dial-7,Blowout Comb, Beyond the Spectrum: The Creamy Spy Chronicles [PA] [Remaster], Best of the Complete Savoy and Dial Studio Recordings, Glasswings [9780803737426], The Crow

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Rolling Stone (12/1/94, p.127) - 3 Stars - Good - "...Trippy urban dreamscapes, detailed imagery and production grounded in funky '70s jazz....Digable Planets have taken admirable chances, and a slew of superb live players breathe life into tracks..."Spin (12/94, p.76) - Ranked #5 in Spin's list of the `20 Best Albums Of 1994' - "...Digable's platform has turned fiercely nationalistic, the trenchant politics oddly at ease with the peaceful vibe of its sound....A giant leap forward..."Entertainment Weekly (10/21/94, p.66) - "...the overall tone is so laid-back you might nod out to the ambient-jazz grooves and stoned-soul stylings..." - Rating: B+Option (3-4/95, p.99) - "...finds the trio using leaner arrangements....the music has a meandering quality as though the group has no particular place to go....this one sounds like an album Digable Planets made for themselves and some friends during a few shared laidback moments..."Musician (11/94, pp.86-87) - "...taken a step back from jazzbo posturing, opting instead for a messier, more funk-oriented approach..."Village Voice (2/28/95) - Ranked #34 in the Village Voice's 1994 Pazz & Jop Critics Poll.0.1216441

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Rolling Stone (7/14/94, p.104) - 3 Stars - Good - "...the album offers more of a twist of the radio dial (on the alternative side) than any coherent enjoyment..."0.4476219

$10.72
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Down Beat (p.83) - "Assad dials down her dazzling technique on guitar on this program of pop songs, instead investing her flights of fancy into her singing and arranging."JazzTimes (p.62) - "Assad's intimate voice bravely lays bare her emotions, inviting listeners in to gather a beautiful bouquet."0.2683589

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Rolling Stone (p.132) - 4 stars out of 5 -- "TIM caught a great American garage band stretching out, working Big Star pop and Fifties-style rock into a mix of punky abandon and regular-dude romanticism."Rolling Stone (12/11/03, p.128) - Ranked #136 in Rolling Stone's "500 Greatest Albums Of All Time" - "[A] crucial template for grunge, alternative country and, recently, the noisy introspection of emo."Rolling Stone (5/25/00, p.76) - 4.5 stars out of 5 - "...Rangy, obstreperous, unsparing, funny and ever tuneful - turning post-adolescent confusion into some kind of screwed-up enlightenment."Q (10/93, p.127) - 4 Stars - ExcellentAlternative Press (7/95, p.76) - Ranked #4 in AP's list of the `Top 99 Of '85-'95' - "...it's still just about impossible to put into words how great the Replacements were and how tremendous a record TIM is. Coming on the heels of possibly the greatest rock and roll album (LET IT BE) and preceding another classic (PLEASED TO MEET ME), TIM is the heart of an amazing trilogy..."CMJ (1/5/04, p.18) - Ranked #15 in CMJ's "Top 20 Most-Played Albums of 1986"Mojo (Publisher) (p.120) - 4 stars out of 5 -- "1985's TIM is where Westerberg found his range, and consistently so..."0.1913326

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JazzTimes (Jan.-Feb./93, p.74) - "...The tunes are from the bebop era and the improvising is informed by the bop tradition that produced Rodney, one of bop's finest second-generation trumpeters..."Village Voice (2/2/93, p.78) - "...the year's best purebred bop album. Garry Dial's arrangements contrive a new sheen for Dizzy, Bird, Bud and Dameron classics; the solos and spirit are dead on, in the pocket, authentic..."Stereophile (2/93, p.109) - "...Red and his band give a new feel to old classics while remaining true to the originals...THEN AND NOW has some of the best sound ever captured on a jazz recording..."0.1808186

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Rolling Stone (6/11/98, pp.115-116) - 3.5 Stars (out of 5) - "...a complete break with the past....dials down the volume to lullaby level....overflows with heartsick valentines. Corgan...sings with an almost androgynous delicacy, sometimes supported by little more than a piano or a guitar..."Entertainment Weekly (6/5/98, pp.78-79) - "...Corgan barely raises his voice to the angsty caterwaul that makes people either love him or hate him, but his voice and lyrics remain unsettled and unsettling. Pretty on the outside, the album is dark and obsessive beneath; let's call it passive-aggressive rock..." - Rating: B+0.1799989

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Rolling Stone (4/30/92, p.57) - 3.5 Stars - Very Good - "...Superb pop craftsmen with a hyperactive sense of caprice...the album switches styles with the dial-a-style eclecticism of a jukebox..."Entertainment Weekly (3/27/92, p.76) - "...dorky charm...good old-fashioned tunefulness..." - Rating: B+Q (4/92, p.83) - 3 Stars - Good - "...the usual slice of fun...never less than entertaining..."Village Voice (3/9/93, p.80) - "...The packed pop-pomo pastiches make the redolent meaninglessness of near-literal lyrics signify and sing....stunning..." - Rating: A-0.1799989

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Spin (p.78) - "[He] trades rousing electric guitars for banjos and fiddles, but still throbs with a rock band's desperate energy."Alternative Press (p.216) - "Graffin spins old-time yarns into missives that ponder faith and redemption....Those with open ears will find themselves on a musical journey through American history with one of the best tour guides imaginable."0.1627973

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Kerrang (Magazine) (p.64) - "Good use of pace and breakdowns keep things fresh and the occasional quieter passages lends gravitas to proceedings."0.1627973

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Kerrang (Magazine) (p.64) - "Good use of pace and breakdowns keep things fresh and the occasional quieter passages lends gravitas to proceedings."0.1627973

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Uncut (p.100) - 4 stars out of 5 - "Jealousy as an essential part of love, the hurting below, the emptiness above - TAKE FOUNTAIN has it in spades. The loneliest boy in town is back."Mojo (Publisher) (p.101) - 4 stars out of 5 - "[A] eloquent an emotional discourse as he has mustered, depicting a broken man struggling to repair his life....Gedge has never before assimilated harsh rock textures to orchestral arrangements with such power..."0.1315961

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Rolling Stone - 3.5 Stars - Very goodQ (3/02, p.138) - 3 stars out of 5 - "...Contains his career-high singles, the fractious 'Suedehead' and steam-age melancholia of 'Everyday Is Like Sunday'..."Q (Magazine) (p.112) - 3 stars out of 5 -- "[N]o fiddling about can mask VIVA HATE's transitional quality, at times touched by rare grace..."Mojo (Publisher) (p.101) - 4 stars out of 5 -- "Vini Reilly's guitars are sublime -- and it's fascinating to hear Morrissey, still in his twenties, looking back on his pre-Smiths days..."0.1302378

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Rolling Stone (p.100) - 5 stars out of 5 -- "The quintessential punk power ballad 'Unsatisfied' and the barfly blues 'Here Comes A Regular' are indelible acoustic-guitar-based songs that grab your heartstrings..."Spin (p.87) - 5 stars out of 5 -- "Poetic guitar clamor from the greatest punk-rock bar band ever."Q (p.124) - 4 stars out of 5 -- "They were a great band....[By] HOOTENANNY, frontman Paul Westerberg's love of classic rock and ear for melody had marked them out."Mojo (Publisher) (p.120) - 3 stars out of 5 -- "Smartass, sweetly melodic and just irresponsible enough to court constant flameout, The Replacements were America's quintessential college rock band."0.1302378

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Rolling Stone (11/22/01, p.90) - 3 stars out of 5 - "...Most of the album follows the same pattern as his current Number One 'I'm Real': fluffy keyboards, R&B choruses sung by anonymous hook girls and Ja Rule's gritty raps..."Entertainment Weekly (10/12/01, p.86) - "...Songs about expecting to die at any moment have rarely been conveyed with such blunt precision..." - Rating: B+Entertainment Weekly (10/12/01, p.86) - "...Songs about expecting to die at any moment have rarely been conveyed with such blunt precision..." - Rating: B+0.1302378

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Alternative Press (p.200) - "[F]rontman Tom Higgenson's plaintive tales of bitter heartbreak and relationship woe fit perfectly within the band's heavily indebted to Jimmy Eat World-style guitar-pop."Kerrang (Magazine) (p.49) - "Packed with huge sing-along melodies and heart-snagging lyrics....Undoubtedly a record for long summer days."Kerrang (Magazine) (p.46) - "[T]hese guys can write songs; really good songs....They modestly rattle out one cool little tune after another..."0.1302378

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Rolling Stone (1/23/97, p.44) - Ranked #6 on Rolling Stone's list of the "Ten Best Albums" of 1996.Rolling Stone (11/14/96, pp.111-112) - 4 Stars (out of 5) - "...Tweedy and his band break free from the confines of the narrow Tupelo legacy by exploring the nuances of noise and atmosphere....a product of ambitious versatility, particularly in the string-band textures conjured by...Max Johnston..."Spin (11/96, pp.122-123) - 7 (out of 10) - "...trades unity in for riskier mood swings....For all his banjo-loving folksiness, he understands a simple secret: That rock'n'roll was invented to fly in the face of country's qualms...to offer a few hot little minutes of joy..."Entertainment Weekly (10/25/96, p.116) - "...Leader Jeff Tweedy's new songs--a sprawling mix of moody late-night ballads, and infectious pop-rock tunes--confront adult insecurities forthrightly and tunefully and document the maturation of a good band into a potentially great one." - Rating: AQ (1/98, p.115) - Included in Q Magazine's "50 Best Albums of 1997."Alternative Press (3/01, p.104) - Included in A.P.'s "10 Essential Alt-Country Albums" - "An eclectic, genre-shifting double-CD....BEING THERE covers much of the 1970s FM dial, yet displays consistent prowess on all stations."Magnet (p.114) - "BEING THERE is a straight-up celebration of the rock 'n' roll lifestyle."Option (11-12/96, p.89) - "...Tweedy doesn't rehash country cliches; he gets inside and makes them real....awkward but self-assured, lingering with a supreme melancholy that's offset by humor and humility and hope....doesn't so much introduce a new Wilco sound as document the process of searching for one..."Village Voice (2/25/97) - Ranked #14 in the Village Voice's 1996 Pazz & Jop Critics' Poll.NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #37 in NME's 1997 Critics' Poll.0.1158254

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Entertainment Weekly (1/27/95, p.50) - "...A kind of best of the B sides from some of today's hottest groups, it includes the hard-hitting rock of L7 and Green Day, the rollicking-soft gangsta beats of rappers Coolio & the 40 Thevz, and the melodic distortion of Superchunk..." - Rating: B+0.1139581

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Alternative Press (p.186) - "This tribute takes its title from late-period Replacements, but its slop-rock spirit comes straight from the golden age, when Paul Westerberg's lyrical genius came wrapped in the reckless abandon of misspent youth."0.08139866

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0.06511892

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Rolling Stone (12/23/93, p.148) - 3.5 Stars - Good Plus - "...Most people think the Motown era ended in 1969 with "I Want You Back"--this set argues otherwise. From Michael Jackson's "Got To Be There" to "End Of The Road" by Boyz II Men, there's plenty of chart history here along with a lot of good singles...."0.05006881

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