cole-porter,Sings Cole Porter [Mabel Mercer], Plays Music of Cole Porter, The Cole Porter Songbook [Charlie Parker], Cole Porter: Fifty Million Frenchman, Plays the Cole Porter Songbook

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86.4435

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86.4435

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86.4435

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86.4435

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Down Beat (2/91) - 5 Stars - Excellent - "...Culled from classic vocal performances of the '50s, it simply revels in the grandeur of Porter's witty wordplay and timeless melodies. And with a lineup deeper than the Yankees fabled Murderers Row, it hits a home run almost every time up..."75.63807

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75.63807

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75.63807

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JazzTimes (10/96, p.123) - "...what we have here are examples of true improvisation, not built on previously established routines, but issuing like a stream of consciousness....The strong, muscled touch dominates, of course, but his keyboard mastery extends to lyrically dynamic contrasts with the strongly attacked passages."75.63807

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75.63807

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JazzTimes (11/96, p.117) - "The voice of Susannah McCorkle and the music of Cole Porter: a perfect pairing. Her sound and his lyrics are classics, never out of style..."65.72295

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64.83263

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64.83263

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64.83263

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64.83263

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54.02719

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54.02719

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Entertainment Weekly (p.166) - "[H]er voice is sweet, reedy, resilient - and winning..." - Grade: BJazzTimes (pp.136-7) - "[S]he provides another vibrant chapter to her luminous history while providing us with a superb reminder that jazz-worthy standards don't begin and end with Cole Porter."0.6677443

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Spin (10/99, p.154) - 10 out of 10 - "...a grand gesture and a brilliant joke; art about the most personal emotion stamped out in bulk; and a love offering in its own right....pop has not seen a lyricist of [Stephin] Merritt's kind and caliber since Cole Porter..."Entertainment Weekly (11/19/99, p.150) - "...69 elegant observations by a pop master, employing myriad genres, instruments, and neuroses. All charm, but by set's end, you're ready for more." - Rating: AAlternative Press (11/99, p.109) - 4 out of 5 - "...against all odds it shines form beginning to end....[Stephin] Merritt's most ambitious, eccentric and eclectic recording to date..."CMJ (1/10/00, p.5) - Ranked #16 in CMJ's "Top 30 Editorial Picks [for 1999] - "...a reminder that a finely rendered pop song, no matter how cynical, can approach the status of art."0.3895175

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Spin (10/99, p.154) - 10 out of 10 - "...a grand gesture and a brilliant joke; art about the most personal emotion stamped out in bulk; and a love offering in its own right....pop has not seen a lyricist of [Stephin] Merritt's kind and caliber since Cole Porter..."Entertainment Weekly (11/19/99, p.150) - "...69 elegant observations by a pop master, employing myriad genres, instruments, and neuroses. All charm, but by set's end, you're ready for more." - Rating: AAlternative Press (11/99, p.109) - 4 out of 5 - "...against all odds it shines form beginning to end....[Stephin] Merritt's most ambitious, eccentric and eclectic recording to date..."CMJ (1/10/00, p.5) - Ranked #16 in CMJ's "Top 30 Editorial Picks [for 1999] - "...a reminder that a finely rendered pop song, no matter how cynical, can approach the status of art."0.3895175

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0.3156294

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Rolling Stone (5/24/01, p.86) - 3 stars out of 5 - "...A strong collection of Wilco-like ballads and pop-ish midtempo musings on love, loss and life lessons....a nice farewell from a band that was at the forefront of today's alt-country scene..."Spin (6/01, p.152) - 8 out of 10 - "...A great Saturday-morning record. Its woozy fiddles, grainy acoustic-electric guitars, and pop-strong harmonies give you the courage to face the day armed with roots-rock fortune cookery..."Entertainment Weekly (5/25/01, pp.80-1) - "...Raspy, elegant, sleepy...Strings, horns, and even a stray loop, up the lonesome ante....They exited with a gem..." - Rating: B+Q (7/01, p.125) - 4 stars out of 5 - "...Songs that breathe the same rarefied air as Ryan Adams solo material....bringing to mind such disparate references as The Band, Cole Porter, and even a Deep South take on the breezy Prefab Sprout. Underpinning everything is [his] honey-and-smoke voice..."CMJ (5/14/01, p.4) - "...Offers insight into the artistoc progression of Adams and violinist/vocalist Caitlin Cary...Unyielding in its variety, from AM-radio/late Fleetwood Mac...to smooth, Martin Denny castanets and classic Hollywood symphonies..."No Depression (5-6/01, pp.122-3) - "...A masterfully assembled and brilliantly played collection of songs that jumps genres gleefully..."0.2782268

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Rolling Stone (10/14/99, p.120) - 3.5 stars out of 5 - "...digs even deeper into clubland...[weaving] their elegantly morose songcraft around house and jungle beats....if Cole Porter had composed a disco song cycle for Dusty Springfield, it might have sounded like this."Spin (10/99, pp.151-2) - 9 out of 10 - "...tension between private moments and public spaces reaches a conceptual peak on [TEMPERMENTAL]....EBTG's darkest album, lit only by the promise of the dance floor, the all-night cafe, and strangers' smiles..."Entertainment Weekly (10/8/99, p.72) - "Gorgeous sound washes by producer-arranger Ben Watt; self-assured yet vulnerable vocals from Tracey Thorn....pop fans will appreciate the way Watt loosens house's relentless thud..." - Rating: B+Alternative Press (12/99, p.94) - 3 out of 5 - "...exudes a deep understanding of how dance music ebbs and flows....engaging house and drum & bass beats and memorable choruses...Tracey Thorn's distinctive vocals truly make these songs more than just club-ready fare..."Muzik (10/99, p.98) - 3 stars out of 5 - "...deep house and breakbeat polished almost to the point of blandness....Assured but not adventurous....proves that EBTG are no dilettantes..."Vibe (10/99, p.183) - "...[carries] over many of the same elements as its predecessor - the repetitive beats and wistful melodies are all in order....Fittingly, it's another collaboration, this time with Iranian-America remix squad Deep Dish, on 'The Future of Future" that saves the album..."0.2782268

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0.2495269

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0.2231837

$10.74
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"...At its amiable best, the new film offers glimmers of its stars' charming, quarrelsome old teamwork....Gratifyingly gentle and uncomplicated..." New York Times "...This confection keeps the chuckles coming....As neurotic a farce as can be imagined, and Allen and Brickman have amusingly festooned the plot with an array of topical and psychological concerns..." Variety "...MANHATTAN MURDER MYSTERY is an accomplished balancing act..." Chicago Sun-Times "Keaton snoops, husband Woody is humiliated, and a bravura finale honors a legendary scene (no fair specifying) in film noir history..."USA Today0.1913003

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