john-mellencamp,Falling From Grace, A Tribute to John Mellencamp, Scarecrow [John Mellencamp] [CD] [1 disc], Cuttin' Heads [John Mellencamp], 20th Century Masters: Millennium Collection [John Mellencamp]

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"...[Mellencamp's] vibrantly funny and touching film plays as an extension of his music without his singing a note..." Rolling Stone "...FALLING FROM GRACE has a folksy, collaborative feeling that works well....Mellencamp's direction, like his performance in the central role, reflects an affecting earnestness..." New York Times "...A movie of heart, subtlety, and dramatic zest..." Entertainment Weekly "...There's a sharp, novelistic sense of observation in the way the characters bounce off each other's time-worn hostilities. The dialogue has an emotional subtext -- an undertow of feeling..." Los Angeles Times "...Mellencamp turns out to have a real filmmaking gift. His film is perceptive and subtle....The characters created here with McMurtry are three-dimensional and fully realized..." Chicago Sun-Times47.84637

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Spin (p.88) - "[With] Kenny Aronoff's drums booming as hard as anybody's in rock's past three decades."45.96505

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Q (3/02, p.125) - 4 stars out of 5 - "...Mellencamp is something of a renaissance man. HE knows how to nail a social conscience to great knockabout rock'n'roll..."40.21942

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"[T]he real subject of this film, with its philosophical voice-overs by the filmmaker and its haunting shots of decayed American downtowns, is the passage of time and the toll it takes....An odd and touching little film."Wall Street Journal "The result is a kind of homespun video scrapbook....It feels handmade and human."Movieline34.67971

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Rolling Stone (No. 966, p.64) - 4 stars out of 5 - "[M]ore than just an impressive retrospective from the bard of Belmont, Indiana....[features] a cherry-picked selection of lesser-known gems..."34.47379

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"[T]he real subject of this film, with its philosophical voice-overs by the filmmaker and its haunting shots of decayed American downtowns, is the passage of time and the toll it takes....An odd and touching little film."Wall Street Journal "The result is a kind of homespun video scrapbook....It feels handmade and human."Movieline28.93408

$24.74
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Rolling Stone (No. 966, p.64) - 4 stars out of 5 - "[M]ore than just an impressive retrospective from the bard of Belmont, Indiana....[features] a cherry-picked selection of lesser-known gems..."28.72816

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3 stars out of 5 -- "Paul McCartney, Steven Tyler, Roger Daltrey and John Mellencamp stop by to belt out their songs..."Rolling Stone1.023378

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3 stars out of 5 -- "Paul McCartney, Steven Tyler, Roger Daltrey and John Mellencamp stop by to belt out their songs..."Rolling Stone1.023378

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Entertainment Weekly (11/6/98, p.88) - "...it's startling to hear Fulks representing like an alt-country John Mellencamp. but he does it well, and commercial radio would doubtless be a better place for him. Sometimes the packaging feels canned, but a lacerating guitar, smart poetry, and a pas de deux with Lucinda Williams maintain the upstart vibe." - Rating: B+0.4680083

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Rolling Stone (9/30/93, p.101) - 4 Stars - Excellent - "...Mellencamp's richest and most fully realized album since SCARECROW (1985)....Within these songs of middle-aged malaise, Mellencamp may not know what it means, but he knows exactly how it feels..."Spin (11/93, p.133) - Highly Recommended - "...HUMAN WHEELS is just another John Mellencamp record, and it's a rewarding one...it's fortifying stuff..."Entertainment Weekly (9/16/93, p.69) - "...there's something dark and unshaven about [HUMAN WHEELS]...the world may be in a sorry state, but by working together with such obvious joy, these musicians demonstrate how things ought to be..." - Rating: AQ (10/93, p.106) - 4 Stars - Excellent - "...[Mellencamp] presents himself in a more lyric, mythic mode on HUMAN WHEELS...full of fairly memorable songs...done with a hint of acceptable strangeness..."Stereo Review (12/93, p.116) - Performance: Familiar / Recording: Good - "...[Mellencamp's] returned to strolling down Main Street, USA, squinting warily at life as most people live it...a splendid return to form. John Mellencamp is back home again...."0.3971182

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Rolling Stone (6/8/00, p.129) - 3 stars out of 5 - "...The lineup on this collection of live perfromances is pretty stellar....STORYTELLERS is strong..."0.2402443

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Rolling Stone (9/5/96, p.62) - 4 Stars (out of 5) - "...a splendid souvenir....captures both the majesty and sweat of essential rock & roll at its tumultuous finest. There's a surprise or two, of course, but for the most part, the predictably great acts...are as spectacular as you'd hope they'd be..."Q (2/97, p.103) - 3 Stars (out of 5) - "...Beyond the all-star games of generational tag, Bob Dylan delivers a creditably enunciated `All Along The Watchtower,' Al Green reveals himself to be a Time Lord...and John Fogerty makes brilliantly ferocious use of the evening's house band, Booker T. and his augmented MG's..."0.1372824

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Uncut (p.106) - 4 stars out of 5 -- "[S]pectacular....[F]ive centuries of song are crammed into three red-white-and-blue discs. It's all here: colonial war, revolution, immigration, the expansion of the West and capitalism."Mojo (Publisher) (p.122) - 4 stars out of 5 -- "Fine performances abound -- Beth Nielsen Chapman's enthralling 'Sometimes I Feel Like A Motherless Child' one among many."0.1201221

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Dirty Linen (p.56) - "[A] thoughtfully compiled and informative trip through the world of Rodgers covers that emphasizes the widespread influence he had on 20th-century American music."0.06864122

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Record Collector (magazine) (p.94) - 4 stars out of 5 -- "The rootsy acoustic-electric musical stance was very close to John Cougar Mellencamp..."0.5511062

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Rolling Stone (p.88) - Ranked #5 in Rolling Stone's 50 Best Albums Of 2008 -- "[T]he darkest, most compelling Mellencamp album in years."Entertainment Weekly (p.65) - "Though he may be contemplating mortality, Mellencamp, with his weathered snarl, still sound remarkably alive." -- Grade: BDirty Linen (p.52) - "[T]hanks to Mellencamp's melodies and the musical settings provided by his band and Burnett's lush, spirited production, the songs shine as beacons..."Billboard - "The eight-song album is an honest-to-goodness testament to Mellencamp's longevity, artistry and ability to connect with his audience."Mojo (Publisher) (p.111) - 4 stars out of 5 -- "Amid producer T Bone Burnett's open prairie sound and aptly distorted guitar moods, Mellencamp croaks a sequence of raw, all but nihilistic yet far from self-pitying first-person tales..."0.4184845

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Rolling Stone (p.88) - Ranked #5 in Rolling Stone's 50 Best Albums Of 2008 -- "[T]he darkest, most compelling Mellencamp album in years."Entertainment Weekly (p.65) - "Though he may be contemplating mortality, Mellencamp, with his weathered snarl, still sound remarkably alive." -- Grade: BDirty Linen (p.52) - "[T]hanks to Mellencamp's melodies and the musical settings provided by his band and Burnett's lush, spirited production, the songs shine as beacons..."Billboard - "The eight-song album is an honest-to-goodness testament to Mellencamp's longevity, artistry and ability to connect with his audience."Mojo (Publisher) (p.111) - 4 stars out of 5 -- "Amid producer T Bone Burnett's open prairie sound and aptly distorted guitar moods, Mellencamp croaks a sequence of raw, all but nihilistic yet far from self-pitying first-person tales..."0.4184845

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Rolling Stone (12/26/02, p.102) - Included in Rolling Stone's "50 Best Albums of 2002"Rolling Stone (10/3/02, p.99) - 3 stars out of 5 - "...Unified by his gift for melody, the theme of heartbreak and his adenoidal vocal resemblance to Paul Simon....the ballads are much better than the rockers..."Spin (1/03, p.72) - Ranked #33 on Spin's list of 2002's "Albums of the Year"Spin (11/02, p.119) - 7 out of 10 - "...Adams at his soulful, hyperstudious peak..."Entertainment Weekly (10/4/02, pp.150,153) - "...Dominated by intentionally underproduced acoustic ballads...Adams is very adept at this genre....[The music] wafts in the air and settles gently on the furniture..." - Rating: B-Q (10/02, p.101) - 3 stars out of 5 - "...An album largely split between moments of hushed intimacy and gonzoid rockers....it sounds like Adams is auditioning to be the next John Cougar Mellencamp..."Uncut (1/03, p.94) - Ranked #13 in Uncut's "100 Best Albums of the Year"Uncut (10/02, p.100) - 4 stars out of 5 - "...DEMOLITION is further proof that his creative instincts are still intact..."CMJ (9/30/02, p.6) - "Adams commands each musical style with ease and authority....the quality of the material makes it hard to believe these songs are all untouched demos..."Mojo (Publisher) (1/03, p.74) - Ranked #22 in Mojo's "Best Albums of 2002"Mojo (Publisher) (10/02, p.92) - "...A fine, multi-faceted album with very little surplus."NME (Magazine) (9/21/02, p.39) - 8 out of 10 - "DEMOLITION finds Ryan Adams in a fittingly traditional musical setting--at a crossroads."0.1722207

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