lambchop,This Is Where I Belong: The Songs of Ray Davies, No, You C'mon, Hank [EP]
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Rolling Stone (4/25/02, p.80) - 3 stars out of 5 - "...The high-toned alternative rockers on this 16-track compendium play it simple, letting the structural delights of the Kinks' eccentric hard mod-rock shine through the quirks of their individual treatments..."Spin (5/02, pp.123-124) - 8 out of 10 - "...A brand-name affair, with a few ideas that [sound] better [than other tributes]..."Q (4/02, p.126) - 3 out of 5 stars - "...A cap-doffing excercise featuring Lambchop, Josh Rouse and Damon Albarn..."Mojo (Publisher) (6/02, p.106) - "...Worth checking for fine Lambchop, Josh Rouse, Ron Sexsmith and Tim O'Brien contributions..."0.5508078

(0 reviews)

Entertainment Weekly (2/27/04, p.99) - "[Compared to AW CMON,] a slightly more sprightly batch of beer chasers..." - Rating: A-Uncut (2/04, pp.68-9) - 4 stars out of 5 - "[T]he emotion that has been slowly simmering throughout both albums finally boils over....We are treated to the unprecedented spectacle of Lambchop rocking out..."CMJ (2/9/04, p.4) - "[Features] songs that span from from piano-driven alt-country [to] sublime string-tinged ballads..."0.2597952

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Q (8/96, p.122) - 3 Stars - Good - "Lambchop's large line-up, minimal country-tinged drawl and general earthiness has captured some attention recently....the end result is surprisingly powerful with Kurt Wagner's vocal developing a world-weary storytelling edge."Uncut (p.114) - 4 stars out of 5 -- "[A] peculiar combination of the smoothly contemporary and the creakily archaic."Option (9-10/96, p.119) - "...[the] tunes are heartbreakers every one, but...this uninterrupted bout of melancholy makes for a satisfying and uplifting listen....songs drift lazily along in a haze of understated guitars, off-key horns and beats that sound like they were recorded in a basement two houses down..."Melody Maker (8/6/86, p.46) - "...They just seep through the walls and gently insinuate themselves into your life, the haziest mass of steel guitar curlicues and muffled percussion hovering by the windows, Kurt Wagner singing like NASHVILLE SKYLINE-era Dylan or Vic Chesnutt. You can't tire of such quiet persuasion..."NME (Magazine) (7/6/96, p.37) - 8 (out of 10) - "...[HANK] retains all the components which made...such a brilliant record: the droning steel guitars, the barely audible whisper of Kurt Wagner and the sedately maudlin songs which seemingly take an eternity to unfold..."0.1948464

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