john-martyn,One World [John Martyn], Remembering John Martyn, On Air [John Martyn], Serendipity: An Introduction to John Martyn, Well Kept Secret [John Martyn]

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The Wire (p.43) - "Martyn practically breathes through his guitar, squeezing stained-glass chords through his tenderly applied volume pedal."105.5747

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Uncut (p.90) - 3 stars out of 5 -- "The joyous instrumental 'Seven Black Roses' displays an unexpected nod to Davey Graham. Self-contained but impassioned.105.5747

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84.45979

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Record Collector (magazine) (p.86) - 4 stars out of 5 -- "A more illustrative example of Martyn's legendary duality is hard to imagine: the raucous, pugnacious pub-goer butting heads with the tender, spiritual poet."Uncut (magazine) (p.114) - 3 stars out of 5 -- "LIVE AT LEEDS began with an 18-minute epic, 'Outside In', saturated in hypnotic echo, with an organic yet logical structure..."63.34484

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63.34484

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Mojo (Publisher) (p.99) - 3 stars out of 5 -- "Delights: The Cure's Robert Smith, tender against twinkling washes of reverb on 'Small Hours'...and Nicholas Barron's moving, sax-heavy 'Angeline'..."Uncut (magazine) (p.102) - 3 stars out of 5 -- "Phil Collins closes proceedings with a reserved and tender 'Tearing and Breaking'."63.34484

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63.34484

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Uncut (p.90) - 4 stars out of 5 -- "Her bucolic, innocent, autumnal folk songs and gentle, husky, Nico-esque voice place her in a similar niche to Nick Drake or John Martyn..."0.6748829

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Record Collector (magazine) (p.92) - 3 stars out of 5 -- "'Time Away' saw him jamming with John Martyn, while the sublime 'Molten Gold' features Bronco's Jess Roden on vocals."0.6748829

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Dirty Linen (p.66) - "[P]rimarily acoustic and pastoral, owing more to the Incredible String Band and John Martyn than Steeleye Span.....STRONG IN THE SUN took a decidedly more rock 'n' roll approach..."Mojo (Publisher) (p.116) - 3 stars out of 5 - "[P]leasingly pastoral and whimsical..."0.5784711

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Rolling Stone (10/1/98, p.70) - 3.5 Stars (out of 5) - "...pastoral English psychedelia, the sweet hurt of Big Star and John Martyn, a touch of unplugged Radiohead. Think of...Neil Young joining the Incredible String Band or of MEDDLE-era Pink Floyd....[a] warm blend of bucolic sound and prickly discontent..."0.5784711

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Rolling Stone (10/1/98, p.70) - 3.5 Stars (out of 5) - "...pastoral English psychedelia, the sweet hurt of Big Star and John Martyn, a touch of unplugged Radiohead. Think of...Neil Young joining the Incredible String Band or of MEDDLE-era Pink Floyd....[a] warm blend of bucolic sound and prickly discontent..."0.5784711

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Record Collector (magazine) (p.92) - 4 stars out of 5 -- "Assured versions of two traditional songs -- 'The Leaves Of Life' and 16th-century hymn 'Balulalow' -- and a delightful cover of John Martyn's then-unrecorded 'Fairy Tale Lullaby' are pure gold dust."Uncut (magazine) (p.84) - 3 stars out of 5 -- "[A] heroically lo-fi tape machine captures some exquisite performances of folk staples..."0.3856474

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Rolling Stone (8/5/99, pp.66-7) - 3 1/2 stars (out of 5) - "...could conceivably become a cult item, even a major hit....the melodies steadily gain resonance as the arrangements flower out into a jazzlike responsiveness..."Entertainment Weekly (9/3/99, p.69) - "...[Me'Shell's] misery has resulted in a stunning set of tough and tender sob stories....Bitter never tasted so sweet." - Rating: AQ (11/99, pp.128-30) - 3 stars out of 5 - "...a more acoustic-based, pared-down sound....With its clipped, one-word songtitles and slightly sombre style, this is a very adult record with an oddly soothing effect..."Vibe (9/99, p.264) - "...An impressionistic, rhythmic musicalization of that extended lost weekend....original, provocative, and...brilliant....BITTER is Album of the Year."Mojo (Publisher) (10/99, p.124) - "...proves she can do the confessional, singer-songwriterly thing too. BITTER is a passage of rites from an unsatisfying relationship into a mere enriching one....admirers of anyone from Nina Samone to John Martyn could be converted rapturously."0.2892355

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0.2505299

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Rolling Stone (p.70) - 3.5 stars out of 5 -- "With its skewed pop melodies, home-brewed sonic trickery and blazing fingerpicking, UNDER THE SKIN is a mesmerizing return to the side of Buckingham that birthed the proto-indie-pop strangeness of 1979's TUSK."Rolling Stone (p.108) - Ranked #42 in Rolling Stone's "The Top 50 Albums Of 2006" -- "[T]he eccentricity of SKIN suits Buckingham's reflections on his past life and current blessings."Entertainment Weekly (p.70) - "His fingerpicking is impossibly frantic in its nervous virtuosity, and each near-whisper is miked to sound like a scream. It's the spartan-yet-gonzo sound of a guy remembering he can go his own way." -- Grade: B+No Depression (p.100) - "His relentless fingerpicking is powerful on 'Not Too Late' and 'Shut Us Down'; his vocal overdubbing is inspired on 'Show You How' and 'Cast Away Dreams'."(p.133) - 3 stars out of 5 -- "A proper solo affair featuring Buckingham's breathy vocals, acoustic guitar and little else, UNDER THE SKIN knits accessible Buckingham together with his more daring side."Mojo (Publisher) (p.118) - 4 stars out of 5 -- "It is in essence a modern folk record, its minimalist beauty reminiscent of Nick Drake or John Martyn..."0.2410296

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0.1878975

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Uncut (p.113) - 4 stars out of 5 -- "[T]he selections...show how British folk was not only a force in its own right but connected to soul, funk, even dub."Record Collector (magazine) (p.105) - 5 stars out of 5 -- "[T]he music is folk-based, intelligent and imaginatively performed. As an introduction to that era of music it is quite superb..."0.1878975

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BOOK REVIEWS COMING SOON!!!!0.1966546

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Uncut (5/03, p.100) - 4 stars out of 5 - "...Art-rockers like Monochrome Set and Fantastic Something stand up well..."Mojo (Publisher) (p.123) - 3 stars out of 5 -- "With such disparate entities as Everything But The Girl, The Misunderstood, Felt and Quentin Crisp contained within, it continues to nail the label's then-ethos perfectly."0.1235928

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