bill-williams,Ghost Town [Bill Frisell], Hoodlum, Rushmore [DVD] [1999] [Multilingual] [Region 1], Lost in Space - Season 3: Vol. 1, The Brady Bunch in the White House/Growing Up Brady 2-Pack

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Alternative Press (7/00, p.94) - 3 out of 5 - "...Bizarre....gradually emerging as an almost airtight, emotionally barricaded sonic universe....This is not hillbilly music; rather, it is music intended to evoke 'hillbilly culture' to those who have never left a major city..."The Wire (5/00, p.69) - "...His first solo guitar album....Frisell tinkers with [Hank] William's 'I'm So Lonesome I Could Cry' and the Gershwin's 'My Man's Gone Now' from PORGY AND BESS, 2 eternal songs which he expertly picks away at like a hungry buzzard until only the bare bones remain."CMJ (3/27/00, p.23) - "...A milestone in the career of a true innovator - enchanting as anything he has done and a clear window into his muse."Down Beat (8/00, p.27) - Ranked #3 Jazz Album in Downbeat "Critics Poll 2000".Down Beat (6/00, pp.69-70) - 5 stars out of 5 - "...So immaculately layered and natural sounding that you can't imagine any other guitarist duplicating it....painting Frisell as the contented, beauty-worshipping man he is."JazzTimes (8/00, pp.91-2) - "...[He] is like a painter dealing with guitaristic layers....Spare as the setting is, [he] invests a lively world feeling behind economic material....[It] is the polar opposite of background music....he's the friendly guitar anti-hero of our time."No Depression (3-4/00, p.113) - "...a lyrical Utopia where the one-of-a-kind guitarist can indulge his love of glowing heartland melodies in splendid isolation....The bright, vibrant sound...from his layered picking and strumming lights up the room..."30.39264

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"...Charging the action is an electric three-prong attack: Laurence Fishburne as magnetic Johnson, Tim Roth as a wonderfully no-class Schultz and Andy Garcia as a cool and cocky Luciano..." -- 3 out of 4 stars USA Today "...Mr. Fishburne is as coolly ruthless as Al Pacino's Michael Corleone in THE GODFATHER....Ms. Tyson is also memorable..." New York Times "...This is Duke's most accomplished job of direction yet. He gets a juicy performance out of Tim Roth..." Entertainment Weekly "...Duke has made a historical drama as much as a thriller..." Chicago Sun-Times18.11979

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"...RUSHMORE is made to be treasured....An immediate American classic..." Sight and Sound "...RUSHMORE stands as the perfect comedy, with excellent characterisation happily skipping along hand in hand with pithy intelligent dialogue and plotting..." -- 5 out of 5 stars Total Film "...[Murray] is at his off-kilter best in this quirky coming-of-age caper..." USA Today "...Bright, spiky....[RUSHMORE] includes a sweet turn by Seymour Cassel..." New York Times "...RUSHMORE feels like a miracle -- a movie whose imaginative audacity is matched by perfect execution....There is so much to admire and adore in RUSHMORE..." Premiere "...Like the best filmmakers, director Wes Anderson has an idiosyncratic sensibility, the rare ability to create a world that is completely his own..." Los Angeles Times "...Anderson and Wilson are good offbeat filmmakers. They fill the corners of their story with nice touches..." Chicago Sun-Times13.9711

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No Depression (p.105) - "[T]heir style and repertoire show flashes of Jimmie Rodgers and early Hank Williams as often as Ralph Stanley or Bill Monroe."0.4510657

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Living Blues (7-8/01, p.19) - Rated as "Best Blues Historical/Reissue-Prewar Album of 2000".0.1287586

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Rolling Stone (8/31/00, pp.69-73) - 4 stars out of 5 - "...Lavish....Smith was a master of the segue...[and] had a prophet's ear..."Entertainment Weekly (5/26/00, p.75) - "...Depression-era and reflects the old folkways' collapse. From Robert Johnson to the Carter Family to a pre-bluegrass Bill Monroe - Smith's ear for greatness was uncanny." - Rating: AQ (9/00, p.116) - 4 stars out of 5 - "...This final volume is based on his 'content analysis' of the post-1932 Depression period....all the songs are just plain bizarre and have recurring or interwoven themes....it's the CD gift of the season for those in the know."The Wire (1/01, p.34) - Included in Wire's "50 Records Of The Year" [2000].The Wire (5/00, p.58) - "...Decades of crackle and fuzz have become inextricable parts of these songs, ghost channels that seem to calling directly over time, a little ruptured window onto another world. We can literally hear the sound of a world slowly retreating into the murk of history..."CMJ (6/12/00, p.25) - "...Features 28 long-lost ballads and social music recorded between 1928 and 1940....sequenced as Smith originally intended..."No Depression (5-6/00, pp.100-1) - "...Smith's careful construction compels the listener to experience the album as a whole....this formidable work...is likely to be remembered as one of 2000's finest archival recordings."Mojo (Publisher) (8/00, p.94) - "...More lives have been touched by the music in these volumes than almost any other source. Dig in and dig it."0.1279364

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Rolling Stone (7/5/01, p.138) - 3.5 out of 5 stars - "...An affectionate and agreeable collection....going down as easily as Southern Comfort..."Entertainment Weekly (8/17/01, p.73) - "...A quasi-star-studded, rich salute to the blues..." - Rating: B+CMJ (8/01, p.76) - "...Populated by artists who learned directly under the guiding hand of the honoree..."Down Beat (8/01, pp.65-6) - 4 stars out of 5 - "...The bedrock simplicity at the heart of Hurt's tunes is what makes this 15-song hat-tip such a successful venture..."Living Blues (9-10/01, pp.70-1) - "...Those intrigued by the possibilities offered by Hurt's music in a variety of settings will find this a fitting tribute..."No Depression (7-8/01, p.129) - "...The best of these performances make you fall in love with Hurt like it was the first time..."Mojo (Publisher) (1/02, p.69) - Included in Mojo's "Best Americana of 2001".Mojo (Publisher) (9/01, p.97) - "...No showcasing, just understated, and 'right'..."0.1274646

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"...Seductive, engaging....[Lee is] terrific at ambience, at a real feeling for backstage talk..." Los Angeles Times0.08925243

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"...[1941] remains dear to [Spielberg's] heart..." -- Rating: B+ Entertainment Weekly0.08925243

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Mojo (Publisher) (8/03, p.112) - 5 out of 5 stars - "Intended to bridge the gap between folk and blues, this comp blurs the genres..."0.08925243

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Entertainment Weekly (12/23/94, p.66) - "...[an] excellent compendium of classic jazz piano..." - Rating: A0.08925243

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Down Beat (May 2002, p.58) - 3.5 out of 5 stars - "...A sonic history is portrayed with classic images and well-organized text."0.08925243

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Down Beat (5/97, p.73) - 3 Stars (out of 5) - "...If nothing else, the road from [country blues] to [urban blues] demonstrates how broad [label owner Bob] Koester's interests range, and how complex the history of Chicago blues guitar really is."0.08925243

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Q (2/04, p.108) - 4 stars out of 5 - "[S]oul shouters and sobbers look at the war against communism from every blues, ballad or funk viewpoint..."0.07437702

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Living Blues (6/03, p.106) - "...On a song-by-song basis this is a rich journey through tradition....There's plenty here to goad even jaded veterans into either revisiting long-forgotten favorites or exploring yet-unblazed trails..."0.07437702

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