dance-and-electronic,Formica Blues, Otomo Yoshihide: Cathode, OddJobs [EP], Synaesthesia [Death Ambient], Fear of Fours
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100+ Items Found For dance and electronic (showing top 100 results)

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Rolling Stone (4/2/98, p.74) - 3 Stars (out of 5) - "...a glossy finish that reflects the duo's love for setting Sixties pop to electronic beats. The Portishead comparisons are inevitable, but Mono's palette features brighter colors than that of their Bristol, England, peers..."Entertainment Weekly (4/3/98, p.97) - "...this British duo beautifully exploits trip-hop's woozy, cinematic vibe....The real treat...is Siobhan DeMare's sumptuous, seductive vocals, which pull this debut from the brink of torpor and channel Petula Clark's pop-friendly purr." - Rating: A-Magnet (3-4/98, p.71) - "Mono makes its Euro-pop gently baroque and smoke-screen lite....focuses on rococo romantic elan with danger just a twitch away. Twinkling concertinas, phase-shifting synths and flat-toned, black-chord pianos make FORMICA shine..."Option (3-4/98, p.99) - "...utterly of the moment..."Melody Maker (10/11/97, p.50) - "...A fantastic, fantastic album....simultaneously a period piece and ultra-brite modern."2.527472

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Rolling Stone (9/2/99, p.108) - 3 stars (out of 5) - "...Singer Louise Rhoades...brings an uplifting light to FEAR OF FOURS, vying with partner Andy Barlow's beautifully funereal trip-hop for control of FEAR's soul..."Spin (8/99, p.155) - 7 out of 10 - "...FEAR OF FOURS shows Lamb to be mad tinkers and progressive thinkers challenging jungle's shrunken-head syndrome."Entertainment Weekly (8/13/99, p.77) - "...Lamb craft their music quirkily, freighting it with more nuance, musical and emotional, than most techno has..." - Rating: BQ (7/99, p.118) - 3 stars (out of 5) - "...boasts the best of attitudes: an organic taming of technology, fluid...instrumental interplay and an unconscious blend of genres....prove that Lamb can do daytime Radio 1."Alternative Press (9/99, p.104) - 3 out of 5 - "...a solid, more developed release. Lamb have tested the strength of their relationship by expanding their vision, and they've come out all the stronger for it."The Wire (1/00, p.67) - Included in Wire Magazine's "50 Records Of The Year ['99]"The Wire (6/99, p.58) - "...Lamb keeps things fresh with unexpected variety....Where the music and singing take on an epic quality, a firm dignity keeps everything from becoming pompous..."Mixmag (5/99, p.147) - 4 out of 5 - "...their music often sounds at war with itself....works beautifully on tracks like 'All In Your Hands' and 'Fly'..."CMJ (7/26/99, p.3) - "...suprisingly organic....Post-3 a.m. lounge crawlers should consider themselves blessed."Melody Maker (5/8/99, p.44) - 4 1/2 stars (out of 5) - "...a welcome break from the tyranny of dancefloor 4/4. Beauty is in the holder of this record..."2.527472

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CMJ (7/26/99, p.26) - "...adventurous instrumentation....Euphoria locates the ethereal fringes of many genres, while never alinging itself with any particular camp."2.527472

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Alternative Press (7/00, pp.86-7) - 4 out of 5 - "...Goes far beyond the role of DJ or even remixer. Not only is he an authority on Hindustani and Carnatic music, but he is a reverent man placing sacred music in a modern musical context..."CMJ (2/21/00, p.25) - "...these remixes forge an even greater synthesis between the organic base of world music and the futuristic nuances of electronic dance."2.527472

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CMJ (5/00, p.52) - "...A droning subversion of drum'n'bass whose geography is truly unplaceable."2.527472

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Option (8/94, pp.131-132) - "...all cuts run between five and ten minutes, giving each enough room to fulfill its trance mission while none overstay their welcome..."NME (Magazine) (10/2/93, p.31) - 8 - Excellent - "...here, at last, is a dance compilation that breaks gloriously from the norm. This CD is, by even the worst dance snob's standards, a comprehensive grouping of all that is innovative on the British dance scene..."2.527472

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CMJ (12/11/00, p.31) - "...A sophisticated electronica-pop offering...exploring spiritual themes and the ways love permeates everything..."2.527472

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Spin (6/98, p.138) - 7 (out of 10) - "...A bumptious mix of found sound, samples,...keyboards, and sundry contributions by guest musicians, the Solex sound is a loopy jumble that comes on like trip-hop at the circus..."Entertainment Weekly (3/20/98, p.92) - "...an oddly endearing Dutch treat of an album. The echoey, rattling, wind-tunnel music lends and even eerier power to her tales of obsessives both romantic and physical." - Rating: B+NME (Magazine) (5/23/98, p.46) - 8 (out of 10) - "...The moods swing from sinister to giddy, ponderous to alert....Esselink takes the DIY ethic to its ultimate conclusion and conjures something magical and childlike from the debris of others' unwanted toys..."2.527472

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Record Collector (magazine) (p.92) - 3 stars out of 5 -- "[The set] features the band's debut single, 'Hope You're Feeling Better,' recalling their late 60s American namesake with its blue-rock backdrop."2.527472

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The Wire (3/00, p.62) - "...Draws out the highly strung elasticity of the 808 rhythm box....the imitation remains consistently flattering...with just the right mix of optimistic forward motion and sadness..."2.527472

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Melody Maker (8/2/97, p.42) - "...oddly engaging re-interpretation project featuring input from the likes of Ui, Jim O'Rourke, Stereolab...completely compelling throughout."2.527472

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Rolling Stone (10/02, p.72) - 3 stars out of 5 - "...Richly textured..."The Wire (7/02, p.53) - "...OPTOMETRY is a success in terms of both sound and vision..."2.527472

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The Wire (p.57) - "[T]here is still much in the way of glacial excellence here..."2.527472

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Q (9/01, p.124) - 4 stars out of 5 - "...The original blissed-out vibe....an enjoyable and haunting mix..."2.527472

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Rolling Stone (12/26/02, p.104) - Included in Rolling Stone's "50 Best Albums of 2002"Rolling Stone (6/20/02, pp.81-2) - 3.5 stars out of 5 - "...A moody, murky album...and fascinating in its own right....A 57-minute pastiche of beats, sound effects, machine hums, found voices and mock-symphonic patterns of robot noise, shifting from texture to texture almost casually..."Spin (1/03, p.71) - Ranked #19 on Spin's list of 2002's "Albums of the Year" - "...Indelibly shaped by hip-hop but lured astray by every other sound in the universe."Q (May 2002, p.107) - 4 out of 5 stars - "...Much of [the album] evokes a dream-state between waking and sleeping....Davis is a man who takes himself incredibly seriously, with his intense demeanour and slavish devotion to hip hop..."Q (p.134) - 3 stars out of 5 - "Josh 'DJ Shadow' Davis is undeniably a master of his craft..."CMJ (6/02, p.5) - "...An astounding achievement that should easily catapult Shadow back into the spotlight...soul stirring beats, irrepressible DJ theatrics, personality and humor....Completely captivating and flawlessly imaginative..."Vibe (7/02, p.135) - 3 discs out of 5 - "...The vibe here is more overtly bumptious...Shadow is working angles his contemporaries haven't thought of yet..."Mojo (Publisher) (1/03, p.76) - Ranked #36 in Mojo's "Best Albums of 2002"Mojo (Publisher) (5/02, p.96) - "...An intense experience, precisely focused yet disarmingly ambiguous....You will hear few finer records this year."NME (Magazine) (5/18/02, p.35) - 6 out of 10 - "...This is the fetishasation of sound for its own sake...That's not to say there aren't great moments here..."2.527472

$8.87
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Uncut (11/01, p.114) - 4 stars out of 5 - "...Lamb remain the unacknowledged masters of the studio beat and brooding atmospherica. Especially here..."2.527472

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Entertainment Weekly (No. 833, p.79) - "...[D]raws impressively from the far-flung fields of folk, classical, and new wave...." - Grade: BThe Wire (p.61) - "[T]his music's shoreline is made up of instrumental delicacy and subtle arrangements, which burble, froth and foam washing over the listener with an insistent but gentle force."Mojo (Publisher) (p.101) - 3 stars out of 5 - "[T]his is chic pop electronica..."2.527472

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Magnet (p.103) - "So naughty, it's nice."CMJ (p.39) - "[M]ixing samples of '20s and '30s jazz and swing with Serge Gainsbourg-style sexy lounge and modern electronic beats....A lounge-pop album for the retro set..."2.527472

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Dirty Linen (p.90) - "The use of acoustic instrumentalists adds an organic feel to the collaborative effort....MIDIVAL TIMES is a gentle, intelligent pollination of Western and Indian-subcontinent electronics. A very pleasant excursion."2.527472

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CMJ (10/8/01, p.16) - "...21st-century smiles have their first original soundtrack..."Mojo (Publisher) (1/02, p.71) - Included in Mojo's "Best Underground Albums of 2001".2.527472

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