moby,18 [Moby], Moby Stink, Peter Westergaard: Moby Dick, Everything Is Wrong [Moby], Moby Dick [9781423632047]

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Rolling Stone (5/23/02, pp.77-78) - 3.5 out of 5 stars - "...His impolitic insistence on stroking his pop-star ambitions...has been good for his music, forcing him to master the pop virutes of melody, variety and rhythmic drive..."Spin (1/03, p.72) - Ranked #29 on Spin's list of 2002's "Albums of the Year" - "...Somber like a Sunday afternoon."Entertainment Weekly (12/20-27/02, p.126) - Ranked #8 on EW's list of 2002's "Albums of the Year" - "...The tracks that merge his trademark aural wash with sensual female R&B voices from the '60s and '70s are some of the year's most rapturous music..."Q (12/02, p.66) - Included in Q Magazine's "The 50 Best Albums of 2002."Q (May 2002, p.105) - 4 out of 5 stars - "...Its music is more sensitive, its emotions more personal and...what's on offer is a closer, more inviting experience....They're songs rather than cleverly arranged loops...technically complete and emotionally raw..."Alternative Press (5/02, p.77) - 8 out 10 - "...18 makes PLAY sound like a what-if experiment in techno blues...Everything is bluesier, achier and more awestruck....Moby's contradictions give 18 its depth and forgive the extrapolation of PLAY's blueprint..."CMJ (5/13/02, p.4) - "...Moby the composer and musician emerges as an emotional lover of soul music and R&B....features a batch of diverse, uplifting and melancholy songs..."Vibe (June 2002, pp.147-148) - 3 out of 5 - "...Moby reveals a weary, wary soul on...18....setting samples of blues and gospel recordings from the '30s and '40s to a mournful, contemporary beat..."90.13771

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Rolling Stone (5/13/99, p.80) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (3/23/95, p.125) - 4 Stars - Excellent - "...Legitimate classical influence and a visceral Christian faith elevate [Moby's] art--but a solid grounding in house-trance-jungle grooves renders him capable of delicious sonic candy. Remarkable..."Spin (12/95, p.62) - Ranked #1 on Spin's list of the `20 Best Albums Of '95.'Spin (3/95, p.93) - 9 - Highly Recommended - "...suggests...how one-dimensional most techno-trance-jungle-ambient-progressive house albums can be. Moby's...major-label debut embraces all those sounds, plus elements of funk, punk, metal, industrial, blues, classical, New Age, and art rock..."Entertainment Weekly (Spring 2000, p.166) - Ranked #5 in EW's "Top 10 albums of the '90s"Entertainment Weekly (12/29/95-1/5/96, pp.131-132) - Ranked #3 on EW's Top 10 Albums Of 1995.Entertainment Weekly (3/17/95, p.88) - "...[Moby's major label] debut mixes ragamuffin raps, rapid-fire house beats, diva vocals, metal guitar, and angelic choirs, with gospel as the unlikely unifying thread. A glorious album that'll rock the techno skeptics..." - Rating: AAlternative Press (3/95, p.72) - "...Ultimately, what holds the whole package together isn't a specific sound, but a feeling of sincerity..."Musician (4/95, p.73) - "...Factor in the rich harmonies...and the lush textures...and Moby seems less a rave star than a genius who just happens to make dance music."Village Voice (2/20/96) - Ranked #3 in Village Voice's 1995 Pazz & Jop Critics' Poll.64.49428

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Rolling Stone (p.88) - 3 stars out of 5 -- "[With] songs like the gracefully oozing synth reverie 'The Broken Places'....Moby finds a way to make permanent midnight weirdly inviting."Paste (magazine) - "'Victoria Lucas' hits with a catchy beat and a delicate piano two-step slowly layered with various elements, building and culminating into something infectious."Record Collector (magazine) (p.92) - 4 stars out of 5 -- "[T]raversing time-suspending orchestral outings, sepulchral house mutants and some of those unashamedly monumental vocal anthems which'll slaughter the festivals."64.43649

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Rolling Stone (p.88) - 3 stars out of 5 -- "[With] songs like the gracefully oozing synth reverie 'The Broken Places'....Moby finds a way to make permanent midnight weirdly inviting."Paste (magazine) - "'Victoria Lucas' hits with a catchy beat and a delicate piano two-step slowly layered with various elements, building and culminating into something infectious."Record Collector (magazine) (p.92) - 4 stars out of 5 -- "[T]raversing time-suspending orchestral outings, sepulchral house mutants and some of those unashamedly monumental vocal anthems which'll slaughter the festivals."64.43649

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Rolling Stone (p.88) - 3 stars out of 5 -- "[With] songs like the gracefully oozing synth reverie 'The Broken Places'....Moby finds a way to make permanent midnight weirdly inviting."Paste (magazine) - "'Victoria Lucas' hits with a catchy beat and a delicate piano two-step slowly layered with various elements, building and culminating into something infectious."Record Collector (magazine) (p.92) - 4 stars out of 5 -- "[T]raversing time-suspending orchestral outings, sepulchral house mutants and some of those unashamedly monumental vocal anthems which'll slaughter the festivals."64.43649

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Rolling Stone (p.88) - 3 stars out of 5 -- "[With] songs like the gracefully oozing synth reverie 'The Broken Places'....Moby finds a way to make permanent midnight weirdly inviting."Paste (magazine) - "'Victoria Lucas' hits with a catchy beat and a delicate piano two-step slowly layered with various elements, building and culminating into something infectious."Record Collector (magazine) (p.92) - 4 stars out of 5 -- "[T]raversing time-suspending orchestral outings, sepulchral house mutants and some of those unashamedly monumental vocal anthems which'll slaughter the festivals."64.43649

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Rolling Stone (p.80) - 3.5 stars out of 5 -- "Instrumentals like 'Shot in the Back of the Head' billow moodily, lush arrangements glowing with Eno-style analog-synth warmth."Spin (p.92) - "[I]t's easily his loosest, most consistent work in quite a while....Emotionally wrought, even transporting."Billboard (p.28) - "Like the indelicately hard stop of the otherwise elegant album closer 'Isolate,' WAIT FOR ME continually surprises."Paste (magazine) (p.53) - "WAIT FOR ME weaves a small-scale tapestry that succeeds on the strength of many little things done well....It's a remarkable work..."Record Collector (magazine) (p.93) - 4 stars out of 5 -- "Moby has returned to gorgeous downtempo strings and melancholic synths, topped with vocals from friends on tracks such as the reflective, female-sung 'Jtlf'..."64.40759

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Rolling Stone (p.77) - 3 stars out of 5 - "[HOTEL] may be [Moby's] most personal and streamlined album yet..."Mojo (Publisher) (p.89) - 3 stars out of 5 - "[An] ultimately rewarding collection....Impeccable of influence..."51.76878

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Rolling Stone (p.77) - 3 stars out of 5 - "[HOTEL] may be [Moby's] most personal and streamlined album yet..."Mojo (Publisher) (p.89) - 3 stars out of 5 - "[An] ultimately rewarding collection....Impeccable of influence..."51.76878

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Rolling Stone (6/24/99, p.64) - 4 out of 5 - "...embraces both hip-hop syncopations and...early-twentieth-century African American folk music to create time-traveling beatbox rhythms....Moby sing-speaks, plays innumerable instruments and crafts complex soulful harmonies..."Rolling Stone (1/18/01, p.56) - 3.5 stars out of 5 - "...Continues PLAY's fusion of traditional blues with house beats and club ambience with old soul..."Spin (9/99, p.128) - Ranked #20 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (7/99, pp.125-6) - 9 (out of 10) - "...To hear an electronic dance album looking backward as intently as it dreams forward is a real-time jolt, and Moby rides the groove with a buzz reminiscent of his early, techno anthems....It's as real an image as rave,or alternative, culture has ever imagined."Entertainment Weekly (6/11/99, p.68) - "...techno imp's best album since 1995's EVERYTHING IS WRONG....setting snippets from old blues and gospel recordings to new rhythmic settings....PLAY is music that truly moves back to the future." - Rating: A-Q (10/01, p.54) - Ranked #35 in Q's "Best 50 Albums of Q's Lifetime"Q (1/00, p.84) - Included in Q Magazine's "50 Best Albums of 1999."Q (6/99, p.109) - 4 Stars (out of 5) - "...Moby's visceral use of early blues samples is at the heart of PLAY, creating achingly emotional pieces...before the choirs, liquid piano runs and swirling analogue synthesizers kick in..."Alternative Press (8/99, p.67) - 4 (out of 5) - "...pushing the [electronic music] genre in new directions....[PLAY] draws you in with its beautiful combinations of sound...."Muzik (6/99, p.86) - Stars 4 (out of 5) - "...Moby operates in his own sonic vacuum, where gospel angels ride with outlaw cowboys and b-boy wannabes, just becuase they can. Idiosyncratically brilliant, as ever..."CMJ (1/10/00, p.3) - Ranked #4 in CMJ's "Top 30 Editorial Picks [for 1999]."CMJ (5/31/99, p.5) - "...Relying heavily on vocal samples of great Southern spiritual and blues singers, he has crafted an album of uniquely affecting soul....this onetime hardcore kid has found a way to match studio grooves with gospel harmony and deep blues..."Mojo (Publisher) (1/00, p.31) - Ranked #23 in Mojo Magazine's "Best of 1999."NME (Magazine) (5/15/99, p.31) - "...PLAY encompasses hip-hop beats, funky grooves, samples of old blues hollering, big house emotionalism and slow, smoldering soul....ploughing a unique furrow in pop music, he demands your enjoyment as much as your respect."51.59542

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