david-sanborn,Closer [David Sanborn], Voyeur [David Sanborn] [075992354622], Pearls [David Sanborn], The Best of David Sanborn [093624576822], Time Again [David Sanborn] [044006557823]

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JazzTimes (p.77) - "Sanborn proves to be a compelling balladeer, spiking the melody with his percussive attack and fueling the melodies with hot-blooded lyricism."106.9889

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85.59114

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JazzTimes (6/03, pp.111-2) - "...This is a pop-instrumental album that delivers in full on its promises of melodies, grooves and subtle variations. And it does so with the sort of understatement and curiosity that's all to rare in its field..."85.59114

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JazzTimes (6/03, pp.111-2) - "...This is a pop-instrumental album that delivers in full on its promises of melodies, grooves and subtle variations. And it does so with the sort of understatement and curiosity that's all to rare in its field..."85.59114

$14.96
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Entertainment Weekly (10/11/96, p.93) - "Sanborn works that fragile line between pop and jazz better than most anyone, and he's been doing it long enough to know how to keep away from elevator-bound banalities. His latest falls into a familiar groove, and that's not a bad thing..." - Rating: BJazzTimes (2/97, p.96) - "Fans of David Sanborn's alto sax sound will welcome his 14th solo issue of urban pop-jazz compositions that fit well with the smooth-jazz idiom prevalent on radio today....Sanborn's vibrato-rich solos carry vestiges of his early R&B work..."75.31896

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Rolling Stone (p.74) - 4 stars out of 5 -- "The title song might be Bowie's best ever, with the rhythm inspiring his most passionate love letter to his fans."Q (p.134) - 4 stars out of 5 -- "For one album only, he swooped, strutted and sang lyrics like, 'sho'nuff', all of it convincing. He even sneaked in some big ideas..."Q (6/91) - 5 Stars - Indispensable - "From '75, 'Young Americans' saw Bowie abandon the mock-apocalyptic rock of his previous three LPs to climb aboard the Philadelphia soul train sound, 'Young Americans'' 'relentless plastic soul', as Bowie dubbed it, harnessed his writing to the feverish light funk which would, in a few years' time, mutate into world-conquering disco..."Q (11/99, pp.140-1) - 4 stars out of 5 - "...Bowie's first outright dabble with 'plastic soul' (his description) and provisionally entitled 'Dancin', was trademarked by floppy fringe and smart, tailored jacket, but the balmy guitar of Carlos Alomar is its true signature..."CMJ (p.48) - "[With] waves of R&B vocal-backing, crests of crunchy sax work from David Sanborn and, of course, Bowie's affected-yet-restrained blues croonery."0.2666931

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