i-surrender-9,I Surrender [Limited Edition] [4988005798404], Surrender to Jonathan, Until We Surrender [Digipak], Surrender [Expanded Edition], Surrender [Kut Klose] [CD] [1 disc]

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40.43622

$81.98
(0 reviews)

Entertainment Weekly (9/20/96, p.83) - "...Richman returns to the big leagues...with this typically friendly collection. SURRENDER offers a decent representation of Richman's considerable charms but largely lacks the effervescence of his best work..." - Rating: BQ (11/96, p.132) - 3 Stars (out of 5) - "...a strong return to form for the adenoidal one, the usual breezy pop melodies propped up by a fruitily belligerent horn section and a succession of Gallic-flavoured accordion flourishes..."38.55824

$12.22
(0 reviews)

38.39836

$12.22
(0 reviews)

Record Collector (magazine) (p.100) - 3 stars out of 5 -- "Diana, backed by Valerie Simpson on piano and with string arrangements by Paul Riser, delivers some of her finest vocal performances of her career."38.38783

$15.83
(0 reviews)

The Source (3/95, p.74) - "...[SURRENDER] is full of acrobatic vocal riffs, typical R&B beats and a nice variety of mood tunes....it's a worthwhile effort that fans of Keith Sweat or SWV should love..."30.94927

$13.64
(0 reviews)

30.77563

$12.17
(0 reviews)

30.73823

$4.58
(0 reviews)

30.73823

$11.13
(0 reviews)

30.71943

$12.91
(0 reviews)

Rolling Stone (6/26/03, p.80) - 3 stars out of 5 - "...Imagine a modern-day Ashford and Simpson with real boho depth..."Mojo (Publisher) (9/03, p.112) - 4 stars out of 5 - "...An album that is an alluring synthesis of soul, funk, jazz, gospel and even Afrobeat influences..."26.95426

$35.28
(0 reviews)

Alternative Press (p.95) - 3 stars out of 5 -- "They fill their songs with bells and whistles like xylophones, wind chimes and heavily orchestrated string arrangements..."19.46579

$9.33
(0 reviews)

19.46371

$9.61
(0 reviews)

19.45022

$9.33
(0 reviews)

19.45014

$10.06
(0 reviews)

19.4494

$11.59
(0 reviews)

19.44901

$9.00
(0 reviews)

Alternative Press (p.94) - 4 stars out of 5 -- "There's an innate sense of celebration and camaraderie on AVLANCHE UNITED....A collection of hard-charging pop-punk with plenty of melodic/post-hardcore muscle and power-pop chug, it's what fans have been hoping for..."19.44901

$9.33
(0 reviews)

19.21623

$17.52
(0 reviews)

17.21251

$14.40
(0 reviews)

15.02807

$17.97
(0 reviews)

Spin (p.102) - 3 stars out of 5 -- "Canada's Dragonette fills the No Doubt void by walking a similar line between girly electro pop and boyish new wave."13.62989

$11.59
(0 reviews)

9.888776

$8.09
(0 reviews)

9.868898

$13.76
(0 reviews)

9.859455

$14.43
(0 reviews)

9.419233

$23.09
(0 reviews)

9.399653

$105.32
(0 reviews)

8.642488

$9.66
(0 reviews)

7.425939

$14.06
(0 reviews)

7.393827

$15.32
(0 reviews)

6.187815

$15.02
(0 reviews)

6.169518

$20.68
(0 reviews)

4.962255

$13.27
(0 reviews)

Rolling Stone (5/1/97, pp.53-54) - 3 Stars (out of 5) - "...Songwriter Martin Gore has plenty of dark passion to document....moody, pulsating ballads such as `The Bottom Line' and `The Love Thieves' are ideal vehicles for Gahan's brooding baritone and for the band's ever-increasing sense of tender intuition..."Spin (5/97, pp.110-111) - (6 out of 10) - "...Simeon's pristine production...fits Depeche Mode's need to conceal their age in sleekness. Rather than co-opt drum'n'bass, they do what they've done since VIOLATOR: merge machine aesthetics and corporate machinery into a punkishly forbidding indolence..."Entertainment Weekly (4/18/97, p.66) - "..combines up-to-the-second synth effects...with ripping melodies--all supported by the grim sonic architecture that long ago made DM the darlings of many a sour teen. Imposing spires of synths, industrial rivets of percussion, churchy organs, and grave vocals erect an edifice of reverent dread..." - Rating: B+Q (1/98, p.112) - Included in Q Magazine's "50 Best Albums of 1997."Q (5/97, p.118) - 4 Stars (out of 5) - "...ranks alongside...BLACK CELEBRATION as their darkest album to date....dry, dislocated, burnt-out and sometimes beautiful songwriting....Gone are the big, roguishly aggressive hooks, replaced by industrialised trip-hop beats...and widescreen spaces..."3.699375

$28.73
(0 reviews)

3.657023

$26.78
(0 reviews)

2.943862

$19.37
(0 reviews)

Down Beat (p.79) - 3 stars out of 5 -- "The singers exalt to seventh heaven with original songs of praise like 'I Surrender'..."0.6124834

$15.02
(0 reviews)

Down Beat (p.79) - 3 stars out of 5 -- "The singers exalt to seventh heaven with original songs of praise like 'I Surrender'..."0.5310776

$10.74
(0 reviews)

Q (Magazine) (p.128) - 3 stars out of 5 -- "[I]t comprises the best 13 tracks from 13 albums of home-made demos recorded as she recovered from the death of her father....There are moments where she surrenders to sadness, such as 'Heavy Like Sunday'..."0.2398132

$10.74
(0 reviews)

"[I]t's easy to surrender to the swooning violins on the soundtrack....It helps that the film is lovingly crafted and extremely well-acted." Movieline's Hollywood Life "Ryan Gosling and Rachel McAdams break through the barrier to evoke high-strung, slightly crazed teenagers plunging headlong into first love....Their performances are so spontaneous and combustible that you quickly identify with the reckless sweethearts..." New York Times "[P]atiently told, impressively performed, and beautifully shot..." Entertainment Weekly "The performances respect the passion at the beginning and the sentiment at the end, not pushing too hard. It's a tear-jerker, but well-acted and deeply felt."Chicago Sun-Times0.207723

$9.41
(0 reviews)

"[I]t's easy to surrender to the swooning violins on the soundtrack....It helps that the film is lovingly crafted and extremely well-acted."Movieline's Hollywood Life "[P]atiently told, impressively performed, and beautifully shot..."Entertainment Weekly "The performances respect the passion at the beginning and the sentiment at the end, not pushing too hard. It's a tear-jerker, but well-acted and deeply felt."Chicago Sun-Times "Ryan Gosling and Rachel McAdams break through the barrier to evoke high-strung, slightly crazed teenagers plunging headlong into first love....Their performances are so spontaneous and combustible that you quickly identify with the reckless sweethearts..."New York Times0.207723

$34.99
(0 reviews)

"...[A] splendid, definitive reedit of Orson Welles' noir great....Unspools with all the complex, unnerving menace its writer-director had in mind all along..." -- Rating: A Entertainment Weekly "...A masterpiece..." -- 4 out of 4 stars USA Today "...Discover what the hullabaloo was about....Great Welles and a surprisingly good Heston..." -- 5 out of 5 stars - One for the Library Premiere "...Classic noir's final shout pits Orson Welles and Charlton Heston as rival investigators..." Total Film "[A] masterful wallow in noir....[Welles] inhabits another outsize monster who somehow evokes the viewer's sympathy." Premiere "Orson Welles's 1958 TOUCH OF EVIL is a work of slippery precision, a picture whose seductiveness is only enhanced by its refusal to surrender fully to our grasp."New York Times0.2058792

$16.58
(0 reviews)

Entertainment Weekly (07/11/03, pp.78-9) - "...Recalls the mood-drenched fog of Galaxie 500 decorated with Byrdsian guitar filligrees....[a] shimmering sound tapestry..." - Rating: B+Uncut (9/03, p.112) - 4 stars out of 5 - "...A pure, delicate pop breeze as evocative of bucolic summer afternoons as anything in the Brian Wilson catalogue..."Alternative Press (9/03, p.102) - 3 out of 5 - "...Every song is a jewel - pretty, austere and precision-cut..."CMJ (07/07/03, p.7) - "...Dreamy, subtle melodies....Between shimmering, breezy interludes and the recurring chimes of church bells, singer Alasdair MacLean whispers gently of truth and yearning, carefully treading the line between the real and the surreal..."Mojo (Publisher) (9/03, p.113) - 3 stars out of 5 - "...[Listeners] will find comfort in the warm surrender of The Clientele's aesthetic, the sweet, curious familiarity that lies in the indistinct and the allusive..."0.2051563

$12.77
(0 reviews)

Rolling Stone (p.72) - 5 stars out of 5 -- "The Edge takes one of his few extended guitar solos at the end of 'Unknown Caller,' a straightforward, elegiac break with a worn, notched edge to his treble tone....'Cedars of Lebanon' ends the album much as 'The Wanderer' did on ZOOROPA, a triumph of bare minimums..."Spin (p.73) - "U2 still inspire flashes of elation, awe, and yes, hope like no other rock band....The title-track opener masses the Edge's guitar and synth tracks into a dense whir and swirl amid gurning polyrhythms..."Spin (p.29) - Ranked #32 in Spin's "40 Best Albums Of 2009" -- "NO LINE is entirely convincing, with sounds, tones, and textures that wouldn't have sounded out of place in 1983..."Entertainment Weekly (pp.70-71) - "NO LINE ON THE HORIZOON is an eclectic and electrifying winner, one that speaks to the zeitgeist the way only U2 can and dare do....The record's instant classic is its penultimate track, 'Breathe,' a stomping, snarling rumination..." -- Grade: A-Down Beat (p.58) - 4 stars out of 5 -- "Purveyors of anthemic rock at its finest, arguably the world's greatest pop band offers more passion under the guidance of producers Brian Eno and Daniel Lanois..."Q (Magazine) (pp.94-95) - 5 stars out of 5 -- "The first part of NO LINE ON THE HORIZON contains the U2 of wide-open spaces, of sweeping mountain valleys, and of Edge's signature chiming guitar lines....The best U2 album since ACHTUNG BABY. With time, it may prove to be better still."Mojo (Publisher) (p.96) - 4 stars out of 5 -- "The result is a collage of several kinds of classic U2 albums, one that has the beauty of their panoramic '80s Eno/Lanois recordings plus the synthetic experimentation and dalliance with pop merriment which revolutionized the band's modus operandi from ACHTUNG BABY onwards."Blender (Magazine) (p.58) - 5 stars out of 5 -- "'Moment of Surrender' is the high point -- seven minutes of Bono in gospel mode, lost in the late-night city, questing for salvation and finding it in Adam Clayton's bass. The Edge fleshes out the yearning with some piercing crazy-diamond guitar."Clash (magazine) (p.106) - "Drenched in The Edge's sky-scraping guitar solos, Bono's operatic vocals, and Eno and Lanois' ambient, textured production effects....A record that is trademark U2 -- playful, soulful, stadium-slaying and decidedly heavy at times."Record Collector (magazine) (p.102) - 4 stars out of 5 -- "Smart one-liners pepper the album....Musically eclectic at every turn, the title track is swathed in the staccato guitar figures Franz Ferdinand have recently monopolised..."Uncut (magazine) - 4 stars out of 5 -- "The title track crashes in like a wave over the bows, washes of keyboards retreating to reveal a growling guitar riff..."0.1963674

$12.39
(0 reviews)

Rolling Stone (p.72) - 5 stars out of 5 -- "The Edge takes one of his few extended guitar solos at the end of 'Unknown Caller,' a straightforward, elegiac break with a worn, notched edge to his treble tone....'Cedars of Lebanon' ends the album much as 'The Wanderer' did on ZOOROPA, a triumph of bare minimums..."Spin (p.73) - "U2 still inspire flashes of elation, awe, and yes, hope like no other rock band....The title-track opener masses the Edge's guitar and synth tracks into a dense whir and swirl amid gurning polyrhythms..."Spin (p.29) - Ranked #32 in Spin's "40 Best Albums Of 2009" -- "NO LINE is entirely convincing, with sounds, tones, and textures that wouldn't have sounded out of place in 1983..."Entertainment Weekly (pp.70-71) - "NO LINE ON THE HORIZOON is an eclectic and electrifying winner, one that speaks to the zeitgeist the way only U2 can and dare do....The record's instant classic is its penultimate track, 'Breathe,' a stomping, snarling rumination..." -- Grade: A-Down Beat (p.58) - 4 stars out of 5 -- "Purveyors of anthemic rock at its finest, arguably the world's greatest pop band offers more passion under the guidance of producers Brian Eno and Daniel Lanois..."Q (Magazine) (pp.94-95) - 5 stars out of 5 -- "The first part of NO LINE ON THE HORIZON contains the U2 of wide-open spaces, of sweeping mountain valleys, and of Edge's signature chiming guitar lines....The best U2 album since ACHTUNG BABY. With time, it may prove to be better still."Mojo (Publisher) (p.96) - 4 stars out of 5 -- "The result is a collage of several kinds of classic U2 albums, one that has the beauty of their panoramic '80s Eno/Lanois recordings plus the synthetic experimentation and dalliance with pop merriment which revolutionized the band's modus operandi from ACHTUNG BABY onwards."Blender (Magazine) (p.58) - 5 stars out of 5 -- "'Moment of Surrender' is the high point -- seven minutes of Bono in gospel mode, lost in the late-night city, questing for salvation and finding it in Adam Clayton's bass. The Edge fleshes out the yearning with some piercing crazy-diamond guitar."Clash (magazine) (p.106) - "Drenched in The Edge's sky-scraping guitar solos, Bono's operatic vocals, and Eno and Lanois' ambient, textured production effects....A record that is trademark U2 -- playful, soulful, stadium-slaying and decidedly heavy at times."Record Collector (magazine) (p.102) - 4 stars out of 5 -- "Smart one-liners pepper the album....Musically eclectic at every turn, the title track is swathed in the staccato guitar figures Franz Ferdinand have recently monopolised..."Uncut (magazine) - 4 stars out of 5 -- "The title track crashes in like a wave over the bows, washes of keyboards retreating to reveal a growling guitar riff..."0.1963674

$56.21
(0 reviews)

Rolling Stone (p.72) - 5 stars out of 5 -- "The Edge takes one of his few extended guitar solos at the end of 'Unknown Caller,' a straightforward, elegiac break with a worn, notched edge to his treble tone....'Cedars of Lebanon' ends the album much as 'The Wanderer' did on ZOOROPA, a triumph of bare minimums..."Spin (p.73) - "U2 still inspire flashes of elation, awe, and yes, hope like no other rock band....The title-track opener masses the Edge's guitar and synth tracks into a dense whir and swirl amid gurning polyrhythms..."Spin (p.29) - Ranked #32 in Spin's "40 Best Albums Of 2009" -- "NO LINE is entirely convincing, with sounds, tones, and textures that wouldn't have sounded out of place in 1983..."Entertainment Weekly (pp.70-71) - "NO LINE ON THE HORIZOON is an eclectic and electrifying winner, one that speaks to the zeitgeist the way only U2 can and dare do....The record's instant classic is its penultimate track, 'Breathe,' a stomping, snarling rumination..." -- Grade: A-Down Beat (p.58) - 4 stars out of 5 -- "Purveyors of anthemic rock at its finest, arguably the world's greatest pop band offers more passion under the guidance of producers Brian Eno and Daniel Lanois..."Q (Magazine) (pp.94-95) - 5 stars out of 5 -- "The first part of NO LINE ON THE HORIZON contains the U2 of wide-open spaces, of sweeping mountain valleys, and of Edge's signature chiming guitar lines....The best U2 album since ACHTUNG BABY. With time, it may prove to be better still."Mojo (Publisher) (p.96) - 4 stars out of 5 -- "The result is a collage of several kinds of classic U2 albums, one that has the beauty of their panoramic '80s Eno/Lanois recordings plus the synthetic experimentation and dalliance with pop merriment which revolutionized the band's modus operandi from ACHTUNG BABY onwards."Blender (Magazine) (p.58) - 5 stars out of 5 -- "'Moment of Surrender' is the high point -- seven minutes of Bono in gospel mode, lost in the late-night city, questing for salvation and finding it in Adam Clayton's bass. The Edge fleshes out the yearning with some piercing crazy-diamond guitar."Clash (magazine) (p.106) - "Drenched in The Edge's sky-scraping guitar solos, Bono's operatic vocals, and Eno and Lanois' ambient, textured production effects....A record that is trademark U2 -- playful, soulful, stadium-slaying and decidedly heavy at times."Record Collector (magazine) (p.102) - 4 stars out of 5 -- "Smart one-liners pepper the album....Musically eclectic at every turn, the title track is swathed in the staccato guitar figures Franz Ferdinand have recently monopolised..."Uncut (magazine) - 4 stars out of 5 -- "The title track crashes in like a wave over the bows, washes of keyboards retreating to reveal a growling guitar riff..."0.1963674

$8.90
(0 reviews)

Rolling Stone (p.72) - 5 stars out of 5 -- "The Edge takes one of his few extended guitar solos at the end of 'Unknown Caller,' a straightforward, elegiac break with a worn, notched edge to his treble tone....'Cedars of Lebanon' ends the album much as 'The Wanderer' did on ZOOROPA, a triumph of bare minimums..."Spin (p.73) - "U2 still inspire flashes of elation, awe, and yes, hope like no other rock band....The title-track opener masses the Edge's guitar and synth tracks into a dense whir and swirl amid gurning polyrhythms..."Spin (p.29) - Ranked #32 in Spin's "40 Best Albums Of 2009" -- "NO LINE is entirely convincing, with sounds, tones, and textures that wouldn't have sounded out of place in 1983..."Entertainment Weekly (pp.70-71) - "NO LINE ON THE HORIZOON is an eclectic and electrifying winner, one that speaks to the zeitgeist the way only U2 can and dare do....The record's instant classic is its penultimate track, 'Breathe,' a stomping, snarling rumination..." -- Grade: A-Down Beat (p.58) - 4 stars out of 5 -- "Purveyors of anthemic rock at its finest, arguably the world's greatest pop band offers more passion under the guidance of producers Brian Eno and Daniel Lanois..."Q (Magazine) (pp.94-95) - 5 stars out of 5 -- "The first part of NO LINE ON THE HORIZON contains the U2 of wide-open spaces, of sweeping mountain valleys, and of Edge's signature chiming guitar lines....The best U2 album since ACHTUNG BABY. With time, it may prove to be better still."Mojo (Publisher) (p.96) - 4 stars out of 5 -- "The result is a collage of several kinds of classic U2 albums, one that has the beauty of their panoramic '80s Eno/Lanois recordings plus the synthetic experimentation and dalliance with pop merriment which revolutionized the band's modus operandi from ACHTUNG BABY onwards."Blender (Magazine) (p.58) - 5 stars out of 5 -- "'Moment of Surrender' is the high point -- seven minutes of Bono in gospel mode, lost in the late-night city, questing for salvation and finding it in Adam Clayton's bass. The Edge fleshes out the yearning with some piercing crazy-diamond guitar."Clash (magazine) (p.106) - "Drenched in The Edge's sky-scraping guitar solos, Bono's operatic vocals, and Eno and Lanois' ambient, textured production effects....A record that is trademark U2 -- playful, soulful, stadium-slaying and decidedly heavy at times."Record Collector (magazine) (p.102) - 4 stars out of 5 -- "Smart one-liners pepper the album....Musically eclectic at every turn, the title track is swathed in the staccato guitar figures Franz Ferdinand have recently monopolised..."Uncut (magazine) - 4 stars out of 5 -- "The title track crashes in like a wave over the bows, washes of keyboards retreating to reveal a growling guitar riff..."0.1787767

$7.89
(0 reviews)

Musician (3/96, p.88) - "...The Beatles were clearly collective genius. Together they created a whole vastly greater than the sum of their parts....The fun of ANTHOLOGY 1 comes in watching their genius develop..."NME (Magazine) (12/2/95, p.45) - "...'Free As A Bird'...[is] really quite good...a lilting, innocently wistful, melancholy beauty of a tune that makes you feel just about ready to surrender any misgivings about the nature of its creation..."0.177715

$32.59
(0 reviews)

"...[A] splendid, definitive reedit of Orson Welles' noir great....Unspools with all the complex, unnerving menace its writer-director had in mind all along..." -- Rating: AEntertainment Weekly "...Classic noir's final shout pits Orson Welles and Charlton Heston as rival investigators..."Total Film "...A masterpiece..." -- 4 out of 4 starsUSA Today "[A] masterful wallow in noir....[Welles] inhabits another outsize monster who somehow evokes the viewer's sympathy."Premiere "Orson Welles's 1958 TOUCH OF EVIL is a work of slippery precision, a picture whose seductiveness is only enhanced by its refusal to surrender fully to our grasp."New York Times "...Discover what the hullabaloo was about....Great Welles and a surprisingly good Heston..." -- 5 out of 5 stars - One for the LibraryPremiere "Welles shoots and -- to the extent that he controlled post-production -- edits the film in a fragmented manner which suggest that the line between good cop Vargas and bad cop Quinlan is particularly thin..."Sight and Sound0.1696974

$17.70
(0 reviews)

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