elektra-label,Rock a Little, Canciones Para un Paraso en Vivo, 20 Grandes Exitos: Gruperas, Vol. 1, Tooth and Nail [075596037624], The Long Run [075596056021]

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42.36805

$18.18
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42.36805

$11.17
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42.36805

$13.03
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9.669016

$7.86
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9.669016

$8.51
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9.669016

$7.12
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Rolling Stone (12/11/03, p.136) - Ranked #191 in Rolling Stone's "The 500 Greatest Albums Of All Time"Rolling Stone (10/29/70, p.44) - "...They are so exquisitely horrible and down and out that they are the ultimate psychedelic rock band in 1970..."Entertainment Weekly (p.66) - "[O]ne of the dirtiest, grimiest, and most sweat-stained albums ever. It's hard to appreciate just how radical this record was upon it's release..." -- Grade: A+Q (7/01, p.91) - Included in Q's "50 Heaviest Albums of All Time" - "...Everything rock'n'roll is meant to be: horny, sleazy, obnoxious and scarily alive, lik ebein gwired straight into the mains..."Q (1/94, p.119) - 4 Stars - ExcellentUncut (p.120) - 5 stars out of 5 - "FUN HOUSE the album and 'Funhouse' the song turn '60s dreams of unity and pleasure-as-insurrection inside out..."Melody Maker (2/19/94, p.34) - "...FUNHOUSE is, no contest, the greatest rock n' roll album of all time....The Stooges don't merit your respect as a monument in our collective heritage, they warrant full immersion...."Kerrang (Magazine) (p.51) - "[FUNHOUSE] captured the group at their most thrillingly unhinged....[A] dark paean to heedless hedonism..."Mojo (Publisher) (p.114) - 5 stars out of 5 - "[T]he Stooge machine was savagely tuned, rampaging, able to precision-blast numerous near-identical takes."NME (Magazine) (9/18/93, p.19) - Ranked #48 in NME's list of `The Greatest Albums Of The '70s.'9.669016

$7.12
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Rolling Stone (8/20/92, p.53) - 3.5 Stars - Good Plus - "..Lewis's amazing voice--technically impeccable, ringing with gospel and soul inflections--reaches time and again for the sublime.."Spin (8/92, p.84) - Highly Recommended - "..ignores cliches and captures deep, deep feelings with impressive style. Poised between retro and techno, [Lewis] just lets his emotions fly, ranging gracefully from a sultry growl to a sweet falsetto.."Entertainment Weekly (8/28/92, p.65) - "..Lewis has a flair for memorable and unexpected harmonies...SKIN documents the arrival of an artist who is anything but another fly-by-night love man with a sing-along hook.." - Rating: A-9.669016

$13.64
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Rolling Stone - 3 Stars - GoodStereo Review - Performance "Riveting" / Recording "Good"9.669016

$9.52
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9.669016

$9.57
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Spin (p.85) - "[B]lending folk, jazz, and avant garde sensibilities into a searching, mystical style..."Mojo (Publisher) (p.71) - "[E]ven when the songs were tailored for Top 40 radio, like 'Aren't You The Girl' and 'I Can't See You,' Buckley refused to be confined..."Record Collector (magazine) (p.86) - 3 stars out of 5 -- "TIM BUCKLEY is a much underrated album with beautiful songs such as 'Wings' and 'I Can't See You,' where that enthralling tenor voice was heard for the first time..."Uncut (magazine) (p.104) - 4 stars out of 5 -- "Ostensibly a folk-rock album, oft-stereotyped as such, in truth TIM BUCKLEY turns the fledgling genre inside out."9.669016

$8.56
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9.669016

$9.11
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Mojo (Publisher) (p.76) - 4 stars out of 5 -- "[T]his is Waits at his early, freewheeling best, spinning surreal hash-brown picaresques out of marginal bar-room lives."9.669016

$7.31
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Rolling Stone (10/1/92, p.62) - 4 Stars - Excellent - "...[a] gripping new album, infus[ed] with a provocative, unnerving power...[singer] Merchant's voice provides continual sensual pleasure...the Maniacs are far less restrained, though no less disciplined..."Spin (11/92, p.114) - Recommended - "...it's not hard to drink half a bottle of red wine and go all weepy-eyed at EDEN'S soft revelations about the sadness in life and the joy in the moment..."Q (11/92, p.122) - 4 Stars - Excellent - "...Natalie Merchant's yearning has never been more keenly pitched, nor set in tunes of such exquisite yet pensive refulgence...an album which will yield more secrets with each play..."9.669016

$8.81
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Entertainment Weekly (6/23/95, p.54) - "...With its unadorned, keyboard-based arrangements, TIGERLILY is more sparely produced than anything Merchant did with 10,000 Maniacs, yet the starkness works in her favor..." - Rating: B+Musician (9/95, p.93) - "...Her new playmates have a far greater stylistic range than the Maniacs, while Merchant conveys more passion and personality than in the past, adding anger and wit to confessionals..."Mojo (Publisher) (7/95, p.110) - "...this debut is ultimately a victory for [Merchant's] voice, her flair for narrative songwriting and that habitual chafing between the sober and the sensual, sense and sensibility."9.669016

$6.57
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Rolling Stone (1/23/97, pp.63-67) - 3 Stars (out of 5) - "...TELEGRAM is no slapdash effort; Bjork recorded new vocals for many of the songs and collaborated with a well-chosen array of artists from the avant-garde and electronic worlds..."Spin (3/97, pp.101-102) - 7 (out of 10) - "...Ultimately, TELEGRAM isn't so much an admission that POST wasn't commercially viable as an attempt to make the album more of what it already is, letting the songs breathe in a slightly different way for those of us back here in the 20th century."Entertainment Weekly (1/17/97, p.64) - "...It's a post-POST disc of inventive rethinking...Ambient and gutsy, Bjork's old-new product defines creative elasticity." - Rating: B+Option (5-6/97, pp.94-95) - "...As with the best remix albums, this one easily stands on its own, each track deconstructed then put back together in sometimes radical ways..."Musician (3/97, p.87) - "...a clever idea that engenders some vitally creative--or at least vitally re-creative--music....she makes the original material sound warmer and more organic..."9.669016

$7.86
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Rolling Stone (12/11/03, p.136) - Ranked #185 in Rolling Stone's "The 500 Greatest Albums Of All Time"Entertainment Weekly (p.66) - "[I]ts nihilistic high points planted the seed of a musical revolution." -- Grade: B+Q (1/94, p.119) - 4 Stars - Excellent - "...a marvelous celebration of Iggy Stooge's leering persona..."Uncut (p.120) - 5 stars out of 5 - "[A] dynamo coiled with electric essence, something you can use to recharge your existence today, tomorrow, forever."Vibe (12/99, p.164) - Included in Vibe's 100 Essential Albums of the 20th CenturyMojo (Publisher) (p.81) - "[E]ach song was put down live in one take, a necessity of time and budget, but also so as not to lose the group's energy and spontaneity..."Mojo (Publisher) (7/02, p.162) - "...They gave birth to a high-energy take on 3-chord rock'n'roll that was as heavy as adolescence and primitive enough to be avant garde..."NME (Magazine) (10/2/93, p.29) - Ranked #62 in NME's list of the `Greatest Albums Of All Time.'9.669016

$7.31
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9.669016

$13.64
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Q (4/01, p.117) - 4 stars out of 5 - "...A seamless blend of country and rock..."9.669016

$8.18
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9.669016

$13.64
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Q (9/99, p.104) - 3 stars (out of 5) - "...ditches the pedestrian, over-arranged standards in favour of room to express herself, and the resulting variety and spark are a treat to hear..."Muzik (9/99, p.96) - 4 stars out of 5 - "...This collective of already proven mastercuts suits the lady's vocal range and takes her miles above the new young pretenders who think they've got soul in their bones..."9.669016

$13.64
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Rolling Stone (p.129) - 4 stars out of 5 -- "WARREN ZEVON captures the singer-songwriter at his peak as a black humorist."Uncut (9/03, p.96) - "Zevon's hardboiled reputation for chronicling LA's underbelly starts here..."Dirty Linen (p.54) - "A song cycle about Southern California, WARREN ZEVON offered a hard-living, gambling, drug-taking contrast to the songs about the sun and surfing."Record Collector (magazine) (p.105) - 4 stars out of 5 -- "[I]t's perhaps surprising that the caustic attitude and uncomfortably forthright eloquence were so fully formed so early on."9.669016

$15.01
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Q (p.159) - 3 stars out of 5 -- "FIRST AND LAST AND ALWAYS helped crystallise goth and remains the purist's album choice."Q (12/99, p.171) - Included in Q Magazine's 'Best Gothic Albums Of All Time' - "...their tombstone....This mordant beast survives as a mission statement...for the genre: pitch-black, rock-hard, utterly oppressive, shrouded in bollocks. Black! Black!"9.669016

$9.04
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9.669016

$7.86
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Down Beat (11/95, p.72) - 3.5 Stars - Good/Very Good - "...this Cuban a capella vocal sextet...[doesn't] just outfit Cuban forms like the rumba, son montuno and bolero with jazzy, Manhattan Transfer-style harmonies, they also create a full band's worth of instrumental backup--percussion, bass, even horns--strictly by mouth. The results range from gorgeous to plain goofy..."9.669016

$13.64
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Rolling Stone (7/10-24/97, pp.118-120) - 4.5 Stars (out of 5) - "...Stuffed with an inventive assemblage of analog keyboards, found sounds and brogue-encrusted folk songs, THE MOLLUSK is a satirical (and curiously subtle) pastiche of the current musical landscape..."9.669016

$10.92
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9.669016

$9.57
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9.669016

$7.86
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Musician (3/91) - "..Volume Two celebrates transportation...The work climaxes with "707 Takeoff" and "SR 71 Fly-by".."9.669016

$13.64
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Rolling Stone (12/9/99, pp.80-1) - 3 stars out of 5 - "...Merchant takes a joy in performing that's absolutely winning. This disc transmits that joy....The hits and covers showcase the singer's considerable empathy..."Spin (2/00, pp.114-5) - 6 out of 10 - "...brings more purity of essence to her excerpting of 5 nights in Manhattan, hitting every note....Lovely takes on 'Carnival' and 'Ophelia' highlight her ongoing experiment in the toxicity limits of ruefulness..."Entertainment Weekly (11/12/99, p.82) - "...provides a tutorial on what meks a standout performance: different-enough versions of the hits...offbeat covers...and all the spontaneity of performance with none of the self-indulgence..." - Rating: B+Q (1/00, p.120) - 3 stars out of 5 - "...has the same end-of-an-era feel [as her MTV UNPLUGGED album]....Mostly, it's solid, sweetly sung readings of the finest from 1995's splendid TIGERLILY..."CMJ (12/13/99, p.27) - "...features [her] hits 'Wonder' and 'Ophelia,' as well as a few interesting covers....moving renditions of Neil Young's 'After The Goldrush' and David Bowie's 'Space Oddity'..."Mojo (Publisher) (1/00, p.103) - "...The selection is as safe as the format, withy crowd-pleasing covers of David Bowie's 'Space Oddity' and Neil Young's 'After The Goldrush' thrown in for good measure....the playing of her 7-poece band is exemplary..."9.669016

$9.61
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Rolling Stone (10/16/97, pp.103-104) - 4 Stars (out of 5) - "...she leaves home and investigates love's bumpier back roads....celebrates difference and challenges listeners to explore the joys of contradiction with open ears and vivid imagination....one of the boldest--and most exciting--albums of the year."Spin (1/98, p.86) - Ranked #4 on Spin's list of the "Top 20 Albums Of The Year."Spin (10/97, p.135) - 9 (out of 10) - "...the 31-year-old Reykjavik native's new album delves deeply into hip-hop, flies in orchestras, and proves that the electronic generation will yield much more than a string of dance epiphanies..."Entertainment Weekly (9/26/97, pp.76-77) - "...may be Bjork's most audacious move in a career filled with them....On roughly half the album she and coproducer Mark Bell...take two seemingly incompatible genres--techno and classical--and weld them together. It's like sneaking a boom box into a chamber recital and seeing what happens..." - Rating: AMelody Maker (12/20-27/97, pp.66-67) - Ranked #33 on Melody Maker's list of 1997's "Albums Of The Year."Village Voice (2/24/98) - Ranked #9 in the Village Voice's 1997 Pazz & Jop Critics' Poll.NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #15 in NME's 1997 Critic's Poll.NME (Magazine) (9/20/97, p.54) - 9 (out of 10) - "...her third solo album, HOMOGENIC, is probably her most weird, it is also her best....It is here...that Bjork has delivered her most emotional, highly-charged and groovy record, as well as a stinging triumph for the spirit of adventure."9.669016

$26.31
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Down Beat (6/96, p.44) - 4 Stars - Very Good - "...Anastasio directs varying combinations of players in open, structured improvisations...Credit Anastasio for defying commercial expectations with this gutsy, freewheeling ensemble effort."Option (7-8/96, p.135) - "...Trey Anastasio is determined to push the proverbial envelope, even if he's not sure where it's going..."Musician (5/96, p.93) - "...[Anastasio] captured some profound stuff, bouncing off manic guitarist Marc Ribot and keyboardist John Medeski, while Sun Ra trumpeter Michael Ray and saxist Marshall Allen turned the trip into a free-jazz-for-all, with admirably fluctuating levels of adrenaline..."9.669016

$13.64
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Rolling Stone (6/11/98, p.116) - 3.5 Stars (out of 5) - "...replaces the skintight band of that solo breakthrough [TIGERLILY} with a shifting cast of players, reaching out to include brass and strings. Yet like the debut, OPHELIA devotes itself to...the unstructured luxury of Merchant's sound..."Rolling Stone (6/11/98, p.116) - 3.5 Stars (out of 5) - "...replaces the skintight band of that solo breakthrough [TIGERLILY} with a shifting cast of players, reaching out to include brass and strings. Yet like the debut, OPHELIA devotes itself to...the unstructured luxury of Merchant's sound..."Entertainment Weekly (5/29/98, pp.72-73) - "...OPHELIA is more affluently produced, her swoons and sighs accompanied by layers of church-service organs, dashes of world-music vocalizing and Daniel Lanois' guitar....Other than Bruce Springsteen's GHOST OF TOM JOAD, it's hard to recall a pop album in recent memory that's been so relentlessly somber..." - Rating: BEntertainment Weekly (5/29/98, pp.72-73) - "...OPHELIA is more affluently produced, her swoons and sighs accompanied by layers of church-service organs, dashes of world-music vocalizing and Daniel Lanois' guitar....Other than Bruce Springsteen's GHOST OF TOM JOAD, it's hard to recall a pop album in recent memory that's been so relentlessly somber..." - Rating: B9.669016

$13.64
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9.669016

$7.75
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Rolling Stone (10/31/02, p.136) - Ranked # 28 in Rolling Stone's "Women in Rock: The 50 Essential Albums" - "...[This album] brought some charge back to activist folk rock..."Rolling Stone (11/89) - 4 Stars - Excellent - Ranked # 10 in Rolling Stone's "100 Best Albums Of The 80s" survey.CMJ (1/5/04, p.22) - Ranked #7 in CMJ's "Top 20 Most-Played Albums of 1988"9.669016

$5.62
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9.669016

$7.86
(0 reviews)

9.669016

$13.64
(0 reviews)

9.669016

$21.15
(0 reviews)

9.669016

$19.95
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Spin (11/92, p.117) - Recommended - "...a kinder, gentler album...a worthy follow-up to PILLS N' THRILLS AND BELLYACHES...It still tastes great..."Q (7/00, p.141) - Included in Q's "The Best Male Angst Albums Of All Time"Q (10/92, p.80) - 4 Stars - Excellent - "...a clutch of cuts that restore your faith in all things grubby, grinning and gleeful...shafts of Hammond, stabs of guitar and exhilarating, chaotic cacophony..."NME (Magazine) (10/10/92, p.39) - "...the joyrider's equivalent to Neil Young's TONIGHT'S THE NIGHT--one of those awful black records to turn to when you're feeling at your most morbid..."9.669016

$13.47
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9.669016

$10.92
(0 reviews)

9.669016

$8.81
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9.669016

$8.02
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9.669016

$21.24
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Rolling Stone (3/4/99, p.89) - 3 Stars (out of 5) - "...Gorgeous, gorgeous, gorgeous....At its best, this mutual-admiration society works with a vengeance approaching the heavenly..."Entertainment Weekly (2/12/99, p.83) - "...Lacking the burnished, heirloom quality of TRIO, it's very fine nonetheless, zigzagging like its predecessor between old-time country...sleek country-pop ballads...and carefully wrought art pop..." - Rating: B+Q (5/99, pp.106-107) - 4 Stars (out of 5) - "...once again there's a sepia-tinge to the proceedings with all three taking it in turns to sing lead...while Ronstadt sings perfectly and Parton displays characteristic pluck, once again Harris's hushed, grieving tones dominate..."Mojo (Publisher) (5/99, p.104) - "...the main accent being on a de luxe line in gorgeous harmonies. Support is leant by some of Music City's finest pickers..."9.669016

$14.14
(0 reviews)

9.669016

$13.64
(0 reviews)

CMJ (5/31/99, p.26) - "...Built on a dozen tracks of brutal riffs punctuated by the snarling raps of vocalist Drew Simollardes, this debut establishes Reveille as a major loud rock contender, regardless of the fact that nobody in the group is legally old enough to drink..."9.669016

$13.64
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Entertainment Weekly (1/9/97, p.67) - "...For the Martin Scorsese film, Glass builds spinning, three-dimensional mandalas of sound, anchors them with growling bass tones, and still manages to create a conventional score..."- Rating: B9.669016

$12.65
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