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137.0118

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137.0118

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BOOK REVIEWS COMING SOON!!!!137.0118

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137.0118

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137.0118

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129.5468

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109.6094

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Rolling Stone (p.115) - 3 stars out of 5 -- "Baez has teamed up with Steve Earle....It's a fruitful partnership: Earle's hard-won earthiness acts as a counterweight to Baez's ethereal tendencies, and DAY AFTER TOMORROW leans toward tough-minded material with blues and Appalachian overtones."Dirty Linen (p.51) - "DAY AFTER TOMORROW veritably shines dues to Steve Earle's fine production skills. There is an immediately obvious gentle flow to the song selection and placement."Mojo (Publisher) (p.106) - 4 stars out of 5 -- "Baez sounds natural and unforced throughout, and the virtuosity of the musicians on mandolin, bouzouki and harmonium fashions a sound of understated elegance."Record Collector (magazine) (p.82) - 5 stars out of 5 -- "Baez has made a reflective album littered with religious imagery and biblical allusions. She sings as convincingly as when she intoned 'We shall overcome' nearly 50 years ago."109.6094

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109.6094

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109.6094

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109.6094

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109.6094

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95.90823

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95.90823

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95.90823

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95.90823

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82.61055

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82.20706

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82.20706

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82.20706

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68.50588

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"...It is memorable, and it is moving..." Sight and Sound "...Michael Wadleigh's Oscar-winning documentary remains the most enduring movie of a very great movie year..."USA Today 5 stars out of 5 -- "Mirroring the festival's communal sprawl, Michael Wadleigh's 224-minute director's cut flows like a monumental rock symphony."Rolling Stone 4 stars out of 5 -- "There is much euphoria and jubilation on offer -- and sundry musical delights..."Uncut33.85448

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"...It is memorable, and it is moving..." Sight and Sound "...Michael Wadleigh's Oscar-winning documentary remains the most enduring movie of a very great movie year..."USA Today 5 stars out of 5 -- "Mirroring the festival's communal sprawl, Michael Wadleigh's 224-minute director's cut flows like a monumental rock symphony."Rolling Stone 4 stars out of 5 -- "There is much euphoria and jubilation on offer -- and sundry musical delights..."Uncut33.85448

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"...It is memorable, and it is moving..."Sight and Sound "...Michael Wadleigh's Oscar-winning documentary remains the most enduring movie of a very great movie year..."USA Today 5 stars out of 5 -- "Mirroring the festival's communal sprawl, Michael Wadleigh's 224-minute director's cut flows like a monumental rock symphony."Rolling Stone 4 stars out of 5 -- "There is much euphoria and jubilation on offer -- and sundry musical delights..."Uncut33.85448

$9,999.99
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"...It is memorable, and it is moving..." Sight and Sound "...Michael Wadleigh's Oscar-winning documentary remains the most enduring movie of a very great movie year..."USA Today 5 stars out of 5 -- "Mirroring the festival's communal sprawl, Michael Wadleigh's 224-minute director's cut flows like a monumental rock symphony."Rolling Stone 4 stars out of 5 -- "There is much euphoria and jubilation on offer -- and sundry musical delights..."Uncut33.85448

$9,999.99
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"...It is memorable, and it is moving..."Sight and Sound "...Michael Wadleigh's Oscar-winning documentary remains the most enduring movie of a very great movie year..."USA Today 5 stars out of 5 -- "Mirroring the festival's communal sprawl, Michael Wadleigh's 224-minute director's cut flows like a monumental rock symphony."Rolling Stone 4 stars out of 5 -- "There is much euphoria and jubilation on offer -- and sundry musical delights..."Uncut33.85448

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"It's a remarkably pure and powerful documentary....The sound is crisp, the black-and-white photography is lovely, and the songs, above all, can be heard in all their earnest, enigmatic glory, performed by an artist whose gifts are at once mysterious and self-evident."New York Times "[W]e can watch Dylan gain in artistry, confidence, and stature...as well as in humor, power, and a thrilling arrogance." -- Grade: A-Entertainment Weekly27.132

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"[W]e can watch Dylan gain in artistry, confidence, and stature...as well as in humor, power, and a thrilling arrogance." -- Grade: A-Entertainment Weekly "It's a remarkably pure and powerful documentary....The sound is crisp, the black-and-white photography is lovely, and the songs, above all, can be heard in all their earnest, enigmatic glory, performed by an artist whose gifts are at once mysterious and self-evident."New York Times27.132

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"[Dylan's] restlessness to move beyond his folk troubadour phase is responsible for much of this film's crackling musical tension."Mojo "...A time capsule..."Chicago Sun-Times "Bob Dylan on the road in England, 1965...all hostile glamour and wired rock & roll charisma..."Rolling Stone 5 stars out of 5 -- "Watching it now is to see pop culture being born. It was Pennebaker's good fortune to be in the room at a moment of great significance."Uncut "[S]hot in black and white, with Dylan frequently in black moods and nearly always exhibiting white-hot creative power....[The documentary] remains a mesmerizing document." -- Grade: BEntertainment Weekly "Unflinchingly real where other 1960s rock films dealt in fantasy, DON'T LOOK BACK is about more than music....The most objective portrait of Bob Dylan we've ever had..."Sight and Sound27.132

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Rolling Stone (p.74) - 3 stars out of 5 -- "[This] shows how far beyond Sixties folk lefty rabble-rousing has come, with hip-hop, electronica and indie rock sitting alongside Pete Seeger and Joan Baez."Entertainment Weekly (p.73) - "[M]assive, eclectic....The spirit of the compilation feels more positive than negative -- the best that can be asked of any grassroots revolution." -- Grade: B+0.7516404

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Record Collector (magazine) (p.92) - 4 stars out of 5 -- "'Jesse' has garnered dozens of covers, including versions by Roberta Flack, Joan Baez and Shirley Bassey, but none match Ian's original for heart-twisting emotion."0.7325035

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Uncut (p.122) - 5 stars out of 5 - "[W]ith a pure voice and intuitive, inventive phrasing, he's a virtually unique stylist among far better know folk songstresses."Mojo (Publisher) (p.110) - 4 stars out of 5 - "Somehow reminiscent of both Karen Dalton's folksy rasp and Joan Baez's crystalline soprano, Roderick's voice is compelling on acoustic tracks..."0.6104196

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Uncut (p.122) - 5 stars out of 5 - "[W]ith a pure voice and intuitive, inventive phrasing, he's a virtually unique stylist among far better know folk songstresses."Mojo (Publisher) (p.110) - 4 stars out of 5 - "Somehow reminiscent of both Karen Dalton's folksy rasp and Joan Baez's crystalline soprano, Roderick's voice is compelling on acoustic tracks..."0.6104196

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Spin (5/96, p.109) - 7 - Flawed Yet Worthy - "...she delivers her songs with a light, Joan Baez soprano, and clean, finger-picked guitar, occasionally augmented by dobro, mandolin, fiddle, and cello..."Entertainment Weekly (1/26/96, p.58) - "...Her second full-length album is alternately haunting, tragic, and whimsical....she may well be folk's most original and incisive songwriter." - Rating: ASing Out! (Vol.41 #1, p.130) - "...the Joni Mitchell of her generation....clever and smart songs that are witty, wordy, melodic and, sometimes, confessional..."0.4883357

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Spin (p.112) - 3.5 stars out of 5 -- "Marling's voice, rich and tenuous, recalls Joni Mitchell, but her fatalistic screeds -- sung over acoustic guitar, with an occasional burst of percussion or strings -- owe more to Nick Drake and Will Oldham."Clash (magazine) (p.68) - Ranked #11 in Clash's "The 40 Best Albums of 2008"The Word (magazine) (p.106) - "Marling's folk constructions are as naked as those of Joan Baez or early Joni Mitchell, and her singing is pacy and urgent -- colourful, confident and distinctly un-waiflike."0.4883357

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Rolling Stone (1/21/93, p.49) - 3.5 Stars - Very Good - "...her best record since her 1972 album COME FROM THE SHADOWS...Baez's singing has reached new levels of mature expressiveness. The texture of her voice may have darkened, but its beauty remains untarnished..."Q (2/93, p.78) - 3 Stars - Good - "...Joan Baez has succeeded against the odds with this album in adapting her straight-laced delivery to a body of songs styled in an elegantly fashionable new country vein..."Record Collector (magazine) (p.84) - 3 stars out of 5 -- "They marked Baez' return to Nashville for the first time in 20 years -- and she evidently felt at home there. They present Baez as a less troubled soul, skilfully interpreting others' songs as of old..."0.4272937

$9,999.99
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Rolling Stone (1/21/93, p.49) - 3.5 Stars - Very Good - "...her best record since her 1972 album COME FROM THE SHADOWS...Baez's singing has reached new levels of mature expressiveness. The texture of her voice may have darkened, but its beauty remains untarnished..."Q (2/93, p.78) - 3 Stars - Good - "...Joan Baez has succeeded against the odds with this album in adapting her straight-laced delivery to a body of songs styled in an elegantly fashionable new country vein..."Record Collector (magazine) (p.84) - 3 stars out of 5 -- "They marked Baez' return to Nashville for the first time in 20 years -- and she evidently felt at home there. They present Baez as a less troubled soul, skilfully interpreting others' songs as of old..."0.4272937

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0.4270115

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0.3423709

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