little-village,Little Village, The Strawberry Shortcake Movie: Sky's The Limit, What Will I Leave Behind, Hampton And Hampton Beach, Orquesta Nova

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Entertainment Weekly (2/21/92, p.54) - "...the music is casual and relaxed...a pleasant vacation..." - Rating: BQ (4/92, p.76) - 3 Stars - Good - "...it's always a pleasure to listen to such skilled musicians playing effortlessly off one another..."Down Beat (6/92, p.43) - 3.5 Stars - Good Plus - "...pure feel-good juice..."114.6001

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BOOK REVIEWS COMING SOON!!!!0.1312564

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"...MY LIFE AS A DOG should be cherished..."Los Angeles Times "...It retains a measured charm..."Sight and Sound "...[Often] funny and true and moving....Glanzelius gives a firm and wise performance..."New York Times "...An exquisite look at childhood....It has a smoothly moving narrative flow..."Variety "Lasse Hallstrom's affecting memoir of a lonely child retreating into a fantasy life bears comparisons with Francois Truffaut's seminal THE FOUR HUNDRED BLOWS..."Uncut0.09844227

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Uncut (p.104) - 4 stars out of 5 -- "Morrison has never lowered the bar of expectation. Half the tracks here are collaborations, all equally pertinent to Van..."0.09844227

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JazzTimes (p.60) - "Cohen and her colleagues effectively soar and simmer, from a hale 'Sweet Georgia Brown' through a lazily shuffling 'St. James Infirmary'..."26.36234

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Rolling Stone (4/2/92, p.46) - 3.5 Stars - Very Good "...Amos' songs are smart, melodic and dramatic; the deeper you listen, the hotter they get... a gripping debut..."Spin (9/99, p.134) - Ranked #31 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (9/99, p.134) - Ranked #31 in Spin Magazine's "90 Greatest Albums of the '90s."Q (12/99, p.74) - Included in Q Magazine's "90 Best Albums Of The 1990s." Village Voice (3/2/93, p.5) - Ranked #36 in the Village Voice's list of the 40 Best Albums Of 1992.Q (1/93, p.68) - Included in Q's list of the 50 Best Albums Of 1992.Q (2/92, p.82) - 4 Stars - Excellent - "...[Amos can] write seemingly effortless melodies...Lyrically, she's something special: a granite-like hardness with a journalist's eye for detail and compassion..."Pitchfork (Website) - "Like Madonna, Amos put earthly passions on display not necessarily to seduce her congregation, but to empower herself -- and, by extension -- her fans."21.47682

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Rolling Stone (10/31/02, p.136) - Ranked # 31 in Rolling Stone's "Women in Rock: The 50 Essential Albums"Rolling Stone (5/13/99, p.60) - Included in Rolling Stone's "Essential Recordings of the 90's."Spin (12/95, p.63) - Ranked #16 on Spin's list of the `20 Best Albums Of '95.'Q (10/01, p.48) - Ranked #42 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.84) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (2/96, p.66) - Included in Q's 50 Best Albums of 1995.Q (9/95, p.118) - 4 Stars - Excellent - "...Caught somewhere between Tori Amos and a souped up Liz Phair, just a few bars of the opening `All I Really Want' should be enough to convince that she really is a bit special..."Melody Maker (9/9/95, p.47) - 7 (out of 10) - "...sufficient a mixture of clean-cut looks and post-teen angst to be pop's very own Winona Ryder. Graphic enough in her lyrics, yet demographic enough in post-grunge sound to be the mainstream Liz Phair....Even more amazingly, she's quite good....if this is illusion, Alanis Morissette is mighty good at using it..."Village Voice (2/20/96) - Ranked #32 in Village Voice's 1995 Pazz & Jop Critics' Poll.21.42378

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BOOK REVIEWS COMING SOON!!!!17.13434

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3 stars out of 5 -- "The film has a winning charm....It's also great fun..." Total Film "A whimsical, humorous exploration of first love....LITTLE MANHATTAN is an engaging, lightly humorous coming-of-age portrait that manages to be affecting..." Sight and Sound12.96248

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BOOK REVIEWS COMING SOON!!!!9.400116

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Rolling Stone (10/16/97, pp.103-104) - 4 Stars (out of 5) - "...she leaves home and investigates love's bumpier back roads....celebrates difference and challenges listeners to explore the joys of contradiction with open ears and vivid imagination....one of the boldest--and most exciting--albums of the year."Spin (1/98, p.86) - Ranked #4 on Spin's list of the "Top 20 Albums Of The Year."Spin (10/97, p.135) - 9 (out of 10) - "...the 31-year-old Reykjavik native's new album delves deeply into hip-hop, flies in orchestras, and proves that the electronic generation will yield much more than a string of dance epiphanies..."Entertainment Weekly (9/26/97, pp.76-77) - "...may be Bjork's most audacious move in a career filled with them....On roughly half the album she and coproducer Mark Bell...take two seemingly incompatible genres--techno and classical--and weld them together. It's like sneaking a boom box into a chamber recital and seeing what happens..." - Rating: AMelody Maker (12/20-27/97, pp.66-67) - Ranked #33 on Melody Maker's list of 1997's "Albums Of The Year."Village Voice (2/24/98) - Ranked #9 in the Village Voice's 1997 Pazz & Jop Critics' Poll.NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #15 in NME's 1997 Critic's Poll.NME (Magazine) (9/20/97, p.54) - 9 (out of 10) - "...her third solo album, HOMOGENIC, is probably her most weird, it is also her best....It is here...that Bjork has delivered her most emotional, highly-charged and groovy record, as well as a stinging triumph for the spirit of adventure."8.462897

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"Thematically and stylistically, it nods vigorously to Richard Curtis....[An] occasionally quite charming little film."Sight and Sound0.2976252

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"An impressively oozing slab of indie horror that bodes well for first-time writer-director Chad Crawford Kinkle."Variety "[A]n atmospheric chiller thats just quirky enough to achieve cult status."Hollywood Reporter "Kinkle shows welcome restraint in pacing his grimy little tale..."Los Angeles Times0.214612

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"An impressively oozing slab of indie horror that bodes well for first-time writer-director Chad Crawford Kinkle."Variety "[A]n atmospheric chiller thats just quirky enough to achieve cult status."Hollywood Reporter "Kinkle shows welcome restraint in pacing his grimy little tale..."Los Angeles Times0.214612

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"[T]ense, provocative and unnerving....[The film] could be considered a culmination of this difficult director's brilliant career."Los Angeles Times "Shot in vivid black and white, the movie is like VILLAGE OF THE DAMNED directed by Ingmar Bergman..." -- Grade: B-Entertainment Weekly "[Haneke] uses the sharp elegance of Christian Berger's monochrome cinematography, the grammatical precision of old-fashioned speech and the pageantry of period drama to lull and also to inflame the audience's expectations."New York Times "Shot with dry discipline in striking black and white, the deliberately paced, consistently unnerving film invites viewers into every corner of its town..." -- Grade: AA.V. Club "THE WHITE ROOM is an artful examination of a small town and small-mindedness and the potential for full-blown, large-scale evil."USA Today "[S]evere and eerily beautiful....Mr. Haneke's film is accessible, though its pace is deliberate and its affect muted."Wall Street Journal 3.5 stars out of 4 -- "Shot in stunning black-and-white by the gifted Christian Berger, THE WHITE RIBBON is a toxic blossom of images that burn into your memory..."Rolling Stone "Everything about the film's masterfully executed aesthetic suggests harmony, order, the absence of extremes, exquisite deliberation...director Michael Haneke teases dread and uncertainty from classical form."Movieline 4 stars out of 4 -- "The film is visually masterful....THE WHITE RIBBON tells a simple story in a village about little people and suggests that we must find a balance between fear and security."Chicago Sun-Times 4 stars out of 5 -- "Its lack of resolution is one reason the movie lingers, along with its stunning cinematography and unsettling performances, particularly from the children at the movie's heart."Uncut0.2116565

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Spin (1/97, p.58) - Ranked #9 on Spin's list of the "20 Best Albums of '96."Spin (4/96, pp.107-110) - 8 (out of 10) - "...adds a fresh, woozy spin to the group's fascination with communities under stress and gives them new license to sanctify little crises of the heart with chrome-bright licks of guitar and sax. Los Lobos have the richest repertoire of any American band...and they're hidden in plain sight..."Dirty Linen (6-7/96, p.65) - "...COLOSSAL HEAD...is another powerhouse collection of their own distinct blend of roots music for the 21st century."Musician (5/96, p.93) - "...Fans of the group's more familiar, melodic pop-rock may not embrace their brave new world of funky collage music, but that's their loss. Los Lobos has managed to straddle several borders at once, from language to culture to musical genres..."Village Voice (2/25/97) - Ranked #5 in the Village Voice's 1996 Pazz & Jop Critics' Poll.0.2042475

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JazzTimes (5/96, p.68) - "...outstanding....This is a beautifully-paced CD full of fine writing and playing. Mulligan couldn't have left us a finer memorial."Musician (2/96, p.93) - "...he arrives at thoughtful tunes that challenge his cohorts and beg for further elaboration..."Village Voice (1/16/96) - Ranked #16 in the Village Voice's Best Jazz Discs of '95 - "...From mournful ecstasy to breezy cool, this essay in sustained lyricism is executed with a finesse that heightens every measure....the selections in which Mulligan, Warren Vach, and John Scofield confide in each other almost make you feel like you're evesdroping..."0.1838763

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Rolling Stone (4/4/91) - 3 Stars - Good "...Gatton is essentially a pre-rock-era guitarist...a glorious anachronism."Musician (3/91) - "Gatton isn't interesting for what he plays, so much as the way he plays it. Meaning there's little on this album that you haven't heard done a million times before, and nothing you've heard done better."0.1838534

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Down Beat (3/91) - 3.5 Stars - Good Plus "`Yuan,' meaning `to be far away,' is the work...an intimate group of Chinese musicians raised during the Cultural Revolution...The music is based on traditional songs and dances, and can be quiet and romantic or surprisingly lean and aggressive..."Musician (1/93, p.95) - "...Playing their native flutes and shens (a hand-held mouth-blown organ), Yi and Yue Guo mostly tone up Chinese traditional songs, rendered in Guo arrangements....They've got dynamite instincts for rooted instrumental music, a little flash and lots of verve..."Village Voice - A - "...formalize folk music into art music without draining its life away..."0.1827267

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