ipecac-42,The Director's Cut , Panopticon [Slipcase], Tango Saloon, The Solitude of Prime Numbers *
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4 Items Found For ipecac 42
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CD The Director's Cut 
The Wire (8/01, p.55) - "...Each arrangement pulsates with a dark intelligence....Weird and wonderful..."CMJ (8/01, p.80) - "...Inventive....cementing Patton's reputation as an artist..."NME (Magazine) (7/28/01, p.42) - 8 out of 10 - "...Genius...16 reinterpreted scores from movies like ROSEMARY'S BABY, THE OMEN and so forth....Patton croons devilishly while skycrapers collapse behind him, and the result is pure rock operatics..."
CD Panopticon [Slipcase]
Uncut (p.156) - 4 stars out of 5 - "PANOPTICON consists largely of instrumental chunks of Mogwai-style post-rock that those with long attention spans will find utterly rewarding."Alternative Press (p.156) - "PANOPTICON sees Isis carving off sprawling slabs of cyclical riffery in more sparing portions, making their force-of-nature heaviness all the more effective as it diffuses seamlessly into a cinematic post-rock galaxy of ringing notes and electronic ephemera." - 5 out of 5Magnet (pp.99-100) - "Isis creates high-concept, staunchly progressive heavy metal....Like a brutal argument, it's emotionally draining but ultimately rewarding."CMJ (p.42) - "PANOPTICON slowly constructs walls of impenetrable sound, an Isis trademark....As each song grows ever more crushing on PANOPTICON, Isis rebuilds itself, evolving with each Darwinistic step."CMJ (p.4) - "[L]ight and dark melodies supported by coagulating, heavy arrangements remain the key ingredient in L.A.-via-Boston psych-metal quintet Isis' eight-minute iron curtains of sound on PANOPTICON."Mojo (Publisher) (p.99) - 4 stars out of 5 - "[A] breathtaking balance of instrumental maelstrom with devastating, near-elemental power - this is music for titans."
CD Tango Saloon
CD The Solitude of Prime Numbers *
Magnet (p.57) - "[T]he sequencing of the tracks -- arranged by successive prime numbers -- showcases a keen attention to detail."The Wire (p.64) - "Transcending its function as a score, this music works as a collection of instrumental vignettes, individual yet circular in structure."
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