john-heard,The Trip to Bountiful, Sharknado [Blu-ray] [Region 1] [686340299955], Home Alone 2: Lost in New York [DVD] [] [Region 1] [024543892250], Home Alone 2: Lost in New York [DVD] [Spanish], The Milagro Beanfield War

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"...Funny, exquisitely performed....Page has never been in better form, nor in more firm control of that complex, delicate mechanism that makes her one of our finest actesses..." New York Times Included in the New York Times "10 BEST FILMS OF 1985" New York Times22.05478

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"...The mood is as buoyant as it was the first time..."New York Times22.05478

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"...The mood is as buoyant as it was the first time..."New York Times22.05478

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"...A charming, fanciful little fable built around weighty issues....All the performers are exceedingly pleasant, and result is an appealing [film]..." Variety "...THE MILAGRO BEANFIELD WAR, part magical fable, part realistic comedy-drama, is a warmly intentioned, well-acted film full of a love of land and of people..." Los Angeles Times0.1075096

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Rolling Stone (p.72) - "The pileup of country, norteo and R&B that is Texas music would not exist without border radio."Uncut (p.108) - 4 stars out of 5 - "Here country, soul and blues get a mariachi flavoring and everything rocks fabulously."Dirty Linen (p.45) - "Banjo player Gregory Liszt is a crisply precise picker who seems to draw inspiration from every banjo innovator from Earl Scruggs to Bela Fleck."Living Blues (p.60) - "The music is eclectic - highlights include Ely doing a Bobby Fuller song, John Hiatt doing one by Sir Doug, Rodney Crowell doing a Buddy Holly, and Lyle Lovett doing a Bob Wills..."Mojo (Publisher) (p.64) - Ranked #4 in Mojo's "2005 Americana Albums Of The Year."42.78324

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Q (1/04, p.116) - 3 stars out of 5 - "Mixing standards like 'Hoochie Coochie' and Freddy King's 'Hideaway' with some solid Mayall originals, he gives one hell of a birthday bash."Mojo (Publisher) (p.121) - 3 stars out of 5 - "Of the guests, Mick Taylor moves between slide and regular guitar playing with eerie ease..."17.22742

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Entertainment Weekly (12/8/00, p.103) - "...Filled with heartfelt and adventurous interpretations of familair and durable holiday melodies, NEW POSSIBILTY has been a deserved insider favorite since its 1968 release." - Rating: AMojo (Publisher) (5/01, p.121) - "...A brilliant 1968 Christmas album...no matter the time of year, we can take out the tinsel again....The CD is a true rarity: music so gorgeous it ultimately defies labelling."11.49864

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Entertainment Weekly (4/13/01, p.77) - "...Mixing Texas bravado with sardonic story-telling....the singer-songwriter gives them a poigant, quirky authenticity not heard since John Prine..." - Rating: B+0.363331

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Mojo (Publisher) (5/01, p.125) - "...Rarely heard doo wop...is buffered by shrieking rockabilly, gospel-tinged country and proto-Merseybeat..."0.2156244

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Entertainment Weekly (2/5/99, p.71) - "Master of the guitar, banjo, and lute-like oud, Bull was a world music eclectic decades before it was fashionable. Though not in their league technically, he anticipated fret masters as diverse as Gabor Szabo, John McLaughlin, and Ry Cooder..."- Rating: A-The Wire (3/03, p.66) - "...All of Sandy Bull's albums ought to be heard in their entirety, but this compilation is a very good place to get your feet wet, in an ocean of beauty that knows no boundaries..."Dirty Linen (6-7/99, p.68) - "...gleams bright and beautiful....Sandy Bull is an original..."Mojo (Publisher) (p.76) - "Bull blithely, but brilliantly, merged classical fantasia with Indian raga and American folk primitivism."0.1811076

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Rolling Stone (p.71) - 4 stars out of 5 -- "[T]he trio made raw-boned, matter-of-factly infectious songs out of a supercharged bar-band sound."Uncut (p.129) - 4 stars out of 5 -- "TRES HOMBRES was a breakthrough, courtesy of the John Lee Hooker-derived 'La Grange'."Mojo (Publisher) (p.119) - 5 stars out of 5 -- "[A] Tex-Mex combo platter of blues, soul and funky hard rock, spiced with a little Beefheart-inspired weirdness."0.1670431

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Entertainment Weekly (No. 847, p.83) - "...PLAYING THE ANGEL turns out to be their most self-assured and accessible release in over a decade, with highs not heard since the gloomy heyday of 1990's VIOLATOR...." - Grade: BMojo (Publisher) (p.104) - 4 stars out of 5 - "[D]arkly synthy, slightly psychotic, and with judicious guitar interjections..."0.1666602

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Entertainment Weekly (No. 847, p.83) - "...PLAYING THE ANGEL turns out to be their most self-assured and accessible release in over a decade, with highs not heard since the gloomy heyday of 1990's VIOLATOR...." - Grade: BMojo (Publisher) (p.104) - 4 stars out of 5 - "[D]arkly synthy, slightly psychotic, and with judicious guitar interjections..."0.1573817

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Rolling Stone (p.71) - 4 stars out of 5 -- "[T]he trio made raw-boned, matter-of-factly infectious songs out of a supercharged bar-band sound."Uncut (p.129) - 4 stars out of 5 -- "TRES HOMBRES was a breakthrough, courtesy of the John Lee Hooker-derived 'La Grange'."Mojo (Publisher) (p.119) - 5 stars out of 5 -- "[A] Tex-Mex combo platter of blues, soul and funky hard rock, spiced with a little Beefheart-inspired weirdness."0.1506132

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Rolling Stone (9/17/92, p.96) - 3.5 Stars - Good Plus - "...the music of Dr. John has never strayed far from its roots. And those roots have never been more joyously, bawdily or playfully celebrated than they are on this album..."Q (9/92, p.71) - 4 Stars - Excellent - "..serves as a tour d'horizon of the music of the Crescent City, its don't-rush-me vocals, with-you-in-a-minute rhythms and all-pervading swing.."Down Beat (9/92, p.34) - 4 Stars - Very Good - "...the culmination of Mac Rebennack's career to date....evokes Wynton, with high-stepping horn charts and a retro repertoire that goes back to Buddy Bolden and beyond..."0.1317865

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Rolling Stone (3/23/95, p.124) - 3.5 Stars - Very Good - "...At times, everything in Morphine sounds like it's playing the rhythm--the intertwining sax and bass line, the lyrics' syllabic pop....For all their sultriness, Morphine do rock out, and like the best jazz, they swing at any tempo..."Entertainment Weekly (3/17/95, p.88) - "...it's tough to keep any sound from seeming stale, especially one as eccentric and seemingly limited as Morphine's bass, drums, and baritone sax lineup. YES generally succeeds, adding energy to the band's muscular `low rock'..." - Rating: B+Q (2/96, p.65) - Included in Q's 50 Best Albums of 1995.Q (5/95, p.109) - 4 Stars - Excellent - "...Morphine still pull off the difficult trick of sounding fresh while making you feel you've heard it all before."Alternative Press (5/95, pp.71-72) - "...Morphine have turned their aesthetic slightly askew, with some songs as heady as the concoction of a Lucky Strike snubbed into a battered ashtray smoldering into the mist of a cheap perfume. Turn up the collar on your coat and stagger away, smiling..."Melody Maker (4/22/95, p.33) - "...Morphine's after-hours world of hustlers, losers, drug addicts and wronged lovers [has a] dramatic momentum that doesn't let up until the last tale has come to its inevitably sorry end....the absence of guitar...bring[s] some authenticity to the story, the lo-fi, jazz feel of the sax blending in brilliantly with the literary ghosts evoked by the bass..."Musician (6/95, pp.73-74) - "...amplifies their trenchcoat take on rock 'n' roll, a take that has chiseled a place for itself even though it's threaded with anachronisms and prone to contradiction....bridges the emotional gap between John Lee Hooker's moaning stealth and Last Exit's frenzied abstraction..."0.1131923

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Q (1/02, p.118) - 4 out of 5 stars - "...the essence of country....sings plain and straight, then, just occasionally, with the lovely gentleness of completely feeling..."0.1028337

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Q (9/94, p.106) - 3 Stars - Good - "...the result is soothing rather than bland..."0.1028337

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Entertainment Weekly (5/29/98, p.74) - "...As with GRACE, SKETCHES is a testament to Buckley's role as lifelong student of rock history....[it's full of] the adventurousness and life-affirming qualities of Buckley's music, which is as much a part of his legacy as this incomplete, yet affecting, farewell." - Rating: A-0.08997953

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Dirty Linen (8/03, p.49) - "...The group manages to bring even old chestnuts to life, notably 'Black Eyed Suzie' and 'Uncle Pen'..."0.08997953

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Rolling Stone (12/11/03, p.86) - Ranked #2 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Its luxurious sound conveys a heartbreaking wistfulness..."Rolling Stone (6/22/72, p.56) - "...Brian Wilson's evolutionary compositional masterpiece....This trenchant cycle of love songs has the emotional impact of a shatteringly evocative novel..."Rolling Stone (6/22/72, p.56) - "...Brian Wilson's evolutionary compositional masterpiece....This trenchant cycle of love songs has the emotional impact of a shatteringly evocative novel..."Rolling Stone (6/22/72, p.56) - "...Brian Wilson's evolutionary compositional masterpiece....This trenchant cycle of love songs has the emotional impact of a shatteringly evocative novel..."Spin (p.79) - "Two instrumentals, a sea chantey, strange electronic instruments, and sounds literally designed for pets....Indie and prog rock both start here..."Entertainment Weekly (12/12/97, p.84) - "...A commercial washout at the time of its release, the album has since grown in reputation to the point where pop aesthetes speak of it in hushed tones as the zenith of Brian Wilson's genius, a seamless masterwork that rewards deep, repeated listening....a wonderful collection of songs..." - Rating: A+Entertainment Weekly (12/12/97, p.84) - "...A commercial washout at the time of its release, the album has since grown in reputation to the point where pop aesthetes speak of it in hushed tones as the zenith of Brian Wilson's genius, a seamless masterwork that rewards deep, repeated listening....a wonderful collection of songs..." - Rating: A+Entertainment Weekly (12/12/97, p.84) - "...A commercial washout at the time of its release, the album has since grown in reputation to the point where pop aesthetes speak of it in hushed tones as the zenith of Brian Wilson's genius, a seamless masterwork that rewards deep, repeated listening....a wonderful collection of songs..." - Rating: A+Q (2/91) - Voted the #1 Recorded Music Award for 1990.Q (7/00, p.140) - Included in Q's "The Best Male Angst Albums Of All Time" - "...12 impossibly lush songs that replace The Beach Boys' earlier high school ramalama with the unease and inner hurly-burly of early adulthood..."Q (2/91) - Voted the #1 Recorded Music Award for 1990.Q (7/96, p.133) - 5 Stars (out of 5) - "...A new stereo mix of PET SOUNDS...gives the songs a fantastic clarity, in effect smashing through the Wall Of Sound to bring up instrumental parts that have hitherto been hard to pick out..."Q (2/91) - Voted the #1 Recorded Music Award for 1990.Down Beat (9/90) - 5 Stars - Excellent - "...the music on PET SOUNDS flows as one....clearly demonstrates [that] the Beach Boys were capable of giving music lovers something they could feel very, very good about..."Down Beat (9/90) - 5 Stars - Excellent - "...the music on PET SOUNDS flows as one...clearly demonstrates [that] the Beach Boys were capable of giving music lovers something they could feel very, very good about..."Down Beat (9/90) - 5 Stars - Excellent - "...the music on PET SOUNDS flows as one...clearly demonstrates [that] the Beach Boys were capable of giving music lovers something they could feel very, very good about..."Vibe (12/99, p.162) - Included in Vibe's 100 Essential Albums of the 20th CenturyVibe (12/99, p.162) - Included in Vibe's 100 Essential Albums of the 20th CenturyMusician (2/98, p.88) - "...presenting the landmark recording in a stereo environment for the first time is a revelation, with previouisly `hidden' parts suddenly leaping into the foreground....among the most stunning aspects of the remodeled PET SOUNDS is its dramatically improved fidelity..."Mojo (Publisher) (9/99, p.118) - "You may have heard of this promising combo. Here's one of their earlier albums, and word is it's quite good. The neat wrinkle is that you get the album twice, once in original mono and once in that new-fangled stereo everyone's talking about..."NME (Magazine) (10/2/93, p.29) - Ranked #1 in NME's list of the `Greatest Albums Of All Time.'NME (Magazine) (10/2/93, p.29) - Ranked #1 in NME's list of the 'Greatest Albums Of All Time.'NME (Magazine) (10/2/93, p.29) - Ranked #1 in NME's list of the 'Greatest Albums Of All Time.'0.06855515

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NAPRA Review (09-10/02, p.74) - "...Characteristic vocal harmonies, intricate string embellishments, and steady, cyclical arrangements. All tracks offer timeless examples of how song documents culture..."0.06427109

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