kompakt,Kompakt 100, Sub Rosa Vs. Kompakt, 20 Jahre: Kompakt Kollektion 1 [Digipak], Spielt 20 Jahre Kompakt [Digipak], 20 Jahre Kompakt Kollektion, Vol. 2 [Digipak]

77 Items Found For kompakt

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Spin (p.103) - "The surfaces are magnesium smooth with rusted edges, the arrangements minimalist but surprisingly melody-rich."Spin (p.64) - Ranked #28 in Spin's "40 Best Albums of the Year" - "[A] sterling collection of remixes of earlier Kompakt work."151.2058

$13.68
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Alternative Press (2/00, p.70) - 5 out of 5 - "...a great introduction to the Cologne sound. Dry, rock-steady, and churning..."96.27242

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89.92063

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Spin (p.84) - "[Amidon works] quirky alchemy here, reinventing public domain songs as rustic mood music for watching distant supernovas explode."Mojo (Publisher) (p.55) - Ranked #22 in Mojo's "The 50 Best Albums Of 2010" -- "[S]omething fresh yet based in folkloric warmth."Pitchfork (Website) - "Much of I SEE THE SIGN's success can be chalked up to its arrangements, which are fractured and frequently off-kilter."Uncut (magazine) (p.83) - 4 stars out of 5 -- "I SEE THE SIGN inhabits an enchanted universe, not a million miles from Sufjan Stevens' MICHIGAN."32.96621

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32.96621

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32.96621

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Mojo (Publisher) (p.93) - 4 stars out of 5 -- "[F]our transcendental prepared piano pieces, layered and broken within a clear reverberant landscape of melodic distortion, lonesome field echo and fathomless deep-space bass."32.96621

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Mojo (Publisher) (p.97) - 4 stars out of 5 -- "[With] two radiant offerings that mix glacial, church organ drone with gossamer melodies."22.52993

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Spin (p.69) - "[I]t's refreshing that on his third album he digs deeper into psychoacoustic sound design, ominously repetitive grooves, and contorted chord progressions."18.02395

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Spin (p.104) - "Its best moments are its duskiest." - Grade: B+The Wire (p.67) - "Aksel Schauffler is Superpitcher, boy genius of Kompakt and lover of all things shadow-soaked and wind-kissed."16.50666

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The Wire (p.44) - "The serious play of Meissner's project extends into his typically under the radar productions, which at first ring out like classic Kompakt pop Ambient, full of cheek tickling guitars, kissed-out cushions of reverb and delay, and gentle, unobtrusive piano."16.42443

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15.93107

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The Wire (p.62) - "[I]ts pop sensibility manifests itself in the abstract, as a sweet willingness to please, This is spacious, warm, inviting music, the Ambient equivalent to a warm pile of blankets and a cup of tea."15.93107

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The Wire (p.69) - "Fra and his partner Autan deliver massive, mainroom thrills with an enviable lightness of touch."15.93107

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The Wire (p.45) - "Juggling bell tones, hissing cymbals, darkly filtered basses and ridgebacked synthesizers -- Fehlmann is a master of timbre."15.93107

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The Wire (p.45) - "[A]t once thrillingly stripped down and thrillingly luxurious....Something deliriously beautiful and affecting."15.93107

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15.93107

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15.93107

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15.93107

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15.93107

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15.93107

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15.93107

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Clash (magazine) (p.103) - "Focusing on the label's more chilled output, we're treated to twelve tracks of undulating, atmospheric loveliness from the likes of Sylvain Chaveau, The Fun Years, Tim Hecker, Jurgen Paape and Wolfgang Voigt..."Record Collector (magazine) (p.98) - 4 stars out of 5 -- "[POP AMBIENT] transcends the ugliness of the everyday, brimming with soundtracks for all your nostalgic futures."15.93107

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Spin (p.91) - "The cover of 'Everybody's Got to Learn Sometime' is hypnotic and lush, while 'I Have the Moon, You Have the Internet' unfolds as a rainforest of clicks, buzzes, and drips."Pitchfork (Website) - "The length of Willner's tracks, their did-he-or-didn't-he& shifts in mood, and their easy to miss addition/subtraction of instrumentation via the volume know suggest background music, and maybe that's the best 'in' to the Field's world."Record Collector (magazine) (p.81) - 4 stars out of 5 -- "[With] the appropriation of sample relics from the past forged into luscious fusions of techno and shoegaze, creating instant synthetic shots to the pleasure receptors."Signal To Noise (magazine) (p.51) - "[The album] brings to bear a gradually evolving aesthetic, involving incremental shifts of texture, timbre, and, in some cases, beat pattern."15.93107

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Pitchfork (Website) - "['Walter Neff' is] the best track of the whole collection....It's ostensibly modern disco, but more than that it's a future pop number..."15.93107

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Pitchfork (Website) - "24/7 is full of huge, open spaces with just a few instrumentals streaking across them....The album's sole instrumental, 'Bremen Cowboy', is all breakdown and buildup..."15.93107

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Pitchfork (Website) - "Pearson manages to choreograph rhythms of all sorts -- both rigid and fluid, ugly and beautiful, straight banging and downright delicate -- into one slowly unfolding dance."15.93107

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