morrissey,Vauxhall and I [Morrissey], The Best of Morrissey, The World of Morrissey [093624587927], Night Train [Bill Morrissey (Folk)], The String Quartet Tribute to Morrissey

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Rolling Stone (4/7/94, p.73) - 3.5 Stars out of 5 - "...for all the disturbing images, VAUXHALL is incredibly accessible pop...straightforward music fit to convey the complex dynamics of depression...."Spin (3/94, p.87) - "...Delicate acoustic textures weave through haunting drones and synthesized strings...Although the draggy tempos and lush settings make VAUXHALL sound unbecomingly mellow on the surface, Morrissey does his best to get on your nerves..."Entertainment Weekly (3/25/94, p.54) - "...A fantasy date with Britain's most ironic and monkish pop star..." - Rating: A-Q (12/99, p.82) - Included in Q Magazine's "90 Best Albums Of The 1990s."Option (8/94, p.114) - "...a collection of competent, appealing pop tunes..."Musician (4/94, p.87) - "...Don't laugh, but Morrissey is still in a funk...Morrissey comes across most effectively when he quits trying to be clever and speaks plainly...Here you get the singular Morrissey experience, those weirdly disarming ruminations by someone who seems to be both guileless and yet in a permanent snit..."Mojo (Publisher) (p.58) - Ranked #63 in Mojo's "100 Modern Classics" -- "It remains his most complete work to date."NME (Magazine) (12/24/94, p.23) - Ranked #26 in NME's list of the `Top 50 Albums Of 1994.'73.79259

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Rolling Stone (4/6/95, pp.60-61) - 3.5 Stars - Very Good - "...Fourteen recent singles, B sides and live tracks, WORLD OF MORRISSEY unveils the lad in all his prickly glory..."59.14466

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Rolling Stone (11/11/93, p.74) - 4 Stars - Excellent - "...Morrissey's songs [on NIGHT TRAIN] capture the stark, hardscrabble milieus of a subterranean New England culture..."Entertainment Weekly (9/24/93, p.94) - "...Morrissey's creaky voice is the perfect instrument to tell these proud losers' tales. Put simply, he is the best folk songwriter working today..." - Rating: AStereo Review (4/94, p.98) - "...The testosterone-heavy voice of New England folkie Bill Morrissey is nothing short of compelling, even when his songs bland out..."59.14105

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Rolling Stone (11/11/93, p.74) - 3.5 Stars - Good Plus - "...FRIENDS OF MINE is an example of prolific songwriters replenishing the muse by digging deep into the folk, blues, roots-rock and country-music archives..."58.79278

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Dirty Linen (p.60) - "With a voice that one could believe was that of an ancient Delta blues singer instead of a comparatively young man, he is backed on this collection - which spans nearly 20 years - by some of folk's best musicians, including Suzanne Vega, Patty Larkin, John Jennings and the late Johnny Cunningham."44.09459

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BOOK REVIEWS COMING SOON!!!!36.74549

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Magnet (p.96) - "[With] moments of subtle, skillful, Smiths-riffing. But where Morrissey wore his band's melancholy as a noose, Geller dons it like an ascot meant only accessorize."0.4021496

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Rolling Stone (p.62) - 3.5 stars out of 5 -- "[V]eteran glam-rock producer Tony Visconti helps Morrissey achieve the delicious sensuality of early T. Rex and David Bowie..."Entertainment Weekly (p.60) - "[The album] feels more like an elegiac memoir. Harrowingly beautiful violins abound..." -- Grade: BQ (p.121) - Ranked #47 in Q Magazine's "100 Greatest Albums of 2006" -- "Unusually for the notoriously distant observer of modern life, getting physical was the main preoccupation."Uncut (p.94) - 3 stars out of 5 -- "Morrissey is quite consistent..."Magnet (p.105) - "Morrissey regains his knack for conversational hooks and his wry, literate sense of humor....The songs are brisk and effortless, wedding glam theatricality to the lad-mag Vespa aesthetic of Morrissey's strongest work."Mojo (Publisher) (p.p.89) - 4 stars out of 5 -- "ROTT is possibly his most ecumenical solo album, his most welcoming and loveable."0.3518808

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Uncut (p.120) - 3 stars out of 5 -- "This new best-of rounds up the best of that heyday while bringing us up to date with the Morrissey-penned 'Let Me Kiss You'..."0.3518808

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Entertainment Weekly (4/5/91) - "..Morrissey's songs play to the deep- buried part of all of us that, despite our relationships, must always be alone, and he embraces isolation with warmth and even a strange sense of joy...Morrissey's misery makes glorious company..." - Rating: A-NME (Magazine) (3/22/91) - 8 - Excellent - "...a collection of songs that are both very good and like nothing much else in pop...bodes immensely well for the future, not least because this is the first Morrissey album where half the songs are about someone other than himself..."0.3482717

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Entertainment Weekly (4/26/96, p.59) - "...For a guy who's never relied much on emotion, Strait finally sounds like he's living his lyrics." - Rating: AQ (8/96, p.128) - 3 Stars - Good - "...Tuneful like Garth Brooks but a little more down-home,...and equally capable of being melancholic like Dwight Yokum,...Strait is your country all rounder....when it comes to manly melancholia, country fans still have no need of Morrissey."0.2513435

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Alternative Press (7/95, p.102) - Ranked # 84 in AP's list of the `Top 99 of '85-'95' - "...synths and drum machines form the perfect carpet for Neil Tennant's funny and intelligent lyrics to walk over. As fey as Morrissey, but with a yearning to be Bertolt Brecht, they really did paint a true picture of England in the mid '80s....Dance music for people who couldn't dance, and had no interests in trying..."Alternative Press (7/95, p.102) - Ranked # 84 in AP's list of the `Top 99 of '85-'95' - "...synths and drum machines form the perfect carpet for Neil Tennant's funny and intelligent lyrics to walk over. As fey as Morrissey, but with a yearning to be Bertolt Brecht, they really did paint a true picture of England in the mid '80s....Dance music for people who couldn't dance, and had no interests in trying..."0.2488173

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Rolling Stone - 3.5 Stars - Very goodQ (3/02, p.138) - 3 stars out of 5 - "...Contains his career-high singles, the fractious 'Suedehead' and steam-age melancholia of 'Everyday Is Like Sunday'..."Q (Magazine) (p.112) - 3 stars out of 5 -- "[N]o fiddling about can mask VIVA HATE's transitional quality, at times touched by rare grace..."Mojo (Publisher) (p.101) - 4 stars out of 5 -- "Vini Reilly's guitars are sublime -- and it's fascinating to hear Morrissey, still in his twenties, looking back on his pre-Smiths days..."0.2010748

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Rolling Stone (11/89) - Ranked #22 in Rolling Stone's `100 Best Albums of The Eighties' survey.Spin (p.108) - "[Morrissey] understands the essence of attractive mopiness: Imply, never explain."Q (12/93, p.139) - 4 Stars - Excellent - "...THE SMITHS gleefully introduced the arts to each other, drawing up party invites that sat Tony Richardson, Dusty Springfield and John Renbourne at the same table..."NME (Magazine) (9/25/93, p.19) - Ranked #24 among The 50 Greatest Albums Of The '80s.NME (Magazine) (10/2/93, p.29) - Ranked #72 in NME's list of the `Greatest Albums Of All Time.'0.2010748

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Rolling Stone (p.80) - 3.5 stars out of 5 -- "Patrick Wolf has gotten twice as good with every album, and he's already up to his third....Wolf's joy is contagious..."Spin (p.91) - 3 stars out of 5 -- "[A]ll colors, twinkles, and buzzes...there's hardly anything he can't twist into polymorphous eroticism."Magnet (p.112) - "Wolf plays to his strengths on THE MAGIC POSITION: classical structures, Broadway-caliber staging and a resounding rich singing voice."CMJ (p.39) - "[T]he most electrifying instrument laid to tape here is Wolf's theatrical croon, which shape-shifts between Morrissey's emotive falsetto and Dave Gahan's dangerously sexy baritone."0.2010748

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Rolling Stone (7/5/01, p.138) - 3.5 out of 5 stars - "...An affectionate and agreeable collection....going down as easily as Southern Comfort..."Entertainment Weekly (8/17/01, p.73) - "...A quasi-star-studded, rich salute to the blues..." - Rating: B+CMJ (8/01, p.76) - "...Populated by artists who learned directly under the guiding hand of the honoree..."Down Beat (8/01, pp.65-6) - 4 stars out of 5 - "...The bedrock simplicity at the heart of Hurt's tunes is what makes this 15-song hat-tip such a successful venture..."Living Blues (9-10/01, pp.70-1) - "...Those intrigued by the possibilities offered by Hurt's music in a variety of settings will find this a fitting tribute..."No Depression (7-8/01, p.129) - "...The best of these performances make you fall in love with Hurt like it was the first time..."Mojo (Publisher) (1/02, p.69) - Included in Mojo's "Best Americana of 2001".Mojo (Publisher) (9/01, p.97) - "...No showcasing, just understated, and 'right'..."0.1801556

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Rolling Stone (p.126) - 4 stars out of 5 -- "Fiasco reflects on the personal and the political, and reminds fans of everything hip-hop can be. It's full of surprising, creative moments..."Rolling Stone (p.104) - Ranked #16 in Rolling Stone's "The Top 50 Albums Of 2006" -- "Fiasco's debut is smart, ballsy hip-hop both backpackers and Jay-Z fans can love."Spin (p.59) - Ranked #20 in Spin's "The 40 Best Albums of 2006" -- "[H]e's the hip-hop Morrissey, which is exactly what the genre needs."Entertainment Weekly (p.71) - "[The songs] show a young man reaching for the sky, and touching it often enough." -- Grade: B+XXL (Magazine) (p.140) - "Lyrically dense with a strong moral undercurrent, the album delivered on Lupe's promise of thinking-man's hip-hop..."0.1759404

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"...There are many fine performances and sensitive moral issues contained in [THE VERDICT]..." Variety "...Newman delivers....A clever, suspenseful, entertaining movie..." New York Times "...One of the most gripping courtroom dramas ever made..." USA Today 3 stars out of 5 -- "[The film] features a typically engaging performance from Newman..."Ultimate DVD 4 stars out of 5 - "[T]he bulk of the heavy dramatic lifting...is in the play of emotions across Newman's craggy features. Few other stars have ever had the guts to sink to this whisky-soaked low."Total Film "One of Lumet's best films, this David Mamet-scripted courtroom drama combines the liberal humanism found in the director's earlier 12 ANGRY MEN with a barbed, satirical edge."Sight and Sound0.1544191

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Sing Out! (11-12/94-1/95, p.127) - "...Here you will find lots and lots of fingerpickin' guitarists with husky earnest voices..."0.1544191

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Spin (2/91) - "...It makes an uplifting whole, as album tracks, the songs flatter one another...All the things he used to condemn in the early, boring days of the Smiths, sex, dancing, cigarettes, eating, political conviction, videos, are a hoot for him on BONA DRAG..."Melody Maker - "Much of the actual content of the record suggests an artist in rude creative health....He's totally alien to the blissed-out slack-jawed baggy mood of the moment, and all the more invaluable because of it."Mojo (Publisher) (p.120) - 4 stars out of 5 -- "Great tunes, provocation, dark humour and glass-half-empty-emotional dereliction -- British pop seldom came any better than this."NME (Magazine) - "...this record achieves everything it sets out to do..."Record Collector (magazine) (p.88) - 3 stars out of 5 -- "[With] extended and embryonic versions of tracks, and a back room mentality that shows Morrissey really was a creative powerhouse in the late 80s."Uncut (magazine) (p.94) - 4 stars out of 5 -- "The pick of the bunch is 'Lifeguard On Duty'. It's wry, funny and serious.."0.1508061

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Rolling Stone (11/13/03, p.97) - 4 stars out of 5 - "...[LOGIC...] is a stunner, a rush of shoegazer guitars and suave loverboy angst. They expand on the Eighties guitar-synth chemistry of bands such as the Cure or the Comsat Angels for a sound that could pass for [a] lost New Order album..."Entertainment Weekly (10/24/03, p.104) - "...The Stills succeed at distilling their influences [the Chameleons, House of Love, and Echo and the Bunnymen] into an inviting update." - Rating: BQ (3/04, p.112) - 4 stars out of 5 - "Singer Tim Fletcher adds his swooping voice to Dave Hamelin's songs to astonishingly moving effect."CMJ (11/3/03, p.8) - "...Marked by enviably creative arrangements, hyper-enveloping guitar textures and some of the smoothest vocals this side of Morrissey, LOGIC WILL BREAK YOUR HEART [is] one of the defining moments of exactly what this whole new wave revival has been leading up to..."zMojo (Publisher) (3/04, pp.106-7) - 4 stars out of 5 - "Donnie Darko - and you - will adore them."0.1508061

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Rolling Stone (12/25/03, p.105) - Included in Rolling Stone's "50 Best Albums of 2003"Rolling Stone (8/21/03, p.72) - 4 stars out of 5 - "...Easily the toughest, most assured music he's ever made....The songs are intimate, sincere, complex, not too slow, dipping deep into Seventies soft rock and Eighties hardcore punk with Carrabba's whisper-scream-whisper voice..."Rolling Stone (12/25/03, p.105) - Included in Rolling Stone's "50 Best Albums of 2003"Rolling Stone (8/21/03, p.72) - 4 stars out of 5 - "...Easily the toughest, most assured music he's ever made....The songs are intimate, sincere, complex, not too slow, dipping deep into Seventies soft rock and Eighties hardcore punk with Carrabba's whisper-scream-whisper voice..."Spin (9/03, pp.107-8) - "This is a glossy, fun album, the work of a fellow who's discovered that the limelight suits him just fine....Carrabba remains remarkably fluent in the language of teen heartbreak..." - Rating: B+Spin (9/03, pp.107-8) - "This is a glossy, fun album, the work of a fellow who's discovered that the limelight suits him just fine....Carrabba remains remarkably fluent in the language of teen heartbreak..." - Rating: B+Entertainment Weekly (8/15/03, p.77) - "...Expands the parameters of the band's earlier acoustic-based sound, with the addition of electric guitars and more complex drumming enhancing frontman Chris Carrabba's emo-lite songcraft..." - Rating: B+Entertainment Weekly (8/15/03, p.77) - "...Expands the parameters of the band's earlier acoustic-based sound, with the addition of electric guitars and more complex drumming enhancing frontman Chris Carrabba's emo-lite songcraft..." - Rating: B+Q (11/03, p.107) - 4 stars out of 5 - "...He's both the poster boy and Morrissey of emo, with a no-nonsense lyricism that parallels Springsteen for emotional candour..."Q (11/03, p.107) - 4 stars out of 5 - "...He's both the poster boy and Morrissey of emo, with a no-nonsense lyricism that parallels Springsteen for emotional candour..."0.1421813

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Rolling Stone (12/25/03, p.105) - Included in Rolling Stone's "50 Best Albums of 2003"Rolling Stone (8/21/03, p.72) - 4 stars out of 5 - "...Easily the toughest, most assured music he's ever made....The songs are intimate, sincere, complex, not too slow, dipping deep into Seventies soft rock and Eighties hardcore punk with Carrabba's whisper-scream-whisper voice..."Rolling Stone (12/25/03, p.105) - Included in Rolling Stone's "50 Best Albums of 2003"Rolling Stone (8/21/03, p.72) - 4 stars out of 5 - "...Easily the toughest, most assured music he's ever made....The songs are intimate, sincere, complex, not too slow, dipping deep into Seventies soft rock and Eighties hardcore punk with Carrabba's whisper-scream-whisper voice..."Spin (9/03, pp.107-8) - "This is a glossy, fun album, the work of a fellow who's discovered that the limelight suits him just fine....Carrabba remains remarkably fluent in the language of teen heartbreak..." - Rating: B+Spin (9/03, pp.107-8) - "This is a glossy, fun album, the work of a fellow who's discovered that the limelight suits him just fine....Carrabba remains remarkably fluent in the language of teen heartbreak..." - Rating: B+Entertainment Weekly (8/15/03, p.77) - "...Expands the parameters of the band's earlier acoustic-based sound, with the addition of electric guitars and more complex drumming enhancing frontman Chris Carrabba's emo-lite songcraft..." - Rating: B+Entertainment Weekly (8/15/03, p.77) - "...Expands the parameters of the band's earlier acoustic-based sound, with the addition of electric guitars and more complex drumming enhancing frontman Chris Carrabba's emo-lite songcraft..." - Rating: B+Q (11/03, p.107) - 4 stars out of 5 - "...He's both the poster boy and Morrissey of emo, with a no-nonsense lyricism that parallels Springsteen for emotional candour..."Q (11/03, p.107) - 4 stars out of 5 - "...He's both the poster boy and Morrissey of emo, with a no-nonsense lyricism that parallels Springsteen for emotional candour..."0.1421813

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Rolling Stone (4/17/03, p.109) - 5 stars out of 5 - "...One of the funniest rock albums ever..."Q (6/00, p.76) - Ranked #27 in Q's "100 Greatest British Albums"Q (12/93, p.139) - 5 Stars - Indispensible - "...The Smiths' best album....an extraordinary record..."Alternative Press (8/01, p.112) - Included in AP's "10 Essential '80s Albums".Alternative Press (7/95, p.75) - Ranked #2 in AP's list of the `Top 99 Of '85-'95' - "...THE QUEEN IS DEAD remains today a passionate carpet-bombing of every stuffy, phony inch of the English earth....Like Tennessee Williams' best drama, it's...about the defense of innocence, about drag queens coming out of the closet only to face a prickly, heartless and heartlessly boring world..."CMJ (1/5/04, p.18) - Ranked #2 in CMJ's "Top 20 Most-Played Albums of 1986"NME (Magazine) (9/25/93, p.18) - Ranked #2 among the `50 Greatest Albums Of The 80s' - "...Neither before nor after have Morrissey and Marr come close to making such an ambitious, consistent, touching and witty album..."NME (Magazine) (10/2/93, p.29) - Ranked #10 in NME's list of the `Greatest Albums Of All Time.'0.1256717

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Q (May 2002, p.124) - 4 out of 5 stars - "...Celebrating the proud 30-year history of Alison Krauss's home label, Rounder....a great introduction..."Mojo (Publisher) (7/02, p.118) - "...For non-beginners...ROOTS is intriguing, with less familiar artists and a broad musical sweep..."0.07720954

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