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JazzTimes (3/02, p.83) - "...Pizzarellis is an inordinately versatile [swing guitar] player, capable of seamlessly moving from sideman to soloist....the participants turn in workmanlike efforts, but at times reach inspired levels..."42.40329

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42.40329

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42.40329

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42.40329

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42.40329

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42.40329

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42.40329

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Rolling Stone (p.119) - 3 stars out of 5 -- "[W]here Jon Bon Jovi once was kind of quixotic, he's more contemplative than ever, turning out meditations like 'Live Before You Die'..."Billboard (p.60) - "'When We Were Beautiful' is wistfully nostalgic, right down to the sha-la-la backing vocals, with its own brief social commentary about living on a continuing prayer."Q (Magazine) (p.126) - 3 stars out of 5 -- "More than a quarter century down the line, BON JOVI are still living and selling the rock'n'roll fantasy on THE CIRCLE."42.40329

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42.40329

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42.40329

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42.40329

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42.40329

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42.40329

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38.52783

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38.52783

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38.52783

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Rolling Stone (3/4/04, p.66) - 3 stars out of 5 - "This L.A. hard-rock supergroup...waxes nostaligic in a good way."29.6823

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28.89587

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21.20164

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Rolling Stone (3/4/93, p.64) - 3.5 Stars - Very GoodDown Beat (5/92, p.57) - 3 Stars - Good14.72305

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Rolling Stone (3/4/93, p.64) - 5 Stars - Classic - "...the music that paved the way for acid rock..."Spin (2/93, p.78) - "...like an Egyptian sci-fi soundtrack recorded on Mars...contains some of the greatest woodwind playing ever heard..."Down Beat (5/93, p.36) - 5 Stars - Excellent - "...schizophrenically alternate[s] Edgard Varese-like percussive workouts and ethereal horn arrangements....Ra's Hammond organ grinds lunar funk..."Musician (4/93, p.84) - "...Note the polyrhythmic ruminations foreshadowing the Art Ensemble Of Chicago. Marvel at the spacey electric textures and far-out echo effects anticipating Pink Floyd at their druggiest....after 30 years it still sounds like an intriguing tomorrow..."14.72305

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Down Beat (12/92, p.40) - 4 Stars - Very Good - "...[a] compelling statement of Hicks' artistry...an especially well-crafted set...a shining example of jazz album-making..."JazzTimes (Jan.-Feb./93, p.84) - "...Long one of the music's most versatile and unfailingly lyrical composers and players, John Hicks does nothing to dampen his reputation on LUMINOUS..."Option (Jan/Feb 93, p.94) - "...a fine showcase for both....Hicks plays eloquently phrased lines that complement and blend with Wood's silken legato approach on flute..."14.72305

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Rolling Stone (3/4/93, p.64) - 3.5 Stars - Very Good - "...consists primarily of standards, with Ra backing Chicago vocalist Hatty Randolph on several tracks..."Down Beat (5/92, p.56) - 3 Stars - Good - "...Several cuts underpin the collection's historical import, including Ra's earliest unaccompanied solo, "Piano Interlude," a brief, intriguing exercise in arpeggiating a chord..."14.72305

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14.72305

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Rolling Stone (3/4/93, p.64) - 4 Stars - Excellent - "...showcases Ra's unique style, which bridges the bluesy architecture of Jelly Roll Morton with the angularity of Monk and Cecil Taylor's ascent beyond traditional structure..."Down Beat (5/92, p.57) - 4 Stars - Very Good - "...revelatory...His Hendersonian syncopations find a sly new power in his more unorthodox solos, giving his massive clusters added rhythmic punch..."14.72305

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14.72305

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Rolling Stone (3/4/93, p.64) - 4 Stars - Excellent - "...opens with the incendiary `Reflections In Blue,' includes `Saturn,' one of the band's most beautiful signature tunes, as well as some more-exotic material recorded in 1958..."Spin (2/93, p.80) - "...this is a double-record disc to dance to. These are songs that have developed over the years and become Sun Ra standards..."Down Beat (5/93, p.36) - 4.5 Stars - Very Good Plus - "...hints at colors yet to come..."Musician (4/93, p.84) - "...typical Ra big-band stuff of the time, occasionally wacky, more often nodding toward the tradition..."14.72305

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Rolling Stone (3/4/93, p.64) - 5 Stars - Classic - "...[this] will prove a revelation to anyone nurtured on rock & roll...This kind of instrumentation would be considered sacrilegious by the jazz world for at least another decade..."Down Beat (5/92, p.56) - 4 Stars - Very Good - "...exhuberant bop, blues, and boogie...employs ahead-of-the-Miles-curve use of modes...an adventurous album that must have reached Coltrane's attention..."14.72305

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Living Blues (5-6/99, pp.73,76) - "...[DeLay] may be the most accomplished of today's West Coast harpists, and he writes a good song to boot..."14.72305

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Down Beat (7/96, p.46) - 3.5 Stars - Good/Very Good - "...copious quantities of musically literate, technically diverse, fin de siecle piano jazz....Dave Holland and Jack DeJohnette are separate intelligences that come together to imply shifting continuums of time....something riveting on every cut..."14.72305

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Down Beat (5/96, p.51) - 4 Stars - Very Good - "...in Harper's world, zeal symbolizes commitment. And commitment is at the heart of SOMALIA....SOMALIA's music operates at a dramatic, life-or-death level. Harper's cadences are deep, his themes able to evoke roiling emotions..."14.72305

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Q (4/97, p.126) - 3 Stars (out of 5) - "...Lightsey displays all the behind-the-beat swing and melodic invention that mark him out as the modern jazz maestro he really is."Down Beat (4/97, pp.50-51) - 4.5 Stars (out of 5) - "...Warm and heartfelt, GOODBYE MR. EVANS reaches standards set by Lightsey's role models, fellow Detroit pianists Tommy Flanagan and Hank Jones..."Option (5-6/97, p.113) - "...The trio meshes thoroughly as they tackle several not-quite-familiar tunes from Monk, Brubeck, Phil Woods and that swing-cat Chopin....show[s] that even a seemingly restricted form like the piano trio is still capable of surprise, charm and sharp wit."14.72305

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JazzTimes (12/94, pp.121-122) - "...considerable talent...surrounds herself with challenging teammates....an artist to listen out for, particularly on soprano sax..."14.72305

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JazzTimes (12/97, p.143) - "...Taylor shows that he is a part of the Albert King-Jimi Hendrix-Stevie Ray Vaughn continuum..."14.72305

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Rolling Stone (3/4/93, p.64) - 4 Stars - Excellent - "...a showcase for the Arkestra's tenor sax giant, John Gilmore, and introduces the band's show-stopping finale, `Enlightenment'..."Down Beat (5/92, p.56) - 4 Stars - Very GoodRecord Collector (magazine) (p.97) - 5 stars out of 5 -- "[U]niversally perceived as one of Sun Ra's finest albums -- the compositions, arrangements and musicianship are unimpeachable..."14.72305

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Rolling Stone (3/4/93, p.64) - 5 Stars - Classic - "...The vitality of this group is nothing short of astonishing, and its innovative nature, so radical at the time, now sounds aggressively fresh, even mainstream--a mainstream this outfit helped define..."Spin (2/93, p.78) - "...features a number of Sun Ra's unique vocal numbers mixed with some beautiful slow instrumentals. The great tenor sax of John Gilmore is front and center on this one..."Down Beat (5/93, p.36) - 4 Stars - Very GoodMusician (4/93, p.84) - "...the full-blown colors Ra gets from a mere sextet remain impressive..."14.72305

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14.72305

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Down Beat (12/95, p.71) - 3.5 Stars - Good/Very Good - "Chicago guitarist Taylor steps forcefully out of the shadows and into the spotlight with a high-energy mainstream introduction after years of word-of-mouth buzz..."14.72305

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JazzTimes (3/97, p.81) - "...here's one to savor. His voice floats in and out of a whisper. He has a quick, sometimes quivering vibrato. He often employs the falsetto range, although he has a full baritone range too. And he swings tantalizingly....With his spare, evocative piano as the only accompaniment, Bey's intimate recital of standards is something special."14.72305

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14.72305

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