jim-morrison,Rimbaud and Jim Morrison, The Doors' Tribute to Jim Morrison: No One Here Gets Out Alive, The Smith Tapes: Jim Morrison, 1969 (617723483548), Jim Morrison: Final 24 - His Final Hours, Wilderness [9780679726227]

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BOOK REVIEWS COMING SOON!!!!113.2196

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92.55956

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68.03952

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BOOK REVIEWS COMING SOON!!!!32.01324

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BOOK REVIEWS COMING SOON!!!!32.01324

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BOOK REVIEWS COMING SOON!!!!32.01324

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Rolling Stone (11/14/96, p.114) - 3.5 Stars (out of 5) - "...In a booming baritone, he adds his own theatrical relish to the Jim Morrison mythology....The real pearls...relate more to...his hip childhood on Chicago's South Side, where he got an early introduction to the blues..."0.768838

$8.16
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"...[An] engrossing time trip backward....A complex, flavorful overview that's like a nonfictive counterculture NASHVILLE..." Variety "...[The film] contains the final stage performances of Jim Morrison and Jimi Hendrix..."USA Today "The iconic moments are abundant." Uncut0.5967704

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Entertainment Weekly (3/5/04, p.68) - "While lead moper Ian McCulloch channels Jim Morrison on morphine, the rest of the quartet cranks out spiky post-punk riffs sharp enough to draw blood." - Rating: A-Q (8/02, p.71) - "The first post-punk psychedelic album. CROCODILES is all lysergic blots of guitar and pulsating keyboards..."NME (Magazine) (9/25/93, p.19) - Ranked #28 in NME's list of The 50 Greatest Albums Of The '80s.0.3978469

$8.20
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Entertainment Weekly (3/5/04, p.68) - "While lead moper Ian McCulloch channels Jim Morrison on morphine, the rest of the quartet cranks out spiky post-punk riffs sharp enough to draw blood." - Rating: A-Q (8/02, p.71) - "The first post-punk psychedelic album. CROCODILES is all lysergic blots of guitar and pulsating keyboards..."NME (Magazine) (9/25/93, p.19) - Ranked #28 in NME's list of The 50 Greatest Albums Of The '80s.0.3978469

$39.57
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Mojo (Publisher) (p.97) - 3 stars out of 5 - "'Haunting at 1300,' 'Sunday Afternoon' and 'Telephone' are flat-out Nuggetsy neo-psych dancers, with piled-on lysergic FX."Pitchfork (Website) - "[I]t finds the band peeling back the psychedelic murk and tempering its bad vibes with a hint of flower-power homage."Record Collector (magazine) (p.84) - 4 stars out of 5 -- "Out of the new breed they get it just right, making some genuinely ground-breaking new music."Uncut (magazine) (p.87) - 3 stars out of 5 -- "Tracks like 'Bad Vibrations' are more like demonic incantations than songs, wound tight by ruthless repetition, thick waves of reverb, adn singer Alex Maas invoking Grace Slick and Jim Morrison."0.3481161

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BOOK REVIEWS COMING SOON!!!!0.3441353

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CMJ - "SPECIAL MOVES is part victory lap and part trip down memory lane....Few bands know how to use a dramatic pause quite the same way Mogwai does..."Mojo (Publisher) (p.98) - 4 stars out of 5 -- "[A] reminder of the band's breathtaking live abilities....A fittingly monolithic monument to their work to date."Paste (magazine) - "They highlight Mogwai's biggest stylistic trademarks...the ambient drone and the electric guitar crashes that break its spell, and the waves of sound that evolve from carefully crafted crescendos."Pitchfork (Website) - "What's especially impressive about SPECIAL MOVES is how Mogwai deploy their few vocal tracks to alternately heighten and diffuse tension."Uncut (magazine) (p.99) - 3 stars out of 5 -- "These days, their perseverance with effects-driven instrumental rock, and grainy, found photo aesthetic seems quite prescient..."0.3244539

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0.2867794

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3 stars out of 4 -- "Clips from a film Morrison made of himself in the desert are alone worth the price of admission....New fans and old will find the experience hypnotic."Rolling Stone 3 stars out of 4 -- "The film pieces together riveting archival footage from early gigs, concerts and studio sessions..."USA Today "DiCillo knows what made this band great. He does justice to the music..." -- Grade: B+Entertainment Weekly "[T]his is a lithe and well-crafted documentary about a fascinating figure -- because for all his indulgences, Morrison was a talented writer and poet who had intelligence and charisma."Sight and Sound 4 stars out of 5 -- "[With] wry, detailed commentary read by Johnny Depp....It's astonishing so much footage of The Doors at work and play exists."Empire0.2867794

$11.28
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3 stars out of 4 -- "Clips from a film Morrison made of himself in the desert are alone worth the price of admission....New fans and old will find the experience hypnotic."Rolling Stone 3 stars out of 4 -- "The film pieces together riveting archival footage from early gigs, concerts and studio sessions..."USA Today "DiCillo knows what made this band great. He does justice to the music..." -- Grade: B+Entertainment Weekly "[T]his is a lithe and well-crafted documentary about a fascinating figure -- because for all his indulgences, Morrison was a talented writer and poet who had intelligence and charisma."Sight and Sound 4 stars out of 5 -- "[With] wry, detailed commentary read by Johnny Depp....It's astonishing so much footage of The Doors at work and play exists."Empire0.2867794

$14.42
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0.2867794

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BOOK REVIEWS COMING SOON!!!!0.2867794

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BOOK REVIEWS COMING SOON!!!!0.2867794

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BOOK REVIEWS COMING SOON!!!!0.2867794

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0.2867794

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0.2867794

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Rolling Stone (10/19/95, p.150) - 3 Stars - Good - "...Their music is frequently as beautiful as it is brooding, and in the space between lies its enigmatic, enduring appeal..."Entertainment Weekly (8/25-9/1/95, p.112) - "...Lead singer Stuart Staples utters poetic proclamations in a slo-mo basso profundo, while the eclectic music--funereal organs, skittish strings blaring horns--creates alluring atmospheres of grief, isolation, and desire." - Rating: A-Option (7-8/95, p.140) - "...Somewhere out on the Western plain is a sacred place where Nick Cave, the Righteous Brothers, J.J. Cale and the ghost of Jim Morrison conjured up Tindersticks....Simultaneously spare and lush (yes, there's a string section), the songs crawl forward at a suspensful pace; where most rock is all momentum and release..."Melody Maker (12/23-30/95, pp.66-67) - Ranked #5 on Melody Maker's list of 1995's `Albums Of The Year' - "...some wondrously wise and weary songs..."NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #13 in NME's `Top 50 Albums Of The Year' for 1995 - "...they're the croaking phantoms of the opera--more beautiful, subtle and stylishly miserable than ever."0.2486543

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Rolling Stone (p.84) - "[T]he Black Angels bring the aura of mid-1966 -- the drilling guitars of early Velvet Underground shows, the raga inflections of late-show Fillmore jams, the acid-prayer stomp of Austin avatars the 13th Floor Elevators -- everywhere they go..."Magnet (p.96) - "[With] organ, fuzz/reverb guitar and sitar-laced dronescapes; hypnotic tribal drums and thicker-than-strata bass; Alex Maas' dramatic, Jim Morrison-esque vocals; and the lysergic ambience of Spacemen 3 and the Velvet Underground."CMJ - "'Mission District' is a high point; the song really lifts off through acid rain-soaked clouds, emerging into spotty sunshine by the end."Q (Magazine) (p.98) - 3 stars out of 5 -- "[With] 'You In Color' and the 16-minute 'Snake In The Grass' conjuring an air of oppressive menace....It makes for an impressive sound..."Mojo (Publisher) (p.113) - 3 stars out of 5 -- "[W]ith the psychedelia stripped to its bare, blackened bones, as cavernous and gothic as -- oh yes -- a sonic cathedral."Clash (magazine) (p.123) - "It's uncompromisingly ambient; from the bath of sultry noise to the Velvet Underground-esque excessiveness of opening track 'You On The Run'."0.2486543

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Rolling Stone (10/19/95, p.150) - 3 Stars - Good - "...Their music is frequently as beautiful as it is brooding, and in the space between lies its enigmatic, enduring appeal..."Entertainment Weekly (8/25-9/1/95, p.112) - "...Lead singer Stuart Staples utters poetic proclamations in a slo-mo basso profundo, while the eclectic music--funereal organs, skittish strings blaring horns--creates alluring atmospheres of grief, isolation, and desire." - Rating: A-Option (7-8/95, p.140) - "...Somewhere out on the Western plain is a sacred place where Nick Cave, the Righteous Brothers, J.J. Cale and the ghost of Jim Morrison conjured up Tindersticks....Simultaneously spare and lush (yes, there's a string section), the songs crawl forward at a suspensful pace; where most rock is all momentum and release..."Melody Maker (12/23-30/95, pp.66-67) - Ranked #5 on Melody Maker's list of 1995's `Albums Of The Year' - "...some wondrously wise and weary songs..."NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #13 in NME's `Top 50 Albums Of The Year' for 1995 - "...they're the croaking phantoms of the opera--more beautiful, subtle and stylishly miserable than ever."0.2486543

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0.2294235

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0.1720676

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"...A very good-humored sequel..."New York Times "...[It] reaches a higher, more original lunacy..."Entertainment Weekly "...NAKED GUN-style spoofery....Trashy, inspired goofs..."Entertainment Weekly "...WAYNE'S WORLD 2 has an amazingly good nature. There's genuine affection accorded the characters and situations..."Variety0.1720676

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"...A very good-humored sequel..."New York Times "...[It] reaches a higher, more original lunacy..."Entertainment Weekly "...NAKED GUN-style spoofery....Trashy, inspired goofs..."Entertainment Weekly "...WAYNE'S WORLD 2 has an amazingly good nature. There's genuine affection accorded the characters and situations..."Variety0.1720676

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0.1720676

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0.1720676

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0.1433897

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"[With] two huge, astonishing battles..." Uncut0.1433897

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"...THE DOORS is a thrilling spectacle - the KING KONG of rock movies..." Rolling Stone "...Clamorous, reverential, much-larger-than-life....Kilmer captures all of Morrisons's reckless, insinuating appeal..." New York Times "...The whole movie is white hot, lapped in honeyed golds, evilly blue and black or drenched in those swoony, fiery reds. THE DOORS blasts your ears and scorches your eyes..." Los Angeles Times "...Val Kilmer is an authentic lead and Meg Ryan supplies credible support as his tortured soulmate..." Total Film0.1433897

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"...Val Kilmer is magnetic as John Holmes..."Rolling Stone "...[Cox] taps the creepy, sordid fascination of a hedonist who forged his own hell..."Entertainment Weekly "...Josh Lucas and Dylan McDermott effectively play against type..." Movieline's Hollywood Life "...Val Kilmer is convincing as John Holmes, especially when he pinballs from one emotion to another..."Chicago Sun-Times0.1433897

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