john-sessions,The Prester John Sessions [Digipak], Porterhouse Blue, Stella Street, Seven Ages: An Anthology of Poetry with Music, Sessions - Harry 'Choo Choo' Romero

98 Items Found For john sessions

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26.32681

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22.24649

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0.1632612

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0.1166151

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21.41776

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Mojo (Publisher) (p.117) - 4 stars out of 5 -- "The '77/78 sessions by punk's searing Medusas were among Peelie's favourites."NME (Magazine) (3/21/98, p.51) - 9 (out of 10) - "...caught the sulfate-snorting Slits at their tuffest, ruffest, couldn'tgiveaf**kest and euphorically mental best....a deranged lo-fi punka version of cutting-edge dub reggae before they'd learnt to play their instruments..."Record Collector (magazine) (p.101) - 4 stars out of 5 -- "[The songs] were aural avalanches erupting out of the band's unique internal chemistry: sparking, colliding, frequently locking together with astonishing ferocity."18.72979

$15.80
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18.59541

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18.59541

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16.27098

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14.00798

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13.94656

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13.94656

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Living Blues (9-10/02, p.79) - "...The definitive collection of his early career...John was in fine form for these sessions..."13.521

$18.52
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Living Blues (pp.63-5) - "A joy to listen to, THE ROYAL SESSIONS is equally suited to the dance floor or just kicking back with the sound cranked up."13.40348

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13.12156

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13.11718

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13.11279

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11.69233

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Dirty Linen (p.54) - "VOLUME 2 is chock-full of great boogie-woogie piano that takes you back to jazz's roots in the blues."Living Blues (p.81) - "[H]is piano playing on these sides is among his finest he has ever recorded. In fact, even the singing usually succeeds with its powerful elements of streetsy irony, hard-won worldly wisdom, and surprisingly tender emotional openness."11.62213

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Spin - "BLACK DIRT delivers sulky dirges, alt-country hangovers, and funeral ballads with equal aplomb."Alternative Press (p.102) - 4 stars out of 5 -- "Deer Tick's John McCauley has emerged as a preeminent alt-country voice, both in terms of tone and content."Billboard (p.44) - "THE BLACK DIRT SESSIONS delivers even more grit and lyrical heaviness than its predecessors, revealing a desperate, wayworn side to McCauley's songwriting."Paste (magazine) - "THE BLACK DIRT SESSIONS is this band's AFTER THE GOLDRUSH, stuffed with devastating songs laid bare by weathered, redemption-seeking renegades."Uncut (magazine) (p.74) - 4 stars out of 5 -- "Country harmonies and grimy Crazy Horse guitars usher in 'When She Comes Home,' a song of estrangement and separation which has the woozy gait of Neil Young's 'Roll Another Number (For The Road)'."10.70958

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Spin - "BLACK DIRT delivers sulky dirges, alt-country hangovers, and funeral ballads with equal aplomb."Alternative Press (p.102) - 4 stars out of 5 -- "Deer Tick's John McCauley has emerged as a preeminent alt-country voice, both in terms of tone and content."Billboard (p.44) - "THE BLACK DIRT SESSIONS delivers even more grit and lyrical heaviness than its predecessors, revealing a desperate, wayworn side to McCauley's songwriting."Paste (magazine) - "THE BLACK DIRT SESSIONS is this band's AFTER THE GOLDRUSH, stuffed with devastating songs laid bare by weathered, redemption-seeking renegades."Uncut (magazine) (p.74) - 4 stars out of 5 -- "Country harmonies and grimy Crazy Horse guitars usher in 'When She Comes Home,' a song of estrangement and separation which has the woozy gait of Neil Young's 'Roll Another Number (For The Road)'."10.70958

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10.56064

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10.53599

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Q (11/00, p.122) - 3 stars out of 5 - "...Amply demonstrates Burke's great all-time soul voice....rumbling his way through 'I'll Be Doggone', 'These Arms Are Mine' and a liberal reinterpretation of the title track..."Uncut (p.76) - 4 stars out of 5 -- "The loose but near-telepathic understanding between the soul heavyweight and the musicians is obvious from the opening track..."Dirty Linen (4-5/01, p.83) - "...A classic....giving you a sense of the power and energy of one of music's greatest unsung heroes....Burke breathes fire in every gasp and plea..."Living Blues (11-12/00, pp.86,88) - "...It rides a steamy groove midway between hard soul and jubilant pop-rock....It's almost impossible to go wrong with a Solomon Burke collection, and this stands as one of his finest."Mojo (Publisher) (11/00, p.118) - "...Glowing eulogistic covernotes from John Fogerty, a great cover of 'In The Ghetto' and a previously unissued gospel hoedown take on 'The Mighty Quinn'....the pick of the crop..."10.53321

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10.50778

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10.50778

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10.50371

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10.49023

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Q (9/93, p.97) - 3 Stars - Good - "...[TRANSITION] brings the graceful, prayer-like 'Welcome' and `Vigil' [from the KULE SU MAMA sessions]..."10.38857

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Q (9/93, p.97) - 3 Stars - Good - "...[TRANSITION] brings the graceful, prayer-like 'Welcome' and `Vigil' [from the KULE SU MAMA sessions]..."10.38857

$11.70
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9.549648

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NME (Magazine) (10/18/97, p.58) - 10 (out of 10) - "...THE PET SOUNDS SESSIONS is thunderously anal....a thoroughly bewitching experience....This, then, is PET SOUNDS: The Autopsy; each song's vital components carved out and slapped on the slab for inspection....A masterpiece..."9.394183

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Rolling Stone (12/25/03, p.112) - Included in Rolling Stone's "Top 10 Reissues of 2003" - "...A salute from one great black fighter to another."Spin (10/03, p.109) - "...More confident than BITCHES BREW's jams and more free-ranging than AGHARTA and PANGEA, JOHNSON features the trumpeter dropping electric-guitar science while producer Teo Macero cuts and mixes..."Q (11/03, p.130) - 4 stars out of 5 - "...Davis's playing is as big, riffy and incisive as it ever got, yet still finds itself matched all the way by John McLaughlin's brutalising guitar..."Uncut (11/03, p.132) - 4 stars out of 5 - "...Much of it's the equivalent of sparring, especially the skinny funk workouts on the second disc..."The Wire (01/04, p.38) - Included in Wire's "50 Records Of The Year [2003]"JazzTimes (10/03, pp.83-4) - "...'Right Off' is Davis' last masterpiece; it's a unique combination of raw energy, serendipity and postproduction craft..."Mojo (Publisher) (11/03, p.136) - 5 stars out of 5 - "...The musicians arrive at destinations light years from where they started....This music is still right on time..."9.263361

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9.216246

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Rolling Stone (p.57) - 4 stars out of 5 -- "[W]ith his first-ever album of songs written by other people, it feels like he's turned to the music of our shared past to find a moral compass for a nation that's gone off the rails."Rolling Stone (p.106) - Ranked #29 in Rolling Stone's "The Top 50 Albums Of 2006" -- "These big-band treatments combine Dixieland brass, cantina accordions and barn-dance fiddles..."Entertainment Weekly (p.134) - "Enlivened by flailing banjos, tub-thumping horns, and hopped up accordions....[He] isn't afraid to mix in some merriment with the message." -- Grade: A-Q (p.112) - 3 stars out of 5 -- "[I]t's good to hear Springsteen with the pressure off, tapping deep into the bedrock of American music and singing and playing for the sheer joy of it."Q (p.125) - Ranked #16 in Q Magazine's "100 Greatest Albums of 2006" -- "[I]t proved to be a rip-roaring, ramshackle masterstroke."No Depression (p.123) - "[T]he] album deftly balances such deeply spiritual forays with a lot of upbeat material....Bringing a deep personal connection to some of the most quintessentially American songs ever written."Mojo (Publisher) (p.100) - 4 stars out of 5 -- "It takes easily five seconds to discover this is a Springsteen as you've never heard him before....A big band of little-knowns tumbles and jumbles diverse folk idioms all around him..."9.213234

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Record Collector (magazine) (p.92) - 3 stars out of 5 -- "[T]ailor-made for those who think that the later, mega-popular Purple line-ups -- say from 1971 and beyond -- were a bit too mainstream..."9.185534

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Q (3/95, p.118) - 3 Stars - Good - "...though these were his last recordings, they were his first made on magnetic tape and the medium's fidelity communicates a greater intimacy than was achieved on his many other recordings..."Vibe (12/99, p.158) - Included in Vibe's 100 Essential Albums of the 20th Century9.185313

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9.178953

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8.281105

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8.215162

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Rolling Stone (12/11/03, p.104) - Ranked #22 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Lennon's first proper solo album and rock & roll's most self-revelatory recording..."Rolling Stone (6/10/99, p.126) - 5 Stars (out of 5) - "...every note reverberates....Lennon's singing takes on an expressive specificity that anyone in search of the century's great vocal performances would be foolish to overlook...."Q (6/00, p.66) - Ranked #62 in Q's "100 Greatest British Albums" - "...Suddenly, you can see why Lennon was dissatisfied with the Abbey Road sessions..."Q (12/00, pp.140-1) - 4 stars out of 5 - "...There is no better solo Lennon or solo Beatles album..."CMJ (5/24/99, p.32) - "...an exercise in artistic expression through varying levels of mood and rage..."Mojo (Publisher) (11/00, p.92) - "...Exactly what was on his mind....It was, and remains, an extraordinary album. No rock singer could sound as simultaneously warm and as acerbic as Lennon..."NME (Magazine) (10/21/00, p.43) - 8 out of 10 - "...It's his starkest and best post-Beatles work....This is a lingering, slow-motion peer into the crater of the man's soul..."Uncut (magazine) (p.108) - 5 stars out of 5 -- "[T]he most profound and perfectly realised confessional album that rock'n'roll has produced."8.206714

$15.98
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