emmylou-harris,Wrecking Ball [Emmylou Harris], Bluebird [Emmylou Harris], Profile: The Best of Emmylou Harris, Trio [Dolly Parton/Emmylou Harris/Trio/Linda Ronstadt], Duets [Emmylou Harris] [CD] [1 disc]

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Rolling Stone (11/16/95, p.110) - 3.5 Stars - Good - "...Harris floats in some netherland amid country, rock and folk. Her latest album turns this stylistic ambiguity into a stunning virtue....a wrenching collection of songs that merges popular and historical styles like a 1990s rethink of the Band..."Entertainment Weekly (9/26/95, p.60) - "...the biggest stretch of her career....the album plucks Harris from the safe ground of pristine country ballads and acoustic rave-ups and plops her squarely in the middle of idiosyncratic, New Age-y pop rock..." - Rating: A-Q (2/96, p.64) - Included in Q's 50 Best Albums of 1995 - "...a timely reminder of just how fabulous a singer Emmylou Harris is..."Musician (11/95, p.87) - "...nothing in Harris' catalog prepares a listener for the leap she takes....[she] nudges her vocals gingerly into places as if completing a complex jigsaw puzzle....There are moments...that approximate...fleeting epiphany....WRECKING BALL isn't `country music,' not by a long shot..."Village Voice (2/20/96) - Ranked #12 in Village Voice's 1995 Pazz & Jop Critics' Poll.Mojo (Publisher) (12/00, p.41) - "...She steps off the edge into heavy rhythm tracks and instruments deployed as atmospheric noise while attention focuses on her voice - reaching low, straining high, letting elegance take care of itself..."New York Times (Publisher) (1/6/96, p.C16) - Included on Stephen Holden's list of the Top 10 Albums of `95 - "...eerie, atmospheric collaboration....a queen of country steps down from her pedestal to sing...with a frayed urgency..."Paste (magazine) - "It was, simply, a watershed. Emmylou Harris, with her song sense, acute rhythm guitar playing and set-on-stun gift as a vocal gut-leveler, was suddenly free to find the essence of her gift."131.4639

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Mojo (Publisher) (12/00, p.41) - "...The 3 first ladies of country settle on down-home musical virtues and songs of suffering womanhood..."91.7911

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Rolling Stone (p.114) - 3 stars out of 5 -- "Sporting restrained vocals from both and even more tasteful guitar from Knopfler....Breezily pretty."Dirty Linen (p.45) - "Knopfler and Harris are a solid team....They both have enough stage presence and charisma not to get tangled up in theatrics....The fun is when Knopfler and Harris trade vocals..."91.7911

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Uncut (p.127) - 5 stars out of 5 - "The material covers the waterfront, from the Gram years to the post-Warners reinvention that began with 1995's WRECKING BALL."78.67809

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Uncut (magazine) (p.89) - 5 stars out of 5 -- "At the heart of the records' seamless elegance are Harris' impeccable taste in choosing material and the understated intensity of her performances."78.67809

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Entertainment Weekly (7/28/95, p.63) - "Fiddler/singer/songwriter Lewis and her Grant Street mandolinist-vocalist duet on a graceful album that mixes soft country and harder, banjo-happy bluegrass. At times reminiscent of Emmylou Harris' pairings with Ricky Skaggs..." - Rating: A0.9811182

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Musician (6/93, p.93) - "...Recorded for a New York radio broadcast, Parsons' performance of heart-breaking originals and unusual covers demonstrates his rousing spontaneity and emotional purity....Then-unknown Emmylou Harris offers strong vocal accompaniment..."0.660857

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Uncut (p.100) - 4 stars out of 5 - "[W]hen country-pining through the title track or 'Sweet Little Bird', she's as graceful as Emmylou Harris or June Carter Cash."0.660857

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Rolling Stone (2/10/94, p.46) - "...The heavenly trill of Alison Krauss makes even such mellifluous songbirds as Emmylou Harris and Iris DeMent sound earthbound....Krauss could well establish herself as the finest female country singer of her generation..."0.660857

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Entertainment Weekly (8/22-8/29/97, p.135) - "As on his '95 debut, Miler's second album walks the line between scratch-and-grin hillbilly and poetic and progressive country rock. With his wife, Julie, he reprises the sound of such golden duet teams as Gram Parsons and Emmylou Harris....Raw, real and resonant." - Rating: B+0.4720407

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Rolling Stone (7/8-7/22/99, p.154) - 4 stars (out of 5) - "...the artists on this collection...concoct the sonic stew that Parsons called 'cosmic American music'....There's not a bad track among the thirteen here....Parsons fans won't be disappointed..."Spin (8/99, p.152) - 8 (out of 10) - "...Because many of the acts on ANGEL share parson's love for country tragedy along with his remove from it...they take the same freedoms with his songs that he took with his source material..."Entertainment Weekly (7/23/99, p.67) - "...plays it straight, with most contributors confident enough to just play the songs, not reinvent them..." - Rating: B+CMJ (6/14/99, p.26) - "...a beautifully orchestrated collection of some of [Gram Parsons'] most influential songs, covered by artists who owe much to his powerful yet subtle brilliance..."Dirty Linen (12/99-1/00, pp.70-1) - "...once the list of the top 10 tribute albums of the decade is tallied up this one has a good chance of making the list."0.4328519

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Q - 3 Stars - Good - Recommended as one of the five best country albums of 1990 (12/91) - "...Carpenter's astute lyrical observation provides the missing link between Janis Ian and K.T. Oslin. Combining a strong melodic gift with a particular feel for the female predicament, Carpenter is a major new talent who should appeal to fans of Nanci Griffith..."Q (12/94, p.158) - 3 Stars - Good - "...her tremulous vocal style suggests a youth spent listening as much to Janis Ian and Joni Mitchell as to Tammy Wynette and Emmylou Harris. Better than this was to come, but this was a useful start..."0.3776326

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Entertainment Weekly (2/01/02, p.107) - "...Thomas is a moonlighting comic with an earth-angel voice who channels fragile melismas through heartachy tales sketched with acoustic guitars and pianos. Sometimes poignant, always pretty....As tears of a clown go, it's moving stuff." - Rating: B+Q (3/02, p.128) - 3 stars out of 5 - "...She's possessed of a fine, pure voice, somewhere between Emmylou Harris and a young Joni Mitchell..."Mojo (Publisher) (April 2002, p.102) - "...Thomas is...inclined to quiet, powerful ballads in a neo-traditional style..."0.3776326

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Entertainment Weekly (p.80) - "It's a family affair....The hushed chamber feel keeps up..." -- Grade: A-Uncut (p.105) - 3 stars out of 5 -- "Emmylou Harris contributes a solemn 'O Little Town Of Bethlehem' to a broad mix of classic and contemporary holiday songs."Mojo (Publisher) (p.118) - 4 stars out of 5 -- "Irish whistle and little drummer boy snare give 'God Rest Ye Merry Gentlemen' a rosy trad glow, but Martha's 'Merry Christmas And Happy New Year' is edgier, its stocking filled with homesickness and angst."0.3776326

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Spin (7/93, p.79) - Recommended - "...tribute songs to the condition embodied by Patty's chosen last name....like a warm blanket and three pillows, it'll suck you in, too..."Entertainment Weekly (12/31/93, p.117) - Cited by Entertainment Weekly as one of `The Best Coutry Records Of 1993' - "...Loveless excels at communicating profound and unshakeable emotional pain without a trace of sentimentality...."Entertainment Weekly (4/23/93, p.56) - "...rivals the best work of her seminal influences, Loretta Lynn and Emmylou Harris....she excels at songs that pinpoint moments of naked truth..." - Rating: A+0.3776326

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Rolling Stone (p.62) - 3.5 stars out of 5 -- "Her girlishly seductive vocals are more versatile than ever; she sounds like Lucinda Williams' clean-living little sis on the gorgeous, full-moon ballad 'Happy'..."Spin (p.60) - Ranked #13 in Spin's "The 40 Best Albums of 2006" -- "[Lewis] breezes through the back pages of country soul with an easy but therapy-deep self-awareness."Entertainment Weekly (p.70) - "Consider Lewis the Emmylou Harris of the Silverlake set, her exquisite voice masking smart, tart lyrics..." -- Grade: A-Q (p.122) - Ranked #27 in Q Magazine's "100 Greatest Albums of 2006" -- "[with] some wonderfully rich arrangements."Uncut (p.78) - 5 stars out of 5 -- "[T]he album is elevated by the breathy gospel harmonies of the Watson twins, a pair of blue-eyed soul sisters from Kentucky..."0.3304285

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Spin (11/01, p.136) - 8 out of 10 - "...Williams codified country's mix of personal tragedy and communal spirituality. [His] songs have lived full lives of their own by now, and the best contributions here heed the music as well as the myth..."Entertainment Weekly (11/02/01, p.79) - "...Classy..." - Rating: AUncut (12/01, p.122) - 3 stars out of 5 - "...As tributes go, TIMELESS is pretty stellar..."No Depression (11-12/01, p.140) - "...A terrific collection..."0.3029332

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Spin (p.91) - 3.5 stars out of 5 -- "[A] consistently fine tribute. Most remarkable is how each Joni supplicant is able to still exude his or her own essence."No Depression (p.84) - "[E]ach track has its own merits, and none exist only as placeholders for the real thing....A key to why this disc works is the pairing of performer and song."0.2856082

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Q (9/00, p.99) - 4 stars out of 5 - "...Captivating stuff..."Magnet (p.83) - "DUSTY TRAILS wove gentle French and Brazilian pop styles into songs otherwise possessed of an entirely post-modern attitude."Magnet (6-7/00, pp.75,77) - "...[This] is Dusty Trails' valentine to the world....drawing inspiration from French and Italian films of the '60s...as well as that era's spy flicks....making their case to replace Marvin Gaye as the new millennium's make-out music."Down Beat (10/00, p.78) - 3.5 stars out of 5 - "...Sleek, pretty and almost weightless [tunes]....highly listenable..."Mojo (Publisher) (9/00, p.90) - "...[They] do a fantastic job recreating the feel of classic soundtracks of the '60s and '70s, all floaty French pop vocals, shimmering Latin vibes, Lalo Schifrin grooves and a touch of road movie minor-chord desolation..."0.2856082

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Spin (1/00, p.127) - 9 out of 10 - "...daydream believin' and goofy good times....an easy-flowing intimacy perfectly fitting the most lovably fun folkie since Bragg-Wilco's Woody Guthrie."Entertainment Weekly (9/17/99, pp.80-1) - "...a character with enough self-depreciating charm to pull off just about anything. Trisha Yearwood, Emmylou Harris, Iris Dement, and five others share 16 songs with Prine...and it works splendidly..." - Rating: B+Q (1/00, p.122) - 3 stars out of 5 - "...Prine has chosen the most throat-lumpin' country tunes ever written, and treated them with the simplerespect and emotional honesty they deserve. If Hank Williams was still alive he'd buy this one and cry into his beer."Dirty Linen (2-3/00, pp.74-5) - "...vintage country weepers recorded as duets with some of the most expressive of the current crop of country singers....This is a fun CD that shows that Prine can salute his musical lineage with both authenticity and tongue firmly in cheek."Mojo (Publisher) (12/99, p.116) - "...reveals himself as an outstanding singer in the George Jones mould and the selection of duets is astute enough to offer honest charm and genuine sentiment without any of the sickly overkill of clichT....refreshingly natural."0.2832244

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Rolling Stone (4/25/02, p.78) - 3 stars out of 5 - "...Heavy on billowy ballads and rife with lazy lyrics...she invites a studioful of illustrious classic rockers and alternative types to add social richness to [the] album..."Spin (May 2002, pp.118-119) - 7 out of 10 - "...Crow's the great equalizer-- finding the middle of a wide variety of roads is the essence of her art....[imagine] a world where the Dixie Chicks and Stevie Nicks and Emmylou Harris and Dr. Dre's bass player can all ride the same tour bus..."Entertainment Weekly (4/19/02, pp.70-71) - "...[Crow] is a supreme craftsperson....C'MON C'MON is rooted in old-school Cali pop but somehow manages never to sound fusty or musty..." - Rating: B+Q (4/02, p.111) - 3 out of 5 stars - "...Crow still rocks....A real pro...[with] no sign of a midlife crisis..."Mojo (Publisher) (5/02, p.98) - "...Crow locates her inner Skynyrd..."0.2832244

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Entertainment Weekly (5/11/01, p.81) - "...Explores the Appalachian roots of country, bluegrass, and folk with an almost all-female lineup. Goosebump-good performances abound..." - Rating: BNo Depression (5-6/01, p.138) - "...It's all good. Well-chosen songs, beautifully played..."0.2499072

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Entertainment Weekly (11/7/03, p.70) - "...Sterling results....[the tribute] runs the Shania-to-Sinead gamut..." - Rating: A-Uncut (1/04, p.116) - 4 stars out of 5 - "[T]he post-Porter Parton finally gets a golden handshake from her peers. And some line-up it is."Mojo (Publisher) (1/04, p.94) - 4 stars out of 5 - "In storytelling and melody, the elegance, economy and heartfelt clarity of Parton's writing deserves comparison with not only Hank Williams or Johnny Cash but George Gershwin or Irving Berlin."0.2499072

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Entertainment Weekly (4/10/98, p.67) - "Great soudntracks can fashion a mood while defining a genre, and this wistul alt-country & western set does just that, whil mostly avoiding the best-seller's bald sentimentality..."- Rating: A-0.2499072

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Entertainment Weekly (7/31/92, p.72) - "..truly dreamy, a hypnotic anthology of vintage and original sleepytime tunes.." - Rating: B+0.2499072

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Rolling Stone (p.99) - 4 stars out of 5 - "Even the ballads bristle with force. As these thirteen songs rattle and rumble along, it's easy to miss their depth, their incisive mapping of the places where love, obsession and anger intersect."Rolling Stone (p.142) - Included in Rolling Stone's Top 50 Records Of 2004 - "Costello's best full-on rock album since BLOOD AND CHOCOLATE..."Uncut (p.104) - 3 stars out of 5 - "[T]his is a strong and lusty country-punk album placing him in Tom Waits or Neil Young territory....He hasn't sounded this energized for years."Uncut (p.76) - Ranked #34 in Uncut's "Best New Albums of 2004" - "A strong country influence with lots of steel guitar..."CMJ (p.5) - "[I]t's done right....Elvis welcomes guest Emmylou Harris and Lucinda Williams to add the heartbreak you can only get from male/female vocal interplay."Mojo (Publisher) (p.62) - Ranked #41 in Mojo's "100 Modern Classics" -- "A fun Costello album? You're looking at it."Mojo (Publisher) (p.97) - 5 stars out of 5 - "So: songs terrific, band sensational, and - big plus - Costello's voice late-developing way beyond that pinched whine into an instrument of substance and character."0.2360204

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"...An outstanding rock documentary....The film is a series of highlights....Tight and exciting...It fits together beautifully..." Variety "...A dazzling array of talent on display here..." New York Times "...A revealing document..." Chicago Sun-Times "...The first rock-concert film shot in 35mm....It's a RAGING BULL knockout job supervised by Scorsese and Band guitarist Robbie Robertson..." USA Today "...Some of the best musical performances ever caught on film..." Entertainment Weekly "...The film boasts kinetic, crisply lighted camerawork and foot-of-the-stage sound..." Rolling Stone0.2142061

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Dirty Linen (4/04, p.53) - "[T]his one was well worth it, and provides interesting and challenging listening."0.2142061

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Entertainment Weekly (11/7/03, p.70) - "...Sterling results [are yielded by] teaming legends ranging from James Taylor to the late Johnny Cash..." - Rating: B+0.2142061

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