nine-inch-nails,Nine Inch Nails - With Teeth, The String Quartet Tribute to Nine Inch Nails' Pretty Hate Machine *, Nine Inch Nails: Closer, The Piano Tribute to Nine Inch Nails, Pretty Hate Machine [Nine Inch Nails] [602527746999]

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Rolling Stone (p.70) - 3.5 stars out of 5 - "[V]intage Nine Inch Nails: New Wave with a heart of darkness."Spin (p.61) - Ranked #29 in Spin's "40 Best Albums Of 2005" - "[T]he most insular NIN album yet. Somehow, he makes that pathos work..."Entertainment Weekly (No. 817/818, p.145) - "[Reznor] and his music sound more invigorated than at any time since SPIRAL..." - Grade: B+Uncut (p.97) - 3 stars out of 5 - "[O]ne suspects 'Getting Smaller', in particular, will sound great live..."Kerrang (Magazine) (p.53) - "[A] powerful collection that proved the band's continued relevance."147.355

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Q (3/91) - 4 Stars - Excellent "NIN scans the spectrum of modern dance...Reznor's panoramic vision is both admirably adventurous and yet accessible."Alternative Press (7/95, p.77) - Ranked #7 in AP's list of the 'Top 99 Of '85-'95' - "...fulfilled what had merely been the prophetic rumblings of industrial music....before PRETTY HATE MACHINE, [industrial had]...no real messiahs....Reznor assumed that position...with subhuman slips of the tongue and those patented screaming, 'gated' guitars..."Kerrang (Magazine) (p.53) - "Fusing huge hooks and a colossal rhythmic punch to desolate lyrics..."63.96876

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Q (3/91) - 4 Stars - Excellent "NIN scans the spectrum of modern dance...Reznor's panoramic vision is both admirably adventurous and yet accessible."Alternative Press (7/95, p.77) - Ranked #7 in AP's list of the 'Top 99 Of '85-'95' - "...fulfilled what had merely been the prophetic rumblings of industrial music....before PRETTY HATE MACHINE, [industrial had]...no real messiahs....Reznor assumed that position...with subhuman slips of the tongue and those patented screaming, 'gated' guitars..."Kerrang (Magazine) (p.53) - "Fusing huge hooks and a colossal rhythmic punch to desolate lyrics..."63.96876

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Q (3/91) - 4 Stars - Excellent "NIN scans the spectrum of modern dance...Reznor's panoramic vision is both admirably adventurous and yet accessible."Alternative Press (7/95, p.77) - Ranked #7 in AP's list of the 'Top 99 Of '85-'95' - "...fulfilled what had merely been the prophetic rumblings of industrial music....before PRETTY HATE MACHINE, [industrial had]...no real messiahs....Reznor assumed that position...with subhuman slips of the tongue and those patented screaming, 'gated' guitars..."Kerrang (Magazine) (p.53) - "Fusing huge hooks and a colossal rhythmic punch to desolate lyrics..."63.96876

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New York Times (Publisher) (8/6/96, p.C13) - "Synthesizers and novelty remakes....Tom Jones keeps a straight face through `Kung Fu Fighting'...Siobhan Lynch sings an ominous, electronic version of `Stayin Alive,' and a deadpan Devo mocks Nine Inch Nails' `Head Like a Hole' and the movie itself in the nerd-rap `Supercop'..."1.151769

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Entertainment Weekly (3/7/97, p.67) - "...Industrial pretty boy/soundtrack architect Trent Reznor skillfully balances fresh salvos by Nine Inch Nails, Marilyn Manson, and the Smashing Pumpkins with...noir soundscapes....Even the most discerning listener won't be bored." - Rating: A1.066522

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Entertainment Weekly (10/15/93, p.76) - "...[Diamanda Galas] specializes in torturous, brutal sound experiments that make Nine Inch Nails sound like Muzak..." - Rating: B1.063959

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Alternative Press (p.161) - 4 stars out of 5 -- "[O]ften reminiscent of the moodly melodicism of Team Sleep and a trippier, YEAR ZERO-era Nine Inch Nails..."1.063959

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Entertainment Weekly (p.71) - "[T]he rousing 'Shady' plants its freak flag in the uncharted territory between Nine Inch Nails and Michael Jackson."1.063959

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Entertainment Weekly (p.71) - "[T]he rousing 'Shady' plants its freak flag in the uncharted territory between Nine Inch Nails and Michael Jackson."1.063959

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Entertainment Weekly (p.71) - "[T]he rousing 'Shady' plants its freak flag in the uncharted territory between Nine Inch Nails and Michael Jackson."1.063959

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Entertainment Weekly (p.71) - "[T]he rousing 'Shady' plants its freak flag in the uncharted territory between Nine Inch Nails and Michael Jackson."1.063959

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CMJ - "If CHURCH WITH NO MAGIC was to represent some kind of institution, it would be an ethereal, electronic temple where David Bowie would regularly deliver sermons."Pitchfork (Website) - "Emphasizing the notion that this is brainy music would be ignoring the fact that PVT frequently achieve melodic catharsis on CHURCH WITH NO MAGIC."Clash (magazine) - "'Light Up Bright Fires' sounds not unlike Nine Inch Nails' more melodic moments, and 'Window' is almost pop."Uncut (magazine) (p.101) - 3 stars out of 5 -- "[T]here are some icy anthems, notably 'Light UP Bright Fires', which evokes something of Tubeway Army's robotic grandeur."0.9214155

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Q (7/99, p.115) - 3 stars (out of 5) - "...[confirms] their influence...underpins today's techno noir, as well as spawning more commercial goth-friendly concerns like Nine Inch Nails and Marilyn Manson. Intimidatingly spartan music from a much underrated band."0.7979692

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Entertainment Weekly (10/1/99, p.75) - "...The headbangers prove their mettle when they modernize their bone-crushing rock: The electronically enhanced 'Insomnia' is reminiscent of BROKEN-era Nine Inch Nails and several tracks even pack hummable choruses..." - Rating: B-Q (10/99, p.126) - 3 stars out of 5 - "...strong on heaving riffs, anthemic choruses and a newly aquired sense of melody....overall this is suprisingly vibrant stuff."0.6649744

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Alternative Press (p.91) - 3 stars out of 5 -- "It's amazing that Killing Joke can claim to be an influence on everyone from Metallica to Nine Inch Nails to Interpol."Mojo (Publisher) (p.106) - 4 stars out of 5 -- "From the title track's monolithic defiance down, this one's an out-of-the-blue, anti-establishment classic."0.6649744

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Alternative Press (p.91) - 3 stars out of 5 -- "It's amazing that Killing Joke can claim to be an influence on everyone from Metallica to Nine Inch Nails to Interpol."Mojo (Publisher) (p.106) - 4 stars out of 5 -- "From the title track's monolithic defiance down, this one's an out-of-the-blue, anti-establishment classic."0.6649744

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Entertainment Weekly (10/1/99, p.75) - "...The headbangers prove their mettle when they modernize their bone-crushing rock: The electronically enhanced 'Insomnia' is reminiscent of BROKEN-era Nine Inch Nails and several tracks even pack hummable choruses..." - Rating: B-Q (10/99, p.126) - 3 stars out of 5 - "...strong on heaving riffs, anthemic choruses and a newly aquired sense of melody....overall this is suprisingly vibrant stuff."0.6649744

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Rolling Stone (12/29/94-1/12/95, p.178) - "...Tarantino's...soundtracks could fill the playlist of some eerie radio station dreamed up by a program director with a yen for shock. For KILLERS, Nine Inch Nails' Trent Reznor is that programmer..."Entertainment Weekly (9/23/94, p.69) - "...The resulting sound collage is surely one of the most ambitious soundtracks ever devised...it's a hypnotic white-noise soundtrack that's almost more disturbing than Stone's own work..." - Rating: A-Q (7/01, p.91) - Included in Q's "50 Heaviest Albums of All Time".Q (12/99, p.76) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (12/94, p.141) - 5 Stars - Indispensable - "...[mirrors the film's] post-modern, cut-up barrage approach to atmospherics...relentlessly imaginative...[Trent] Reznor employing assorted sound effects and cross-fades to knit the whole shebang together..."Mojo (Publisher) (6/02, p.68) - Included in Mojo's "100 Coolest Movie Soundtracks" - "...Reznor's cut-up score perfectly captures the film's slice'n'dice wonder..."NME (Magazine) (12/24/94, p.23) - Ranked #3 in NME's list of the 10 best compilation albums of 1994.0.5758847

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Rolling Stone (p.70) - 3.5 stars out of 5 - "[V]intage Nine Inch Nails: New Wave with a heart of darkness."Spin (p.61) - Ranked #29 in Spin's "40 Best Albums Of 2005" - "[T]he most insular NIN album yet. Somehow, he makes that pathos work..."Entertainment Weekly (No. 817/818, p.145) - "[Reznor] and his music sound more invigorated than at any time since SPIRAL..." - Grade: B+Uncut (p.97) - 3 stars out of 5 - "[O]ne suspects 'Getting Smaller', in particular, will sound great live..."Kerrang (Magazine) (p.53) - "[A] powerful collection that proved the band's continued relevance."0.5319795

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Rolling Stone (p.70) - 3.5 stars out of 5 - "[V]intage Nine Inch Nails: New Wave with a heart of darkness."Spin (p.61) - Ranked #29 in Spin's "40 Best Albums Of 2005" - "[T]he most insular NIN album yet. Somehow, he makes that pathos work..."Entertainment Weekly (No. 817/818, p.145) - "[Reznor] and his music sound more invigorated than at any time since SPIRAL..." - Grade: B+Uncut (p.97) - 3 stars out of 5 - "[O]ne suspects 'Getting Smaller', in particular, will sound great live..."Kerrang (Magazine) (p.53) - "[A] powerful collection that proved the band's continued relevance."0.5319795

$10.30
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Rolling Stone (p.70) - 3.5 stars out of 5 - "[V]intage Nine Inch Nails: New Wave with a heart of darkness."Spin (p.61) - Ranked #29 in Spin's "40 Best Albums Of 2005" - "[T]he most insular NIN album yet. Somehow, he makes that pathos work..."Entertainment Weekly (No. 817/818, p.145) - "[Reznor] and his music sound more invigorated than at any time since SPIRAL..." - Grade: B+Uncut (p.97) - 3 stars out of 5 - "[O]ne suspects 'Getting Smaller', in particular, will sound great live..."Kerrang (Magazine) (p.53) - "[A] powerful collection that proved the band's continued relevance."0.5319795

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Rolling Stone (p.111) - Included in Rolling Stone's "50 Top Albums of the Year 2007".Entertainment Weekly (p.61) - "[H]e drives his messages home with the whisper-to-a-scream vocal melodrama and the most chaotically catchy tunes he and his arsenal of machines can generate."Alternative Press (p.158) - 5 stars out of 5 -- "For YEAR ZERO, Nine Inch Nails chairman Trent Reznor sets his machinery on 'kill' and points it toward authority and herd mentality, dicing up guitars and laptops synths like an Enron paper trail."Kerrang (Magazine) (p.70) - Ranked #8 in Kerrang's "The Top 20 Albums Of 2007" -- "[A] spectacular, chilling record..."0.5319795

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Rolling Stone (1/20/00, p.56) - 3 stars out of 5 - "...the band moves from catharsis to careerism. They work hard to add melodies, mostly big, grunge-redux choruses, as if they want to be Soundgarden or, piling on static and distortion, Nine Inch Nails..."Q (1/00, p.116) - 4 stars out of 5 - "...impressively obsessive: every track has the same huge dynamic range, the same mood, the same message....[It] is dark, intelligent and very ugly..."CMJ (12/13/99, p.4) - "...ready to blast all non-believers to Kingdom Come....[striking] a rebellious, gut-wrenching, and emotionally naked stance....Head and Monkey's down-tuned riffage remains inimitable..."0.5319795

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Rolling Stone (p.70) - 3.5 stars out of 5 - "[V]intage Nine Inch Nails: New Wave with a heart of darkness."Spin (p.61) - Ranked #29 in Spin's "40 Best Albums Of 2005" - "[T]he most insular NIN album yet. Somehow, he makes that pathos work..."Entertainment Weekly (No. 817/818, p.145) - "[Reznor] and his music sound more invigorated than at any time since SPIRAL..." - Grade: B+Uncut (p.97) - 3 stars out of 5 - "[O]ne suspects 'Getting Smaller', in particular, will sound great live..."Kerrang (Magazine) (p.53) - "[A] powerful collection that proved the band's continued relevance."0.5319795

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Rolling Stone (p.96) - 3 1/2 stars out of 5 - "Not just a dance-rock band anymore, the Faint unveil a strong song sense with tunes as richly imagined, well-written and arresting as their titles..."Spin (p.64) - Ranked #32 in Spin's "40 Best Albums of the Year" - "[T]hey ditched the quote marks and made their moldy old synthesizers rock in ways Nine Inch Nails only dreamed."Entertainment Weekly (p.76) - "[T]hey're writing zippy songs about crushes...sprinkling them with zesty strings and punked-out guitars." - Grade: B+Uncut (p.97) - 3 stars out of 5 - "WET FROM BIRTH shifts their retro synth-pop into lean electro-funk territory."Alternative Press (p.148) - 4 out of 5 - "WET FROM BIRTH is another strong outing from Omaha's grooviest new-wave fans."Magnet (p.100) - "There's still a fetishistic fascination with the seamy deca-dance of Soft Cell and Human League."Mojo (Publisher) (p.99) - 3 stars out of 5 - "[A] riotous mix of nuclear-age paranoia, dubious angst and party flamboyance....A band at their sinewy, silly prime, The Faint have been working out and it suits them."0.3989846

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Rolling Stone (p.99) - 3 stars out of 5 -- "The album is full of dark, beat-driven atmospherics that alternately evoke DJ Shadow, Nine Inch Nails and Prince Paul."Q (p.115) - 3 stars out of 5 -- "Kool Keith is on pleasingly incomprehensible form on 'Getaway' and the link-up with Dan the Automator on 'Mojo' recalls his former band at their best."Alternative Press (p.206) - "From front to back, the weirdo-pop super-hits -- all composed through the mail with various collaborators -- just keep on coming."Magnet (p.101) - "PEEPING TOM keeps the energy up by whipsawing among styles and approaches....Patton sounds like he's having wicked fun..."CMJ (p.4) - "Patton sticks to the kind of catchy, nasal vocals he pioneered with his most famous band, Faith No More. This is the real thing."Kerrang (Magazine) (p.66) - Ranked #16 in Kerrang's "20 Greatest Albums of 2006" -- "A pop-centric masterpiece, littered with star turns..."0.3989846

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Rolling Stone (p.96) - 3.5 stars out of 5 -- "[M]ixing together huge, doomy soundscapes, snarling guitars and space-age sound effects with Matthew Bellamy's operatic wail....[The album] will push your pleasure buttons."Entertainment Weekly (p.81) - "[T]heir latest is also ambitious, impeccably built, and apt to induce fits of uncontrolled fist pumping."Q (p.106) - 5 stars out of 5 -- "[Their] dynamic versatility means Muse's songs have a habit of changing gear three minutes in, suddenly opening out and becoming more anthemic. It's a neat trick."Q (p.126) - Ranked #2 in Q Magazine's "100 Greatest Albums of 2006" -- "[The songs] consolidated their creators' position as rock's mad scientists."Alternative Press (p.220) - 5 out of 5 -- "REVELATIONS is Muse's best work yet primarily because of the fluid balance it keeps between excess and restraint. For every dizzying crescendo, there's a delicate, serene come-down."Kerrang (Magazine) (pp.46-47) - "It's massive, a rich, textured orgy of music, stuffed to the gills with myriad different sounds that spill out of your speakers in truly exhilarating fashion."Kerrang (Magazine) (p.69) - Ranked #2 in Kerrang's "20 Greatest Albums of 2006" -- "[A] brave and willfully eccentric collection of songs."Mojo (Publisher) (p.88) - 3 stars out of 5 -- "[They] make a powerful gut-bustingly powerful noise -- the closing epic 'Knights of Cydonia' sounds like Deep Purple playing the hits of Nine Inch Nails."0.3324872

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Spin (12/92, p.94) - Highly Recommended - "...If The Who had decided to go industrial, BROKEN is probably what it would have sounded like, based on the slamming energy that Nine Inch Nails exudes..."Q (12/92, p.130) - 3 Stars - Good - "...along with Ministry's recent PSALM 69, this can be considered some sort of landmark in the bleak wastes of industrial metal....the mastery of dynamics is never less than compelling. Cult status guaranteed..."Alternative Press (11/92, p.51) - "...the deranged and screaming guitar chords are so clear, precise, and real, that one can actually feel each individual string vibrating....a strong and welcome follow-up to an exciting debut..."Option (1-2/93, p.105) - "...displays the dynamics and fierce melodicism that made PRETTY HATE MACHINE so huge....[Reznor's] success has not made him a happy camper..."Musician (11/92, p.101) - "...Louder and busier [than PRETTY HATE MACHINE], BROKEN recasts techno-gloom as a grand symphony....Big noise rains down in sheets, with grinding guitars and mangled synths boosted beyond distortion levels...a swell funhouse ride..."Village Voice (3/2/93, p.5) - Ranked #3 on the EPs list of the Village Voice's 1992 Pazz & Jop Critics Poll.NME (Magazine) (10/10/92, p.39) - 7 - Good - "...an incredibly aggressive but still quite electric musical approach....BROKEN shows all the signs that Trent Reznor has shaken off the shackles of influences and found his own suitably idiosyncratic niche..."0.3324872

$8.96
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Spin (12/92, p.94) - Highly Recommended - "...If The Who had decided to go industrial, BROKEN is probably what it would have sounded like, based on the slamming energy that Nine Inch Nails exudes..."Q (12/92, p.130) - 3 Stars - Good - "...along with Ministry's recent PSALM 69, this can be considered some sort of landmark in the bleak wastes of industrial metal....the mastery of dynamics is never less than compelling. Cult status guaranteed..."Alternative Press (11/92, p.51) - "...the deranged and screaming guitar chords are so clear, precise, and real, that one can actually feel each individual string vibrating....a strong and welcome follow-up to an exciting debut..."Option (1-2/93, p.105) - "...displays the dynamics and fierce melodicism that made PRETTY HATE MACHINE so huge....[Reznor's] success has not made him a happy camper..."Musician (11/92, p.101) - "...Louder and busier [than PRETTY HATE MACHINE], BROKEN recasts techno-gloom as a grand symphony....Big noise rains down in sheets, with grinding guitars and mangled synths boosted beyond distortion levels...a swell funhouse ride..."Village Voice (3/2/93, p.5) - Ranked #3 on the EPs list of the Village Voice's 1992 Pazz & Jop Critics Poll.NME (Magazine) (10/10/92, p.39) - 7 - Good - "...an incredibly aggressive but still quite electric musical approach....BROKEN shows all the signs that Trent Reznor has shaken off the shackles of influences and found his own suitably idiosyncratic niche..."0.3324872

$13.25
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Rolling Stone (p.96) - 3.5 stars out of 5 -- "[M]ixing together huge, doomy soundscapes, snarling guitars and space-age sound effects with Matthew Bellamy's operatic wail....[The album] will push your pleasure buttons."Entertainment Weekly (p.81) - "[T]heir latest is also ambitious, impeccably built, and apt to induce fits of uncontrolled fist pumping."Q (p.106) - 5 stars out of 5 -- "[Their] dynamic versatility means Muse's songs have a habit of changing gear three minutes in, suddenly opening out and becoming more anthemic. It's a neat trick."Q (p.126) - Ranked #2 in Q Magazine's "100 Greatest Albums of 2006" -- "[The songs] consolidated their creators' position as rock's mad scientists."Alternative Press (p.220) - 5 out of 5 -- "REVELATIONS is Muse's best work yet primarily because of the fluid balance it keeps between excess and restraint. For every dizzying crescendo, there's a delicate, serene come-down."Kerrang (Magazine) (pp.46-47) - "It's massive, a rich, textured orgy of music, stuffed to the gills with myriad different sounds that spill out of your speakers in truly exhilarating fashion."Kerrang (Magazine) (p.69) - Ranked #2 in Kerrang's "20 Greatest Albums of 2006" -- "[A] brave and willfully eccentric collection of songs."Mojo (Publisher) (p.88) - 3 stars out of 5 -- "[They] make a powerful gut-bustingly powerful noise -- the closing epic 'Knights of Cydonia' sounds like Deep Purple playing the hits of Nine Inch Nails."0.3324872

$46.87
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0.3133117

$11.87
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