joni-mitchell,Blue [Joni Mitchell] [075992719926], Mingus [Joni Mitchell] [075596055727], Clouds [Joni Mitchell] [075992744621], Both Sides Now [Joni Mitchell], A Tribute to Joni Mitchell

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Rolling Stone (10/31/02, p.135) - Ranked #2 in Rolling Stone's "Women In Rock: The 50 Essential Albums" - "...An acoustic tour de force..."Rolling Stone (8/5/71, p.43) - "...her songs, like James Taylor's, are only incidentally commercial: Her primary purpose is to create something meaningful out of the random moments of pain and pleasure in her life..."Rolling Stone (9/30/71, p.42) - "...She writes beautiful tunes coupled with beautiful lyrics...what more could be asked of her? BLUE is her best album by far..."Q (7/99, p.150) - Included in Q's Best Chill-Out Albums of All Time - "...tangible warmth....A solitary album, which conversely makes the listner feel less alone..."Q (p.132) - 4 stars out of 5 - "The gold standard for the confessional school of '70s songwriters in one beguiling package."Vibe (12/99, p.157) - Included in Vibe's 100 Essential Albums of the 20th CenturyNME (Magazine) (10/2/93, p.29) - Ranked #28 in NME's list of the Greatest Albums Of All Time.NME (Magazine) (9/18/93, p.19) - Ranked #9 in NME's list of The Greatest Albums Of The '70s.129.4805

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Rolling Stone (3/16/00, p.74) - 3 stars out of 5 - "...[She] sings atop a velvety orchestra, sounding buoyant one minute and betrayed the next....she's telling these stories with a repertoire of gingerly placed inflections and anguished sighs, tools she's always had but never flaunted."Entertainment Weekly (2/11/00, p.74) - "...one of America's most respected singer-songwriters rents an orchestra and tries her hand at some standards....It's tough to argue with the spirit of the set, a song cycle tracing the arc of love gone wrong..." - Rating: BQ (4/00, p.93) - 4 stars out of 5 - "...Mitchell moves gracefully through 12 standards....the songs are perfectly executed....singing with thought-provoking resonance."JazzTimes (5/00, p.126) - "...Somber, soulful readings of 12 romantic standards....retaining much of her lonely storyteller's charm, keeping her...readings honest and heartfelt while the myriad instruments swoon behind her..."Mojo (Publisher) (3/00, p.102) - "...Vocals wreathed in grey-blue cigarette smoke, she follows the arc of a love affair in 12 exquisitely sequenced episodes....in her maturity those old songs of hers...are closer than ever to the terrain that great performers occupy."NME (Magazine) (3/11/00, p.34) - 6 out of 10 - "...reeks of bohemian opulence....The arrangements are fluent reconstructions of a bygone sound and under such heavy manners Mitchell sings like a singer for the first time in her career....Nice enough..."103.5844

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Spin (p.91) - 3.5 stars out of 5 -- "[A] consistently fine tribute. Most remarkable is how each Joni supplicant is able to still exude his or her own essence."No Depression (p.84) - "[E]ach track has its own merits, and none exist only as placeholders for the real thing....A key to why this disc works is the pairing of performer and song."103.5844

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103.5844

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Q (01/03, p.120) - 4 stars out of 5 - "...Triumphant....A 2CD Best Of that rejuvenates originals such as 'Hejira' and 'For the Roses' while staying faithful to them..."Uncut (1/03, p.116) - 4 stars out of 5 - "...Ambitious and richly textured....There's a melancholy sense of a whole era passing away in these reflective performances..."Mojo (Publisher) (12/02, p.116) - "Once as fresh and clear as Canadian spring water, Joni Mitchell's voice these days is as complex and adult as bourbon whiskey..."91.02426

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Spin (12/96, p.145) - 7 (out of 10) - "...The Mitchell HITS portrays isn't a one-trick Joni. There's the folky Joni, the poppy Joni, the jazzy Joni. HITS gives mere samplings of each one, and at times they make little sense together..."Entertainment Weekly (11/1/96, pp.67-68) - "...It's Joni for beginners, and the years and remakes haven't lessened the power of her originals one peasant-skirted iota..." - Rating: A-Q (12/96, p.156) - 3 Stars (out of 5) - "...HITS does a decent job of compiling Mitchell's jukebox nuggets on one 61-minute disc..."90.63631

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90.63631

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Uncut (p.119) - 5 stars out of 5 - "[A] courageously experimental double, embracing jazz, pop, folk, world, even classical....An exceptional album."77.68827

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JazzTimes (p.108) - "[W]ith the bracing blend of Mark Murphy smarts, Johnny Hartman smoothness and Mel Torme bravado, Shaw sticks primarily to the Mitchell road less traveled..."Mojo (Publisher) (p.98) - 4 stars out of 5 -- "An emotional, expressive interpreter with the ability to explore every aspect of both lyric and melody."77.68827

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Uncut (p.92) - 3 stars out of 5 -- "Gentle folk ambience with shades of Joni Mitchell and Isobel Campbell, and Eno-like instrumentals."0.7759055

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Q (4/99, p.95) - 4 Stars (out of 5) - "...Guests include heavyweights Joni Mitchell, Bonnie Raitt and Mary Chapin Carpenter; mid-table types like Sinead O'Connor and Natalie Merchant, as well as traditionalists Loreena McKennitt, Eileen Ivers, The Rankins and - there is no escape - The Corrs..."Uncut (8/02, p.100) - 3 out of 5 - "...The Chieftains are a treasure and every home should have at least one of their albums..."Dirty Linen (6-7/99, p.88) - "...There is some beautiful music here. Eileen Ivers and Natalie MacMaster kick butt with a colorful amalgam of Irish, Cape Breton, and Norwegian fiddling..."Mojo (Publisher) (2/99, pp.97-98) - "...Blending Irish music naturally and unobtrusively into other cultures and styles is the key to The Chieftains enduring success... and this sensitive album..."0.6088327

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Dirty Linen (10-11/99, p.91) - "...one of the best albums by one of the best artists of the 1960s folk boom....[the album] offers her interpretations of traditional songs...along with some very nice originals and a couple of very early Joni Mitchell covers....a reliable favorite."0.5819291

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Dirty Linen (10-11/99, p.91) - "...one of the best albums by one of the best artists of the 1960s folk boom....[the album] offers her interpretations of traditional songs...along with some very nice originals and a couple of very early Joni Mitchell covers....a reliable favorite."0.5819291

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Rolling Stone (No. 969, p.112) - 3 stars out of 5 - "[Spektor] has a winsome voice that brings to mind a more tuneful Bjork, and she plays the piano with some of Tori Amos' virtuosic intensity..."Mojo (Publisher) (p.101) - 3 stars out of 5 - "Hers is a romantic, skewy world that takes its cues from Joni Mitchell's BLUE, Rachmaninov's 2nd and the theme from Hill Street Blues."Paste (magazine) - "Positioning her piano somewhere at the confluence of Bjork, Fiona Apple, Tori Amos and Joni Mitchell, Spektor -- a 24-year-old with a powerhouse voice and profoundly imaginative arrangements -- certainly doesn't suffer from a lack of original ideas."0.5486481

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Rolling Stone (No. 969, p.112) - 3 stars out of 5 - "[Spektor] has a winsome voice that brings to mind a more tuneful Bjork, and she plays the piano with some of Tori Amos' virtuosic intensity..."Mojo (Publisher) (p.101) - 3 stars out of 5 - "Hers is a romantic, skewy world that takes its cues from Joni Mitchell's BLUE, Rachmaninov's 2nd and the theme from Hill Street Blues."Paste (magazine) - "Positioning her piano somewhere at the confluence of Bjork, Fiona Apple, Tori Amos and Joni Mitchell, Spektor -- a 24-year-old with a powerhouse voice and profoundly imaginative arrangements -- certainly doesn't suffer from a lack of original ideas."0.5486481

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Q - 3 Stars - Good - Recommended as one of the five best country albums of 1990 (12/91) - "...Carpenter's astute lyrical observation provides the missing link between Janis Ian and K.T. Oslin. Combining a strong melodic gift with a particular feel for the female predicament, Carpenter is a major new talent who should appeal to fans of Nanci Griffith..."Q (12/94, p.158) - 3 Stars - Good - "...her tremulous vocal style suggests a youth spent listening as much to Janis Ian and Joni Mitchell as to Tammy Wynette and Emmylou Harris. Better than this was to come, but this was a useful start..."0.3879528

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Rolling Stone (12/25/97, p.164) - "...McLachlan favors maternal patience over bombshells, whipsered intimacy over a quick payoff. Her songs are cast in deep-blue tints and gray-day moods; she soaks her voice in warm echo..."Entertainment Weekly (7/25/97, p.70) - "...Her best tunes recall the sinewy clarity of early Joni Mitchell....Never have McLachlan's recordings sounded so dense and alive. Yet the album's centerpiece remains the star's voice--an instrument rich and knowing enough to redeem even the poor souls her lyrics embrace." - Rating: B0.3879528

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Spin (5/96, p.109) - 7 - Flawed Yet Worthy - "...she delivers her songs with a light, Joan Baez soprano, and clean, finger-picked guitar, occasionally augmented by dobro, mandolin, fiddle, and cello..."Entertainment Weekly (1/26/96, p.58) - "...Her second full-length album is alternately haunting, tragic, and whimsical....she may well be folk's most original and incisive songwriter." - Rating: ASing Out! (Vol.41 #1, p.130) - "...the Joni Mitchell of her generation....clever and smart songs that are witty, wordy, melodic and, sometimes, confessional..."0.3879528

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Entertainment Weekly (2/01/02, p.107) - "...Thomas is a moonlighting comic with an earth-angel voice who channels fragile melismas through heartachy tales sketched with acoustic guitars and pianos. Sometimes poignant, always pretty....As tears of a clown go, it's moving stuff." - Rating: B+Q (3/02, p.128) - 3 stars out of 5 - "...She's possessed of a fine, pure voice, somewhere between Emmylou Harris and a young Joni Mitchell..."Mojo (Publisher) (April 2002, p.102) - "...Thomas is...inclined to quiet, powerful ballads in a neo-traditional style..."0.3879528

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Rolling Stone (5/28/92, p.53) - 3 Stars - Good - "...Hawkins's voice varies from wail to plead, growl to whisper, croon to chirp, Joni Mitchell to Bjork of the Sugarcubes....a searching, seductive debut..."Q (9/92, p.74) - 4 Stars - Excellent - "...Her selling point is a general air of sensual desire....nudges originality while remaining rooted in the traditional pop/rock constructions of chart-toppers past and present..."Q (12/94, p.165) - 3 Stars - Good - "...pretty one-track, but impassioned...On the way, presumably, to finding her own voice, amid a rich stew of synthesized orchestras and street sounds she sings variously like Madonna, Kate Bush and Polly Harvey..."0.3879528

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"...An outstanding rock documentary....The film is a series of highlights....Tight and exciting...It fits together beautifully..." Variety "...A dazzling array of talent on display here..." New York Times "...A revealing document..." Chicago Sun-Times "...The first rock-concert film shot in 35mm....It's a RAGING BULL knockout job supervised by Scorsese and Band guitarist Robbie Robertson..." USA Today "...Some of the best musical performances ever caught on film..." Entertainment Weekly "...The film boasts kinetic, crisply lighted camerawork and foot-of-the-stage sound..." Rolling Stone0.3809523

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Rolling Stone (4/12/01, p.141) - 3 stars out of 5 - "...Colvin's voice drifts through Leventhal's crafted ambient folk - like dream pop that stops just short of heavy snoozing..."Entertainment Weekly (3/30/01, p.68) - "...Now that she's on the mommy track, Colvin writes about the impossibility of leaving, much less returning, witha torch....this folk-rock ma is likably set in her ways..." - Rating: B+Q (5/01, p.104) - 4 stars out of 5 - "...A treasure....Her constituency is love songs: but they come with such twists.... Colvin still makes most of her contemporaries and younger challengers look like the clod-hoppers they are."Down Beat (10/01, p.68) - 4 stars out of 5 - "...There is a feeling of rebirth and renewal....NEW YOU adds another chapter to Colvin's saga..."Mojo (Publisher) (4/01, p.103) - "...Another album of the year....Occupying a niche between pensive Sheryl Crow and pre-jazz Joni Mitchell...her songs slide into your consciousness...working their subtle magic..."0.2909646

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Rolling Stone (p.88) - 3 stars out of 5 -- "[S]teeped in jazz and classic pop; much of it is polite and pretty..."Entertainment Weekly (p.94) - "WORLD is like stumbling into a jazz cafe at closing time, when the performers are lingering on stage, not ready to leave the music." -- Grade: A-Q (p.147) - 3 stars out of 5 -- "[H]er take on Joni Mitchell's 'River', featuring harmonies from the like-minded kd lang, is the melancholy highlight. It's perfect rainy day music."Down Beat (p.76) - 3 stars out of 5 -- "In keeping with Peyroux's unassuming vocal approach most of the songs make an almost surreptitious entry..."No Depression (p.121) - "On 'A Little Bit', Peyroux's voice skirts flirtatiously around the melody, while the string quartet on 'Once In A While' puts an artful shimmer on soft blues."Mojo (Publisher) (p.104) - 5 stars out of 5 -- "[T]he warm sound puts every note in the room with you....Intimate and unforced..."0.2909646

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"...Anders has great fun re-creating the shadow world of pre-counterculture pop..." -- Rating: B Entertainment Weekly "...Energetic and entertaining....The film boasts a terrific song score...and amusing performances by a strong cast..."Variety "...GRACE marvelously re-creates that atmosphere of sweatshop creativity, both the pressure and the joy, and Douglas' portrayal of a woman fighting for her own identity and a piece of the action gives the story a solid emotional footing..."Los Angeles Times "...There's some good music in the film....Ileana Douglas makes a convincing witness to the transition from 'Your Hit Parade' to Woodstock. It's a big role and she's equal to it..." Chicago Sun-Times0.269374

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Uncut (1/04, p.112) - 3 stars out of 5 - "Justin Timberlake's 'Like I Love You' is an astounding, epoch-defining pop single..."0.269374

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