100+ Items Found For defected uk ith 47cd (showing top 100 results)

34.59317

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12.30972

9.793666

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6.381042

Muzik (11/00, p.87) - 4 out of 5 - "...The Seventies-influenced maestro is back...and it all comes to a peak on 'Darlin' where you get the feeling that at any moment Earth, Wind & Fire are going to descend from their UFO and grace Sinclair's finely tuned number with their vocal talent..."CMJ (12/00, p.24) - "...Spans a gamut of house and disco-influenced flavors...including an excursion into R&B and a couple of ambient interludes....of diverse and consistent quality..."6.381042

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5.928681

Mojo (Publisher) (p.118) - 4 stars out of 5 - "Duprat's skewed arrangements sound totally unique throughout. An eccentric beauty from a visionary artist."5.66537

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Record Collector (magazine) (p.89) - 3 stars out of 5 -- "[W]ith covers of Dionne Warwick's 'Don't Make Me Over' and Mary Well's 'Two Lovers' proving quite attractive alongside her French-language recordings."4.360512

Entertainment Weekly (p.117) - "[W]ith enough midtempo dance grooves to make R. Kelly seem out of stem....Saadiq's bass virtuosity is strictly pimp caliber." - Grade: A-Vibe (pp.159-60) - 3 1/2 discs out of 5 - "With his impressive solo follow-up, Saadiq continues to put the soul back in R&B music."4.289958

Q (Magazine) (p.119) - "[W]ith operatic vocals and multitracked guitars crashing about the place, and a handful of soaring songs popping up among them -- not least 'Seven Seas Of Rhye,' their first real hit."Q (Magazine) (p.118) - 4 stars out of 5 -- "Brian May brings a scientific precision to his guitar playing on 1974's wonderfully over-the-top Queen II..."Record Collector (magazine) (p.99) - 4 stars out of 5 -- "'Ogre Battle' crunches the speakers like full-on Zeppelin..."4.281816

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3 stars out of 5 -- "[W]ith a marquee cast of popular funny men unloading all the slapstick gags and sarcastic zingers mainstream audiences want."Box Office4.035162

Rolling Stone (p.76) - 3 stars out of 5 -- "Winehouse is a nervy, witty songstress whom indie rockers, pop fans and hip-hoppers can dig."Rolling Stone (p.115) - Included in Rolling Stone's "50 Top Albums of the Year 2007" -- "[W]ith a brassy, intensely personal sorrow that is true blues, not nouveau soul."Spin (p.79) - "[A] breakthrough, producers Salaam Remi and Mark Ronson surround her with brass sections, string sections, harp, Wurlitzer, the works."Entertainment Weekly (p.67) - "It's precisely Winehouse's lyrics...aching, flirty, and often straight-up nasty -- that raise this expertly crafted set into the realm of true, of-the-minute originality." -- Grade: A-Q (Magazine) (p.134) - 4 stars out of 5 -- "Winehouse is one of the best things to have happened to British pop recently."3.998524

Entertainment Weekly (5/30/97, p.72) - "...seems designed to establish the Ace/Squeeze/Mike and the Mechanics vet as a sort of Michael Bolton for people with taste. And it largely succeeds...all showcasing Carrack's effortlessly soulful vocals." - Rating: BQ (9/00, p.120) - 3 stars out of 5 - "...Excellent car stereo fodder for those who like his work with Mike & The Mechanics: a collection of well-executed...love songs..."3.861511

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Billboard (p.32) - "The result is a sound that fits firmly in the rock mainstream without losing a club friendly underpinning that makes it a bit more hip than standard issue dance-rock."3.511913

3 stars out of 5 -- "THE KIDS ARE ALL RIGHT is a crowd-pleasing, feel-good comedy for an era in which the very definition of 'family' is fluid and in flux."Box Office 3.5 stars out of 4 -- "Cholodenko keeps it raw and touching humane....It's irresistible."Rolling Stone "Guided by an outstanding script, everyone is able to go deep into her or his character. Particular huzzahs are due Bening for the precision she brings to the brusque yet emotionally expressive Nic." -- Grade: AEntertainment Weekly "Moore and Bening are superb actors here, evoking a marriage of more than 20 years, and all of its shadings and secrets, idealism and compromise....The film gives them convincing, intelligent dialogue..."Chicago Sun-Times 4.5 stars out of 5 -- "Witty, urbane and thoroughly entertaining, THE KIDS ARE ALL RIGHT is an ode to the virtues of family....[W]ith peerless performances, lyrical direction and an adventurous script..."Los Angeles Times "[A] thrillingly funny and casually profound film....The film plays fair with love in its myriad forms..."Wall Street Journal "Cholodenko's casually observant style perfectly matches the cast's thoughtful work..." -- Grade: A-A.V. Club 3 stars out of 4 -- "[The film] captures the drama of growth and separation in all its exhilaration and heartache....Just about everyone who has a parent, child or partner will find resonance in its bittersweet depiction of the joys and trials of lifelong intimacy."Washington Post "A rare instance of a comedy that's both intelligent and sexy....The film has a loose-limbed naturalism."Sight and Sound 4 stars out of 5 -- "[A] funny, moving and insightful study of bittersweet family dynamics, which shines with a truthfulness that transcends the demographic or sexual orientation of the audience."Total Film 4 stars out of 5 -- "It's a keenly observed portrait of a marriage put to the test, and of human behavior in the face of change or threat....A witty, warm exploration of family life..."Empire 3.5 stars out of 4 -- "A smart and thoughtful movie....Director Lisa Cholodenko does a masterful job ramming headfirst into uncomfortable issues and zeroing in on humanity."Premiere Ranked #5 in Rolling Stone's "10 Best Movies Of 2010" -- "[A] raw, funny and humane family drama."Rolling Stone Included in Roger Ebert's "The Best Films of 2010" -- "In a comedy with some deeper colors, the film is an affirmation of family values."Chicago Sun-Times3.490057

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CMJ (3/15/04, p.20) - "The post-bop tunes are strong enough - all Lindner originals, some recorded before - but the band isn't tied down by them, venturing off into new territory and infusing them with jolts of adrenaline.""3.473773

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Rolling Stone (5/11/00, p.131) - 4 stars out of 5 - "...A sober, brutally visceral experience....This is one ball of aggression that hangs together, thanks to the band's smarts and funk. Just call XTRMNTR the BATTLE OF LONDON."Entertainment Weekly (5/19/00, p.74) - "...Mixes thunderous big beats and red-alert synth squalls into a loose concept album that rails against political oppression and other evils....the U.K.'s most adventurous pop band-turned-white-noise addicts." - Rating: B+Q (7/01, p.90) - Included in Q's "50 Heaviest Albums of All Time".Q (1/01, p.93) - Included in Q's "50 Best Albums of 2000".Q (3/00, p.110) - 4 stars out of 5 - "...a darkly uncompromising and often difficult record: uneasy, sinister and, in layman's terms, a bloody racket....anyone with the first notion about rock'n'roll will catch thye whiff authentic mayhem here....as avant-garde as the mainstream gets..."Alternative Press (11/00, p.144) - Included in AP's "10 Essential Political-Revolution Albums"Alternative Press (5/00, p.75) - 4 out of 5 - "...a Baskin-Robbins shop that makes 31 flavors of amphetamine sulfate instead of ice cream: each flavor is totally wired and totally tasty..."Magnet (1-2/01, p.45) - Included in Magnet's "20 Best Albums of 2000" - "...Hypnotic, frenzied songs...reinvigorate tired pop standards and introduce a new world order..."The Wire (1/01, p.34) - Included in Wire's "50 Records Of The Year".CMJ (1/08/01, p.17) - Included in CMJ's "Best of the Year" for 2000.CMJ (5/00, p.67) - "...They've ratcheted up the intensity quite a bit this time around....loud, kinetic bass and keyboards, a menacing mix of abrasive squeals, block-rockin' beats and post-'Blue Monday' electropop..."Mojo (Publisher) (p.59) - Ranked #65 in Mojo's "100 Modern Classics" -- "[A] harsh marriage of pounding electro and speaker-blowing punk rock..."Mojo (Publisher) (2/00, p.87) - "...a continuation of that sub-basement tapes attitude, frayed memories of revolutionary music...crafted into a rare kind of discordant anti-pop malevolence....Brutal, aggressive [and] subterranean..."NME (Magazine) (12/30/00, p.77) - Rated #2 in NME's "Top 50 Albums Of The Year [2000]".NME (Magazine) (2/14/00, p.44) - "...obligatory, heavy, urban and set out to take the strain of a world at war with itself. Their finest music since SCREAMADELICA set an early high-water mark, and in dealable quantities, there was even jazz, too. Trrfc."3.473773

3.473773