neil-young,Neil Young: Le Noise, Neil Young (9781423490852), Mirror Ball [Neil Young], Harvest [Neil Young] [075992723923], Neil Young [075992744423]

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Billboard (p.60) - "[T]he eight songs are layered in sustained distortion and electronic effects and feature heavy delays on Young's recognizable tenor."Mojo (Publisher) (p.52) - Ranked #31 in Mojo's "The 50 Best Albums Of 2010" -- "[M]ostly electric, always raging, LE NOISE delivers ghostly resonance and cathartic thrills..."Uncut (magazine) (p.78) - 5 stars out of 5 -- "[T]he guitar sounds engineered here by Young and Lanois are astonishing, almost terrifying at times in their elemental beauty..."Uncut (magazine) (p.37) - Ranked #2 in Uncut's "The 50 Best Albums Of 2010" -- "[A] solo guitar album, recorded intimately but given reverberant scale by Daniel Lanois."144.4763

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Rolling Stone (1/25/96, p.41) - Ranked #6 in the 1996 Critics' Poll.Spin (9/95, p.109) - 8 - Very Good - "...Young, like today's grunge kids, has always seen anomie as sufficient unto itself....MIRROR BALL...suggests another parallel: Sometimes it's easier to string together some...power chords and a few forlorn references to religion, fame and suicide than to actually write songs. And sometimes that's just fine..."Entertainment Weekly (6/30-7/7/95, pp.96-97) - "...mostly three-chord stompers, and Pearl Jam seems content to kick out the jams behind him....aims for that anthemic mode of the Neil Young of old, and despite a few muddled chords and even more muddled lyrics, the collaborative magic works..." - Rating: A-Q (8/95, p.128) - 3 Stars - Good - "...a rough and ready collection of Young songs, alive with studio ambience and, well, grungy..."Melody Maker (6/17/95, p.37) - Recommended - "...VS. meets ON THE BEACH at ARC/WELD volume....What gets you first is the throb--the mantra-like whack of the hooks and the circular propulsion of the chord progressions....these aren't conventional songs, they're thunderclap soliloquies, raw grooves set to telegraphic narratives..."Musician (9/95, pp.85-86) - "...Part of what makes MIRROR BALL so moving is [a] sense of being unstuck in time, not so much musically--though the combination of Pearl Jam's uncompromised attack with Young's folk melodicism...suggests the spanning of generations--but by Young's vision..."Village Voice (2/20/96) - Ranked #5 in Village Voice's 1995 Pazz & Jop Critics' Poll.NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #41 in NME's 'Top 50 Albums Of The Year' for 1995.NME (Magazine) (6/24/95, p.56) - 9 (out of 10) - "...as shabby, as unrehearsed, as rugged and raw as anything he's released. But it is another fine Neil Young album....the record's sound is...big, woolly, live and booming..."94.20805

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Rolling Stone (12/11/03, p.114) - Ranked #78 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Americana - steel, guitar, slide guitar, banjo - stripped down and rebuilt with every jagged edge exposed..."Q (7/00, p.141) - Included in Q's "The Best Male Angst Albums Of All Time" - "...The showcase for [his] most affecting artistic devices..."Mojo (Publisher) (11/01, p.150) - "...If he was laid-back at this time it was simply because spinal surgery had made him literally so..."NME (Magazine) (10/2/93, p.29) - Ranked #60 in NME's list of the 'Greatest Albums Of All Time.'NME (Magazine) (9/18/93, p.19) - Ranked #22 in NME's list of the 'Greatest Albums Of The '70s.'94.01883

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Q (4/02, p.142) - "...It's definitely the sound of an artist struggling to find his way..."94.01883

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Spin (12/91) - Highly Recommended "..unfurls like a big black parachute.."93.07389

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Uncut (p.98) - 5 stars out of 5 - "Deep, warm, fully rounded and with no slack, PRAIRIE WIND is Neil at his best."Mojo (Publisher) (p.61) - Ranked #31 in Mojo's "The 50 Best Albums Of 2005" - "Young's twilight masterpiece..."Mojo (Publisher) (p.97) - 3 stars out of 5 - "[With] Young often immersed in reflections on his family relationships....Strong and tremulous. The core of Neil Young's neilyoungness..."75.54955

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Uncut (p.98) - 5 stars out of 5 - "Deep, warm, fully rounded and with no slack, PRAIRIE WIND is Neil at his best."Mojo (Publisher) (p.61) - Ranked #31 in Mojo's "The 50 Best Albums Of 2005" - "Young's twilight masterpiece..."Mojo (Publisher) (p.97) - 3 stars out of 5 - "[With] Young often immersed in reflections on his family relationships....Strong and tremulous. The core of Neil Young's neilyoungness..."75.54955

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Rolling Stone (8/19/93, p.76) - 3 Stars - Good - "...Young flashes both sides of his musical personality: the earnest folkie and the edgy heretic....the music has the relaxed aura of a friendly folkside folk sing..."Entertainment Weekly (6/18/93, p.57) - "...while many of these songs sound like earlier versions, there are thrilling exceptions: 'Helpless' takes on a gospel longing, and 'Mr. Soul' becomes a despondent dirge..." - Rating: BQ (1/94, p.83) - Included in Q's list of 'The 50 Best Albums Of 1993' - "...a spellbinding hour's music...."Q (7/93, p.98) - 5 Stars - Indispensible - "...Just when Unplugged ought to be running out of steam, Neil Young has taken the measure of its possibilities, picked exactly the right balance of material and put one over on everybody who's been there before, including Clapton and Springsteen..."Q (8/93, p.131) - 4 Stars - Excellent - "...[a] willingness to re-mold songs by means of unusual instrumentation...marks out this show as probably the best in MTV's UNPLUGGED series..."Mojo (Publisher) (11/01, p.151) - "...Young confidently recasts 'Transformer Man', 'Like a Hurricane' and other classics. The nearest thing to a career-spanning retrospective, and probably the best place for a novice to start."NME (Magazine) (12/25/93, p.67) - Ranked #26 in New Musical Express' list of 'The Top 50 LPs Of 1993' - "...old faves and obscurities from as far back as '69, made quietly reflective with guitar, harmonium and Neil's prarie dog howl. A negative image of the stormy ARC WELD...."75.38231

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Rolling Stone (11/89) - 5 Stars - Ranked #85 in Rolling Stone's 100 Best Albums Of The 80's survey.Q (4/02, p.141) - "...FREEDOM hit harder than anything Young had recorded in a decade [the '80s]..."75.21507

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Rolling Stone (8/8/96, p.58) - 3 Stars (out of 5) - "...BROKEN ARROW has the same tossed-off feel as HAWKS AND DOVES or RE*ACT*OR, as if Young took the eight tracks he'd been reviewing one particular day and decided they would be his new album....there's a detectable level of comfort in the playing, of moves learned and responses expected..."Entertainment Weekly (7/12/96, p.58) - "...as the album simmers down and the full effect of his alternately world-weary and dreamy imagery kicks in, you get a better idea of the hard-rocking evanescence he's going for..."- Rating: BQ (8/96, p.122) - 4 Stars (out of 5) - "...verses are short and solos are long, riffs end in sonic pile-ups of feedback, and there is at least one tune where the ghost of Hank Williams is pumped full of steroids and sent staggering blank-eyed and drooling across the fields....top stuff..."Musician (9/96, p.86) - "...Charming, loopy, slightly dark-hued, and exhibiting pronounced symptoms of musical schizophrenia,...[BROKEN ARROW] is a warm return to various forms and formats....the reappearance of Crazy Horse is especially welcome....Young is at his most mercurial..."75.21507

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The Wire (p.48) - "[A] fine example of how resourceful and inventive a musician Young can be, given ample inspiration and room to manoeuvre. DEAD MAN was entirely improvised in real time..."Melody Maker (4/6/96, p.37) - "...Listening to it is an odd sensation. Young has created a rumbling, harrowing noise that makes you want to use the phrase 'distant thunder' without it sounding like a cliche....When Depp reads [William Blake's poetry] you feel awed and excited....he is both moved and moving..."NME (Magazine) (3/2/96, p.49) - 7 (out of 10) - "...Young is crackling like a campfire primed with gelignite. Occasionally, the urge to explode and explore is too great and, pump-organ at the ready, Young tramples all in his path with...a fistful of feedback....Encouraged by Young's...solemn scratchings, Blake's apocalyptic visions set up home in Jarmusch's weirdsville west..."75.21507

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Rolling Stone (1/4/01, p.118) - Included in Rolling Stone's "Top 50 Albums of 2000".Rolling Stone (5/11/00, pp.127-8) - 4.5 stars out of 5 - "...Neil Young is at his hushed, acoustic best: simple, romantic, direct....It details, with glistening realism, the peaks and valleys that make true love an eternal work in progress..."Spin (6/00, p.153) - 7 out of 10 - "...This is the homespun, acoustic Neil Young...he hasn't sounded as lucid, or as confident, in years....a precise, light-handed record that feels like warm wind on the back of your neck..."Q (1/01, p.94) - Included in Q's "50 Best Albums of 2000".Q (6/00, pp.100-1) - 4 stars out of 5 - "...A wonderfully affecting record....an album about love. Love and...nostalgia..."The Wire (6/00, p.59) - "...Introverted [and] acoustic....[he] elected to don a mask of extreme mellowness..."CMJ (5/1/00, p.25) - "...[Young] wistfully gazes back at his past for inspiration....marked by faint whiffs of breezy pedal steel, organ and dobro....unabashed sentimentality and joy."Melody Maker (5/9/00, p.50) - 3.5 stars out of 5 - "...Sees him going all acoustic again, proving it's better to fade away than burn out..."No Depression (5-6/00, p.109) - "...Swift, smooth numbers focussing on a single ambitious theme: reconnecting with the lost moments, recapturing the texture of lost loves and missed chances, and doing it well and real enough...to provide new energy. That's quintessential Young..."Mojo (Publisher) (5/00, pp.84-5) - "...The album has really just one mood: comfortable. An untroubled feeling of effortlessness and ease....a mellow tender, easy album..."NME (Magazine) (4/22/00, p.39) - 7 out of 10 - "...Gently acoustic, peacefully steeped in nostalgia and remembrance, it generates a warm glow of grace....a pleasant stroll in an autumn sunset..."66.04969

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Rolling Stone (11/26/92, p.71) - 4 Stars - Excellent - "...sounds like the calm after the storm, with a hushed musical landscape at times populated only by a ghostly harmonica, a few spooky bass lines and Young's cracked tenor...within these spare settings, Young's search for shelter from the storm resonates like a heartbeat..."Spin (12/92, p.89) - Highly Recommended - "...HARVEST MOON is all strummed acoustic chords, scenic choral overdubs, melodies cruising smooth as an air-conditioned limo on a two-lane blacktop. Underneath the tranquility and cosmic platitudes, there's a human highway..."Entertainment Weekly (11/13/92, p.78) - "...In both music and tone, HARVEST MOON is wistful and elegiac....it's the classic-rock equivalent of a late-period Sinatra saloon-song album....comfortable, reassuring, and proudly old wave..." - Rating: B+Q (12/99, p.74) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (1/93, p.69) - Included in Q's list of the 50 Best Albums Of 1992.Q (12/92, p.141) - 4 Stars - Excellent - "...he has surrounded his meditations in some of his simplest, most gorgeous melodies in years..."Musician (12/92, p.93) - "...this unadorned folk music exudes real weight....Young at his best..."Village Voice (3/2/93, p.5) - Ranked #17 in the Village Voice's list of the 40 Best Albums Of 1992.Audio Magazine (2/93, p.92) - Sound: B / Performance: A- - "...simple and subtle..."Vox (12/92, p.62) - 10 - Classic - "...Though essentially a warm, emotional album, it doesn't flinch from a realization that innocent idealism is no longer a viable commodity on mankind's futures market...HARVEST MOON may be the best work he's ever done..."(3/93, p.52) - "...HARVEST MOON has the same haunted sound as its predecessor....vintage Neil Young..."Mojo (Publisher) (11/01, p.151) - "...It's a more mature, contented record, with a good deal of gentle nostalgia..."65.94698

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Q (10/00, p.155) - Included in Q's "Best Best Of... Albums Of All Time"Q (8/93, p.107) - 4 Stars - Excellent - "...reaching back to his Buffalo Springfield days, it has many of his finest [and] nothing that wastes space..."65.81318

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Rolling Stone (p.84) - 4 stars out of 5 -- "[T]here is a striking vigor to Young's high, eccentric singing -- and a surprising nostalgia in the fond references to his homeland in 'Helpless'..."Entertainment Weekly (p.68) - "[Some tracks] benefit from the simplicity of the setting: 'A Man Needs a Maid', for one, comes to life without all of the studio version's orchestral gloop."No Depression (p.104) - "The brief but pointed renditions of 'Cowgirl In The Sand' and 'Down By The River' included here have more emotional heft than the amped up, anthemic renditions on the Fillmore set."50.45747

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Rolling Stone (p.130) - 4 stars out of 5 -- "The guitar interplay between Young and original Crazy Horse guitarist Danny Whitten is breathtakingly sharp..."Rolling Stone (p.110) - Ranked #2 in Rolling Stone's "The Top 10 Reissues Of 2006" -- "'Cowgirl in the Sand' is stuttering fuzz-guitar ecstasy."Spin (p.83) - 4 stars out of 5 -- "[O]n the 14-minute 'Cowgirl in the Sand,' everyone is immortal."Entertainment Weekly (p.109) - "[The album] finds him in March 1970, transforming the twang of his second solo LP into a string-scraping squall." -- Grade: B+Q (p.146) - "Live At The Fillmore East finds Young and Crazy Horse in fine form. As ever, Young's plaintive voice is set against the band's rolling thunder..."CMJ (p.43) - "[T]his backwards glance features original Crazy Horse guitarist Danny Whitten....[A] significant piece of history..."Dirty Linen (p.43) - "[The album] rocks hard, and after almost 36 years still sounds fresh and contemporary."40.77579

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Uncut (p.107) - 4 stars out of 5 -- "Band Of Horses specialise in melodic melancholy with a sheen of hope. Bridwell's plaintive voice lends the songs a shade of Neil Young."0.4682718

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Record Collector (magazine) (p.102) - 4 stars out of 5 -- "[P]ure genius....[With] astonishing renditions of Neil Young's 'Southern Man' and Bill Withers' 'Grandma's Hands.'"0.4682718

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Q (8/93, p.107) - 5 Stars - Indispensable - "...LIVE RUST really captures the essence of Neil Young, from aching fragility to the overwhelming power he can release in love or rage..."Mojo (Publisher) (11/01, p.151) - "...Essential....equal parts noise and poignancy..."0.4013758

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Entertainment Weekly (10/1/93, p.52) - "...an old-wave singer-songwriter, Miller writes stern, earnest folk ballads and plays thumpy acoustic guitar and harmonica like Neil Young...beneath the placid surfaces, though, Miller is peeved..." - Rating: B0.4013758

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Uncut (p.136) - 4 stars out of 5 - "[F]or anyone in love with the intersection of pop, folk and incipient psychedelia represented by The Monkees, Moby Grape and Buffalo Springfield, it's revelatory."Mojo (Publisher) (p.128) - 3 stars out of 5 - "[P]retty worthwhile. On the better cuts you feel like you've stumbled into some lost Neil Young and Stephen Stills songs from the Buffalo Springfield days..."0.3344798

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The Wire (5/03, p.59) - "...It's a very nice slab of pan-generic, lo-fi, yearn-pop....There's something interesting going on..."CMJ (04/14/03, p.9) - "...A potent cocktail of sweet indie pop that takes cues from the Beach Boys, Neil Young, Motown, Creedence Clearwater Revival and even Dinosaur Jr...."0.3344798

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Entertainment Weekly (11/14/03, p.127) - "...Full of pleasant surprises....stokes of inspiration abound..." - Rating: B+Q (12/03, p.144) - 4 stars out of 5 - "...[With] a brilliantly drunk cover of Television Personalities' 'Part-Time Punks' by Jeffrey Lewis..."Mojo (Publisher) (12/03, p.106) - 4 stars out of 5 - "STOP ME...'s a keeper, as generous and enjoyable as THE BRIDGE tribute to Neil Young."0.3344798

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Spin (11/92, p.117) - Recommended - "...a kinder, gentler album...a worthy follow-up to PILLS N' THRILLS AND BELLYACHES...It still tastes great..."Q (7/00, p.141) - Included in Q's "The Best Male Angst Albums Of All Time"Q (10/92, p.80) - 4 Stars - Excellent - "...a clutch of cuts that restore your faith in all things grubby, grinning and gleeful...shafts of Hammond, stabs of guitar and exhilarating, chaotic cacophony..."NME (Magazine) (10/10/92, p.39) - "...the joyrider's equivalent to Neil Young's TONIGHT'S THE NIGHT--one of those awful black records to turn to when you're feeling at your most morbid..."0.2675839

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Rolling Stone (4/29/71, p.42) - "...This album, if you've even the tiniest place in your heart for bouncy tunefulness, will make you feel as good as MEET THE BEATLES and THE HOLLIES: HEAR! HERE! Things are looking up..."Mojo (Publisher) (3/01/04, p.53) - Included in Mojo's The 67 Lost Albums You Must Own! - "[A]n improbably brilliant, multi-faceted gem."Mojo (Publisher) (6/96, pp.116-7) - "...Sans Neil Young but with auxiliary members Jack Nitzsche and Nils Lofgren, they (Danny Whitten, Billy Talbot and Ralph Molina) recorded this two-fisted collection of exemplary songs..."0.2675839

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Q (8/00, p.120) - 3 stars out of 5 - "...Their 1st vocal album...'Lonesome' & 'Unwanted People' provided them with a vocal classic compared to their virtuoso instrumental ensemble groovin'..."Living Blues (5-6/01, pp.91-4) - "...An enjoyable and varied album that kept the New Orleans funk at the forefront....while displaying leanings towards rock..."Mojo (Publisher) (8/00, p.115) - "...An astute blend of social soul...and even a cover of Neil Young's 'Birds'..."0.2675839

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Uncut (8/03, p.99) - 4 stars out of 5 - "...Spanning the panoply of American roots styles with a healthy troubadour tendency and a delivery as effortless as Neil Young or Ryan Adams....An album that establishes Harris as one of the finest contemporary US songwriters to emerge in recent years..."Magnet (9/03, p.98) - "...Easygoing, delicate alt-pop..."Mojo (Publisher) (7/03, p.111) - 4 stars out of 5 - "...Harris and his gang aren't afraid to crank up the amps and let their hair down. Terrific..."0.2675839

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Rolling Stone (p.72) - 3 stars out of 5 - "[T]he singer stalks the beat, just behind raggedly rocking guitars....The deep undertow of her voice evokes bad-ass old boys such as George Jones..."Entertainment Weekly (4/16/04, p.77) - "[A] jagged, Neil Young-influenced album..." - Rating: B+Mojo (Publisher) (p.110) - 3 stars out of 5 - "Her voice is very effective in the lovelorn stretch of the emotional-band-width..."0.2675839

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Spin (p.125) - 3 stars out of 5 -- "TEENAGER overflows with strummy Laurel Canyon guitars and gooey Beach Boys harmonies given a sweet sheen by Beck's producer pal Tony Hoffer."Entertainment Weekly (p.67) - "[S]inger Conor Deasy retains his wistful Neil Young rasp, and the group jangles merrily on..." -- Grade: A-Alternative Press (p.135) - 4 stars out of 5 -- "The Thrills effortlessly combine sleepy melodies over tight, jangly guitars, banjos and harmonicas....Easy listening doesn't get much better than this."0.2675839

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Q (3/01, p.106) - 4 stars out of 5 - "...Mainman Will Johnson does everything he can to disguise the fact his melodies can be very pretty - but there's still no getting away from it....as slabs of ramshackle hard rock is interspersed with enigmatic Neil Young-ish ballads..."Mojo (Publisher) (4/01, p.92) - "...Distinctive garage/pop/Americana, delivered in Will Johnson's fine strangled voice..."NME (Magazine) (1/06/01, p.32) - 8 out of 10 - "...It's yet more rough-hewn genius-in-the-making....Some of the most magical moments on this record sound almost accidental..."0.2675839

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Rolling Stone (12/9/99, pp.80-1) - 3 stars out of 5 - "...Merchant takes a joy in performing that's absolutely winning. This disc transmits that joy....The hits and covers showcase the singer's considerable empathy..."Spin (2/00, pp.114-5) - 6 out of 10 - "...brings more purity of essence to her excerpting of 5 nights in Manhattan, hitting every note....Lovely takes on 'Carnival' and 'Ophelia' highlight her ongoing experiment in the toxicity limits of ruefulness..."Entertainment Weekly (11/12/99, p.82) - "...provides a tutorial on what meks a standout performance: different-enough versions of the hits...offbeat covers...and all the spontaneity of performance with none of the self-indulgence..." - Rating: B+Q (1/00, p.120) - 3 stars out of 5 - "...has the same end-of-an-era feel [as her MTV UNPLUGGED album]....Mostly, it's solid, sweetly sung readings of the finest from 1995's splendid TIGERLILY..."CMJ (12/13/99, p.27) - "...features [her] hits 'Wonder' and 'Ophelia,' as well as a few interesting covers....moving renditions of Neil Young's 'After The Goldrush' and David Bowie's 'Space Oddity'..."Mojo (Publisher) (1/00, p.103) - "...The selection is as safe as the format, withy crowd-pleasing covers of David Bowie's 'Space Oddity' and Neil Young's 'After The Goldrush' thrown in for good measure....the playing of her 7-poece band is exemplary..."0.236513

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Rolling Stone (p.94) - 4 stars out of 5 -- "Young charges forward here, playing half of the imminent NEIL YOUNG in pristine, tremulous vocal form and reclaiming six of his Buffalo Springfield songs..."Spin (p.94) - 3.5 stars out of 5 -- "His deceptively fragile vocal style and skewed lyrical genius were already evident at age 22 in these 13 acoustic songs recorded over two nights..."Entertainment Weekly (p.70) - "'The Loner,' the exquisite 'Birds,' and the bittersweet title song provide a live demo tape of his immediate future." -- Grade: B+Billboard (p.41) - "It's an intimate performance....It's the kind of recording that makes you wish you were there -- but also makes you feel like you are."Mojo (Publisher) (p.118) - 5 stars out of 5 -- "SUGAR MOUNTAIN is Neil Young, unadorned, from when he was a true receptor, a feeling arranger capturing America's secret heart: 40 years in, it still has the capacity to draw you in and stop time."Clash (magazine) (p.109) - "The mood is relaxed as Young talks with the crowd between numbers, setting up songs or just sharing anecdotes. A unique window into the past of this legendary musician."Record Collector (magazine) (pp.104-105) - 4 stars out of 5 -- "Young -- gutsy as ever -- steps out with just his acoustic guitar, commanding the audience with a smattering of Springfield placations and a number of early solo cuts."0.236513

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Rolling Stone (p.86) - 3.5 stars out of 5 -- "Tony Brown's bright heartland-rock production provides a stark contrast to Earle's gritty lyrics....[Earle's] passionate, solo-acoustic delivery of Bruce Springsteen's 'Nebraska' is sublime."Q (Magazine) (p.121) - 3 stars out of 5 -- "[T]he title track and 'The Devil's Right Hand' remain Earle staples..."Mojo (Publisher) (6/00, p.43) - "...The best of his early albums, characterized by the rock hard 'Devil's Right Hand' and 'Snake Oil'..."Record Collector (magazine) (p.90) - 3 stars out of 5 -- "Its real strength still lies in the performances of Earle and his band, matching superbly rough-edged musicianship with heartfelt emotion in a way which brings to mind the very different but equally committed matching of Neil Young and Crazy Horse."0.2341359

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Spin (10/92, p.115) - Highly Recommended - "...have at last outgrown their influences and emerged as butterflies...[HIT TO DEATH IN THE FUTURE HEAD] delivers perfect, whole songs...[and] the band's creativity explodes..."Q (9/92, p.74) - 4 Stars - Excellent - "...Flaming Lips resemble a crossbreed of Sonic Youth and Hawkwind, with fistfulls of idiosyncrasies to lift them from strange American noise bands..."Option (Nov.-Dec./92, p.115) - "...This band takes the contemporary noiserock/'60s psychedelic formula to amazing heights on its most fully realized album...beautiful, trippy sounds..."Mojo (Publisher) (7/02, p.60) - "...Explores the mind-expanded proto-pop they've minded ever since. Wayne sounds like Neil Young on a trampolilne."0.2341359

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Rolling Stone (12/21/00, p.170) - 3.5 stars out of 5 - "...Young kicks the dump in the rump....as Neil Young keeps proving, goofing around helps an old rock & roller stay young at heart."Melody Maker (12/5/00, p.57) - 4 stars out of 5 - "...Yes, he's still got it. 'It', of course, being the ability to play 18-minute songs that don't lull you into a coma."NME (Magazine) (11/18/00, p.42) - 7 out of 10 - "...There's a restlessness here, within a sound that initially seems slapdash and reckless, that amounts to a sort of musical scorched-earth policy - dust down old memories and burn them until they crackle..."0.2341359

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Uncut (p.104) - 4 stars out of 5 -- "[D]iscreet songs. On the 11 tracks, Burns reveals himself to be a student of the Cali classics as he echoes Gram, Neil Young and Lindsey Buckingham, among other quirky songsmiths."Magnet (p.88) - "With GARDEN RUIN, Calexico has made alt-rock -- crossed with mariachi and norteno zest -- the center of its varies swirl."Global Rhythm (Publication) (p.48) - "GARDEN RUIN is a lush, beautiful album that leans on the [band's] pop sensibilities..."Mojo (Publisher) (p.99) - 4 stars out of 5 -- "[S]ome of its finest moments are its most intimate and least arranged; like the simple guitar and voice opening to 'Yours And Mine' which sounds like a languid, weather-beaten Tim Hardin song..."0.2341359

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