little-village,Little Village, What Will I Leave Behind, Hampton And Hampton Beach, Orquesta Nova, The Best Of Vol. 3

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Entertainment Weekly (2/21/92, p.54) - "...the music is casual and relaxed...a pleasant vacation..." - Rating: BQ (4/92, p.76) - 3 Stars - Good - "...it's always a pleasure to listen to such skilled musicians playing effortlessly off one another..."Down Beat (6/92, p.43) - 3.5 Stars - Good Plus - "...pure feel-good juice..."114.7335

$9.41
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0.1327014

$13.00
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BOOK REVIEWS COMING SOON!!!!0.1327014

$15.88
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$13.97
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Uncut (p.104) - 4 stars out of 5 -- "Morrison has never lowered the bar of expectation. Half the tracks here are collaborations, all equally pertinent to Van..."0.09952608

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37.30834

$14.40
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29.90784

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Rolling Stone (4/2/92, p.46) - 3.5 Stars - Very Good "...Amos' songs are smart, melodic and dramatic; the deeper you listen, the hotter they get... a gripping debut..."Spin (9/99, p.134) - Ranked #31 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (9/99, p.134) - Ranked #31 in Spin Magazine's "90 Greatest Albums of the '90s."Q (12/99, p.74) - Included in Q Magazine's "90 Best Albums Of The 1990s." Village Voice (3/2/93, p.5) - Ranked #36 in the Village Voice's list of the 40 Best Albums Of 1992.Q (1/93, p.68) - Included in Q's list of the 50 Best Albums Of 1992.Q (2/92, p.82) - 4 Stars - Excellent - "...[Amos can] write seemingly effortless melodies...Lyrically, she's something special: a granite-like hardness with a journalist's eye for detail and compassion..."Pitchfork (Website) - "Like Madonna, Amos put earthly passions on display not necessarily to seduce her congregation, but to empower herself -- and, by extension -- her fans."21.75497

$7.14
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Rolling Stone (10/31/02, p.136) - Ranked # 31 in Rolling Stone's "Women in Rock: The 50 Essential Albums"Rolling Stone (5/13/99, p.60) - Included in Rolling Stone's "Essential Recordings of the 90's."Spin (12/95, p.63) - Ranked #16 on Spin's list of the `20 Best Albums Of '95.'Q (10/01, p.48) - Ranked #42 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.84) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (2/96, p.66) - Included in Q's 50 Best Albums of 1995.Q (9/95, p.118) - 4 Stars - Excellent - "...Caught somewhere between Tori Amos and a souped up Liz Phair, just a few bars of the opening `All I Really Want' should be enough to convince that she really is a bit special..."Melody Maker (9/9/95, p.47) - 7 (out of 10) - "...sufficient a mixture of clean-cut looks and post-teen angst to be pop's very own Winona Ryder. Graphic enough in her lyrics, yet demographic enough in post-grunge sound to be the mainstream Liz Phair....Even more amazingly, she's quite good....if this is illusion, Alanis Morissette is mighty good at using it..."Village Voice (2/20/96) - Ranked #32 in Village Voice's 1995 Pazz & Jop Critics' Poll.21.70972

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21.69677

$13.56
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15.20315

$14.14
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3 stars out of 5 -- "The film has a winning charm....It's also great fun..." Total Film "A whimsical, humorous exploration of first love....LITTLE MANHATTAN is an engaging, lightly humorous coming-of-age portrait that manages to be affecting..." Sight and Sound13.14314

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8.158117

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Rolling Stone (4/4/91) - 3 Stars - Good "...Gatton is essentially a pre-rock-era guitarist...a glorious anachronism."Musician (3/91) - "Gatton isn't interesting for what he plays, so much as the way he plays it. Meaning there's little on this album that you haven't heard done a million times before, and nothing you've heard done better."0.1948243

$10.92
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Spin (1/97, p.58) - Ranked #9 on Spin's list of the "20 Best Albums of '96."Spin (4/96, pp.107-110) - 8 (out of 10) - "...adds a fresh, woozy spin to the group's fascination with communities under stress and gives them new license to sanctify little crises of the heart with chrome-bright licks of guitar and sax. Los Lobos have the richest repertoire of any American band...and they're hidden in plain sight..."Dirty Linen (6-7/96, p.65) - "...COLOSSAL HEAD...is another powerhouse collection of their own distinct blend of roots music for the 21st century."Musician (5/96, p.93) - "...Fans of the group's more familiar, melodic pop-rock may not embrace their brave new world of funky collage music, but that's their loss. Los Lobos has managed to straddle several borders at once, from language to culture to musical genres..."Village Voice (2/25/97) - Ranked #5 in the Village Voice's 1996 Pazz & Jop Critics' Poll.0.1849487

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JazzTimes (5/96, p.68) - "...outstanding....This is a beautifully-paced CD full of fine writing and playing. Mulligan couldn't have left us a finer memorial."Musician (2/96, p.93) - "...he arrives at thoughtful tunes that challenge his cohorts and beg for further elaboration..."Village Voice (1/16/96) - Ranked #16 in the Village Voice's Best Jazz Discs of '95 - "...From mournful ecstasy to breezy cool, this essay in sustained lyricism is executed with a finesse that heightens every measure....the selections in which Mulligan, Warren Vach, and John Scofield confide in each other almost make you feel like you're evesdroping..."0.1599719

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Dirty Linen (6-7/99, p.58) - "...a generous feast of 20 tracks of furious, charismatic, and inventive music....Csokolom are steeped in the Eastern European village music tradition, they are not afraid to tip in a bit of jazz or other influences from beyond their borders....coherent and enchanting..."0.1592669

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Q (8/95, p.122) - 4 Stars - Excellent - "...This poignant and affecting album is devoted to spirituals, hymns and folk songs, and Haden's booming sound and uncanny harmonic feel perfectly supports Jones's softly rolling chords, mixture of local-church artlessness and dignified funkiness..."JazzTimes (7-8/95, p.115) - "...all the material possesses a stately quality....The elegance brought to the reading by Jones and Haden is only overshadowed by the lustrousness of the material..."Village Voice (1/16/96) - Ranked #9 in the Village Voice's Best Jazz Discs of '95 - "...a critical and even miraculous work that says something new about the folk songs and spirituals at the foundation of African American music..."Jazziz (9/95, p.20) - "...their treatment of the material is reverant, with very little filigree. But it achieves an elegant depth, never maudlin or morose. And in Haden's wide bass tones, and Jone's clustered voicings, even darkness takes on new hues..."0.1560879

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Rolling Stone (11/14/96, p.112) - 4 Stars (out of 5) - "...Mayfield never lets his message outshine his melodic gifts. His high tenor voice is intact, and Mayfield's gospel roots still provide much of his inspiration....Mayfield brings grace and good taste to the steamy vibe of Atlanta-style '90s R&B..."Entertainment Weekly (10/4/96, p.62) - "..The mellow groove, complete with wah-wah guitar fills and purring backup vocals, may speak of decades past, but the effect is that of a needed catch-me-up with a long-absent friend....Welcome back." - Rating: B+Q (2/97, p.98) - 4 Stars (out of 5) - "...a beautiful, suitably life-affirming album. His trademark twinkling guitar is missing, but the voice is as gorgeous as ever--occasionally a little deeper than of old, but still a tool as expressive, humane and downright likable as any that's graced pop..."Vibe (11/96, p.136) - "...NEW WORLD ORDER is truly heaven sent....The effect, reminiscent of old-school Mayfield without descending into retro nostalgia, finely suits the blend of bittersweet love songs and social commentary..."Village Voice (2/25/97) - Ranked #31 in the Village Voice's 1996 Pazz & Jop Critics' Poll.Mojo (Publisher) (3/00, p.121) - "...almost unbearably poignant....The new songs are unequivocal messages of hope and he revisits earlier material like 'We The People Who Are Darker Than Blue'. It's the fondest of farewells."0.1531619

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BOOK REVIEWS COMING SOON!!!!0.1529129

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Rolling Stone (8/10/95, p.60) - "...combine[s] melodic genius and verbal intelligence with grace and ingenuity..."Entertainment Weekly (2/24-3/3/95, p.120) - "...The sublime tenor, who died [in 1994], left behind a bewilderingly mercurial catalog, ranging from neo-barbershop to Ray Charles-style soul, to kiddie ditties, to rudimentary rock. This collection takes in all that, along with chart-toppers..."- Rating: AVillage Voice (2/20/96) - Tied for #7 on the Reissues list of Village Voice's 1995 Pazz & Jop Critics' Poll.0.1455415

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Entertainment Weekly (8/18/95, p.57) - "...this languidly paced--at times hypnotic--seven-CD set includes his first versions of such classics as `Giant Steps' and `My Favorite Things'..." - Rating: B+Down Beat (11/95, p.73) - 5 Stars - Excellent - "...the sound quality...is superior to that of the original CDs....this set reintroduces to us some of improvisation's most savored zeniths. Even those listeners mildly interested in the music's depth should grasp its value after being drenched by THE HEAVYWEIGHT CHAMPION's tidal wave of ideas..."JazzTimes (3/96, p.51) - Winner in the JazzTimes Readers Poll for Best Reissue of 1995.Vibe (10/95, p.139) - "...presents some of his best and most accesible, though still adventurous, material....Discerning a few highlights from this boxed set is like determining the most brilliant gems in a mine full of diamonds..."Musician (10/95, pp.79-80) - "...document[s] his transition from...respected, albeit controversial, tenor saxophonist, to the most influential player of his generation....Coltrane's Atlantic years stand out as the period in which he consolidated his musical identity by surrounding himself with players capable of matching his incredible energy and boundless spirit."Village Voice (2/20/96) - Ranked #2 on the Reissues list of Village Voice's 1995 Pazz & Jop Critics' Poll.0.1450178

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Rolling Stone (3/21/96, p.100) - 4 Stars (out of 5) - "...this is an album of such elegant melodies and emotion that Wilson should transcend the jazz genre as easily as Alison Krauss has transcended bluegrass..."Entertainment Weekly (3/8/96, pp.62-63) - "...Treating pop songs without snobbery, unafraid to muddy the perceptions of what a jazz singer should and shouldn't do, Wilson continues her beguiling journey into pop's heart of darkness." - Rating: A-Down Beat (4/95, p.45) - 5 Stars (out of 5) - "Instant classic....A warmly inviting and authentic voice promoting multicultural roots, who imbues all she appropriates with genius far surpassing post-modern gloss, Wilson recasts the American songbook....What's so satisfying is that Wilson's realizations revivify material from within their original intent..."Musician (4/96, p.83) - "...this singer leaps out of nowhere to nail a wide interval or [to] unerringly navigate a difficult melody....NEW MOON DAUGHTER will continue to win her the big audience she deserves..."Village Voice (2/25/97) - Ranked #15 in the Village Voice's 1996 Pazz & Jop Critics' Poll.0.1271941

$10.05
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Mojo (Publisher) (1/99, p.102) - "...What in other hands might have been no more than a job lot of old mountain songs...became in Holcomb's an opaque short-story collection of Appalachian life before highways and hot dogs..."0.1250305

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JazzTimes (Jan.-Feb./93, p.74) - "...The tunes are from the bebop era and the improvising is informed by the bop tradition that produced Rodney, one of bop's finest second-generation trumpeters..."Village Voice (2/2/93, p.78) - "...the year's best purebred bop album. Garry Dial's arrangements contrive a new sheen for Dizzy, Bird, Bud and Dameron classics; the solos and spirit are dead on, in the pocket, authentic..."Stereophile (2/93, p.109) - "...Red and his band give a new feel to old classics while remaining true to the originals...THEN AND NOW has some of the best sound ever captured on a jazz recording..."0.1215704

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Rolling Stone (6/13/96, pp.85-86) - 4 Stars (out of 5) - "...a hair away from being flawless....The aural jaggedness of contemporary clubland not only perfectly complements EBTG's piercing words and aching vocals but it also burns away any residual preciousness. What's left is raw, pure and absolutely gorgeous."Spin (9/99, p.164) - Ranked #87 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/97, p.59) - Ranked #15 on Spin's list of the `20 Best Albums of '96.'Spin (7/96, p.88) - 9 (out of 10) - "...Though [Thorn's] restraint runs counter to current diva acrobatics, she's still incredibly mannered, gently nudging songs along with a personalized assortment of heys and yeahs. It's the grain of her voice...rather than her range, that is special..."Entertainment Weekly (12/27/96-1/3/97, pp.144-146) - Ranked #2 on Entertainment Weekly's list of the "Top 10 Albums And Singles Of 1996."Entertainment Weekly (5/24/96, pp.93-94) - "...provide modern pop's first corollary to the weird sounds cooked up by the early '60s' most avant-garde lounge stylists: Esquivel and Martin Denny....[EBTG] offer an ideal conduit between today's chic underground and pop fans everywhere." - Rating: AVibe (8/96, p.132) - "...Everything But The Girl continue to explore new territory...and deeper into house, jungle and trip hop..."Melody Maker (5/4/96, p.59) - Recommended - "...Personally, I always found Ben and Tracey's continual love-affair-turned-sour laments a little too drippy, too sappy for my taste, but...oh, what a little laid back drum'n'bass can do!..."Village Voice (2/25/97) - Ranked #12 in the Village Voice's 1996 Pazz & Jop Critics' Poll.Mojo (Publisher) (6/96, p.117) - "...A certain lyrical introspection on the title track...infuses deep Jungle waves and breaks with resonance and sensitivity....[WALKING WOUNDED] is a testimony to the strength of collaboration, the possibility of rejuvenation..."NME (Magazine) (5/4/96, p.56) - 6 (out of 10) - "...isn't quite the all-out conversion to gutsy house, drum'n'bass and trip-hop we had hoped for....the songs are...well-crafted and no doubt spectacularly meaningful, and Thorn's vocals as finely elegiac and deeply emotive as ever..."0.1200071

$6.61
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Rolling Stone (1/23/97, p.44) - Ranked #6 on Rolling Stone's list of the "Ten Best Albums" of 1996.Rolling Stone (11/14/96, pp.111-112) - 4 Stars (out of 5) - "...Tweedy and his band break free from the confines of the narrow Tupelo legacy by exploring the nuances of noise and atmosphere....a product of ambitious versatility, particularly in the string-band textures conjured by...Max Johnston..."Spin (11/96, pp.122-123) - 7 (out of 10) - "...trades unity in for riskier mood swings....For all his banjo-loving folksiness, he understands a simple secret: That rock'n'roll was invented to fly in the face of country's qualms...to offer a few hot little minutes of joy..."Entertainment Weekly (10/25/96, p.116) - "...Leader Jeff Tweedy's new songs--a sprawling mix of moody late-night ballads, and infectious pop-rock tunes--confront adult insecurities forthrightly and tunefully and document the maturation of a good band into a potentially great one." - Rating: AQ (1/98, p.115) - Included in Q Magazine's "50 Best Albums of 1997."Alternative Press (3/01, p.104) - Included in A.P.'s "10 Essential Alt-Country Albums" - "An eclectic, genre-shifting double-CD....BEING THERE covers much of the 1970s FM dial, yet displays consistent prowess on all stations."Magnet (p.114) - "BEING THERE is a straight-up celebration of the rock 'n' roll lifestyle."Option (11-12/96, p.89) - "...Tweedy doesn't rehash country cliches; he gets inside and makes them real....awkward but self-assured, lingering with a supreme melancholy that's offset by humor and humility and hope....doesn't so much introduce a new Wilco sound as document the process of searching for one..."Village Voice (2/25/97) - Ranked #14 in the Village Voice's 1996 Pazz & Jop Critics' Poll.NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #37 in NME's 1997 Critics' Poll.0.1040586

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Rolling Stone (10/16/97, pp.104-106) - 3.5 Stars (out of 5) - "...their strongest album to date....the songs on URBAN HYMNS are anchored by propulsive guitar rhythms and sinuous, infectious vocals....a breathtaking venture, an ambitious balance of stargazing and worldweary pathos."Entertainment Weekly (10/10/97, p.92) - "...a surprising--and stunning--comeback from Britain's shoe-gazing shamans the Verve, resurrected after two splintered years. Crooner Richard Ashcroft makes it all sound like churchworthy gospel." - Rating: B+Q (10/01, p.81) - Ranked #18 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.92) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (1/98, p.115) - Included in Q Magazine's "50 Best Albums of 1997."Q (6/00, p.69) - Ranked #58 in Q's "100 Greatest British Albums" - "...Rose to national anthem league, an appeal to a post-club generation who now use rock'n'roll as a comedown aid..."Q (7/00, p.141) - Included in Q's "The Best Male Angst Albums Of All Time"Uncut (p.108) - "[T]he most striking qualities of URBAN HYMNS now are its musical coherence and the powerfully sustained mood of melancholic stoicism."Melody Maker (12/20-27/97, pp.66-67) - Ranked #1 on Melody Maker's list of 1997's "Albums Of The Year."Melody Maker (10/4/97, p.51) - "...An album of unparalleled beauty so intent on grabbing at the strands of music's multi-hued history....all songs which sound like they've lived a little more than most."Village Voice (2/24/98) - Ranked #18 in the Village Voice's 1997 Pazz & Jop Critics' Poll.NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #3 in NME's 1997 Critics' Poll.NME (Magazine) (9/27/97, p.54) - 8 (out of 10) - "....Its sheer magnificence and spirit is such that the danger of it overwhelming anything that follows it is obvious. This, after all, is the musical signature of the year....The Verve's best album to date..."0.1040586

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Rolling Stone (5/13/99, p.74) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (9/7/95, pp.71-72) - 3.5 Stars (out of 5) - "...makes the nasty rhythms bubbling underneath his multilayered love songs seem old and new as the same time....a reminder of where R&B has been and, if the genre is to resurrect its creative relevance like a phoenix rising from the ashes, where it needs to go..."Spin (10/95, p.116) - 8 (out of 10) - "...he applies the lesson of sampling --savoring essence while still messing with meaning--in the service of soul's integrationist spirit....the true inheritor of...'70s soul men...for a...substantial reason: he's proven himself...adept in the mysteries of the groove."Entertainment Weekly (6/30-7/7/95, p.100) - "Love--both sugary sweet and delightfully nasty--is what D'Angelo's debut serves up....Husky bedroom oohs and ahhs segue effortlessly into airy, retro-styled ballads, suggesting late nights and dimmed lights." - Rating: AVibe (8/95, p.125) - "...determined to give pre-hip hop forms like blues, soul, gospel, and jazz a mid-'90s vibe....inhabits his songs from odd angles, without non-stop Vandross-style aural showmanship....Most of this important debut is a joy to listen to..."Village Voice (2/20/96) - Ranked #21 in Village Voice's 1995 Pazz & Jop Critics' Poll.Mojo (Publisher) (p.54) - Ranked #97 in Mojo's "100 Modern Classics" -- "BROWN SUGAR is a deep, dope-fuelled meditation on love, sex and betrayal..."NME (Magazine) (7/22/95, p.50) - 9 (out of 10) - "...D'Angelo's downbeat world blurs the borders..., kicking over the traces of the genre game and shrugging, demanding that you...just absorb the sultry atmosphere he sets up with his little-more-than-nothing beats and Russian doll vocals....a major, major record..."0.1040586

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0.1019419

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0.1019419

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Rolling Stone (1/25/96, p.72) - 4 Stars - Excellent - "...throughout the course of this 25-year retrospective, Wonder repeatedly demonstrates the remarkable extent to which his distinctive inner visions have been ahead of the musical curve..."Entertainment Weekly (12/1/95, p.74) - "...presents Wonder's music the way it was meant to be heard--with strings, horns, and a full R&B rhythm section..."- Rating: A-Q (2/96, p.100) - 4 Stars - Excellent - "...a triumph, an intriguing showcase of Wonder's natural brilliance as singer and songwriter..."Musician (3/96, p.92) - "...Songs that seemed contrived or inconsequential in the studio are here revealed as rich and resonantly complex..."0.0891992

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0.0891992

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Rolling Stone (10/29/92, p.69) - 3.5 Stars - Good Plus - "...It's a song older than Waits himself--older than Hank Williams, older than Robert Johnson--that Waits is chasing...Albums this rich with spiritual longing prove the validity of that effort..."Spin (12/92, p.68) - Ranked #13 in Spin's list of the `20 Best Albums Of The Year' - "...leaves you breathless in amazement that anyone could be this friggin' weird and cool...a shining collection of tunes..."Spin (11/92, p.115) - Highly Recommended - "...Waits keeps getting weirder--and better--proving that you can live life in sinful disgrace and come out somehow purer in the end..."Entertainment Weekly (9/17/92, p.65) - "...You never know when you're going to be shocked, thrilled, or just plain unnerved by some startling image or sound...As modern songwriters go, [Waits] is one of the few who does matter..." - Rating: A+Q (10/92, p.100) - 4 Stars - Excellent - "...a formidable talent who is surely the true heir to Captain Beefheart...in an era when even the fringes of cultural enterprise are becoming increasingly dominated by market pandering, his is the bravest of stances..."Alternative Press (12/92, p.75) - "...the apocalyptic howl which is Waits' strongest calling card positively bowls you over..."Dirty Linen (Apr/May 93, p.75) - "...a musical sideshow; not one full of bogus wonders, but rather, applicable sounds and images. It doesn't have to be all popsicles and icicles, you know. And Tom Waits remains oh-so valid..."Option (Nov.-Dec./92, p.151) - "...his best album ever....Waits--poignant, brilliant, and original--is beyond all comparisons..."Melody Maker (9/12/92, p.45) - "...Waits doesn't prettify, he just simplifies, as the best storytellers must...shows his roots in the spirituals of black American slaves, gospel, Leadbelly's blues and the Depression folk of Woody Guthrie...weird and wonderful..."Musician (10/92, p.99) - "...one of the most singular-sounding albums to come along in some time...BONE MACHINE should be counted among [Waits's] best efforts--deeply weird, aggressively sardonic and, at its greasy core, painfully humane..."Village Voice (3/2/93, p.5) - Ranked #9 in the Village Voice's list of the 40 Best Albums Of 1992.Stereo Review (1/93, p.88) - "...BONE MACHINE is minimalist music from hell, played on the bones of sinners and sung through the rusty, ravaged, and perhaps even channeled voice of the devil, who shovels coal through Waits's dreams..."Audio Magazine (1/93, p.150) - "...the folk music of the post-apocalypse...his most chilling and darkly humorous album to date..."0.08864419

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Rolling Stone (12/26/02, p.112) - Included in Rolling Stone's "50 Best Albums of 2002"Rolling Stone (12/26/02, p.104) - Ranked #4 in Rolling Stone's list of 2002's "10 Best Debuts"Rolling Stone (4/11/02, p.130) - 4 stars out of 5 - "...The loudest and funniest metal you've heard in ages....tossing in Axl, Slash, Queen, Aldo Nova, early Falco, late Gino Vanelli and the Village People into his own private meat grinder..."Entertainment Weekly (3/22/02, pp.107-8) - "...An unapologetic barrage of WWF-ready headbangers filtered through hedonistic hair metal...music that marks the advent of 2nd-generation '80s power metal..." - Rating: B+Q (12/01, p.128) - 4 stars out of 5 - "...Bracing, cynical, state-of-the-art fun in the spirit of Little Richard, Van Halen and The Damned..."Alternative Press (4/02, p.65) - 8 out of 10 - "...[Andrew W.K.] smashes up pop melodies, metal riffs and industrial beats with a hammer, creating something that teeters on parody yet heralds an enthusiastic return to the days when hair metal knew how to get the crowds loaded..."CMJ (4/1/2002, p.5) - "...I GET WET is a slick collection of party anthems built on towering power chords, big drums, tasty new-wave synth licks and admonitions to 'Party 'Til You Puke'....it's joyful, liberating, vital..."Mojo (Publisher) (12/01, p.112) - "...Thrilling brutality..."NME (Magazine) (12/29/01, p.59) - Ranked #9 in NME's "Albums Of The Year 2001"NME (Magazine) (11/3/01, p.32) - 8 out of 10 - "...An amazing experience...it's for people who like the smell of hot crack in the morning....It's entirely one-dimensional, but - hey, what a dimension...His sound is furious, muscular and relentless..."0.08485784

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0.08412754

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Entertainment Weekly (10/2/92, p.58) - "...the entire first disc amply displays the Wailer's early ska and rock-steady fire....there are tons of fascinating obscurities and previously unreleased cuts...a collector's wet dream..." - Rating: B+Entertainment Weekly (11/26/99, p.99) - "...a satisfying overview of one of music's greatest careers." - Rating: AQ (11/92, p.131) - 5 Stars - Indispensable - "...virtually every song is shot through with an ever-dawning sense of freedom.....his music is all a matter of spirit and that spirit was simply larger and more generous than any other contemporary musician....This set is an almost overwhelming celebration of the richness and abundance of Marley's career..."Dirty Linen (Dec./Jan. 92/93, p.53) - "...even if you already own all of the Wailers' Island recordings on CD as well as various vinyl `bootlegs' of earlier Wailers material (such as the BIRTH OF A LEGEND albums), there is still more than enough fresh material to make this a worthwhile purchase..."Melody Maker (10/10/92, p.39) - "...a treasure chest of melodic militancy almost unimaginable in these censorphobic times..."Musician (1/93, p.88) - "...Whether you seek the bedrock of Ras Bob's formidable legacy or new insights into his stylistic inventions, SONGS OF FREEDOM paints a full-length portrait that casts a gigantic shadow..."Village Voice (3/2/93, p.5) - Ranked #1 in the Village Voice's list of the 10 Best Reissues Of 1992.Stereo Review (2/93, p.120) - "...includes just about everything he did worth hearing....It's well remastered, too, and the accompanying booklet conveys the essence of the man and his accomplishments far more succinctly than any current biography..."NME (Magazine) (12/18/99, p.28) - 9 out of 10 - "...profiles the whole of Marley's musical life....It shows how [he] married fierce, brave insurrectionary lyrical statements with some of the most poignant and lovely melodies on tape....as pure and sweet and powerful as the day he sung it."0.07709989

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0.07645646

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0.06371371

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0.06371371

$14.08
(0 reviews)

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