dan-auerbach,Keep It Hid [Dan Auerbach], A Year in the Wilderness, Tell Me [Digipak], Magic Potion [Digipak], Str8 Killa [PA]

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Rolling Stone (p.68) - 3 stars out of 5 -- "'Real Desire' echoes Tommy James and the Shondells' 'Crimson and Clover,' complete with droning bass and billowing organs."Spin (p.77) - "'Heartbroken, in Disrepair' throbs like ZZ Top on a lo-fi bender....'When I Left the Room' is a slow-burner of barn-burning proportions."Alternative Press (p.112) - 4.5 stars out of 5 -- "Auerbach moves flawlessly through all of his favorite frames of reference, from the Kinks-gone-psychedelic riffs of 'Heartbroken, In Disrepair' to the Stooge-rocking swagger of 'Street Walkin'."Billboard - "Auerbach's voice sounds ancient, lifted from a thriftstore 78, his guitar moaning like a ghost."Q (Magazine) (p.93) - 4 stars out of 5 -- "[D]elivered in Auerbach's peerless blues holler and accompanied by a rhythmic thump, these slow-rolling tales of bad moons, black dogs and night fevers achieve a natural-born boogie"Mojo (Publisher) (p.110) - 4 stars out of 5 -- "[I]t's atmosphere -- brooding, close -- that holds it all together....'Heartbroken, In Disrepair' is expansive psychedelic rock with the kind of reverb-soaked guitar line Johnny Marr might have come up with."Pitchfork (Website) - "There are plenty of new song shapes and sound textures here, from the softly strummed opener 'Trouble Weighs a Ton' to the brief din of 'Because I Should' to the Smithsy guitar on 'Heartbroken, in Disrepair."110.5827

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Uncut (p.114) - 3 stars out of 5 -- "His latest boasts some rattling good tunes, not least 'There's A Hole', with The Black Keys' Dan Auerbach."Magnet (p.95) - "12 superb tracks of Doe teaming up with pals like Blasters guitarist Dave Alvin, Black Keys fretboard ace Dan Auerbach and pedal steel player Greg Leisz..."CMJ (p.44) - "John Doe returns with a fevered collection, ranging from country barn-burners to bashing punk."No Depression (p.91) - "The duet with Edwards on 'The Golden State' shows a mature craftsmanship as a rich and romantic metaphor for Doe's adopted California....There has long been a noirish undercurrent to his music..."0.649006

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Rolling Stone (p.65) - 3.5 stars out of 5 -- "Producer Dan Auerbach gives Mayfield's confessions a darker hue, layering on tremolo guitar while nudging the noirish country songs toward British Invasion pop."Q (Magazine) (p.q) - 3 stars out of 5 -- 'Her appealingly sleepy, lonesome drawl owes something to Beth Orton....Lean, unsentimental alt-country..."Paste (magazine) - "TELL ME is all meaty guitar licks and sad-edged vocals, like Fleetwood Mac for the blog generation."Uncut (magazine) (p.94) - 4 stars out of 5 -- "[D]elivered in a dry, laconic voice, between a Lucinda Williams drawl and a Hope Sandoval breathiness. The results are dark, dangerous and utterly compelling."0.4589166

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Rolling Stone (p.84) - 3.5 stars out of 5 -- "The sound may be retro, but pure blues rock of this caliber is really timeless."Spin (p.94) - 3 stars out of 5 -- "There's some heavy-hearted wailing, a dance number for AC/DC fans, and at least one track that jazzbos might identify as harmolodic."Entertainment Weekly (p.72) - "MAGIC POTION finds singer-guitarist Dan Auerbach's vocals and riffs shadowing each other to exquisitely rough-hewn effect." -- Grade: A-Uncut (p.99) - 3 stars out of 5 -- "The Black Keys have always blended a certain pose with their virile stew of raucous, bass-free blues."Magnet (p.87) - "MAGIC POTION hears the duo transitioning from blues to blues-based, taking cues from Zeppelin and Hendrix as much as Kimbrough and his Mississippi hill-country brethren."Mojo (Publisher) (p.96) - 3 stars out of 5 -- "With a ferocious riff assault recalling both Hendrix and Led Zeppelin....[They] tread a similar sonic path to Jack and Meg White."0.3441874

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Pitchfork (Website) - "STR8 KILLA works as a showcase for a ridiculously solid rapper. Gibbs knows his craft inside and out."0.3308563

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Rolling Stone (p.63) - 4 stars out of 5 -- "Full of muscled, vintage R&B grooves, fevered soloing, psychedelic arrangements and oracular mumbo jumbo, it's the wildest record Rebennack has made in many years."Entertainment Weekly (p.72) - "[T]here's no denying the vintage voodoo -- or the palpable disgust -- the Doctor summons with DAn Auerbach of the Black Keys..." -- Grade: A-Magnet (p.54) - "The result is sharp and well-recorded....The urgent grooves on 'Getaway,' with its psychedelic flourishes, will sound good on the radio..."Billboard (p.36) - "'Eleggua' overlaps Curtis Mayfield, gris-gris funk and a sweet soul hook; and 'You Lie' offers a taste of what Dr. John would sound like if the Black Keys and Morphine joined forces to back him."Q (Magazine) (p.96) - 4 stars out of 5 -- "It still oozes that very specific, seamy Dr John funk throughout, from the brilliantly delirious title track through to his pitch black state-of-the nation address in 'Ice Age'..."Mojo (Publisher) (p.93) - 4 stars out of 5 -- "[T]he night tripping grooves are tight, cosmically inclined, and brewed with a real soulfulness."Uncut (magazine) (p.62) - "Throughout, Weissenfeldt's beats are savage. The horn accents are sharp and soulful."0.2868229

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Rolling Stone (p.66) - 3.5 stars out of 5 -- "[T]he Keys' most multicolored set: A psychedelic hybrid of vintage Southern R&B, brutish British invasion rock, and country blues..."Rolling Stone (p.90) - Ranked #15 in Rolling Stone's 50 Best Albums Of 2008 -- "You don't count the parts inside; you just dig the sum."Spin (p.92) - 3.5 stars out of 5 -- "Here, the Akron, Ohio twosome teams with producer Danger Mouse, who quietly unfolds in the occasional breakbeat, even adding that classic hipster signifier -- the funk flute -- to 'Same Old Thing.'"Entertainment Weekly (p.61) - "[T]he quirks enhance the power of the desolation at the Keys' core, and prove that gut-grabbing and ear-stroking needn't be mutually exclusive." -- Grade: A-Uncut (p.88) - 4 stars out of 5 -- "The Black Keys are on the cusp of greatness....'Lies' is Motown-apeing bliss, while 'Things Ain't What They Used To Be' is a bone fide classic."Magnet (p.98) - "[T]here's no question that singer/guitarist Dan Auerbach and drummer Patrick Carney are proficient purveyors of heavy-duty, greased-up garage blues with a ridiculous amount of swagger."Vibe (p.74) - "[T]he album has a pedigree -- originally written for Ike Turner, A&R now stands as a graceful marker of the legend's last planned project."Q (Magazine) (p.126) - 3 stars out of 5 -- "Danger Mouse's effect is apparent, the sparse guitar-and-drums template fleshed out with organ and banjo..."Mojo (Publisher) (p.111) - 4 stars out of 5 -- "The signature raw blues sound is still there, but now it's spiced up with classic R&B, garage, country and even electronic flavours, all rich with melody and driving power."Mojo (Publisher) (p.65) - Ranked #40 in Mojo's "The 50 Best Albums Of 2008" -- "[A] cascade of country-soul, heavy-psych and melancholy balladry..."Blender (Magazine) (p.76) - 3.5 stars out of 5 -- "[T]heir music often sounds broadcast from another planet. Thank indie-minded hip-hop producer for that; he fleshes out the band's bare-fisted approach..."Pitchfork (Website) - "ATTACK AND RELEASE subtly expands the Black Keys sound....A sequence of slow burns, the record's tempos allow you to relish the details and the textures."Clash (magazine) (p.111) - "[A] harrowingly dark yet astoundingly brilliant batch of songs..."0.2294583

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