billy-strange,Strange Country [Billy Strange] [090431086926], The Best of Billy Strange, The Shacklefords Sing, Fantastic Television!!, Super Scary Monster Party

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34.51452

$4.81
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34.51452

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Record Collector (magazine) (p.103) - 3 stars out of 5 -- "THE SHACKLEFORDS SING features appearances from A-list Hollywood sessionmen of the calibre of Wrecking Crew members Hal Blaine, Billy Strange and Al Casey."0.5470486

$14.43
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0.282098

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0.1595787

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0.1504523

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0.09403267

$6.53
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0.09403267

$20.19
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"...A clever comic riff on Macbeth..." New York Times "...Bizarrely original..."Entertainment Weekly "...Tiernay takes ferocious cold-bloodedness to a riotous extreme..."Movieline's Hollywood Life "...Tierney, in the juiciest role, actually evokes some of the power of the original Lady Macbeth..." Chicago Sun-Times16.9067

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14.68156

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Signal To Noise (magazine) (p.76) - "'Don't Leave Me (When Winter Comes)' finds Kno in full melancholia, with haunted disembodied vocals over minor-key arrangements and chugging drum fills."12.72767

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Record Collector (magazine) (p.104) - 4 stars out of 5 -- "The latter selections are particularly rewarding, particularly the ballad 'Once In A Lifetime' and the strings-enhanced title song. A terrific spotlight on Vera in his prime."8.823071

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8.326167

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7.379333

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"...It stars a perfectly teamed Anne Parillaud and William Baldwin, and it is a film of shimmering elegance that works smashingly well on an almost surreal visual level..." Los Angeles Times6.684066

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5.898612

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5.872042

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"...A fully realized, cohesive, and -- the real surprise -- completely 'serious' homage to the Hollywood genre, perhaps the best neo-noir since THE TWO JAKES..." Film Comment "...One of [the Coen brothers's] most haunting and rewarding works..."Movieline's Hollywood Life "...It's shot in clean, crisp black and white, it's elegant compositions masterfully framed and lit....The Coens are masters of the offbeat and bizarre..." Sight and Sound "...It's probable that most filmmakers love making movies, but few of them express this love with such voracious, crazy ardor....THE MAN WHO WASN'T THERE moves with the stately grace of the Beethoven that decorates the soundtrack..." New York Times "...The remarkable Thornton never hits a false note..."USA Today "...Succulently retro, vintage-Hollywood-goes-bizarro film noir..." Entertainment Weekly "...So assured and perceptive in it's style, it's like a voluptuous feast..." Chicago Sun-Times5.858757

$9.19
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"Revisit Season 2 to marvel not only at the twists and turns but at the remarkable performances." Entertainment Weekly5.843739

$56.84
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Down Beat (9/94, p.40) - 4 Stars - Very Good - "...vintage...from the Billy Bang era...comprised of originals from the group, the album offers an unmistakable jazz feeling....Bang is a very entertaining, eccentric player, full of ideas and personal touches..."0.263669

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CMJ - "SLEEP FOREVER is a journey through the darker parts of the human mind. Death, love and a strange sense of optimism resonate through the waves of reverb from start to finish."Pitchfork (Website) - "Expansive sound in place, Crocodiles bring the tunes to match. Opener 'Mirrors' unfurls slowly, gracefully notching up the racket before sliding into its monstrous verses."0.2175481

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Spin (p.94) - 3.5 stars out of 5 -- "[The songs] flirt with familiar forms -- from straight-up blues to achy, winsome country ballads....Proving that well-worn ingredients often yield novel and beautiful results."Entertainment Weekly (p.95) - "Here he returns to more familiar territory, strumming spare elegies on acoustic guitar. His warmth is complemented by chilly accents..." -- Grade: B+Uncut (p.102) - 4 stars out of 5 -- "[T]he most immediately striking thing is the effect of the string arrangements, which add an extra layer of haunting mystery."The Wire (p.49) - "Prince Billy is more stylistically adventurous than usual here....Even Oldham's most romantic songs are flavoured with a carnal aftertaste. THE LETTING GO is singed with intimacy."CMJ (p.47) - "The orchestral backings nicely fill the sparse acoustic tunes, and Dawn McCarthy's vocals blend well with Oldham's."Dirty Linen (p.85) - "The warbling vocals have a poignant, vulnerable quality while much of the music sounds eerily haunting."No Depression (p.102) - "[T]here's a disarmingly endearing sense that he's found great sweetness in it all."Mojo (Publisher) (p.102) - 4 stars out of 5 -- "[With] expansive arrangements and glowing melodies....Wherever it ultimately sits in the Oldham canon, THE LETTING GO -- introspective, yet as tender and universal as a lover's embrace -- is a fine addition."Uncut (magazine) (p.83) - "[McCarthy is] a suitable banshee-like foil on one of Bonnie 'Prince' Billy's most intimate records."0.1741885

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0.1625877

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0.1305776

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0.1290061

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Down Beat (4/95, p.35) - 4 Stars - Very Good - "...Cartoon music for the 90's....the writing reflects the band's influences: early fusion, rock & roll, Mingus, probably Sun Ra, to name a few....FRIDAY AFTERNOON IN THE UNIVERSE somehow confirms the band's place in this strange world of jazz..."Option (5-6/95, p.116) - "...equal parts bebop, blues, avant-garde and hip-hop--and always as soulful as hell..."Musician (4/95, p.70) - "...quick-footed and lithe. The evocative melodies soar close, at times, to the simple charm of Nino Rota....Russian folk melodies,...the chase scene to an Italian spy flick, even some early Allman Brothers-inspired fat-back corrugate the most creative rhythmic jamming this side of Herbie Hancock's Headhunters..."Mojo (Publisher) (7/95, p.119) - "remarkable avant-hip hop organ/bass/drums trio Medski, Martin & Wood...[demonstrate] freaky funk, free interludes, amazing group chemistry and chops that slacken the jaw, this could be the hippest music in the universe."0.1277852

$10.62
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Rolling Stone (4/29/99, pp.65-66) - 1/2 Stars (out of 5) - "...ECHO puts the Heartbreakers back where they belong; in the garage and in front of the amplifier stacks....It's Petty and the Heartbreakers standing their ground with wise-ass grins and loud guitars..."Entertainment Weekly (4/16/99, p.58) - "...Petty's patented formula reverberates on every solidly crafted tune with the comforting predictability we've come to expect....the predominant roots-pop aesthetic heer is of a piece with Petty and the Heartbreakers' best work..." - Rating: A-New Music Monthly (7/99, p.54) - "...File ECHO somewhere between GREAT WIDE OPEN and 1985's SOUTHERN ACCENTS - a fine addition to the catalog....Petty's lyrics, wry as ever, celebrate the losers with empathy..."Mojo (Publisher) (5/99, p.96) - "...Petty's music is its lurching adolescent cockiness, its continued thing for strange girls who just blew in from the valley, the seamlessness of its mating Old South and Plantation with sports utility vehicle and cell-phone..."0.1277852

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4 stars out of 5 -- "Carl Franklin is a sensation, Heath Leger outstanding...and Blanchett thrilling..."Total Film "I'M NOT THERE is airy, lithe, witty, never still -- and, for all its frenzy and flickered darkness, now and then strangely serene."Sight and Sound "[An] incandescent rebus of a movie inspired by Mr. Dylan's life and music....Among its many achievements, Mr. Haynes's film hurls a Molotov cocktail through the facade of the Hollywood biopic factory..."New York Times 4 stars out of 5 -- "Haynes has captured a sense of the strange figure who changed America..."Empire 5 stars out of 5 -- "Haynes gets everything right and the result is electrifying -- an audaciously prismatic portrait of Dylan....An amazing film..."Uncut "There are plenty of things to admire....Its artistic and intellectual ambitions, for starters....This movie burrows into your mind and stays there..."Los Angeles Times "Haynes executes a fascinating fictional riff on the many faces of Bob Dylan....[He] lets his kaleidoscopic visual imagination dictate the narrative flow."Box Office "I'M NOT THERE is a fantasia, a tell-all, a biopic that's all high points, a folk-rock essay, and a dream, all wrapped into one. It plays like the headiest musical ever made." -- Grade: AEntertainment Weekly 3.5 stars out of 4 -- "It's a feast for the eyes, the ears and the Dylanologist scratching around our minds and hearts....Blanchett extends the possibilities of acting. You won't see a better example of interpretive art this year..."Rolling Stone Ranked #9 in Rolling Stone's "10 Best Movies Of 2007" -- "[A] biopic that shatters all the rules of biopics."Rolling Stone0.09505588

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0.09299247

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CMJ (6/30/03, p.7) - "...With a lineup as enormous as the project's weight, these country alchemists sing hard about death to get you to appreciate life..."Mojo (Publisher) (9/03, p.105) - 4 stars out of 5 - "...Superb stuff from organiser Jon Langford, Kurt Wagner, Dave Alvin et al..."0.09299247

$13.69
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Rolling Stone (10/20/94, p.146) - 3 Stars - Good - "...Most of the classics are here...and you don't have to be English to love them..."Melody Maker (11/6/93, p.33) - "...LIVE JAM freezes the angry, raging Jam forever, still reeling from the horror of the realization that this is the modern world and is, undoubtably, one of the greatest live albums ever recorded..."0.09299247

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0.08994235

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0.08062882

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0.07970783

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0.07970783

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0.07970783

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