hank-williams,HANK WILLIAMS (625282120927), Hank Williams - The Ultimate Collection, The Complete Hank Williams [Box], Timeless: Hank Williams Tribute, Beyond the Sunset [Hank Williams]

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92.48618

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85.31674

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Spin (1/99, p.92) - Ranked #2 in Spin's list of the "Ten Best Reissues Of 1998."Spin (11/98, pp.144-145) - 10 (out of 10) - "...this jumped-up hillbilly was the bridge between old and new. He links the pious, antebellum Roy Acuff to postwar, urban, roadhouse culture....the key to country's red-dirt past and sign of a rock world to come."Entertainment Weekly (9/25/98, pp.101-102) - "...Ultimately, THE COMPLETE HANK WILLIAMS is less a document more than a documentary: the nonfiction story of a prodigiously gifted falling-down alcoholic, always at odds with his wife Audrey,...the industry he helped spawn,...and most crucially, himself..." - Rating: B+Mojo (Publisher) (7/02, p.120) - "...Follows him chronologically through 1946-1951 over 3 CDs - ragged folk-spiritual-singer on CD1; urban mountain-boy-going-on-rock star on CD3..."74.27455

$147.42
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Spin (11/01, p.136) - 8 out of 10 - "...Williams codified country's mix of personal tragedy and communal spirituality. [His] songs have lived full lives of their own by now, and the best contributions here heed the music as well as the myth..."Entertainment Weekly (11/02/01, p.79) - "...Classy..." - Rating: AUncut (12/01, p.122) - 3 stars out of 5 - "...As tributes go, TIMELESS is pretty stellar..."No Depression (11-12/01, p.140) - "...A terrific collection..."74.14612

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73.98894

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73.98894

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73.98894

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55.75367

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55.4917

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Rolling Stone (12/11/03, p.126) - Ranked #129 in Rolling Stone's "500 Greatest Albums Of All Time" - "[N]o single Williams LP combines the punch and scope of his genius like this all-hits set..."46.24309

$27.06
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Entertainment Weekly (No. 845, p.75) - "...[T]his sequencing might make serious students hear new things in each catch-and-moan bray of misery--like the pre-Elvis roots of rock & roll." - Grade: A-46.24309

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46.24309

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No Depression (p.105) - "[T]heir style and repertoire show flashes of Jimmie Rodgers and early Hank Williams as often as Ralph Stanley or Bill Monroe."0.6528381

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Entertainment Weekly (1/25/91) - "..A South Carolina specialist in country and ballads, Tippin virtually explodes off his debut disc, his performances fueled with the energy of a turbocharged Chevy...humor, pointed language, and the vocal technique of Hank Williams.. - Rating: A0.5712333

$8.84
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Down Beat (p.83) - 3 stars out of 5 -- "Chenier places much of the success of his Creole r&b on his singing voice, a rich and sober companion to the sad-hearted or lively notes he squeezes out of his accordion."JazzTimes (p.90) - "Chenier's rendition of Hank Williams' mournful 'Lost on the River,' a timely anthem in the wake of Katrina, is both poignant and powerful."Living Blues (p.43) - "Special guests the Tarbox Ramblers and pianist Joe Deleault added numerous nice touches."Global Rhythm (Publication) (p.47) - "Chenier's voice is the real star here....[On] Van Morrison's 'Comfort You,' he loads all of poor lost New Orleans on his back and walks off into the sunset."0.4947026

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Entertainment Weekly (p.86) - "[The album] arrives at a sleepy beauty reminiscent of their 1988 hit 'Sweet Jane'." - Grade: B+Q (p.113) - 3 stars out of 5 - "ONE SOUL NOW certainly has its share of dynamic moments."Uncut (p.98) - 3 stars out of 5 - "[With] moments of menacingly forlorn Velvet Underground-meets-Hank Williams beauty."0.4080238

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Dirty Linen (p.57) - "TRINITY REVISITED is as texturally ambient, with Margo Timmins' vocals as hauntingly ethereal as on its predecessor."Q (Magazine) (p.115) - 3 stars out of 5 -- "[T]he guests, notably Ryan Adams and Natalie Merchant add a new twist..."Record Collector (magazine) (p.80) - 4 stars out of 5 -- "The tender frailty of their own compositions nestled cosily alongside radically reworked Hank Williams, Elvis Presley and even Velvet Underground material."0.4080238

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Entertainment Weekly (11/7/03, p.70) - "...Sterling results....[the tribute] runs the Shania-to-Sinead gamut..." - Rating: A-Uncut (1/04, p.116) - 4 stars out of 5 - "[T]he post-Porter Parton finally gets a golden handshake from her peers. And some line-up it is."Mojo (Publisher) (1/04, p.94) - 4 stars out of 5 - "In storytelling and melody, the elegance, economy and heartfelt clarity of Parton's writing deserves comparison with not only Hank Williams or Johnny Cash but George Gershwin or Irving Berlin."0.3264191

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0.2963779

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Uncut (p.108) - 3 stars out of 5 - "[A] moody and restrained affair which links him to a peculiarly Australian form of alt.country perhaps best described as 'urban & western'."The Wire (p.58) - "Harvey has a fine interpretative skill....The best example is 'Man Without A Home', which briefly segues into the tune and lyric structure of Dolly Parton's 'Jolene' to deliver the man's side of the song."Mojo (Publisher) (p.89) - 3 stars out of 5 - "'Demon Alchohol', written by Bambi Lee Savage, is a great find and Harvey's arrangement imbues it with all the dark seduction of addiction."0.2619635

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Rolling Stone (8/8/96, p.58) - 3 Stars (out of 5) - "...BROKEN ARROW has the same tossed-off feel as HAWKS AND DOVES or RE*ACT*OR, as if Young took the eight tracks he'd been reviewing one particular day and decided they would be his new album....there's a detectable level of comfort in the playing, of moves learned and responses expected..."Entertainment Weekly (7/12/96, p.58) - "...as the album simmers down and the full effect of his alternately world-weary and dreamy imagery kicks in, you get a better idea of the hard-rocking evanescence he's going for..."- Rating: BQ (8/96, p.122) - 4 Stars (out of 5) - "...verses are short and solos are long, riffs end in sonic pile-ups of feedback, and there is at least one tune where the ghost of Hank Williams is pumped full of steroids and sent staggering blank-eyed and drooling across the fields....top stuff..."Musician (9/96, p.86) - "...Charming, loopy, slightly dark-hued, and exhibiting pronounced symptoms of musical schizophrenia,...[BROKEN ARROW] is a warm return to various forms and formats....the reappearance of Crazy Horse is especially welcome....Young is at his most mercurial..."0.2448143

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Spin (1/00, p.127) - 9 out of 10 - "...daydream believin' and goofy good times....an easy-flowing intimacy perfectly fitting the most lovably fun folkie since Bragg-Wilco's Woody Guthrie."Entertainment Weekly (9/17/99, pp.80-1) - "...a character with enough self-depreciating charm to pull off just about anything. Trisha Yearwood, Emmylou Harris, Iris Dement, and five others share 16 songs with Prine...and it works splendidly..." - Rating: B+Q (1/00, p.122) - 3 stars out of 5 - "...Prine has chosen the most throat-lumpin' country tunes ever written, and treated them with the simplerespect and emotional honesty they deserve. If Hank Williams was still alive he'd buy this one and cry into his beer."Dirty Linen (2-3/00, pp.74-5) - "...vintage country weepers recorded as duets with some of the most expressive of the current crop of country singers....This is a fun CD that shows that Prine can salute his musical lineage with both authenticity and tongue firmly in cheek."Mojo (Publisher) (12/99, p.116) - "...reveals himself as an outstanding singer in the George Jones mould and the selection of duets is astute enough to offer honest charm and genuine sentiment without any of the sickly overkill of clichT....refreshingly natural."0.2448143

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Spin (10/99, p.155) - 7 out of 10 - "...rustic twang....suggests an idealized version of 70s country radio, as if Conway Twitty and Loretta Lynn tracks were slowed down a touch and played alongside Neil Young's 'Everybody Knows This Is Nowhere'..."Alternative Press (11/99, p.100) - 4 out of 5 - "...Freakwater keep getting better, and on [END TIME] the ladies have expanded their countrified sound to allow for their burgeoning abilities as singer-songwriters..."Dirty Linen (2-3/00, p.74) - "...one of [alt-country's] leading spirits, a modern day representation of the hard-living, age-old country tradition....[The album] deals with booze, seedy characters, wretched lives, and even a bloodthirsty dog....what could be more country than that?"Country Music People (1/00, pp.32-3) - 4.5 out of 5 - "...Janet Beveridge Bean and Catherine Ann Irwin are the voices of Freakwater, weaving and interlacing throughout like the ghosts of Appalachia past confronting the modern world....To hear music this pure is a rare treat..."Mojo (Publisher) (11/99, p.114) - "...a lusher, more welcoming wash of strings and pedal steel, END TIME finds Freakwater going somewhere new without leaving their souls behind....songs that sound like Hank Williams covers and [sung] with enough emotion to make dogs cry..."0.2448143

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Entertainment Weekly (1/10/92, p.70) - "..His early songs were fairly revolutionary..he managed to infuse country music with both a new literacy - and a frank sexuality...an honest poignancy in Kristofferson's own stripped-down renditions.." - rating: B+0.2222834

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Q (1/91) - 3 Stars - Good - "..Guaranteed to make your toes curl.."0.2095708

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Alternative Press (7/00, p.94) - 3 out of 5 - "...Bizarre....gradually emerging as an almost airtight, emotionally barricaded sonic universe....This is not hillbilly music; rather, it is music intended to evoke 'hillbilly culture' to those who have never left a major city..."The Wire (5/00, p.69) - "...His first solo guitar album....Frisell tinkers with [Hank] William's 'I'm So Lonesome I Could Cry' and the Gershwin's 'My Man's Gone Now' from PORGY AND BESS, 2 eternal songs which he expertly picks away at like a hungry buzzard until only the bare bones remain."CMJ (3/27/00, p.23) - "...A milestone in the career of a true innovator - enchanting as anything he has done and a clear window into his muse."Down Beat (8/00, p.27) - Ranked #3 Jazz Album in Downbeat "Critics Poll 2000".Down Beat (6/00, pp.69-70) - 5 stars out of 5 - "...So immaculately layered and natural sounding that you can't imagine any other guitarist duplicating it....painting Frisell as the contented, beauty-worshipping man he is."JazzTimes (8/00, pp.91-2) - "...[He] is like a painter dealing with guitaristic layers....Spare as the setting is, [he] invests a lively world feeling behind economic material....[It] is the polar opposite of background music....he's the friendly guitar anti-hero of our time."No Depression (3-4/00, p.113) - "...a lyrical Utopia where the one-of-a-kind guitarist can indulge his love of glowing heartland melodies in splendid isolation....The bright, vibrant sound...from his layered picking and strumming lights up the room..."0.2040119

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Rolling Stone (1/25/96, p.41) - Ranked #9 in the 1996 Critics' Poll.Entertainment Weekly (11/10/95, pp.66-67) - "...Call it hillbilly alchemy: Son Volt turns heartland rust into gold." - Rating: AAlternative Press (3/01, p.104) - Included in A.P.'s "10 Essential Alt-Country Albums".Alternative Press (12/95, pp.97-98) - "...Son Volt are, in essence, western balladeers. The difference is Farrar's mentality and restraint, which he lends expertly to simplistic, acoustic-flavored arrangements and classic western instrumentation. TRACE is like sensible shoes: nothing to kick-ass with, but just what you need when you need it."Musician (11/95, pp.88-90) - "...In a sane universe, Jay Farrar's gang would be rich and famous, thanks to his soulful, toe-tapping songs and sad-sack vocals....Son Volt is a welcome antidote to the new country blahs."Village Voice (2/20/96) - Ranked #13 in Village Voice's 1995 Pazz & Jop Critics' Poll.NME (Magazine) (12/9/95, p.38) - 8 (out of 10) - "...the sound of electricity humming through the wires above a back-woods country road....Jay Farrar hears the ragged rage of grunge in Hank Williams...seeks wounded solace in the sweet whine of the pedal steel and the bloody, blistered fingers of the weekend chickenwire thrash..."0.2040119

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