jeff-parker,Avengers [9781614790136], Avengers [9781614790174], Mirth PLUS Feckless, The House [Danielle Steel] [2007] [ENGLISH] [Paperback] [Random House], THUNDERBOLTS GREAT ESCAPE TP

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BOOK REVIEWS COMING SOON!!!!21.38769

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Alternative Press (2/00, p.94) - 4 out of 5 - "...a session well worth the wait it turned out to be. [Jeff] Parker's guitar styles are multifaceted and always interesting ....a well-played and compelling release."The Wire (1/00, p.101) - "...consistently hits the spot with tastefully subdued licks. Tatsu Aoki...David Pavkovic...display comparably precise judgement across a series of wry, understated pieces."CMJ (12/27/99, pp.21-2) - "...[their] lean, thoroughly modern jazz is a natural, slightly skronky, semi-acoustic organism....an ideal soundtrack to everything from thinking to cooking to that post-coital cigarette."0.3718255

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BOOK REVIEWS COMING SOON!!!!0.3292544

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Rolling Stone (p.70) - 3 stars out of 5 - "Percussionists John McEntire and Dan Bitney lock into percolating, jazzy grooves with bassist Doug McCombs, and keyboardist John Herndon and guitarist Jeff Parker lay down single-note lines that bristle with angularity."Spin (pp.107-9) - "[Parker's] controlled playing, a lean thrum of pocket-lint noise, is a valued commodity in Chicago's avant-jazz underground; on IT'S ALL AROUND YOU, it gives Tortoise their 22nd-century jam-band edge." - Grade: BEntertainment Weekly (4/16/04, p.78) - "Subdued, layered rhythms leap from indie-jazz lightness to manic psychedelia, often in the same song..." - Rating: B+CMJ (4/04, p.46) - "[L]ush and intricate..."Mojo (Publisher) (4/04, p.108) - 3 stars out of 5 - "[T]he sound of a band sticking to its guns....That means rich, miscellaneous percussion from Dan Bitney and Johns McEntire and Herndon, Jeff Parker's always-inventive jazz-meets-surf guitar twang and Doug McCombs's ocean bed-trawling bass."Paste (magazine) - "[T]he burbling beats, chimes, vibraphone and lushly synthesized vocals of 'The Lithium Shifts' and the dark collapse and tip-toeing starburst of 'Crust,' cut a straighter, more emotionally directive path than nearly anything in the band's catalog."0.3286504

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JazzTimes (p.66) - "Anderson states a theme then expands it into outwardly spiraling circles until it has been thoroughly recast."0.2743787

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BOOK REVIEWS COMING SOON!!!!0.2195029

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BOOK REVIEWS COMING SOON!!!!0.1920651

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Entertainment Weekly (3/15/96, p.65) - "The Red Hot Organization's eighth compilation--the proceeds of which benefit AIDS groups--explores post-rock with the same agility as 1995's RED HOT + BOTHERED did the indie scene. The record morphs from trip-hoppy rhythms to ambient echoes to trance..."- Rating: A-JazzTimes (7-8/96, p.84) - "...an ambitious collection that re-imagines the various progressive threads of rock, hip-hop and jazz as one massive, twitching organism....26 cuts worth of head-rush..."Option (7-8/96, p.122) - "...Think of these techie wizards and their oeuvres as sonic stealth fighters, hugging the grooves below radar range to score hit after hit on the status quo..."Melody Maker (3/16/96, p.38) - "...beautifully arranged...works as an intriguing, sporadically suprising and eventually enthralling journey of sound..."0.1646272

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BOOK REVIEWS COMING SOON!!!!0.1646272

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"Rudd has an easy charm and sharp comic timing....His appealing but slightly off-kilter presence improves this film considerably."USA Today22.39546

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"While deftly working the visual tropes of the spy-thriller genre, FAY GRIM carries them into the realm of the absurd....Beneath its mockery, the movie is a commentary on the rampant paranoia that grips the post-9/11 world."New York Times14.5458

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"[The film] benefits from a hilariously free-associative performance by Jeff Bridges."Variety "[Wiht] an enjoyably lip-smacking, scenery-and-CGI-chewing, Old West-guy performance by Jeff Bridges..."Hollywood Reporter6.503299

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"[The film] benefits from a hilariously free-associative performance by Jeff Bridges."Variety "[Wiht] an enjoyably lip-smacking, scenery-and-CGI-chewing, Old West-guy performance by Jeff Bridges..."Hollywood Reporter6.503298

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"[The film] benefits from a hilariously free-associative performance by Jeff Bridges."Variety "[Wiht] an enjoyably lip-smacking, scenery-and-CGI-chewing, Old West-guy performance by Jeff Bridges..."Hollywood Reporter6.503298

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"It's a heady flight into not just a particular poem but into the act of creativity itself, into how an artist breaks down barriers between himself and his art."Hollywood Reporter "Intelligent and highly respectful of its central character and his titular landmark poem....It's also an intriguing hybrid of documentary, narrative and animated filmmaking..."Variety "[E]ach of HOWL's individual parts is pretty good on its terms. Franco has Ginsberg's familiar intonation and mannerisms down." -- Grade:BA.V. Club "HOWL does something that sounds simple until you consider how rarely it occurs in films of any kind. It takes a familiar, celebrated piece of writing and makes it come alive."New York Times "[T]he directors' aim is true and occasionally hits its mark. Epstein and Friedman fuse elements of documentary, feature filmmaking, and animation to home in on how Ginsberg wrote HOWL, and why it made him famous."Movieline0.1552062

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"It's a heady flight into not just a particular poem but into the act of creativity itself, into how an artist breaks down barriers between himself and his art."Hollywood Reporter "Intelligent and highly respectful of its central character and his titular landmark poem....It's also an intriguing hybrid of documentary, narrative and animated filmmaking..."Variety "[E]ach of HOWL's individual parts is pretty good on its terms. Franco has Ginsberg's familiar intonation and mannerisms down." -- Grade:BA.V. Club "HOWL does something that sounds simple until you consider how rarely it occurs in films of any kind. It takes a familiar, celebrated piece of writing and makes it come alive."New York Times "[T]he directors' aim is true and occasionally hits its mark. Epstein and Friedman fuse elements of documentary, feature filmmaking, and animation to home in on how Ginsberg wrote HOWL, and why it made him famous."Movieline0.1552062

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