dan-auerbach,Keep It Hid [Dan Auerbach], A Year in the Wilderness, Chulahoma: The Songs of Junior Kimbrough [7 Tracks] [EP], Tell Me [Digipak], Magic Potion [Digipak]

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Rolling Stone (p.68) - 3 stars out of 5 -- "'Real Desire' echoes Tommy James and the Shondells' 'Crimson and Clover,' complete with droning bass and billowing organs."Spin (p.77) - "'Heartbroken, in Disrepair' throbs like ZZ Top on a lo-fi bender....'When I Left the Room' is a slow-burner of barn-burning proportions."Alternative Press (p.112) - 4.5 stars out of 5 -- "Auerbach moves flawlessly through all of his favorite frames of reference, from the Kinks-gone-psychedelic riffs of 'Heartbroken, In Disrepair' to the Stooge-rocking swagger of 'Street Walkin'."Billboard - "Auerbach's voice sounds ancient, lifted from a thriftstore 78, his guitar moaning like a ghost."Q (Magazine) (p.93) - 4 stars out of 5 -- "[D]elivered in Auerbach's peerless blues holler and accompanied by a rhythmic thump, these slow-rolling tales of bad moons, black dogs and night fevers achieve a natural-born boogie"Mojo (Publisher) (p.110) - 4 stars out of 5 -- "[I]t's atmosphere -- brooding, close -- that holds it all together....'Heartbroken, In Disrepair' is expansive psychedelic rock with the kind of reverb-soaked guitar line Johnny Marr might have come up with."Pitchfork (Website) - "There are plenty of new song shapes and sound textures here, from the softly strummed opener 'Trouble Weighs a Ton' to the brief din of 'Because I Should' to the Smithsy guitar on 'Heartbroken, in Disrepair."55.77409

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Uncut (p.114) - 3 stars out of 5 -- "His latest boasts some rattling good tunes, not least 'There's A Hole', with The Black Keys' Dan Auerbach."Magnet (p.95) - "12 superb tracks of Doe teaming up with pals like Blasters guitarist Dave Alvin, Black Keys fretboard ace Dan Auerbach and pedal steel player Greg Leisz..."CMJ (p.44) - "John Doe returns with a fevered collection, ranging from country barn-burners to bashing punk."No Depression (p.91) - "The duet with Edwards on 'The Golden State' shows a mature craftsmanship as a rich and romantic metaphor for Doe's adopted California....There has long been a noirish undercurrent to his music..."0.6511019

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Q (p.113) - 3 stars out of 5 -- "[T]his mini-album sees The Black Keys covering some of the songs of Junior Kimbrough....All intricate guitar weaving and spooky melodies, they sound both in love with and haunted by the man's material..."Down Beat (p.72) - 3.5 stars out of 5 -- "Raw with vulgarity, the pair's music crests and swerves with the ominous raunch that guided their hero's stuff."Living Blues (p.70) - "[I]t's a worthy addition to the Keys' acclaimed catalogue and a respectful eulogy to a musician whom frontman Dan Auerbach continues to admire."0.4603986

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Rolling Stone (p.65) - 3.5 stars out of 5 -- "Producer Dan Auerbach gives Mayfield's confessions a darker hue, layering on tremolo guitar while nudging the noirish country songs toward British Invasion pop."Q (Magazine) (p.q) - 3 stars out of 5 -- 'Her appealingly sleepy, lonesome drawl owes something to Beth Orton....Lean, unsentimental alt-country..."Paste (magazine) - "TELL ME is all meaty guitar licks and sad-edged vocals, like Fleetwood Mac for the blog generation."Uncut (magazine) (p.94) - 4 stars out of 5 -- "[D]elivered in a dry, laconic voice, between a Lucinda Williams drawl and a Hope Sandoval breathiness. The results are dark, dangerous and utterly compelling."0.4603986

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Rolling Stone (p.84) - 3.5 stars out of 5 -- "The sound may be retro, but pure blues rock of this caliber is really timeless."Spin (p.94) - 3 stars out of 5 -- "There's some heavy-hearted wailing, a dance number for AC/DC fans, and at least one track that jazzbos might identify as harmolodic."Entertainment Weekly (p.72) - "MAGIC POTION finds singer-guitarist Dan Auerbach's vocals and riffs shadowing each other to exquisitely rough-hewn effect." -- Grade: A-Uncut (p.99) - 3 stars out of 5 -- "The Black Keys have always blended a certain pose with their virile stew of raucous, bass-free blues."Magnet (p.87) - "MAGIC POTION hears the duo transitioning from blues to blues-based, taking cues from Zeppelin and Hendrix as much as Kimbrough and his Mississippi hill-country brethren."Mojo (Publisher) (p.96) - 3 stars out of 5 -- "With a ferocious riff assault recalling both Hendrix and Led Zeppelin....[They] tread a similar sonic path to Jack and Meg White."0.3452989

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Pitchfork (Website) - "STR8 KILLA works as a showcase for a ridiculously solid rapper. Gibbs knows his craft inside and out."0.3362151

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0.2941882

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0.2941882

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Rolling Stone (p.63) - 4 stars out of 5 -- "Full of muscled, vintage R&B grooves, fevered soloing, psychedelic arrangements and oracular mumbo jumbo, it's the wildest record Rebennack has made in many years."Entertainment Weekly (p.72) - "[T]here's no denying the vintage voodoo -- or the palpable disgust -- the Doctor summons with DAn Auerbach of the Black Keys..." -- Grade: A-Magnet (p.54) - "The result is sharp and well-recorded....The urgent grooves on 'Getaway,' with its psychedelic flourishes, will sound good on the radio..."Billboard (p.36) - "'Eleggua' overlaps Curtis Mayfield, gris-gris funk and a sweet soul hook; and 'You Lie' offers a taste of what Dr. John would sound like if the Black Keys and Morphine joined forces to back him."Q (Magazine) (p.96) - 4 stars out of 5 -- "It still oozes that very specific, seamy Dr John funk throughout, from the brilliantly delirious title track through to his pitch black state-of-the nation address in 'Ice Age'..."Mojo (Publisher) (p.93) - 4 stars out of 5 -- "[T]he night tripping grooves are tight, cosmically inclined, and brewed with a real soulfulness."Uncut (magazine) (p.62) - "Throughout, Weissenfeldt's beats are savage. The horn accents are sharp and soulful."0.2877491

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Rolling Stone (p.63) - 4 stars out of 5 -- "Full of muscled, vintage R&B grooves, fevered soloing, psychedelic arrangements and oracular mumbo jumbo, it's the wildest record Rebennack has made in many years."Entertainment Weekly (p.72) - "[T]here's no denying the vintage voodoo -- or the palpable disgust -- the Doctor summons with DAn Auerbach of the Black Keys..." -- Grade: A-Magnet (p.54) - "The result is sharp and well-recorded....The urgent grooves on 'Getaway,' with its psychedelic flourishes, will sound good on the radio..."Billboard (p.36) - "'Eleggua' overlaps Curtis Mayfield, gris-gris funk and a sweet soul hook; and 'You Lie' offers a taste of what Dr. John would sound like if the Black Keys and Morphine joined forces to back him."Q (Magazine) (p.96) - 4 stars out of 5 -- "It still oozes that very specific, seamy Dr John funk throughout, from the brilliantly delirious title track through to his pitch black state-of-the nation address in 'Ice Age'..."Mojo (Publisher) (p.93) - 4 stars out of 5 -- "[T]he night tripping grooves are tight, cosmically inclined, and brewed with a real soulfulness."Uncut (magazine) (p.62) - "Throughout, Weissenfeldt's beats are savage. The horn accents are sharp and soulful."0.2877491

$49.15
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Rolling Stone (p.66) - 3.5 stars out of 5 -- "[T]he Keys' most multicolored set: A psychedelic hybrid of vintage Southern R&B, brutish British invasion rock, and country blues..."Rolling Stone (p.90) - Ranked #15 in Rolling Stone's 50 Best Albums Of 2008 -- "You don't count the parts inside; you just dig the sum."Spin (p.92) - 3.5 stars out of 5 -- "Here, the Akron, Ohio twosome teams with producer Danger Mouse, who quietly unfolds in the occasional breakbeat, even adding that classic hipster signifier -- the funk flute -- to 'Same Old Thing.'"Entertainment Weekly (p.61) - "[T]he quirks enhance the power of the desolation at the Keys' core, and prove that gut-grabbing and ear-stroking needn't be mutually exclusive." -- Grade: A-Uncut (p.88) - 4 stars out of 5 -- "The Black Keys are on the cusp of greatness....'Lies' is Motown-apeing bliss, while 'Things Ain't What They Used To Be' is a bone fide classic."Magnet (p.98) - "[T]here's no question that singer/guitarist Dan Auerbach and drummer Patrick Carney are proficient purveyors of heavy-duty, greased-up garage blues with a ridiculous amount of swagger."Vibe (p.74) - "[T]he album has a pedigree -- originally written for Ike Turner, A&R now stands as a graceful marker of the legend's last planned project."Q (Magazine) (p.126) - 3 stars out of 5 -- "Danger Mouse's effect is apparent, the sparse guitar-and-drums template fleshed out with organ and banjo..."Mojo (Publisher) (p.111) - 4 stars out of 5 -- "The signature raw blues sound is still there, but now it's spiced up with classic R&B, garage, country and even electronic flavours, all rich with melody and driving power."Mojo (Publisher) (p.65) - Ranked #40 in Mojo's "The 50 Best Albums Of 2008" -- "[A] cascade of country-soul, heavy-psych and melancholy balladry..."Blender (Magazine) (p.76) - 3.5 stars out of 5 -- "[T]heir music often sounds broadcast from another planet. Thank indie-minded hip-hop producer for that; he fleshes out the band's bare-fisted approach..."Pitchfork (Website) - "ATTACK AND RELEASE subtly expands the Black Keys sound....A sequence of slow burns, the record's tempos allow you to relish the details and the textures."Clash (magazine) (p.111) - "[A] harrowingly dark yet astoundingly brilliant batch of songs..."0.2301993

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