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"Lee delivers an entertaining light comedy about a real-life person who somewhat inadvertently helped the whole iconic concert to take place."Hollywood Reporter 3 stars out of 5 -- "[A] gentle, anecdotal comedy that has oodles of nostalgic charm, as the locals of the Catskills find themselves swept up in an event whose transformative power changed a generation."Box Office 3 stars out of 4 -- "This is a comedy with some sweet interludes....TAKING WOODSTOCK has the freshness of something being created, not remembered."Chicago Sun-Times "[A] meticulously rendered and achingly authentic portrait of a time and a place....The filmmaker has an acutely sensitive eye for family and tradition..."Los Angeles Times "It's as adventurous a film as Lee has ever made, utilizing split-screens, zoom lenses, kinetic slides in the mud, astonishingly long DeMillian takes featuring hundreds of stalled cars and a cast of thousands..."Movieline "Lee captures the fractious, joyful, monstrously evolving mass it all was." -- Grade: B-Entertainment Weekly Lee makes a series of fascinating choices in TAKING WOODSTOCK, starting with the decision not to film Woodstock, the concert....Hes managed to make a moving that, for all its sweetness, is surprisingly subversive.Washington Post 4 stars out of 5 -- "Lee shows the experience from the outskirts...we see Woodstock as most attendees saw it: down among the mud and chaos...'Uncut26.24106
$9.07
"Lee delivers an entertaining light comedy about a real-life person who somewhat inadvertently helped the whole iconic concert to take place."Hollywood Reporter 3 stars out of 5 -- "[A] gentle, anecdotal comedy that has oodles of nostalgic charm, as the locals of the Catskills find themselves swept up in an event whose transformative power changed a generation."Box Office 3 stars out of 4 -- "This is a comedy with some sweet interludes....TAKING WOODSTOCK has the freshness of something being created, not remembered."Chicago Sun-Times "[A] meticulously rendered and achingly authentic portrait of a time and a place....The filmmaker has an acutely sensitive eye for family and tradition..."Los Angeles Times "It's as adventurous a film as Lee has ever made, utilizing split-screens, zoom lenses, kinetic slides in the mud, astonishingly long DeMillian takes featuring hundreds of stalled cars and a cast of thousands..."Movieline "Lee captures the fractious, joyful, monstrously evolving mass it all was." -- Grade: B-Entertainment Weekly Lee makes a series of fascinating choices in TAKING WOODSTOCK, starting with the decision not to film Woodstock, the concert....Hes managed to make a moving that, for all its sweetness, is surprisingly subversive.Washington Post 4 stars out of 5 -- "Lee shows the experience from the outskirts...we see Woodstock as most attendees saw it: down among the mud and chaos...'Uncut26.24106
$10.95
0.4671807
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"Two of the cast members shine: Lou Taylor...and Rosario Dawson....Webber has a knack for bringing out actors at their showiest..." -- Grade: B-Entertainment Weekly "[A]n observant, empathetic tale of people in a daily struggle with hardship..."Hollywood Reporter0.2831543
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"[With] a fascinating glimpse of the evolution of his signature obsessive-compulsive style..." Uncut "[The set] marks a series of significant changes in his career..." Premiere11.7352
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"...[Lawrence] proves to be a wizard on the stand-up stage and goes a long way toward undoing his image as a crass, potty-mouthed provocateur..." Chicago Sun-Times9.180465
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"...A surprisingly provocative immorality play that mixes big laughs and creepy lessons in equal measure..." USA Today "...[Lawrence] is an interesting filmmaker with some insights into male behavior that aren't often seen in the movies..." Chicago Sun-Times8.47918
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8.429027
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8.410548
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Rolling Stone (6/10/99, p.123) - 3 out of 5 - "...The history of Latin pop is crowded with distinction. Yet often enough on RICKY MARTIN, this sudden superstar and his unsleepy producers make it into a new thrill."Spin (8/99, p.155) - 7 (out of 10) - "...new romancer Ricky Martin...rolls as poly-traditional as any dream of Beck Hansen...it's all about people pleasing people....[Martin] knows how to set the backfields in motion..." Entertainment Weekly (5/14/99, p.) - "...7.800459
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