bryan-ferry,The Best of Bryan Ferry [EMI] [Brian Ferry/Bryan Ferry], The Jazz Age [The Bryan Ferry Orchestra/Bryan Ferry], Bryan Ferry: Live in Lyon [DVD], Bryan Ferry: The Bete Noire Tour, Smooth Jazz Tribute to Bryan Ferry

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Record Collector (magazine) (p.82) - 3 stars out of 5 -- "On his cover of 'A Hard Rain's A-Gonna Fall,' Ferry wasn't afraid to add rain sound effects, laughing jokers and a sighing chorus to camp up Dylan's portentous original..."119.1724

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Billboard (p.39) - "'Avalon' becomes an exotic rhumba and 'Do the Strand' is jitterbug-friendly."Q (Magazine) (p.101) - 4 stars out of 5 -- "Here, he corkscrews the concept in an instrumental tribute not only to the very first cocktail'n'cocaine era but also to his own serpentine melodic gifts."119.1724

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Billboard (p.72) - "[Ferry] brings his own style to covers of Tim Buckley's 'Song to the Siren' and Traffic's 'No Face, No Name, No Number.'"Mojo (Publisher) (p.109) - 3 stars out of 5 -- "[T]he mature Ferry continues to smolder....His charm remains reasonably irresistible."Clash (magazine) - "[A] healthy dose of blue-eyed soul that gets downright sleazy at times, with elements of funk, soul and blues and as much polish as it could soak up."Record Collector (magazine) (p.78) - 3 stars out of 5 -- "Ferry himself is on amazingly good form....He's become a master at creating atmospherics for his delicately trembling vocals to ride."Uncut (magazine) (p.85) - 3 stars out of 5 -- "The best tracks have a lightness of touch and make a virtue of the husk of Ferry's lunar croon..."98.31221

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Billboard (p.72) - "[Ferry] brings his own style to covers of Tim Buckley's 'Song to the Siren' and Traffic's 'No Face, No Name, No Number.'"Mojo (Publisher) (p.109) - 3 stars out of 5 -- "[T]he mature Ferry continues to smolder....His charm remains reasonably irresistible."Clash (magazine) - "[A] healthy dose of blue-eyed soul that gets downright sleazy at times, with elements of funk, soul and blues and as much polish as it could soak up."Record Collector (magazine) (p.78) - 3 stars out of 5 -- "Ferry himself is on amazingly good form....He's become a master at creating atmospherics for his delicately trembling vocals to ride."Uncut (magazine) (p.85) - 3 stars out of 5 -- "The best tracks have a lightness of touch and make a virtue of the husk of Ferry's lunar croon..."98.31221

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56.51929

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JazzTimes (10/97, p.75) - "...Botti's compositions have an elegant lushness which is tuneful and purposeful....he explores a [Bryan] Ferry-like landscape of textures..."0.9845819

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Entertainment Weekly (10/9/98, p.85) - "With a flick of his delicate wrist, ex-Kinky Machine curiousity Louis Eliot has simultaneously revived the foppish Bryan Ferry dandy and the '60s-classic British pop song. With his classy new Rialto combo, the frontman croons over cheeky synth and chimey guitars with affected/heavily inflected U.K. cool..." - Rating: B+0.6153637

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Spin (p.116) - 3 stars out of 5 -- "Powered by rattling drums, simmering organ, and Stuart Staples' resonant baritone, the first half of Tindersticks' latest is a can't-miss proposition."Blender (Magazine) (p.83) - 4 stars out of 5 -- "[O]rchestrated torch songs full of strings, horns and top-shelf liquor. Staples still sings in the wounded murmur of Bryan Ferry on the downside of a Fashion Week bender."Record Collector (magazine) (p.102) - 4 stars out of 5 -- "The urgent, chaotic throb of their debut laces the title track....This is the sound of pure rejuvenation which, you'll be pleased to learn, is also totally rejuvenating."0.4922909

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Entertainment Weekly (9/16/94, p.121) - "...mostly plays to his strong suits: suave, double-breasted vocals, unconventional but funky rhythms, and exotic Afro-Carib musical flourishes..." - Rating: B+Q (11/94, p.118) - 3 Stars - Good - "...a classy fellow who has never been elevated to Bryan Ferry status and a world music genius who is overshadowed by the ham-fisted Peter Gabriel. His eclecticism...is bound together by a distinctive style, a kind of quivering smootheness..."0.4922909

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Rolling Stone (p.68) - 3.5 stars out of 5 -- "Gotye's 'Hearts a Mess' is an insinuating piece of neo-lounge ballad....The LP conjures a consistent mood of noirish, doomed romance..."0.3856722

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Rolling Stone (p.96) - 4 stars out of 5 - "ANTICS achieves a tunefulness that warms and broadens Interpol's music, and helps them establish an identity distinct from their dolorous influences."Rolling Stone (p.144) - Included in Rolling Stone's Top 50 Records Of 2004 - "Interpol energize their post-punk with less-bleak lyrics and more-substantial tunes on ANTICS."Spin (pp.107-8) - "Banks has created a romantic persona worthy of Bryan Ferry....[T]here's some air in the arrangements - the album feels confident and spacious..." - Grade: A-Spin (p.67) - Ranked #9 in Spin's "40 Best Albums of the Year" - "Banks lays the closing-time mojo on heavy....Assured..."Entertainment Weekly (p.73) - "[A]mong the free-associated lyrics about hurting hearts and, literally, ship in the night is a band that's just begun to excavate the crevices of their cold, dark souls." - Grade: B+Uncut (p.98) - 4 stars out of 5 - "[A]ngular and intense....This is cut to perfection: exhilarating, morbid, romantic, cool."Uncut (p.76) - Ranked #40 in Uncut's "Best New Albums of 2004" - "Thrillingly morbid and yet somehow coldly sexy."Magnet (p.67) - Ranked #12 in Magnet's "The 20 Best Albums Of 2004" - "ANTICS swells with broad-shouldered choruses and frontman Paul Banks' romantic verse."CMJ (p.42) - "[I]ncorporating some surprisingly effective disco elements, where the totally underrated rhythm section really shines."Mojo (Publisher) (p.116) - 3 stars out of 5 - "ANTICS certainly packs the same wired punch as their first album..."0.3076818

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Rolling Stone (8/22/96) - 3 Stars - Good - "...devoted to conservative, adult-contemporary pop. No one has brought more pleasure to mainstream music in recent years than the soft-R&B specialist Babyface, who produced this album's appealing first single, Eric Clapton's 'Change The World'..."0.2727114

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Rolling Stone (9/18/03, p.72) - 3 stars out of 5 - "...Shields' new work is low-key, murky but richly atmospheric--guitar feedback rarely sounded this pretty."Entertainment Weekly (10/10/03, pp.124-5) - "...[As the movie ends,] it's almost painful to abandon [Coppola's] magical atmosphere. This soundtrack helps ease the transition..." - Rating: B+Q (11/03, p.126) - 4 stars out of 5 - "...'Goodbye' and 'Ikebana' see bubbling electronica peppered with delicate licks of guitar..."CMJ (9/22/03, p.4) - "...Soundly encapsulates all the dreamy disassociation and surrealism that one can experience while drowning in a foreign culture....[Kevin Shields' new material] still drips with the Valentine's signature drone and drugged-up melodies..."0.2386225

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Mojo (Publisher) (p.111) - 3 stars out of 5 -- "Picks of the bunch are by Jason & The Scorchers, Ike & Tina and The Ramones..."0.2045335

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Mojo (Publisher) (April 2002, p.128) - "...Whether burning with unreasonable passion, indulging a playful conceit, pronouncing a generous wisdom or contriving some neat linguistic trick, the majestic language sings with a richness..."0.1022668

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Rolling Stone (p.60) - 3 stars out of 5 -- "Pete Townshend's fingerpicked `Corrina, Corrina' captures the grace and grief of Dylan's best love songs..."Uncut (magazine) (p.88) - 3 stars out of 5 -- "Some straightforward takes are lovely -- Mark Knopfler's 'Restless Farewell', Thea Gilmore's 'I'll Remember You'."0.1022668

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