Albums" - "...Its musical daring, mantra-like incantations and kaleidoscopic use of language [is] still beyond cosy categorization....recalling his provincial, '50s Belfast youth with an almost feverish imigination and regret..."Q (Magazine) (p.140) - "[O]ne of rock's crowning glories and, with Morrison at times entering an almost trance-like state of rapture, the very apex of his art."NME (Magazine) (10/2/93, p.29) - Ranked #15 in NME's list of the `Greatest Albums Of All Time.'0.1731833

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0.1689238

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"...The biggest, fanciest film about kiddie baseball that you will ever see..." New York Times "...[The] kids are a delight, with unforced wit and natural charm..." Sight and Sound "...Sweet and sincere....[The] performances are strong....The adult roles provide solid cameos for James Earl Jones and Karen Allen..." Variety "...Told in an original, quirky, off-center, deliberately exaggerated way....The movie isn't about winning and losing, it's about growing up and facing your fears..." Chicago Sun-Times0.1493004

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0.1407699

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0.1407699

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0.1407699

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0.1407699

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0.1407699

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0.1407699

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Rolling Stone (p.74) - 3 stars out of 5 -- "[This] shows how far beyond Sixties folk lefty rabble-rousing has come, with hip-hop, electronica and indie rock sitting alongside Pete Seeger and Joan Baez."Entertainment Weekly (p.73) - "[M]assive, eclectic....The spirit of the compilation feels more positive than negative -- the best that can be asked of any grassroots revolution." -- Grade: B+0.1385741

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"[A] movie experience that's undeniably agonizing -- but also unexpectedly bracing....The movie is tightly built, but Greengrass is patient, letting events unfold at the pace of reality." -- Grade: A- Entertainment Weekly "A persuasively narrated, scrupulously tasteful re-creation of the downing of the fourth and final plane hijacked by Islamist terrorists on Sept. 11..." New York Times 4 stars out of 4 -- "[The director] imagines a sea of arms reaching into the cockpit in a way that redefines heroism. Far from being exploitive, the effect is inspiring: This is the best of us." Rolling Stone "This unflinching, powerfully visceral portrait of the events aboard one of the terrorist-commandeered flights on Sept. 11, 2001, is the most gut-wrenching and captivating film this year."USA Today 4 stars out of 5 -- "A ferocious requiem, squinting for truth through tears of rage....UNITED 93 is an eloquent tribute to their fear and fury." Total Film 5 stars out of 5 -- "[A]n emotional mosaic so forceful, so credible, that viewers will feel as though they are watching the fateful day unfolding, once again, before their very eyes." Box Office "Greengrass treats his subject matter with serious-minded sensitivity....UNITED 93 terrifyingly conveys the nature of the threat facing the world today and poignantly conveys onscreen the decision by a few brave individuals to fight back." Sight and Sound 3.5 stars out of 5 -- "[A]s riveting as it is morally confounding....The movie eschews facile judgments and false heroism..."Premiere "[A] realistic piece, and the impact is shattering beyond anything American movies have offered up this year, or last."Movieline's Hollywood Life 5 stars out of 5 -- "Greengrass's picture unfolds with grim authenticity....Sobering, enlightening, important."Ultimate DVD Ranked #6 in Rolling Stone's "The 10 Best Movies Of 2006" -- "The gifted director Paul Greengrass has crafted a humane tribute to the power of resistance."Rolling Stone Included in Entertainment Weekly's "Top 10 Films Of The Year" -- "In its scary and lacerating way, a revelation..."Entertainment Weekly Ranked #8 in Film Comment's "20 Best Films Of 2006."Film Comment "[A] meticulously if not agonizingly scrupulous film..."Film Comment0.1267442

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"This unflinching, powerfully visceral portrait of the events aboard one of the terrorist-commandeered flights on Sept. 11, 2001, is the most gut-wrenching and captivating film this year."USA Today "A persuasively narrated, scrupulously tasteful re-creation of the downing of the fourth and final plane hijacked by Islamist terrorists on Sept. 11..."New York Times "Greengrass treats his subject matter with serious-minded sensitivity....UNITED 93 terrifyingly conveys the nature of the threat facing the world today and poignantly conveys onscreen the decision by a few brave individuals to fight back."Sight and Sound 5 stars out of 5 -- "Greengrass's picture unfolds with grim authenticity....Sobering, enlightening, important."Ultimate DVD Ranked #6 in Rolling Stone's "The 10 Best Movies Of 2006" -- "The gifted director Paul Greengrass has crafted a humane tribute to the power of resistance."Rolling Stone Ranked #8 in Film Comment's "20 Best Films Of 2006."Film Comment "[A] meticulously if not agonizingly scrupulous film..."Film Comment "[A] movie experience that's undeniably agonizing -- but also unexpectedly bracing....The movie is tightly built, but Greengrass is patient, letting events unfold at the pace of reality." -- Grade: A-Entertainment Weekly 4 stars out of 4 -- "[The director] imagines a sea of arms reaching into the cockpit in a way that redefines heroism. Far from being exploitive, the effect is inspiring: This is the best of us."Rolling Stone 4 stars out of 5 -- "A ferocious requiem, squinting for truth through tears of rage....UNITED 93 is an eloquent tribute to their fear and fury."Total Film 5 stars out of 5 -- "[A]n emotional mosaic so forceful, so credible, that viewers will feel as though they are watching the fateful day unfolding, once again, before their very eyes."Box Office 3.5 stars out of 5 -- "[A]s riveting as it is morally confounding....The movie eschews facile judgments and false heroism..."Premiere "[A] realistic piece, and the impact is shattering beyond anything American movies have offered up this year, or last."Movieline's Hollywood Life Included in Entertainment Weekly's "Top 10 Films Of The Year" -- "In its scary and lacerating way, a revelation..."Entertainment Weekly0.1267442

$10.70
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"This unflinching, powerfully visceral portrait of the events aboard one of the terrorist-commandeered flights on Sept. 11, 2001, is the most gut-wrenching and captivating film this year."USA Today "Greengrass treats his subject matter with serious-minded sensitivity....UNITED 93 terrifyingly conveys the nature of the threat facing the world today and poignantly conveys onscreen the decision by a few brave individuals to fight back."Sight and Sound Ranked #6 in Rolling Stone's "The 10 Best Movies Of 2006" -- "The gifted director Paul Greengrass has crafted a humane tribute to the power of resistance."Rolling Stone "A persuasively narrated, scrupulously tasteful re-creation of the downing of the fourth and final plane hijacked by Islamist terrorists on Sept. 11..."New York Times 5 stars out of 5 -- "Greengrass's picture unfolds with grim authenticity....Sobering, enlightening, important."Ultimate DVD Ranked #8 in Film Comment's "20 Best Films Of 2006."Film Comment "[A] meticulously if not agonizingly scrupulous film..."Film Comment "[A] movie experience that's undeniably agonizing -- but also unexpectedly bracing....The movie is tightly built, but Greengrass is patient, letting events unfold at the pace of reality." -- Grade: A-Entertainment Weekly 4 stars out of 4 -- "[The director] imagines a sea of arms reaching into the cockpit in a way that redefines heroism. Far from being exploitive, the effect is inspiring: This is the best of us."Rolling Stone 4 stars out of 5 -- "A ferocious requiem, squinting for truth through tears of rage....UNITED 93 is an eloquent tribute to their fear and fury."Total Film 5 stars out of 5 -- "[A]n emotional mosaic so forceful, so credible, that viewers will feel as though they are watching the fateful day unfolding, once again, before their very eyes."Box Office 3.5 stars out of 5 -- "[A]s riveting as it is morally confounding....The movie eschews facile judgments and false heroism..."Premiere "[A] realistic piece, and the impact is shattering beyond anything American movies have offered up this year, or last."Movieline's Hollywood Life Included in Entertainment Weekly's "Top 10 Films Of The Year" -- "In its scary and lacerating way, a revelation..."Entertainment Weekly0.1267442

$12.45
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3.5 stars out of 5 -- "The drama of TAKE SHELTER resembles Todd Haynes' SAFE in its real-world fear and paranoia, but it's warmer, more poignant and more suspenseful than that 1995 psychodrama."Box Office "Writer-director Jeff Nichols builds his elegantly shot, weather-sensitive horror story in waves of tension that crest as if pulled by tempests." -- Grade: A-Entertainment Weekly "Nichols is still concerned with family legacies, and the ways people in smaller communities relate to each other, but TAKE SHELTER is slower and smoother, deliberately developing a mood of creeping dread."A.V. Club 3 stars out of 4 -- "Nichols throws curveballs, but his film is unique and unforgettable."Rolling Stone 4 stars out of 4 -- "Here is a frightening thriller based not on special effects gimmicks but on a dread that seems quietly spreading in the land..."Chicago Sun-Times 4 stars out of 4 -- "Taut, unsettling, haunting and powerful, TAKE SHELTER stars Michael Shannon in a shattering performance as a man caught up in forces beyond his control."Washington Post 4 stars out of 5 -- "[A] beguiling mix of Polanski-esque psychological terror and Loach-like social realism....Aided by the poetic, often Malick-esque visuals...it's a brave idea, boldly executed."Total Film0.1237023

$22.84
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3.5 stars out of 5 -- "The drama of TAKE SHELTER resembles Todd Haynes' SAFE in its real-world fear and paranoia, but it's warmer, more poignant and more suspenseful than that 1995 psychodrama."Box Office "Writer-director Jeff Nichols builds his elegantly shot, weather-sensitive horror story in waves of tension that crest as if pulled by tempests." -- Grade: A-Entertainment Weekly "Nichols is still concerned with family legacies, and the ways people in smaller communities relate to each other, but TAKE SHELTER is slower and smoother, deliberately developing a mood of creeping dread."A.V. Club 3 stars out of 4 -- "Nichols throws curveballs, but his film is unique and unforgettable."Rolling Stone 4 stars out of 4 -- "Here is a frightening thriller based not on special effects gimmicks but on a dread that seems quietly spreading in the land..."Chicago Sun-Times 4 stars out of 4 -- "Taut, unsettling, haunting and powerful, TAKE SHELTER stars Michael Shannon in a shattering performance as a man caught up in forces beyond his control."Washington Post 4 stars out of 5 -- "[A] beguiling mix of Polanski-esque psychological terror and Loach-like social realism....Aided by the poetic, often Malick-esque visuals...it's a brave idea, boldly executed."Total Film "[TAKE SHELTER] grows more convincing as it develops Curtis's predicament....It's a pleasure and a relief to see a film about the realities as well as the surrealities of the world..."Sight and Sound 4 stars out of 5 -- "Jessica Chastain makes a more forceful, feisty mother than she did in Terrence Malick's THE TREE OF LIFE, while in the lead, Shannon is as riveting as ever."Uncut0.1237023

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0.1126159

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The Wire (8/01, p.55) - "...Each arrangement pulsates with a dark intelligence....Weird and wonderful..."CMJ (8/01, p.80) - "...Inventive....cementing Patton's reputation as an artist..."NME (Magazine) (7/28/01, p.42) - 8 out of 10 - "...Genius...16 reinterpreted scores from movies like ROSEMARY'S BABY, THE OMEN and so forth....Patton croons devilishly while skycrapers collapse behind him, and the result is pure rock operatics..."0.1126159

$10.19
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0.1126159

$14.17
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0.1126159

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"...A good, stylish mixture of [standard King elements]....[Barrymore is] extremely self-assured..."New York Times "...[The] performances and characterizations are solid....[The] stars are [the] special effects team..."Variety0.1126159

$9,999.99
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"...A good, stylish mixture of [standard King elements]....[Barrymore is] extremely self-assured..."New York Times "...[The] performances and characterizations are solid....[The] stars are [the] special effects team..."Variety0.1126159

$8.40
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"...A good, stylish mixture of [standard King elements]....[Barrymore is] extremely self-assured..."New York Times "...[The] performances and characterizations are solid....[The] stars are [the] special effects team..."Variety0.1126159

$11.45
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0.09853891

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0.09853891

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BOOK REVIEWS COMING SOON!!!!0.09853891

$9,999.99
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0.09853891

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0.08446192

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0.08446192

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0.08446192

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0.07761071

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Rolling Stone (5/13/99, p.80) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (1/23/97, pp.62-63) - 4 Stars (out of 5) - "...The DJ built songs out of layer upon layer of sampled instruments and other sound fragments, most of which he processed, looped and re-arranged far beyond recognition....funky rhythms that never sound like they've been cut and pasted together..."Spin (p.134) - "[T]his remains a stone classic, channeling Afrika Bambaataa's genre-splicing, DJ-booth mysticism into a fully realized studio epic..."Spin (9/99, p.126) - Ranked #15 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/97, p.59) - Ranked #12 on Spin's list of the "20 Best Albums of '96."Spin (1/97, p.81) - 9 (out of 10) - "...layers slinky break-beats with sampled sounds--anything from church bells to War Of The Worlds and, egad, Tears For Fears....a cosmic-chamber feel complete with choruses of fallen angels, plucked harps, Mellotron, and cello..."Spin (p.102) - "One of the best hip-hop, yes hip-hop - records ever made."Entertainment Weekly (11/29/96, p.92) - "...Unfolding lik a surreal film soundtrack on which jazz, classical, and jungle fragments are artfully blended with turntable tricks and dialogue snippets, ENDTRODUCING... takes hip-hop into the next dimension." - Rating: A-Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (11/96, p.120) - 4 Stars (out of 5) - "...Shadow's brief is to develop a totally sample-based idiom, weaving a cinematically broad spectrum so deftly layered that the sampling-is-stealing argument falls flat..."Uncut (p.121) - 4 stars out of 5 - "It's an elegy from a vinyl mausoleum, a sonic fiction assembled by a keen-eared archaeologist."Alternative Press (4/97, p.70) - 5 (out of 5) - "...an undeniable hip-hop masterpiece....DJ Shadow remembers that sampling is an art form."Magnet (p.88) - "An instrumental album entirely composed of samples and influenced by both prog rock and Public Enemy was, at the time, revolutionary....Still unmatched in its carefree invention."JazzTimes (4/97, p.65) - "Some consider...ENDTRODUCING... a broadcast from hip-hop's near future. But that notion ignores how much this disc reaffirms the music's creative roots....ENDTRODUCING is pretty damn good, with Shadow demonstrating an unerring ear for motif and texture, touching on everything from dub to funk to groove-jazz..."Option (1-2/97, p.73) - "...Shadow makes records the way Robert Rauschenberg made his combines: from scraps, pop artifacts, the things other people throw away....While some of his tracks float serenely on a cloud of jazzy phrasing and ambient textures, Shadow always lands on his beat..."Melody Maker (12/21-28/96, pp.66-67) - Ranked #2 on Melody Maker's list of 1996's "Albums Of The Year."Melody Maker (9/14/96, p.49) - Bloody Essential - "...it flips hip hop inside out all over again like a reversible glove, and again, and again, and each time it's sudden and new. I am, I confess, totally confounded by it. I hear a lot of good records, but very few impossible ones....You need this record. You are incomplete without it."Rap Pages (12/96, p.33) - "...Innovative arrangements and structures of sound are present here, reflecting a mind that is constantly summoning collage forms..."Village Voice (2/25/97) - Ranked #4 in the Village Voice's 1996 Pazz & Jop Critics' Poll.Mojo (Publisher) (p.65) - Ranked #18 in Mojo's "100 Modern Classics" -- "[The album] returned hip hop's focus from the MC to the music."Mojo (Publisher) (p.120) - 4 stars out of 5 - "A decade on, DJ Shadow's affirmatory essay on record collecting as a creative endeavour has lost none of its grandeur."NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #5 in NME's 1996 critics' poll.0.07422139

$8.98
(0 reviews)

Rolling Stone (5/13/99, p.80) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (1/23/97, pp.62-63) - 4 Stars (out of 5) - "...The DJ built songs out of layer upon layer of sampled instruments and other sound fragments, most of which he processed, looped and re-arranged far beyond recognition....funky rhythms that never sound like they've been cut and pasted together..."Spin (p.134) - "[T]his remains a stone classic, channeling Afrika Bambaataa's genre-splicing, DJ-booth mysticism into a fully realized studio epic..."Spin (9/99, p.126) - Ranked #15 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/97, p.59) - Ranked #12 on Spin's list of the "20 Best Albums of '96."Spin (1/97, p.81) - 9 (out of 10) - "...layers slinky break-beats with sampled sounds--anything from church bells to War Of The Worlds and, egad, Tears For Fears....a cosmic-chamber feel complete with choruses of fallen angels, plucked harps, Mellotron, and cello..."Spin (p.102) - "One of the best hip-hop, yes hip-hop - records ever made."Entertainment Weekly (11/29/96, p.92) - "...Unfolding lik a surreal film soundtrack on which jazz, classical, and jungle fragments are artfully blended with turntable tricks and dialogue snippets, ENDTRODUCING... takes hip-hop into the next dimension." - Rating: A-Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (11/96, p.120) - 4 Stars (out of 5) - "...Shadow's brief is to develop a totally sample-based idiom, weaving a cinematically broad spectrum so deftly layered that the sampling-is-stealing argument falls flat..."Uncut (p.121) - 4 stars out of 5 - "It's an elegy from a vinyl mausoleum, a sonic fiction assembled by a keen-eared archaeologist."Alternative Press (4/97, p.70) - 5 (out of 5) - "...an undeniable hip-hop masterpiece....DJ Shadow remembers that sampling is an art form."Magnet (p.88) - "An instrumental album entirely composed of samples and influenced by both prog rock and Public Enemy was, at the time, revolutionary....Still unmatched in its carefree invention."JazzTimes (4/97, p.65) - "Some consider...ENDTRODUCING... a broadcast from hip-hop's near future. But that notion ignores how much this disc reaffirms the music's creative roots....ENDTRODUCING is pretty damn good, with Shadow demonstrating an unerring ear for motif and texture, touching on everything from dub to funk to groove-jazz..."Option (1-2/97, p.73) - "...Shadow makes records the way Robert Rauschenberg made his combines: from scraps, pop artifacts, the things other people throw away....While some of his tracks float serenely on a cloud of jazzy phrasing and ambient textures, Shadow always lands on his beat..."Melody Maker (12/21-28/96, pp.66-67) - Ranked #2 on Melody Maker's list of 1996's "Albums Of The Year."Melody Maker (9/14/96, p.49) - Bloody Essential - "...it flips hip hop inside out all over again like a reversible glove, and again, and again, and each time it's sudden and new. I am, I confess, totally confounded by it. I hear a lot of good records, but very few impossible ones....You need this record. You are incomplete without it."Rap Pages (12/96, p.33) - "...Innovative arrangements and structures of sound are present here, reflecting a mind that is constantly summoning collage forms..."Village Voice (2/25/97) - Ranked #4 in the Village Voice's 1996 Pazz & Jop Critics' Poll.Mojo (Publisher) (p.65) - Ranked #18 in Mojo's "100 Modern Classics" -- "[The album] returned hip hop's focus from the MC to the music."Mojo (Publisher) (p.120) - 4 stars out of 5 - "A decade on, DJ Shadow's affirmatory essay on record collecting as a creative endeavour has lost none of its grandeur."NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #5 in NME's 1996 critics' poll.0.07422139

$17.76
(0 reviews)

Rolling Stone (5/13/99, p.80) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (1/23/97, pp.62-63) - 4 Stars (out of 5) - "...The DJ built songs out of layer upon layer of sampled instruments and other sound fragments, most of which he processed, looped and re-arranged far beyond recognition....funky rhythms that never sound like they've been cut and pasted together..."Spin (p.134) - "[T]his remains a stone classic, channeling Afrika Bambaataa's genre-splicing, DJ-booth mysticism into a fully realized studio epic..."Spin (9/99, p.126) - Ranked #15 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/97, p.59) - Ranked #12 on Spin's list of the "20 Best Albums of '96."Spin (1/97, p.81) - 9 (out of 10) - "...layers slinky break-beats with sampled sounds--anything from church bells to War Of The Worlds and, egad, Tears For Fears....a cosmic-chamber feel complete with choruses of fallen angels, plucked harps, Mellotron, and cello..."Spin (p.102) - "One of the best hip-hop, yes hip-hop - records ever made."Entertainment Weekly (11/29/96, p.92) - "...Unfolding lik a surreal film soundtrack on which jazz, classical, and jungle fragments are artfully blended with turntable tricks and dialogue snippets, ENDTRODUCING... takes hip-hop into the next dimension." - Rating: A-Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (11/96, p.120) - 4 Stars (out of 5) - "...Shadow's brief is to develop a totally sample-based idiom, weaving a cinematically broad spectrum so deftly layered that the sampling-is-stealing argument falls flat..."Uncut (p.121) - 4 stars out of 5 - "It's an elegy from a vinyl mausoleum, a sonic fiction assembled by a keen-eared archaeologist."Alternative Press (4/97, p.70) - 5 (out of 5) - "...an undeniable hip-hop masterpiece....DJ Shadow remembers that sampling is an art form."Magnet (p.88) - "An instrumental album entirely composed of samples and influenced by both prog rock and Public Enemy was, at the time, revolutionary....Still unmatched in its carefree invention."JazzTimes (4/97, p.65) - "Some consider...ENDTRODUCING... a broadcast from hip-hop's near future. But that notion ignores how much this disc reaffirms the music's creative roots....ENDTRODUCING is pretty damn good, with Shadow demonstrating an unerring ear for motif and texture, touching on everything from dub to funk to groove-jazz..."Option (1-2/97, p.73) - "...Shadow makes records the way Robert Rauschenberg made his combines: from scraps, pop artifacts, the things other people throw away....While some of his tracks float serenely on a cloud of jazzy phrasing and ambient textures, Shadow always lands on his beat..."Melody Maker (12/21-28/96, pp.66-67) - Ranked #2 on Melody Maker's list of 1996's "Albums Of The Year."Melody Maker (9/14/96, p.49) - Bloody Essential - "...it flips hip hop inside out all over again like a reversible glove, and again, and again, and each time it's sudden and new. I am, I confess, totally confounded by it. I hear a lot of good records, but very few impossible ones....You need this record. You are incomplete without it."Rap Pages (12/96, p.33) - "...Innovative arrangements and structures of sound are present here, reflecting a mind that is constantly summoning collage forms..."Village Voice (2/25/97) - Ranked #4 in the Village Voice's 1996 Pazz & Jop Critics' Poll.Mojo (Publisher) (p.65) - Ranked #18 in Mojo's "100 Modern Classics" -- "[The album] returned hip hop's focus from the MC to the music."Mojo (Publisher) (p.120) - 4 stars out of 5 - "A decade on, DJ Shadow's affirmatory essay on record collecting as a creative endeavour has lost none of its grandeur."NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #5 in NME's 1996 critics' poll.0.07422139

$9,999.99
(0 reviews)

0.07038493

$9,999.99
(0 reviews)

BOOK REVIEWS COMING SOON!!!!0.07038493

$9,999.99
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"[P]rofound, magisterial, and gripping....LETTERS FROM IWO JIMA enthralls in the audacity of its simplicity." -- Grade: AEntertainment Weekly "[A]s a seasoned film-maker, he can render action -- especially sudden death or suicide -- as disorientating as it's startling."Sight and Sound 4 stars out of 4 -- "Eastwood's film burns into the memory by striving for authentic detail. The result is unique and unforgettable."Rolling Stone 3 stars out of 5 -- "[T]he performances ensure an emotional connection....LETTERS seeks to humanise the other side in a way FLAGS never did..."Total Film 4 stars out of 5 -- "Eastwood treads a respectful and even-handed path."Ultimate DVD Ranked #3 in Rolling Stone's "The 10 Best Movies Of 2006" -- "[A] single, stinging portrait of war..."Rolling Stone Included in Entertainment Weekly's "Top 10 Films Of The Year" -- "[A] war picture that honors every soldier everywhere..."Entertainment Weekly Ranked #16 in Film Comment's "20 Best Films Of 2006."Film Comment 5 stars out of 5 -- "Directed with fluency and grace, LETTERS...illuminates a desperately dark episode with rare insight and conviction."Uncut "In a larger sense, it's the second, and artistically superior, half of a single epic film that springs from a single act of compassionate imagination..."Wall Street Journal0.07038493

$9,999.99
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0.07038493

$9,999.99
(0 reviews)

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