deborah-harry,Punk [Mark Blake, Deborah Harry] [ENGLISH] [Paperback] [Dk Pub], Blondie: Live in Toronto, Drop Dead Rock, Tales From the Darkside: The Movie, Videodrome [Blu-ray]

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BOOK REVIEWS COMING SOON!!!!67.41451

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"...Savvier than the horror norm....It's fun..."New York Times22.42668

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"...[Cronenberg] is developing a real genius for this sort of thing....[Woods] gives the performance a sharply authentic edge..." New York Times "...[The] picture is a real find for horror buffs looking for new thrills..." Variety "[I]t looks outright prophetic and, even scarier, absolutely coherent." Premiere19.62335

$29.52
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Musician (4/94, p.89) - "...The real secret weapon on WITHDRAWL METHOD is Alice Cohen's vocals. She's a formidable stylist whose versatile belting calls to mind the cool gutsiness of Deborah Harry and the fanciful exclamations of Kate Bush...."0.8508359

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Record Collector (magazine) (p.101) - 4 stars out of 5 -- "Nick Cave is joined by former Bad Seeds Kid Congo Powers, Mick Harvey and Barry Adamson on a sweeping 'Ramblin' Mind'....[A] most heartfelt of tributes to this seismic giant of American music."0.257467

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Q (Magazine) (p.99) - 3 stars out of 5 -- "[S]ome of Pierce's many admirers flesh out a series of works-in-progress he left behind when he died."Mojo (Publisher) (p.89) - 3 stars out of 5 -- "THE JOURNEY IS LONG is testament to the love that one of rock'n'roll's most unconstrained characters can still command."Uncut (magazine) (p.93) - "The malignant groove of Cave's 'City In Pain' might just be pick of the crop, though there are also suitably bluesy treatments by Hugo Race and Barry Adamson..."0.1820567

$20.77
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"When Ben Kingsley gets hold of a role he really connects with, he has no need to create fireworks; he lights up a character from within....There's a poetic irony to the idea that it took a female filmmaker to finally do justice to Philip Roth on screen." -- Grade: AEntertainment Weekly "True to its title, ELEGY is a spare, meditative and melancholy film. It is a deeply affecting and profoundly observed saga about love, art, beauty and, especially, mortality."USA Today "[T]he film's unobtrusive but stylish cinematography is most notable for the space it gives to the performances and the occasionally amusing, always perceptive writing."Sight and Sound0.1517139

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"When Ben Kingsley gets hold of a role he really connects with, he has no need to create fireworks; he lights up a character from within....There's a poetic irony to the idea that it took a female filmmaker to finally do justice to Philip Roth on screen." -- Grade: AEntertainment Weekly "True to its title, ELEGY is a spare, meditative and melancholy film. It is a deeply affecting and profoundly observed saga about love, art, beauty and, especially, mortality."USA Today "[T]he film's unobtrusive but stylish cinematography is most notable for the space it gives to the performances and the occasionally amusing, always perceptive writing."Sight and Sound0.1517139

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"...High-spirited..."Entertainment Weekly "...Fast and funny....For all its nonstop energy and high spirits, CAN'T HARDLY WAIT allows its characters to emerge as fully dimensional individuals..." Los Angeles Times "[E]ssentially an updated take on the party scenes from SIXTEEN CANDLES, SUMMER SCHOOL, and CLUELESS....[I]t's worth watching for the parade of familiar faces alone." -- Grade: BEntertainment Weekly29.11802

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"...High-spirited..."Entertainment Weekly "...Fast and funny....For all its nonstop energy and high spirits, CAN'T HARDLY WAIT allows its characters to emerge as fully dimensional individuals..."Los Angeles Times "[E]ssentially an updated take on the party scenes from SIXTEEN CANDLES, SUMMER SCHOOL, and CLUELESS....[I]t's worth watching for the parade of familiar faces alone." -- Grade: BEntertainment Weekly29.11802

$8.65
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"The movie's ominous mood is deepened by Brian Eno and J. Peter Schwalm's ambient background score, which haunts the movie with faraway groans and rattles."New York Times "[A] compelling psychological suspense drama made in a rigorous minimalist mode that represents a potent offbeat collaboration..."Los Angeles Times11.02069

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"...Glorious....Features [Beaton's] astounding costumes, [Cukor's] stately direction, the best-loved, most hummable of all Broadway scores and a sublime cast headed by [Harrison and Hepburn]..." New York Times "...One of the most joyous musicals ever written....Cukor's film is a pleasure to behold..." Chicago Sun-Times0.08681636

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