greatest-hits-1990-1995,Greatest Hits 1990-1995, Backstreet Boys - Greatest Hits: Chapter One, In It for the Money, The Bends [CD] [1 disc], The Bends [Collector's Edition] [PA] (603497912681)

7 Items Found For greatest hits 1990 1995

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Rolling Stone (5/1/97, p.52) - 3.5 Stars (out of 5) - "...this rich and spirited album uses horns, emphatic percussion and even theremin to expand the band's burgeoning stylistic range....this album's great leap forward proves that the group is in it for the long haul."Spin (6/97, pp.120-121) - 7 (out of 10) - "...Like Urge Overkill's underrated 1995 EXIT THE DRAGON, it feels like a resume aiming to prove that these kids aren't frivolous glamsters anymore but career dogs who can stodge-out as expansively as any trucker rolling down the classic-rock highway..."Entertainment Weekly (5/9/97, p.81) - "...Without wholly abandoning the old sound, the lads have added inspired touches of SGT. PEPPER-ish psychedelia and Kinks-like acoustic plangency, creating a richly nuanced CD. Wealth may or may not be their motivation, but on MONEY, you can hear Supergrass grow."- Rating: B+Q (12/99, p.92) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (1/98, p.115) - Included in Q Magazine's "50 Best Albums of 1997."Q (6/00, p.69) - Ranked #57 in Q's "100 Greatest British Albums" - "...Embraces a kind of wistful rock classicism that might suit a superior radio station in 1975....this remains an invigorating record..."Option (5-6/97, p.132) - "...the 1997 edition of Supergrass is a darker, deeper affair....IN IT FOR THE MONEY sounds like the natural next step for a young band just beginning to realize its own strengths..."Melody Maker (12/20-27/97, pp.66-67) - Ranked #9 on Melody Maker's list of 1997's "Albums Of The Year."Village Voice (2/24/98) - Ranked #37 in the Village Voice's 1997 Pazz & Jop Critics' Poll.Mojo (Publisher) (p.61) - Ranked #46 in Mojo's "100 Modern Classics" -- "[A] British classic packed with all the sticky-fingered delight and sunset melancholy of the last days of the summer holidays."NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #10 in NME's 1997 Critics' Poll.NME (Magazine) (4/19/97, p.43) - "...Fundamentally, IN IT FOR THE MONEY is more fun than watching a wombat in a washing machine....Far from dispensing with the vigorous formula of I SHOULD COCO...Supergrass have retained said debut's sense of buoyancy and chirpy belligerence..."0.1716842

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Rolling Stone (p.64) - 4.5 stars out of 5 -- "[With a] wild sweep of sound colors and exploded emotional palette..."Rolling Stone (12/11/03, p.120) - Ranked #110 in Rolling Stone's "500 Greatest Albums Of All Time" - "[O]peratic, marrying a majestic and somber guitar sound to the virtuosic urgency of Thom Yorke's vocals..."Rolling Stone (5/13/99, pp.58-59) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (5/18/95, p.88) - 3.5 Stars - Very Good - "...THE BENDS [is] a sonically ambitious album that offers no easy hits. It's a guitar field day, blending acoustic strumming with twitches of fuzzy tremolo and eruptions of amplified paranoia..."Entertainment Weekly (p.67) - "Fourteen years later, Coldplay and dozens of lesser imitators are still hammering away at the stadium-size melancholy Radiohead perfected here."Entertainment Weekly (4/7/95, p.92) - "...Sometimes folky, sometimes rocky, the sophomore album from this English band offers a smorgasbord of guitar flavors, most of them tasty, The stylistic leaps make for schizoid listening....but give these boys credit for not standing still..." - Rating: B+Q (6/00, p.75) - Ranked #35 in Q's "100 Greatest British Albums"Q (10/01, p.106) - Ranked #4 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.84) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (2/96, p.63) - Included in Q's 50 Best Albums of 1995 - "...THE BENDS' lasting mightiness is confirmed--as is the scary impression that they'll only get better..."Alternative Press (4/95, p.71) - "...THE BENDS' greatest asset is its approximation of London Suede, all the parody and none of the pomp....THE BENDS proves that Radiohead didn't shoot their bolt with `Creep.' That there's a lot more stirring down there than their recent past might admit..."Melody Maker (12/23-30/95, pp.66-67) - Ranked #6 on Melody Maker's list of 1995's `Albums Of The Year' - "Rock as self-evisceration....consistently, savagely brilliant..."Mojo (Publisher) (p.65) - Ranked #16 in Mojo's "100 Modern Classics" -- "[With] songs of such unpredictable elegance they would touch the heart in any setting."NME (Magazine) (8/12/00, p.29) - Ranked #30 in The NME "Top 30 Heartbreak Albums" - "...Suburban bleakness....More personal than OK COMPUTER and all the more chilling for it."NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #4 in NME's `Top 50 Albums Of The Year' for 1995.Pitchfork (Website) - "THE BENDS was essentially split between these poles: warmth and tension; riffs and texture; rock and post-rock..."Record Collector (magazine) (p.89) - 5 stars out of 5 -- "It had it all....Yorke's gloriously acerbic sarcasm ringing true throughout."0.1575341

$7.95
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Rolling Stone (p.64) - 4.5 stars out of 5 -- "[With a] wild sweep of sound colors and exploded emotional palette..."Rolling Stone (12/11/03, p.120) - Ranked #110 in Rolling Stone's "500 Greatest Albums Of All Time" - "[O]peratic, marrying a majestic and somber guitar sound to the virtuosic urgency of Thom Yorke's vocals..."Rolling Stone (5/13/99, pp.58-59) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (5/18/95, p.88) - 3.5 Stars - Very Good - "...THE BENDS [is] a sonically ambitious album that offers no easy hits. It's a guitar field day, blending acoustic strumming with twitches of fuzzy tremolo and eruptions of amplified paranoia..."Entertainment Weekly (p.67) - "Fourteen years later, Coldplay and dozens of lesser imitators are still hammering away at the stadium-size melancholy Radiohead perfected here."Entertainment Weekly (4/7/95, p.92) - "...Sometimes folky, sometimes rocky, the sophomore album from this English band offers a smorgasbord of guitar flavors, most of them tasty, The stylistic leaps make for schizoid listening....but give these boys credit for not standing still..." - Rating: B+Q (6/00, p.75) - Ranked #35 in Q's "100 Greatest British Albums"Q (10/01, p.106) - Ranked #4 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.84) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (2/96, p.63) - Included in Q's 50 Best Albums of 1995 - "...THE BENDS' lasting mightiness is confirmed--as is the scary impression that they'll only get better..."Alternative Press (4/95, p.71) - "...THE BENDS' greatest asset is its approximation of London Suede, all the parody and none of the pomp....THE BENDS proves that Radiohead didn't shoot their bolt with `Creep.' That there's a lot more stirring down there than their recent past might admit..."Melody Maker (12/23-30/95, pp.66-67) - Ranked #6 on Melody Maker's list of 1995's `Albums Of The Year' - "Rock as self-evisceration....consistently, savagely brilliant..."Mojo (Publisher) (p.65) - Ranked #16 in Mojo's "100 Modern Classics" -- "[With] songs of such unpredictable elegance they would touch the heart in any setting."NME (Magazine) (8/12/00, p.29) - Ranked #30 in The NME "Top 30 Heartbreak Albums" - "...Suburban bleakness....More personal than OK COMPUTER and all the more chilling for it."NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #4 in NME's `Top 50 Albums Of The Year' for 1995.Pitchfork (Website) - "THE BENDS was essentially split between these poles: warmth and tension; riffs and texture; rock and post-rock..."Record Collector (magazine) (p.89) - 5 stars out of 5 -- "It had it all....Yorke's gloriously acerbic sarcasm ringing true throughout."0.1575341

$22.09
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Rolling Stone (p.64) - 4.5 stars out of 5 -- "[With a] wild sweep of sound colors and exploded emotional palette..."Rolling Stone (12/11/03, p.120) - Ranked #110 in Rolling Stone's "500 Greatest Albums Of All Time" - "[O]peratic, marrying a majestic and somber guitar sound to the virtuosic urgency of Thom Yorke's vocals..."Rolling Stone (5/13/99, pp.58-59) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (5/18/95, p.88) - 3.5 Stars - Very Good - "...THE BENDS [is] a sonically ambitious album that offers no easy hits. It's a guitar field day, blending acoustic strumming with twitches of fuzzy tremolo and eruptions of amplified paranoia..."Entertainment Weekly (p.67) - "Fourteen years later, Coldplay and dozens of lesser imitators are still hammering away at the stadium-size melancholy Radiohead perfected here."Entertainment Weekly (4/7/95, p.92) - "...Sometimes folky, sometimes rocky, the sophomore album from this English band offers a smorgasbord of guitar flavors, most of them tasty, The stylistic leaps make for schizoid listening....but give these boys credit for not standing still..." - Rating: B+Q (6/00, p.75) - Ranked #35 in Q's "100 Greatest British Albums"Q (10/01, p.106) - Ranked #4 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.84) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (2/96, p.63) - Included in Q's 50 Best Albums of 1995 - "...THE BENDS' lasting mightiness is confirmed--as is the scary impression that they'll only get better..."Alternative Press (4/95, p.71) - "...THE BENDS' greatest asset is its approximation of London Suede, all the parody and none of the pomp....THE BENDS proves that Radiohead didn't shoot their bolt with `Creep.' That there's a lot more stirring down there than their recent past might admit..."Melody Maker (12/23-30/95, pp.66-67) - Ranked #6 on Melody Maker's list of 1995's `Albums Of The Year' - "Rock as self-evisceration....consistently, savagely brilliant..."Mojo (Publisher) (p.65) - Ranked #16 in Mojo's "100 Modern Classics" -- "[With] songs of such unpredictable elegance they would touch the heart in any setting."NME (Magazine) (8/12/00, p.29) - Ranked #30 in The NME "Top 30 Heartbreak Albums" - "...Suburban bleakness....More personal than OK COMPUTER and all the more chilling for it."NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #4 in NME's `Top 50 Albums Of The Year' for 1995.Pitchfork (Website) - "THE BENDS was essentially split between these poles: warmth and tension; riffs and texture; rock and post-rock..."Record Collector (magazine) (p.89) - 5 stars out of 5 -- "It had it all....Yorke's gloriously acerbic sarcasm ringing true throughout."0.1575341

$32.30
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Rolling Stone (5/13/99, p.80) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (1/25/96, p.41) - Ranked #3 in the 1996 Critics' Poll.Rolling Stone (6/15/95, p.83) - 4 Stars - Excellent - "...Trip-hop is the current label being given this music, but it's no more than a cute, reasonably accurate headline. At any given time, certain pop records--more than books or movies or whatever--strike a chord...as the sound of the beyond cool. Right now, Tricky's MAXINQUAYE is it..."Spin (9/99, p.125) - Ranked #14 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (12/95, p.62) - Ranked #2 on Spin's list of the `20 Best Albums Of '95.'Spin (6/95, p.99) - 8 - Very Good - "...Imagine the cracked-out vibe of vintage Schoolly D generated by a black British outcast who loves Billie Holiday and PJ Harvey as much as he digs sluggish beats and singsong melodies....Their attitude is mean-spirited, but much of the aggression is directed inward..."Entertainment Weekly (6/2/95, p.56) - "...R&B for the head, MAXINQUAYE is engrossing music collage art that bumps, grinds, and simmers....singer Martine's sly phrasing--is mind-bending..." - Rating: AQ (12/99, p.84) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (2/96, p.67) - Included in Q's 50 Best Albums of 1995.Q (6/00, p.75) - Ranked #36 in Q's "100 Greatest British Albums"Q (3/95, p.104) - 4 Stars - Excellent - "...Tricky proves himself to be more challenging and eclectic than his peers, leapfrogging from...thick tribal beats to...sub-metal thrash...amid the more typical ambient dub....a highly inventive and intoxicating collection."Option (7-8/95, p.141) - "...street beats and turntable scratching with guitars, dub bass, industrial noise and other elements....cool subdued music....This is among the best albums of the year..."Melody Maker (12/23-30/95, pp.66-67) - Tied for #1 on Melody Maker's list of 1995's `Albums Of The Year' - "...sounded like the apex of an epoch. Taking cues from...Massive Attack and Portishead, and blending them with more sinister hues borrowed from John Barry's Bond themes..."Musician (6/95, p.76) - "...It's not just `bottom end,' though there's plenty of bass rumbling through these dub-wise grooves, but the music's depth of field--the way the vocals, samples and keyboard parts arrange themselves into layers of foreground and background..."Village Voice (2/20/96) - Ranked #2 in Village Voice's 1995 Pazz & Jop Critics' Poll.Q (Magazine) (p.132) - 5 stars out of 5 -- "[I]t's an album of contradictions, at once restless an soothing, profane and profound....His experiments here still glow with mystery and magic."Mojo (Publisher) (p.57) - Ranked #77in Mojo's "100 Modern Classics" -- "[I]t sounds like a greatest hits."New York Times (Publisher) (1/5/96, p.C16) - Included on Jon Pareles' list of the Top 10 Albums of '95 - "...the first album-length masterpiece of trip-hop..."NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #1 in NME's `Top 50 Albums Of The Year' for 1995 - "...foggy hip-hop track without a compass, a record where you never quite know what's going to happen next or where it's going to take you..."Clash (magazine) - "[A] dark, paranoid classic....Containing classics 'Overcome,' 'Ponderosa, 'Hell Is Round The Corner'..."Record Collector (magazine) (p.96) - 4 stars out of 5 -- "MAXINQUAYE remains the British postmodern album of the 90s....'Brand New Retro' is the most driving thing here..."0.1434409

$8.82
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