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The Source (9/98, p.256) - "...LOVE & CONSEQUENCE is more than just an homage to the glory days of yore....Gerald meshes his loverman attitude with a b-boy bounce..."82.69935

$5.78
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82.23367

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82.23367

$19.89
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JazzTimes (p.93) - "The album is a mixture of funk, fusion and world music, and Di Meola has his well-known imprint all over each song."Mojo (Publisher) (p.95) - 3 stars out of 5 -- "[T]here's a much better balance between technical prowess and emotional sensitivity in the guitarist's work."65.78693

$10.12
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BOOK REVIEWS COMING SOON!!!!65.78693

$9.99
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Q (2/91) - 4 Stars - Very Good - "...a muttered collection of musical converstions that turns the blues into a kind of ambient soundscape ...evoking a swampy world of desire, deceit and consequences with masterful ease...."Uncut (1/03, p.97) - Included in Uncut's "100 Best Albums of the Year"0.3492573

$9.75
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3 stars out of 5 -- "James keeps viewer attention the whole time....It's hard to deny the narrative pull of this film, which is mostly worthy of the seriousness of the problem."Box Office "[A] hard wallop of a documentary....Directed and shot by Steve James, best known for HOOP DREAMS, THE INTERRUPTERS takes a look at a gutsy, activist component of the Chicago Project for Violence Prevention."New York Times "[P]owerful....If there's one lesson to be learned from violence interrupters, it's that their work is never done."A.V. Club 4 stars out of 4 -- "James' film, mighty and heart-wrenching, follows members of CeaseFire, tough negotiators who monitor gang activity in their neighborhoods..."Chicago Sun-Times "[A] surprisingly moving documentary collaboration between producer-director Steve James and producer Alex Kotlowitz. THE INTERRUPTERS paradoxically succeeds because it refuses to soften reality."Los Angeles Times 4 stars out of 5 -- "The result is knuckle-biting reportage, incisive on both the causes and consequences of violence."Total Film "Once again, James' trustworthy work demonstrates the power of paying attention." -- Grade: A-Entertainment Weekly "THE INTERRUPTERS is a heavyweight film about a heavyweight subject of clear interest well beyond the United States."Sight and Sound0.2459235

$16.33
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BOOK REVIEWS COMING SOON!!!!0.2342656

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"...Any old way you choose it, the music still kills..." Premiere "...Fleshing out this engaging cartoon is an excellent performance by Ian Hart..." Sight and Sound "...Lively, galvanizing and unexpectedly well made....[Softley] has done a fond, imaginative job..." New York Times "...An exhilarating surprise....As thrilling as it is original..." -- Rating: A Entertainment Weekly "...It's lively and full of good music and it plays around with a fascinating subject..." Los Angeles Times "BACKBEAT nails the era's speed-fueled rocker spirit while mining the consequences of an artist following his bliss." Rolling Stone "[I]t's Ian Hart as the young Lennon who steals the show." Uncut0.2328382

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3 stars out of 5 -- "[B]lunt and intimate....The jolt of JARHEAD is undeniable, and it comes when you least expect it." Rolling Stone "[A]n eye-opening experience....[Mendes] forges, perhaps, a new kind of drama: a portrait of war stripped of all glamour and design....JARHEAD is an existential docudrama: cool and funny, vivid and remote at the same time." -- Grade: B+ Entertainment Weekly "The result is rewarding....It's good to see Mendes expanding as a filmmaker."USA Today "[Q]uizzical, visually striking....JARHEAD provides some kind of reportage of a war whose consequences we haven't yet begun to understand..." Sight and Sound "[A]n exceptionally smart war movie, the more so for the relative absence of any war." Uncut 3 stars out of 5 -- "It's an image of war that lingers, a vision of Hell which Dante would recognise..." Total Film0.2037335

$8.40
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"...A transcendent story of faith....An amazement, a film of beauty and consequence..." Rolling Stone "...A movie that uses its visual and aural palette to build something almost indescribable, revelatory and profoundly moving..." Sight and Sound "...Pageant-like....Hypnotic visual and sonic strength....A cinematic mandala..." -- Rating: B+ Entertainment Weekly "...A glittering historical pageant infused with gorgeous, pulsing music by Philip Glass....Composed of dazzling, beautifully framed imagery..." New York Times "...A stunning visual feast and a moving meditation on the difficulty of sustaining the Buddhist principle of nonviolence in a brutal world..." -- 4 out of 5 stars Box Office "...[The film] eschews spectacle and puts the viewer inside Tibet, both physically and spiritually..." Premiere "...The film's visuals and music are rich and inspiring..." Chicago Sun-Times0.2037335

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Rolling Stone (p.58) - "In an era of overheated Nick Drake comparisons, Amidon is eerily close to the real thing, singing in a fragile but certain tenor against the deep breath and soft sweep of Nico Muhly's orchestrations."Uncut (p.87) - 4 stars out of 5 -- "Amidon is not a straightforward revivalist. He keeps the sadness, but throws a mist of gentle orchestration over the songs."Mojo (Publisher) (p.112) - 4 stars out of 5 -- "Dressing his love-worn and cracking tenor in a sacred whisper of banjo, fiddle and post-Glass pulses, tracks such as 'Wild Bill Jones,' 'Little Johnny Brown,' and 'O Death' are transformed anew for this new age of dire consequence."0.2037335

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0.20288

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0.2007991

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The Wire (6/01, p.42) - "...The greatest session of Coltrane's career. It's a gospelised suite influenced by the mutant folk strains Albert Ayler was experimenting with..."0.2007991

$7.31
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0.2007991

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0.2007991

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0.2007991

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"...A nonstop pleasure....Burt proves himself a world-class charmer. Ditto the film..." Rolling Stone "...[Both Forsyth and Sayles] have spent a lot of love and care on this project....[Reynolds has not] given a more accomplished performance in a very long time..." New York Times "...Delightful....It's a superb job....[A] luxuriously civilized movie..." Los Angeles Times "...This is Reynolds' quality high water mark between 1972's DELIVERANCE and 1997's BOOGIE NIGHTS..." USA Today "Both leads are masterfully underplayed, and the script's an utter delight throughout." Uncut0.1673326

$7.89
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"...[The] locations are fresh and well chosen..." Variety "...A fond, generous movie....Warmly and immediately familiar..." New York Times0.1673326

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0.1673326

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Alternative Press (3/01, p.70) - 4 out of 5 - "...A perfect blend of ideas, ability and teamwork."0.1673326

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Entertainment Weekly (p.159) - "[The album] serves its punishing riffs with a heaping side of heartfelt melody....This combination creates moments of genuine catharsis."Alternative Press (p.224) - "[The album] builds on their debut's strengths, allowing frontman Corey Taylor to drop his mask in more ways than one."Kerrang (Magazine) (p.50) - "Captured live giving it to the audience with both barrels, it's a smashing glimpse of just how potent SS are onstage."0.1673326

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Rolling Stone (6/26/97, p.57) - 3 Stars (out of 5) - "...Harper embraces electrified rock more than ever before. The result finds Harper's acoustic strum doing battle with Zeppelin-esque bombast--a decidedly healthy tension....Harper's most sonically varied release..."Vibe (8/97, p.148) - "...[Ben Harper] and his band, the Innocent Criminals, passionately continue to seek the honesty of the blues..."The Source (8/97, p.176) - "...Inspired by the sonic boom that fueled the creative fires of Led Zeppelin, Harper and his band The Innocent Criminals dive head first into electric waters of diversity..."Option (9-10/97, p.98) - "...this album is packed with meaty tunes that demonstrate Harper's becoming a sharper and craftier writer....His supple vocals are in particularly good form throughout....The guy's a contender."0.1673326

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Alternative Press (p.159) - 4 stars out of 5 -- "[With] guitarists Buz McGrath's and Ken Susi's renewed empahasis on Swedish-style fretboard wizardry, blown forward by gale-force thrash rhythms."0.1673326

$4.33
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0.1673326

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0.1673326

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$15.57
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0.1673326

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