john-abercrombie,November [John Abercrombie], Getting There [John Abercrombie], Structures [John Abercrombie], JOHN ABERCROMBIE TEACHES GUITAR, Witchcraft [John Abercrombie] [CD] [1 disc]

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Q (2/94, p.91) - 3 Stars - Good - "...There's a sense of the spirit of the great Bill Evans groups of the past being carried on, particularly on graceful pieces like `Prelude'...."110.8992

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110.8992

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110.8992

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89.20456

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Rolling Stone (6/29/95, p.44) - "...on WITCHCRAFT, he reaches a lyrical peak....Recorded in 1986, it's a duet recording with bassist and pianist Don Thompson, who proves to be a sensitive and soulful mate on both instruments..."88.7194

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88.7194

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Uncut (magazine) (p.82) - 3 stars out of 5 -- "[T]hese two manage to create an elaborate tangle of harmonic logic that's soothing and engaging in equal measure."77.62947

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67.02471

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JazzTimes (pp.54-55) - "Richman finds a signature voice by weaving tonal and textural elements of the influential guitarists he employed for the Tone Center tributes -- Pat Martino, John Abercrombie and Larry Coryell, among them -- into his own identifiable tapestry."0.5841894

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Entertainment Weekly (3/12/99, p.71) - "The tenor sax legend both stretches out and comes home in an an appealing-yet-artful package that might well broaden his fan base....Soulfully abetted by drummer Billy Higgins, bassist Dave Holland, and guitarist John Abercrombie, Lloyd triumphs." - Rating: A-Q (7/99, p.118) - 4 stars (out of 5) - "...An inspired hour of contemporary jazz with a luscious sheen."CMJ (3/29/99, p.32) - "...This top-flight quartet bristles with a silent, self-assured energy....with a more cerebral, meditative quality. It may be subdued and serene, but this album is absolutely luminescent."0.3894596

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Down Beat (9/93, p.34) - 4 Stars - Very Good - "...Diversity is the strength of [COME TOGETHER]....[Allan Holdsworth's] connection to Coltrane has never been so apparent [on `Michelle']..."0.2425805

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Down Beat (p.81) - 4.5 stars out of 5 - "[W]hat really juices this joint is the contributions from the relative unknowns who brought the six-string guitar away from its origins as poor relation to the banjo and the Hawaiian steel guitar and into its contemporary role..."JazzTimes (p.93) - "For some, the stunning revelation here will be the masterful clarity of Barney Kessely. For others, it will be the sensuous ear candy of George Van Eps..."0.1039631

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"[A] clever satire on stereotypes..."Chicago Sun-Times2.994437

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"[A] clever satire on stereotypes..."Chicago Sun-Times2.994437

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JazzTimes (3/97, p.83) - "...LaVerne and Abercrombie thread neon strands through tapestries which pulsate and glow....[They] possess signature sounds that in tandem are simply exquisite. Did I mention their capacity to invent? That, too, is amazing..."0.4038948

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Rating: B+Entertainment Weekly0.1790002

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