daft-punk,Human After All [Daft Punk] [4943674164035], Daft Punk: Revealed - Unauthorized, A Lullaby Renditions of Daft Punk: Random Access Memories *, Musique, Vol. 1 [CD] [1 disc] [094635840520], The Looks

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Uncut (p.99) - 4 stars out of 5 - "It has everything you've come to expect from a Daft Punk album - innovation, cracking tunes, a palpable sense of its own absurdity - but this time the whole shebang's cranked up to 11."Alternative Press (p.138) - 4 out of 5 - "[T]he French duo pay cheeky tribute to the glory of repetition, android techno, distorted Roland 303s, robotic funk and vocodered singers intoning titles ad absurdum here."Mojo (Publisher) (p.89) - 4 stars out of 5 - "HUMAN AFTER ALL strips out the most flamboyant frills to create a more incisive sound. Some of it is tough and forgiving....And some is pure pop plastique, all gloss and sheen..."112.2254

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Q (p.125) - 3 stars out of 5 -- "This collection does contain the best moments from debut album HOMEWORK..."Uncut (p.102) - 3 stars out of 5 -- "[A] powerful reminder of Thomas Bangalter and Guy-Manuel De Homem-Christo's astute pop brilliance."Mojo (Publisher) (p.125) - 4 stars out of 5 -- "Career-spanning comp of the Gallic dance duo's finest moments..."0.5414962

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Q (p.115) - 3 stars out of 5 -- "[A] Daft Punk-loving, Bloc Party-remixing dance music project....It's heavy-duty stuff, and all the better for it."0.5211286

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Billboard (p.72) - "[With] remixes like Ingrosso's tribal-funk take on MGMT's 'Kids' and a jubilant version of 'One More Time' by Daft Punk."0.5211286

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Mojo (Publisher) (p.100) - 4 stars out of 5 -- "Still smart, still innovative, just a little looser than usual, THE LONDON SESSIONS is a worthy record of a band at the peak of their powers."0.3907912

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Rolling Stone (pp.71-72) - 4 stars out of 5 -- "[T]hey've built a record more less wholly on live instrumentation. Its brilliance is often irrefutable..."Entertainment Weekly (p.81) - "If EDM is turning humans into robots, Daft Punk are working hard to make robot pop feel human again." -- Grade: ACMJ - "Daft Punk's RANDOM ACCESS MEMORIES -- a disco record through and through, right down to its falsettos, semiquavers and generous inclusion of disco guitar legend and Chic founder Nile Rodgers -- is the most-buzzed album of the year from critics and fans alike."Q (Magazine) (p.89) - 5 stars out of 5 -- "Above all, this gargantuan, generous, out-of-control record performs disco's oldest trick, which is to conjure up happiness with a tiny kernel of melancholy."Mojo (Publisher) (p.83) - 4 stars out of 5 -- "[A] musically satisfying work, which reflects the bittersweet, slightly unhinged nature of existence in all its miraculous illogic..."0.3158516

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Rolling Stone (No. 968, pp.70-2) - 4 stars out of 5 - "[M]urphy has followed [the single 'Losing My Edge'] with an album that's just as good....[these tracks] either push the extremes of Murphy's dance-rock fusion...or fall unexpectedly far outside it..."Spin (p.64) - Ranked #5 in Spin's "40 Best Albums Of 2005" - "[W]ith his trippy, studio-pop mimicry of Lennon and Eno, the man who taught the indie kids to dance now tricks techno tots into humming along."Spin (pp.89-91) - "[A] set documenting, like the best, most heartfelt mix tapes, a sweet time that can't be fully recaptured." - Grade: B+Entertainment Weekly (No. 808, p.100) - "[F]abulous dance music....unites the club and indie-rock crowds in ways few have attempted since the '80s..." - Grade: A-Uncut (p.74) - 5 stars out of 5 - "[H]ere the will to change, improve, transcend and question positively thumps out in a liquid crystal display."Alternative Press (p.128) - 5 out of 5 - "[A]n album that will survive the fleeting tastes of cosmopolitan hipsters..."Magnet (p.115) - "This is a one-man walking jukebox with a lifetime's worth of records in his head..."Magnet (p.104) - "You can dance to almost anything here, but between breaths, you'll marvel at his control and the way each sound pops like a primary color."The Wire (p.44) - Included in The Wire's "2005 Rewind: 50 Records Of The Year."The Wire (p.46) - "Self-reference, satire, retro, all of these are abundant on LCD SOUNDSYSTEM....For the anxious and disoriented who need to know where it's at, well, here's one place to start."Mojo (Publisher) (p.62) - Ranked #1 in Mojo's "2005 Dance/Electronic Albums Of The Year"Mojo (Publisher) (p.101) - 4 stars out of 5 - "[C]louds of Beatle melody mushroom through 'Never As Tired As When I'm Waking Up' while the euphoric chant of 'Great Release' is almost ecclesiastical. More proof that cool is what Murphy makes it."Clash (magazine) (p.75) - "Murphy produced a glorious dance record that poked fun at the cliquey, self-conscious scene it moved on from while still being an homage to the New York movements -- punk, disco, new wave -- that actually meant something."0.312633

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Rolling Stone (No. 968, pp.70-2) - 4 stars out of 5 - "[M]urphy has followed [the single 'Losing My Edge'] with an album that's just as good....[these tracks] either push the extremes of Murphy's dance-rock fusion...or fall unexpectedly far outside it..."Spin (p.64) - Ranked #5 in Spin's "40 Best Albums Of 2005" - "[W]ith his trippy, studio-pop mimicry of Lennon and Eno, the man who taught the indie kids to dance now tricks techno tots into humming along."Spin (pp.89-91) - "[A] set documenting, like the best, most heartfelt mix tapes, a sweet time that can't be fully recaptured." - Grade: B+Entertainment Weekly (No. 808, p.100) - "[F]abulous dance music....unites the club and indie-rock crowds in ways few have attempted since the '80s..." - Grade: A-Uncut (p.74) - 5 stars out of 5 - "[H]ere the will to change, improve, transcend and question positively thumps out in a liquid crystal display."Alternative Press (p.128) - 5 out of 5 - "[A]n album that will survive the fleeting tastes of cosmopolitan hipsters..."Magnet (p.115) - "This is a one-man walking jukebox with a lifetime's worth of records in his head..."Magnet (p.104) - "You can dance to almost anything here, but between breaths, you'll marvel at his control and the way each sound pops like a primary color."The Wire (p.44) - Included in The Wire's "2005 Rewind: 50 Records Of The Year."The Wire (p.46) - "Self-reference, satire, retro, all of these are abundant on LCD SOUNDSYSTEM....For the anxious and disoriented who need to know where it's at, well, here's one place to start."Mojo (Publisher) (p.62) - Ranked #1 in Mojo's "2005 Dance/Electronic Albums Of The Year"Mojo (Publisher) (p.101) - 4 stars out of 5 - "[C]louds of Beatle melody mushroom through 'Never As Tired As When I'm Waking Up' while the euphoric chant of 'Great Release' is almost ecclesiastical. More proof that cool is what Murphy makes it."Clash (magazine) (p.75) - "Murphy produced a glorious dance record that poked fun at the cliquey, self-conscious scene it moved on from while still being an homage to the New York movements -- punk, disco, new wave -- that actually meant something."0.312633

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Rolling Stone - 3 stars out of 5 -- "The Peas have always been stylistically flexible, and on THE BEGINNING, they give themselves over more fully than ever to the groove palette of club culture, stirring up electro funk, Euro-trance and classic disco..."Spin (p.68) - "Peas leader will.i.am mixes up house and disco beats, Chic and Slick Rick samples, wonky Moog hooks, crunchy guitars, and '70s funk bass into one of the year's wildest sonic stews."Billboard (p.26) - "Echoes of 'Dirty Dancing,' ghetto tech, Daft Punk, early Gwen Stefani and more waft throughout the set....The music is expertly produced..."0.2977878

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Rolling Stone - 3 stars out of 5 -- "The Peas have always been stylistically flexible, and on THE BEGINNING, they give themselves over more fully than ever to the groove palette of club culture, stirring up electro funk, Euro-trance and classic disco..."Spin (p.68) - "Peas leader will.i.am mixes up house and disco beats, Chic and Slick Rick samples, wonky Moog hooks, crunchy guitars, and '70s funk bass into one of the year's wildest sonic stews."Billboard (p.26) - "Echoes of 'Dirty Dancing,' ghetto tech, Daft Punk, early Gwen Stefani and more waft throughout the set....The music is expertly produced..."0.2977878

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Rolling Stone - 3 stars out of 5 -- "The Peas have always been stylistically flexible, and on THE BEGINNING, they give themselves over more fully than ever to the groove palette of club culture, stirring up electro funk, Euro-trance and classic disco..."Spin (p.68) - "Peas leader will.i.am mixes up house and disco beats, Chic and Slick Rick samples, wonky Moog hooks, crunchy guitars, and '70s funk bass into one of the year's wildest sonic stews."Billboard (p.26) - "Echoes of 'Dirty Dancing,' ghetto tech, Daft Punk, early Gwen Stefani and more waft throughout the set....The music is expertly produced..."0.2977878

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Billboard (p.45) - "[H]earing a crowd go wild for a kick drum has to do the dance community proud."Mojo (Publisher) (p.109) - 4 stars out of 5 -- "Gaspard Auge and Xavier de Rosnay have been hailed as the new Daft Punk, but this double-pack suggest they're closer in spirit to Led Zeppelin."Clash (magazine) (p.103) - "One of the key players in electronic music's live renaissance, this is an impressive document of the duo's deserved reputation."0.2977878

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Mojo (Publisher) (p.107) - 4 stars out of 5 -- "39 tracks, featuring pop smashes, rare mixes and deep cuts."0.2735538

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Record Collector (magazine) (p.105) - 4 stars out of 5 -- "On Disc Two, Slam show us they've no intention of halting the ride with a resolutely modern blend, each track a brand new mix, a burgeoning set of blistering beats."0.2707481

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4 stars out of 5 -- "Bridges is sensational again, here in a groundbreaking performance. This reboot is blockbuster entertainment..."Box Office "LEGACY is beautifully constructed. The ribbons of light that trail the Lightcycles as they race across the grid are mesmerizing, with the overall 3-D effect something of an ethereal stunner..."Los Angeles Times 3 stars out of 4 -- "[The film] hits the ground running, in a 3-D sound and light show that plays the eyes and ears..."Chicago Sun-Times "It's a sleeker, sharper, far more visually intoxicating machine dream of a movie, with a darkly liquid electronic texture of its own." -- Grade: BEntertainment Weekly 3 stars out of 4 -- "The special effects are award-caliber in this sequel to the 1982 TRON, the pioneering cult film in computer technology."Rolling Stone "[A] sleek-looking reboot. It's all about the whiz-bang special effects and the return of Jeff Bridges -- always the coolest guy in any space, cyber or otherwise."USA Today 3 stars out of 5 -- "This is a movie of astonishing high-end gloss, fused to a pounding Daft Punk soundtrack, populated with sleek sirens and chiseled hunks, boasting electroluminescent landscapes..."Empire 3 stars out of 5 -- "This is an architect's mind at work -- Kosinski's background -- and he proves himself a highly imaginative level designer....Daft Punk's score paints its own sombre, synthy soundscapes..."Total Film0.2632097

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3 stars out of 4 -- "The special effects are award-caliber in this sequel to the 1982 TRON, the pioneering cult film in computer technology."Rolling Stone 4 stars out of 5 -- "Bridges is sensational again, here in a groundbreaking performance. This reboot is blockbuster entertainment..."Box Office "It's a sleeker, sharper, far more visually intoxicating machine dream of a movie, with a darkly liquid electronic texture of its own." -- Grade: BEntertainment Weekly "LEGACY is beautifully constructed. The ribbons of light that trail the Lightcycles as they race across the grid are mesmerizing, with the overall 3-D effect something of an ethereal stunner..."Los Angeles Times "[A] sleek-looking reboot. It's all about the whiz-bang special effects and the return of Jeff Bridges -- always the coolest guy in any space, cyber or otherwise."USA Today 3 stars out of 4 -- "[The film] hits the ground running, in a 3-D sound and light show that plays the eyes and ears..."Chicago Sun-Times 3 stars out of 5 -- "This is a movie of astonishing high-end gloss, fused to a pounding Daft Punk soundtrack, populated with sleek sirens and chiseled hunks, boasting electroluminescent landscapes..."Empire 3 stars out of 5 -- "This is an architect's mind at work -- Kosinski's background -- and he proves himself a highly imaginative level designer....Daft Punk's score paints its own sombre, synthy soundscapes..."Total Film0.2632097

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3 stars out of 4 -- "The special effects are award-caliber in this sequel to the 1982 TRON, the pioneering cult film in computer technology."Rolling Stone 4 stars out of 5 -- "Bridges is sensational again, here in a groundbreaking performance. This reboot is blockbuster entertainment..."Box Office "It's a sleeker, sharper, far more visually intoxicating machine dream of a movie, with a darkly liquid electronic texture of its own." -- Grade: BEntertainment Weekly "LEGACY is beautifully constructed. The ribbons of light that trail the Lightcycles as they race across the grid are mesmerizing, with the overall 3-D effect something of an ethereal stunner..."Los Angeles Times "[A] sleek-looking reboot. It's all about the whiz-bang special effects and the return of Jeff Bridges -- always the coolest guy in any space, cyber or otherwise."USA Today 3 stars out of 4 -- "[The film] hits the ground running, in a 3-D sound and light show that plays the eyes and ears..."Chicago Sun-Times 3 stars out of 5 -- "This is a movie of astonishing high-end gloss, fused to a pounding Daft Punk soundtrack, populated with sleek sirens and chiseled hunks, boasting electroluminescent landscapes..."Empire 3 stars out of 5 -- "This is an architect's mind at work -- Kosinski's background -- and he proves himself a highly imaginative level designer....Daft Punk's score paints its own sombre, synthy soundscapes..."Total Film0.2632097

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3 stars out of 4 -- "The special effects are award-caliber in this sequel to the 1982 TRON, the pioneering cult film in computer technology."Rolling Stone 4 stars out of 5 -- "Bridges is sensational again, here in a groundbreaking performance. This reboot is blockbuster entertainment..."Box Office "It's a sleeker, sharper, far more visually intoxicating machine dream of a movie, with a darkly liquid electronic texture of its own." -- Grade: BEntertainment Weekly "LEGACY is beautifully constructed. The ribbons of light that trail the Lightcycles as they race across the grid are mesmerizing, with the overall 3-D effect something of an ethereal stunner..."Los Angeles Times "[A] sleek-looking reboot. It's all about the whiz-bang special effects and the return of Jeff Bridges -- always the coolest guy in any space, cyber or otherwise."USA Today 3 stars out of 4 -- "[The film] hits the ground running, in a 3-D sound and light show that plays the eyes and ears..."Chicago Sun-Times 3 stars out of 5 -- "This is a movie of astonishing high-end gloss, fused to a pounding Daft Punk soundtrack, populated with sleek sirens and chiseled hunks, boasting electroluminescent landscapes..."Empire 3 stars out of 5 -- "This is an architect's mind at work -- Kosinski's background -- and he proves himself a highly imaginative level designer....Daft Punk's score paints its own sombre, synthy soundscapes..."Total Film0.2632097

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Billboard (p.40) - "Tricky picks up where 2008's KNOWLE WEST BOY left off, exploring his diverse background, sonic heritage and frequently unforgiving surroundings with sounds as much as words....30 minutes of melting pot magic."Clash (magazine) - "'Every Day' is a slippery, sweaty and sexy opener....The upbeat cuts are similarly effective..."Record Collector (magazine) (p.96) - 3 stars out of 5 -- "Tricky flits between Daft Punk-lite, ethereal chain gang blues, Eastern ragas, lounge-ska-jazz and stoned-groove hip-hop..."Uncut (magazine) (p.106) - 3 stars out of 5 -- "'Every Day', starring new muse Franky Riley, employs wailing harmonica and Delta blues twang..."0.2605643

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Billboard (p.40) - "Tricky picks up where 2008's KNOWLE WEST BOY left off, exploring his diverse background, sonic heritage and frequently unforgiving surroundings with sounds as much as words....30 minutes of melting pot magic."Clash (magazine) - "'Every Day' is a slippery, sweaty and sexy opener....The upbeat cuts are similarly effective..."Record Collector (magazine) (p.96) - 3 stars out of 5 -- "Tricky flits between Daft Punk-lite, ethereal chain gang blues, Eastern ragas, lounge-ska-jazz and stoned-groove hip-hop..."Uncut (magazine) (p.106) - 3 stars out of 5 -- "'Every Day', starring new muse Franky Riley, employs wailing harmonica and Delta blues twang..."0.2605643

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Rolling Stone - 4 stars out of 5 -- "Thick with Seventies jazz-funk nods, it answers Daft Punk's RANDOM ACCESS MEMORIES with future-shock electronics supplanting nostalgic dazzle..."Paste (magazine) - "[E]very spin through these 12 songs keeps revealing new structures and details....And the end result after each listen is a desire to just dive right back in from track one and look for more clues."Pitchfork (Website) - "Sixty-five minutes of highly melodic, superbly arranged, precisely mixed, texturally varied electronic music that sounds like it could have come from no other artist."Clash (magazine) - "It's an effortless comeback, then, that almost plays like a greatest hits set....This Big Deal is one that stands up to the amazing hype."0.2605643

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Rolling Stone - 3 stars out of 5 -- "Daft Punk cut much of TRON: LEGACY in London with a 100-piece orchestra....On 'The Game Has Changed,' they swell and flutter alongside acid-damaged synths and digital thuds, suggesting a particularly suspenseful Radiohead track."CMJ - "While most definitely a soundtrack, TRON: LEGACY works as a standalone album due to the gauntlet of emotions that it runs through..."Billboard (p.24) - "[The duo] surprises with the austere beauty of cuts like 'Adagio for Tron' and its seamless fusion of organic and electronic elements."Mojo (Publisher) (p.95) - 3 stars out of 5 -- "[A] brace of tracks -- the 303 bass nightmare of 'Derezzed' and 'End Titles' -- startle with squelchy metallic madness."Paste (magazine) - "TRON: LEGACY is, amazingly, the duo's best work in years....All 22 pieces flow almost seamlessly with the same textural template: orchestral arrangements augmented with their trademark, gloriously recorded sequenced synthesizers."Clash (magazine) - "[A] studiously solid offering that has all the grandeur and dystopian trajectory of acclaimed godfather of cinematic scores Vangelis but with the odd cheeky electronic bed from which their sonic structures can twist and grow."Record Collector (magazine) (p.79) - 3 stars out of 5 -- "TRON sounds big, loud, and is an accomplished mix of old synth, digital modernism and orchestra."0.1861174

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Rolling Stone - 3 stars out of 5 -- "Daft Punk cut much of TRON: LEGACY in London with a 100-piece orchestra....On 'The Game Has Changed,' they swell and flutter alongside acid-damaged synths and digital thuds, suggesting a particularly suspenseful Radiohead track."CMJ - "While most definitely a soundtrack, TRON: LEGACY works as a standalone album due to the gauntlet of emotions that it runs through..."Billboard (p.24) - "[The duo] surprises with the austere beauty of cuts like 'Adagio for Tron' and its seamless fusion of organic and electronic elements."Mojo (Publisher) (p.95) - 3 stars out of 5 -- "[A] brace of tracks -- the 303 bass nightmare of 'Derezzed' and 'End Titles' -- startle with squelchy metallic madness."Paste (magazine) - "TRON: LEGACY is, amazingly, the duo's best work in years....All 22 pieces flow almost seamlessly with the same textural template: orchestral arrangements augmented with their trademark, gloriously recorded sequenced synthesizers."Clash (magazine) - "[A] studiously solid offering that has all the grandeur and dystopian trajectory of acclaimed godfather of cinematic scores Vangelis but with the odd cheeky electronic bed from which their sonic structures can twist and grow."Record Collector (magazine) (p.79) - 3 stars out of 5 -- "TRON sounds big, loud, and is an accomplished mix of old synth, digital modernism and orchestra."0.1861174

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Rolling Stone (p.72) - 4 stars out of 5 -- "The 10 songs are sleek and clean....'Fences' spikes the electro beat of Daft Punk with an urgent acoustic-guitar breakdown for splendidly danceable melancholy."Spin (p.94) - "These arch Frenchmen make precision-tooled pop that somehow retains a sense of urgency and playfulness -- an impressive balancing act..."Spin (p.33) - Ranked #3 in Spin's "40 Best Albums Of 2009" -- "Urgent guitar pop and buoyant melodies cohabited brilliantly with Euro-disco propulsion..."Entertainment Weekly (p.62) - "[T]he Versailles-bred foursome actually possess one of the purest pop aesthetics on either side of the Atlantic....The underlying vibe is both retro and somehow outside of time..." -- Grade: A-Alternative Press (p.130) - 4 stars out of 5 -- "[A]n absolute blast, rich in ringing guitar and euphoric synths....The expansive, two-part 'Love Like A Sunset' evokes strains of '70s prog-disco."CMJ - "The band's brand of glamorous electronic-tinged pop is mixed with twee plinks here and there, supplemented with airy keys and a futuristic spaceship feel that will be pleasing to both clubbers and concert-goers alike."Billboard (p.53) - "The group has polished its '60s-rock-revivalist sound to near perfection, but keeps expanding its aural palette, experimenting with layered rhythms and sonic textures."Q (Magazine) (p.130) - 4 stars out of 5 -- "It may be oversimplifying to invoke the spirit of Radiohead, but this could be Phoenix's OK Computer and Kid A rolled into one."Paste (magazine) (p.53) - "Thomas Mars sings with the urgency of Of Montreal's Kevin Barnes, and his band plays with a Killers-like accessibility."Pitchfork (Website) - "[T]he album's 10 songs are arranged and executed with virtuoso pop-rock precision....Its unflappable sonic sheen gives WOLFGANG some winsome 80s nostalgia..."0.1488939

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