curtis-mayfield,Best of Curtis Mayfield, Flashback With Curtis Mayfield, The Definitive Soul Collection [Curtis Mayfield], Impressions of Curtis Mayfield [Digipak], A Tribute to Curtis Mayfield [Warner Bros.]

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142.7194

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142.3839

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113.9072

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Musician (4/94, p.92) - "...What makes this tribute noteworthy isn't the merit of the project or the marquee value of the players...but the quality of the performances...the best ones draw upon the artist's deepest strengths in often surprising ways, like Clapton's astonishing falsetto on "You Must Believe Me."..."99.92034

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Rolling Stone (2/3/00, p.53) - 4 stars out of 5 - "...16 career-spanning songs, all good and most great..."99.66875

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Rolling Stone (11/14/96, p.112) - 4 Stars (out of 5) - "...Mayfield never lets his message outshine his melodic gifts. His high tenor voice is intact, and Mayfield's gospel roots still provide much of his inspiration....Mayfield brings grace and good taste to the steamy vibe of Atlanta-style '90s R&B..."Entertainment Weekly (10/4/96, p.62) - "..The mellow groove, complete with wah-wah guitar fills and purring backup vocals, may speak of decades past, but the effect is that of a needed catch-me-up with a long-absent friend....Welcome back." - Rating: B+Q (2/97, p.98) - 4 Stars (out of 5) - "...a beautiful, suitably life-affirming album. His trademark twinkling guitar is missing, but the voice is as gorgeous as ever--occasionally a little deeper than of old, but still a tool as expressive, humane and downright likable as any that's graced pop..."Vibe (11/96, p.136) - "...NEW WORLD ORDER is truly heaven sent....The effect, reminiscent of old-school Mayfield without descending into retro nostalgia, finely suits the blend of bittersweet love songs and social commentary..."Village Voice (2/25/97) - Ranked #31 in the Village Voice's 1996 Pazz & Jop Critics' Poll.Mojo (Publisher) (3/00, p.121) - "...almost unbearably poignant....The new songs are unequivocal messages of hope and he revisits earlier material like 'We The People Who Are Darker Than Blue'. It's the fondest of farewells."99.66875

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99.66875

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Living Blues (11/02, p.81) - "...A mighty potent tribute CD..."Mojo (Publisher) (April 2002, p.124) - "...Presents evidence of the wide influence on the diaspora of '60s groups exerted by...The Impressions..."85.43036

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85.43036

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85.43036

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71.19197

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71.19197

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56.95358

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Record Collector (magazine) (p.98) - 4 stars out of 5 -- "There are six Curtis Mayfield songs here....'I'm The One Who Loves You' is probably the most satisfying, with its strong femme back-ups and typically attractive Chicago high-pitched brass interventions."0.6568868

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Dirty Linen (p.85) - "The title track of balladeer Eric Bibb's latest recording invites listeners to get on board for a journey to peace and love and unity in the spirit of Curtis Mayfield..."Mojo (Publisher) (p.119) - 4 stars out of 5 -- "[P]roducer Glen Scott keeps the arrangements simple, putting Bibb's mellow, husky voice and acoustic guitar centre-stage."0.5474056

$10.80
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Rolling Stone (p.157) - 3 1/2 stars out of 5 - "DISTRICT is his most inventive album yet....After four albums he's still rising."Vibe (p.138) - 3 discs out of 5 - "Luda always charts strongly with his familiar boisterous brand....Luda still moves the crowd."Mojo (Publisher) (p.106) - 3 stars out of 5 - "[With] Luda spitting his endlessly entertaining, quasi-pornographic lines over Curtis Mayfield samples..."0.5474056

$10.05
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Rolling Stone (p.157) - 3 1/2 stars out of 5 - "DISTRICT is his most inventive album yet....After four albums he's still rising."Vibe (p.138) - 3 discs out of 5 - "Luda always charts strongly with his familiar boisterous brand....Luda still moves the crowd."Mojo (Publisher) (p.106) - 3 stars out of 5 - "[With] Luda spitting his endlessly entertaining, quasi-pornographic lines over Curtis Mayfield samples..."0.5474056

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Entertainment Weekly (10/30/92, p.87) - "...much like the sound Weller explored with his late-'80s group, Style Council, only now with a high spark..." - Rating: A-Musician (10/92, p.100) - "..a full-out homage to late-'60s/early-'70s soul...dreamy...What's really striking about this record is how improved Weller's vocals sound..."Q (Magazine) (p.131) - 3 stars out of 5 -- "[Weller's] solo debut...pulling together influences as diverse as Curtis Mayfield and Traffic..."Record Collector (magazine) (p.96) - 5 stars out of 5 -- "Weller wrote songs which displayed a youthful vigour and musical vitality he has rarely bettered....A quiet classic..."0.4379245

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Rolling Stone (2/4/93, p.69) - 4 Stars - Excellent - "...a remarkable document...this collection connects a decade's worth of gentle Impressions singles with the power and invention of Curtis Mayfield's solo career...a stunning picture..."Entertainment Weekly (1/29/93, p.57) - "...this set is more than just a long-overdue reissue; it also serves as a vivid mini-history of soul, from '60s vocal harmony through '70s blaxploitation. Essential..." - Rating: AMusician (6/93, p.94) - "...Even if you already know the big hits, this deeply satisfying two-CD feast holds wondrous delights..."0.4379245

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Rolling Stone (12/11/03, p.114) - Ranked #69 in Rolling Stone's "500 Greatest Albums Of All Time" - "...An astonishing album, marrying lush string parts to funky bass grooves and lots of wah-wah guitar..."Rolling Stone (2/3/00, p.53) - 4 stars out of 5 - "...this is the seminal blaxploitation soundtrack....And it's history."Rolling Stone (2/3/00, p.53) - 4 stars out of 5 - "...this is the seminal blaxploitation soundtrack....And it's history."Spin (1/98, p.88) - Ranked #4 on Spin's list of the "Top 10 Reissues." - "A defiantly timeless soundtrack to the ultimate period picture..."Spin (p.122) - "This definitive blaxplotiation-flick soundtrack spiked his do-right nature with just the right amount of baaaaddness."Entertainment Weekly (10/12/01, p.28) - Ranked #6 in EW's "100 Best Movie Soundtracks" - "...A testament to the powers of a musician at the top of his game..."Q (9/94, p.128) - 5 Stars - IndispensableQ (9/94, p.128) - 5 Stars - IndispensableVibe (12/99, p.164) - Included in Vibe's 100 Essential Albums of the 20th CenturyMojo (Publisher) (6/02, p.66) - Included in Mojo's "100 Coolest Movie Soundtracks".Mojo (Publisher) (11/99, p.133) - "One of the few essential blaxploitation soundtracks...more renowned for its Curtis Mayfield score than its on-screen content..."Mojo (Publisher) (11/99, p.133) - "One of the few essential blaxploitation soundtracks...more renowned for its Curtis Mayfield score than its on-screen content..."0.3870742

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Rolling Stone (p.106) - 3 stars out of 5 - "He's a master of the fine lyrical detail, and he knows it."Rolling Stone (p.144) - Included in Rolling Stone's Top 50 Records Of 2004 - "Jada's hell-raising flow was everywhere this year."Spin (pp.103-4) - "[I]t gets no better than 'Real Hip Hop,' where Swizz Beatz loops a Curtis Mayfield sample into a careening roller coaster as Jada and his D-Block compatriot Shreek run punch-line relay races." - Grade: A-Entertainment Weekly (p.89) - "Jada flexes impressive muscles as he grinds his heels into a well-trodden dance floor." - Grade: B0.383184

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Rolling Stone (p.67) - 3.5 stars out of 5 -- "This is an album that takes aim at the history books....It has a sound to match those grand pretensions."Rolling Stone (p.67) - Ranked #2 in Rolling Stone's '50 Best Albums Of 2011' -- "THRONE testifies to Kanye West's genius for beats both iconoclastic and pop-savvy."Spin (p.16) - Ranked #40 in Spin's 'The Top 40 Albums Of 2011' -- "[They] segue into dubstep and '70s art rock..."Magnet (p.56) - "Jay sounds generally reinvigorated: good-humored, full of nimble, intricate wit and atypically emotionally revealing..."0.3354464

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"One of the best things to emerge from the film version of DREAMGIRLS is the release of an even better movie, 1976's SPARKLE..." -- Grade: A-Entertainment Weekly0.3354464

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Rolling Stone (p.134) - 3 stars out of 4 -- "Tracks like the brilliant, fluttery 'I'm Soul' traffic in the same spaced-out funk and freaky sensuousness for which his friends became famous."Spin (p.95) - 3 stars out of 5 -- "[T]he floating-pool-chair vibe and digitally morphed pre-disco flavor make for a seamless backyard-BBQ backdrop."Entertainment Weekly (p.68) - "[T]he Philly-soul-style 'Me, My Baby, My Cadillac' is one of the year's best R&B singles..." -- Grade: B-Q (p.149) - 3 stars out of 5 -- "[With his] voice riding a set of lean and sultry funk grooves and 'Underwater Love' and 'Oh Ho Hum' providing P-funk-meets-reggae wild cards."Vibe (p.141) - "With a lilting falsetto that recalls Curtis Mayfield....There are soaring hooks aplenty..."0.3284434

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0.2935156

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0.2935156

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Rolling Stone (11/11/93, p.76) - 3.5 Stars - Good Plus - "...Me'Shell NdegeOcello possesses a confident, intelligent sexuality that's more potent than any crotch-grabbing shtick...her style is all mellow, majestic cool..."Spin (12/93, p.121) - Highly Recommended - "...PLANTATION LULLABIES is a bodacious, invigorating, self-assured suite of songs that accent the best elements of soul, funk, jazz, and their aggro-meltdown in hip hop's style wars..."Entertainment Weekly (10/29/93, p.74) - "...despite an unoriginal voice shaped by pre-hip hop rappers like Gil Scott Heron and lyrics that run to cliche, Me'Shell delivers her cool cocktail talk with a winning bluesy resignation..." - Rating: B+Vibe (2/02, p.87) - Included in Vibe's "Essential Black Rock Recordings".Vibe (10/93, p.114) - "...[A] stunning debut...Me'Shell NdegeOcello's last name means `free like a bird' in Swahili. That might account for the ease with which she flutters through musical styles...[she has] a remarkable vocal range..."The Source (4/94, p.78) - "...succeeds in bringing the listener to aural climax, exploding the senses onto bed sheets of kente print...."Musician (11/93, p.13) - "...[On PLANTATION LULLABIES] dense, moody pieces echo such old masters as Nina Simone and Curtis Mayfield, as well as today's MC's; this debut blurs the lines between hip-hop, jazz and soul...."Village Voice (3/1/94, p.5) - Ranked #27 in the Village Voice's 1993 Jazz & Pop Critics Poll.0.2737028

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Rolling Stone (p.63) - 4 stars out of 5 -- "Full of muscled, vintage R&B grooves, fevered soloing, psychedelic arrangements and oracular mumbo jumbo, it's the wildest record Rebennack has made in many years."Entertainment Weekly (p.72) - "[T]here's no denying the vintage voodoo -- or the palpable disgust -- the Doctor summons with DAn Auerbach of the Black Keys..." -- Grade: A-Magnet (p.54) - "The result is sharp and well-recorded....The urgent grooves on 'Getaway,' with its psychedelic flourishes, will sound good on the radio..."Billboard (p.36) - "'Eleggua' overlaps Curtis Mayfield, gris-gris funk and a sweet soul hook; and 'You Lie' offers a taste of what Dr. John would sound like if the Black Keys and Morphine joined forces to back him."Q (Magazine) (p.96) - 4 stars out of 5 -- "It still oozes that very specific, seamy Dr John funk throughout, from the brilliantly delirious title track through to his pitch black state-of-the nation address in 'Ice Age'..."Mojo (Publisher) (p.93) - 4 stars out of 5 -- "[T]he night tripping grooves are tight, cosmically inclined, and brewed with a real soulfulness."Uncut (magazine) (p.62) - "Throughout, Weissenfeldt's beats are savage. The horn accents are sharp and soulful."0.2737028

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Rolling Stone (1/4/01, p.113) - Included in Rolling Stone's "Top 50 Albums of 2000".Rolling Stone (2/17/00, p.52) - 3.5 stars out of 5 - "...a true original, synthesizing various, mostly Southern musical strains into a style that is one-of-a-kind....a genuine evocation of country....an album that lives up to [the] billing...the best voice in country music...and then some."Spin (1/01, p.73) - Ranked #15 in Spin's "Top 20 Albums of the Year [2000]".Spin (2/00, pp.107-8) - 9 out of 10 - "...her great leap forward....Lynne embraces the soul-stoked song-symphony patented by the late Dusty Springfield....firing up the low-watt string illuminations [and] choreographing their own slow dances for dimply lit nouveau honky-tonks..."Entertainment Weekly (1/28/00, p.106) - "...Lynne returns with a set of orchestral outings, bluesy ballads, and silky, head-spinning dance music that catches her midway between pop and soul..." - Rating: BCMJ (1/08/01, p.16) - Included in CMJ's "Best of the Year" for 2000.CMJ (2/00, p.62) - "...brings a distinctive voice and great songwriting to [her] sixth release of her elliptical, hard luck journey....a stylistically diverse set that taps Curtis Mayfield's layered soul here and a Beatles-esque use of strings and horns there..."No Depression (3-4/00, p.116) - "...Drawing on all of her influences, from country to pop to jazz to southern soul, Lynne has created something that is all hers, superior in both scope and execution to the fine debut of her sister, Allison Moorer."Mojo (Publisher) (1/00, p.31) - Ranked #14 in Mojo Magazine's "Best of 1999" - "...[Her] huge, melodious voice, stirring songs and fab settings make [this] album one to cherish....Steeped in roots but utterly contemporary."0.2737028

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"[DMX is] the perfect actor for the stylized and often satisfying film adaptation of Goines's NEVER DIE ALONE."New York Times0.209654

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Q (2/04, p.108) - 4 stars out of 5 - "[S]oul shouters and sobbers look at the war against communism from every blues, ballad or funk viewpoint..."0.209654

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Rolling Stone (5/13/99, p.79) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (10/1/98, p.66) - 4 Stars (out of 5) - "...Anything OutKast touch...sounds as though they took it for a spin through the cotton fields in their Caddy. Sporting plenty of live chops...and soulful harmonies, AQUEMINI's fresh, original feel defies rap's coastal cliches..."Rolling Stone (10/1/98, p.66) - 4 Stars (out of 5) - "...Anything OutKast touch...sounds as though they took it for a spin through the cotton fields in their Caddy. Sporting plenty of live chops...and soulful harmonies, AQUEMINI's fresh, original feel defies rap's coastal cliches..."Spin (9/99, p.136) - Ranked #35 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/99, p.91) - Ranked #3 on Spin's list of "Top 20 Albums of '98."Spin (12/98, p.178) - 9 (out of 10) - "...OutKast understand the power of sound the way, say, Sly understood it on THERE'S A RIOT GOIN' ON or P-Funk did on `The Motor-Booty Affair,' and so they've crafted some of the most seductive and dreamadelic textures this side of, well, the last OutKast album..."Spin (1/99, p.91) - Ranked #3 on Spin's list of "Top 20 Albums of '98."Spin (12/98, p.178) - 9 (out of 10) - "...OutKast understand the power of sound the way, say, Sly understood it on THERE'S A RIOT GOIN' ON or P-Funk did on `The Motor-Booty Affair,' and so they've crafrted some of the most seductive and dreamadelic textures this side of, well, the last OutKast album..."Entertainment Weekly (11/6/98, p.88) - "Spotlighting equally the talents of Dre and Big Boi may be the key to their artistic transcendence. They also rip the rap envelope by trading samples for distinctive instruments like Kalimba and harmonica (a la Earth, Wind & Fire and Curtis Mayfield)..." - Rating: AEntertainment Weekly (11/6/98, p.88) - "Spotlighting equally the talents of Dre and Big Boi may be the key to their artistic transcendence. They also rip the rap envelope by trading samples for distinctive instruments like Kalimba and harmonica (a la Earth, Wind & Fire and Curtis Mayfield)..." - Rating: AQ (4/01, p.124) - 5 stars out of 5 - "...Their 3rd and best offering....Breathtaking in its ambition, it makes most rappers seem drab and doltish in comparison..."Q (4/01, p.124) - 5 stars out of 5 - "...Their 3rd and best offering....Breathtaking in its ambition, it makes most rappers seem drab and doltish in comparison..."Uncut (3/03, p.120) - 4 stars out of 5 - "...An entirely convincing hip hop continuation of Parliament's prime late-'60s/early-'70s LPs....Cosmic and encompassing; sprawling and superb..."Uncut (3/03, p.120) - 4 stars out of 5 - "...An entirely convincing hip hop continuation of Parliament's prime late-'60s/early-'70s LPs....Cosmic and encompassing; sprawling and superb..."Mixmag (1/99, p.113) - 4 out of 5 - "...Infused with laid-back soul and a slow regional drawl....Thick with molasses-rich funk....hip hop for the heart, mind and soul..."Mixmag (1/99, p.113) - 4 out of 5 - "...Infused with laid-back soul and a slow regional drawl....Thick with molasses-rich funk....hip hop for the heart, mind and soul..."Muzik (12/98, p.70) - 4 stars out of 5 - "...Sweet, soul-soaked samples, a whole heap of bottom and quicksilver staccato rhyming....There's some fantastic material here but hwta makes it even more impressive is the way it's worked together..."Muzik (12/98, p.70) - 4 stars out of 5 - "...Sweet, soul-soaked samples, a whole heap of bottom and quicksilver staccato rhyming....There's some fantastic material here but hwta makes it even more impressive is the way it's worked together..."Vibe (6/02, p.109) - Ranked #9 in Vibe's "Top 10 rap albums" - "...Their crowning achievement (so far)..."Vibe (6/02, p.109) - Ranked #9 in Vibe's "Top 10 rap albums" - "...Their crowning achievement (so far)..."The Source (11/98, p.189) - 5 Mics (out of 5) - "...Aquemini is a brilliant record....Throughout the record Dre and Big Boi showcase their verbal trademark--cool, staccato flows steeped in the everyday slanguage of the Deep South..."The Source (11/98, p.189) - 5 Mics (out of 5) - "...Aquemini is a brilliant record....Throughout the record Dre and Big Boi showcase their verbal trademark--cool, staccato flows steeped in the everyday slanguage of the Deep South..."Rap Pages (12/98, p.139) - 5 (out of 5) - "...The beauty of Outkast is that they constantly reinvent themselves....AQUEMINI continues Outkast's pied piper effect on society's outcasts...appealing to their commonalities and uniting them under one umbrella..."Rap Pages (12/98, p.139) - 5 (out of 5) - "...The beauty of Outkast is that they constantly reinvent themselves....AQUEMINI continues Outkast's pied piper effect on society's outcasts...appealing to their commonalities and uniting them under one umbrella..."0.1935371

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0.1677232

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Rolling Stone (p.116) - 4 stars out of 5 -- "What it is: nonstop late-Sixties-and-Seventies party time from the deep recesses of these major-label catalogs."Entertainment Weekly (p.73) - "Even as greasy boogaloo gives way to polyrhythmic Cat Stevens covers, the four discs stave off the 4/4 behemoth of disco." -- Grade: A-0.1257924

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