pj-harvey,Dry [PJ Harvey], White Chalk [PJ Harvey] [602517403260], The String Quartet Tribute to PJ Harvey, PJ Harvey On Tour: Please Leave Quietly, Whores' Glory

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Spin (12/92, p.69) - Ranked #18 in Spin's list of the '20 Best Albums Of The Year' - "...Polly Harvey is a boundless talent, and DRY one of the debuts of the year..."Entertainment Weekly (10/2/92, p.60) - "...A scorching portrait of the dark side of the female psyche....an uncomprising work of exhilarating, cauterizing beauty..." - Rating: A+Q (1/93, p.73) - Included in Q's list of the 50 Best Albums Of 1992.Alternative Press (7/01, p.96) - Included in AP's "10 Essential Women's Rock Albums" - "...Sexy, honest, smart and raw..."Option (Sept.-Oct./92, p.109) - "...PJ Harvey seems to have placed a microphone right in front of her sternum and let her heart and soul spill direct to tape...the rawness of presentation emphasizes the emotional purity of her songs...stunning songs and unexpected power..."Musician (10/92, p.106) - "...Polly Harvey pours more emotional power into her performances than any young songwriter since Throwing Muses' Kristin Hersh...[the songs] stick in your memory like glue..."Village Voice (3/2/93, p.5) - Ranked #4 in the Village Voice's list of the 40 Best Albums Of 1992.NME (Magazine) (10/2/93, p.29) - Ranked #71 in NME's list of the 'Greatest Albums Of All Time.'148.0959

$11.56
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Rolling Stone (p.76) - 4 stars out of 5 -- "[The songs] have a cold pastoral kind of chill, as Harvey howls about being possessed by demon lovers and ghosts in 'The Devil' and 'The Piano.'"Spin (pp.95-96) - 3.5 stars out of 5 -- "Now, romantic desire's dark and twisted side is Harvey's main creative turf....Her vocals are downright pretty, sounding more like those of a traditional English singer than the raging punk Medusa of old."Q (p.98) - 4 stars out of 5 -- "Shunning the guitar in favour of gauzy piano and smudged vocals, Harvey sounds like she's channelling through a Victorian medium..."Uncut (p.84) - 4 stars out of 5 -- "An album of lonely beauty and piercing sorrow, WHITE CHALK is PJ Harvey back at the peak of her considerable powers."The Wire (p.60) - "Harvey's new strategy has been successful....It's certainly her most haunting work."The Wire (p.35) - Included in The Wire's "50 Records of the Year 2007".Q (Magazine) (p.80) - Ranked #24 in Q's "The 50 Best Albums Of 2007" -- "Harvey produced an album of such unsettling intimacy that it dares you to play it alone in the dark."118.5836

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103.819

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"Glawogger's sensitive and patient approach does yield plausibly candid interviews, some unexpectedly moving..."Hollywood Reporter0.4842379

$33.06
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Entertainment Weekly (p.84) - "[I]t's PJ Harvey who serves up the meat of the CD. Her raw, blues-tinged tracks greedily indulge Faithfull's exquisitely tattered voice..." - Grade: B+Uncut (p.78) - Ranked #54 in Uncut's "Best New Albums of 2004" - "[H]er best record since BROKEN ENGLISH."Magnet (p.96) - "[T]he real surprise is Faithfull's paring with Polly Harvey....Their collaborations have all her characteristic torment, but Faithfull gives them a new sense of gravitas, a world-weariness that sharpens her anger to a knife's edge."0.4275654

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Entertainment Weekly (p.84) - "[I]t's PJ Harvey who serves up the meat of the CD. Her raw, blues-tinged tracks greedily indulge Faithfull's exquisitely tattered voice..." - Grade: B+Uncut (p.78) - Ranked #54 in Uncut's "Best New Albums of 2004" - "[H]er best record since BROKEN ENGLISH."Magnet (p.96) - "[T]he real surprise is Faithfull's paring with Polly Harvey....Their collaborations have all her characteristic torment, but Faithfull gives them a new sense of gravitas, a world-weariness that sharpens her anger to a knife's edge."0.4275654

$44.16
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Rolling Stone (11/25/93, p.112) - 4 Stars - Excellent - "...make no mistake: raw, revelatory and indispensible, 4-TRACK DEMOS is no mere PJ HARVEY UNPLUGGED. These 14 cuts...reveal an artist in the pure state of creation..."Spin (12/93, p.118) - "...4-TRACK DEMOS is Harvey alone. She still attacks the guitar, but it's her vocals that stun....Harvey [creates] the racket, wallows in it, then demands more..."Melody Maker (1/1/94, p.77) - Ranked #31 in Melody Maker's list of the `Albums Of The Year' for 1993.Melody Maker (10/16/93, p.41) - "...Viciously aggressive music with no numbing narcotic qualities...[4-TRACK DEMOS] is harrowing, but thoroughly compelling..."Village Voice (3/1/94, p.5) - Ranked #35 in the Village Voice's 1993 Pazz & Jop Critics Poll.NME (Magazine) (10/16/93, p.32) - 8 - Excellent - "...savage and raw..."0.3741197

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Rolling Stone (p.74) - 3 stars out of 5 -- "At her best, she takes PJ Harvey and Nick Drake back to their primordial folk roots..."Spin (pp.90-91) - "Her stormy folk songs are primal and dark, crammed with ancient mythology..."Q (Magazine) (p.131) - "With the Mumfords as her backing band, it is bruised, reflective, accusatory and defiant."Paste (magazine) (p.72) - "[A] gorgeous, melancholy, old-souled record....Malring avoids both precocity and self-seriousness..."Pitchfork (Website) - "[L]ike Fairport Convention or Nick Cave or Cat Power, she uses folk as an archetypal form to get at the essential realities of love, sex, heartbreak, and death."Clash (magazine) - "Her second album is an enchanting collection of beautifully raw songs....A more laid-back affair than her debut."Uncut (magazine) - "She starts off promisingly on 'Devil's Spoke, ' sounding unusually fervent....Second track, 'Made By Maid' is equally fine..."0.3741197

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Rolling Stone (10/31/02, p.136) - Ranked # 26 in Rolling Stone's "Women in Rock: The 50 Essential Albums"Rolling Stone (10/14/93) - 3.5 Stars (out of 5) - "...LAST SPLASH gives the impression that the band eschews practice. The fuzzy and lopsided sounds are....the raw progeny of an unabashed, unconventional creativity....LAST SPLASH will make you hope this isn't the Breeders' last plunge...."Spin (9/99, p.138) - Ranked #39 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (9/93, p.115) - Highly Recommended - "...The Breeders' second album spins out as a litany of summer--or, rather, a summer of rock'n'roll....like PJ Harvey's RID OF ME, LAST SPLASH claims the spotlight--the sun--and has no trouble commanding the stage..."Entertainment Weekly (8/27/93-9/3/93, p.112) - "...[The Breeders] continue to subvert the classic girl-group melodies of the past with raw guitar miracles of the future..." - Rating: A-Melody Maker (1/1/94, p.76) - Ranked #12 in Melody Maker's list of the `Albums Of The Year' for 1993 - "...it's addictive, joyous and sexy as sin...."Village Voice (3/1/94, p.5) - Ranked #4 in the Village Voice's 1993 Pazz & Jop Critics Poll.NME (Magazine) (12/25/93, p.67) - Ranked #36 in New Musical Express' list of `The Top 50 LPs Of 1993' - "...a fascinating collection of styles....an intoxicating mixture of light and shade..."0.2672284

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Rolling Stone (p.77) - 4 stars out of 5 -- "This is a very British record, drawing on a tradition of iconoclastic U.K pop that stretches from Kate Bush and Siouxsie and the Banshees to PJ Harvey."Rolling Stone (p.71) - Ranked #27 in Rolling Stone's '50 Best Albums Of 2011' -- "[With] choirs and string players backing a voice that soars so high, it makes them seem like ants on the ground below."Spin (p.67) - "[Welch is] a bloodied, bloodying songbird in a gilded cage of immaculately crafted, slow-burn, chest-beating empowerment anthems, gripping steel bars that her elegantly volcanic voice could shred at any moment."Entertainment Weekly (p.74) - "[A] confident, unflinching tour de force....CEREMONIALS genuinely rocks..." -- Grade: AEntertainment Weekly (p.100) - Ranked #5 in Entertainment Weekly's 'The Top 10 Albums Of 2011' -- "A big believer in Red Sea-parting melodrama, she's got the orchestral grandeur to pull it off."Magnet (p.55) - "There's a marked '80s quality to the production that invigorates the music and nudges it into a meatier realm."Q (Magazine) (p.118) - 5 stars out of 5 -- "CEREMONIALS is quite some achievement: an accomplished pop record infused with intelligence and imagination."0.2672284

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Rolling Stone (10/31/02, p.136) - Ranked # 26 in Rolling Stone's "Women in Rock: The 50 Essential Albums"Rolling Stone (10/14/93) - 3.5 Stars (out of 5) - "...LAST SPLASH gives the impression that the band eschews practice. The fuzzy and lopsided sounds are....the raw progeny of an unabashed, unconventional creativity....LAST SPLASH will make you hope this isn't the Breeders' last plunge...."Spin (9/99, p.138) - Ranked #39 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (9/93, p.115) - Highly Recommended - "...The Breeders' second album spins out as a litany of summer--or, rather, a summer of rock'n'roll....like PJ Harvey's RID OF ME, LAST SPLASH claims the spotlight--the sun--and has no trouble commanding the stage..."Entertainment Weekly (8/27/93-9/3/93, p.112) - "...[The Breeders] continue to subvert the classic girl-group melodies of the past with raw guitar miracles of the future..." - Rating: A-Melody Maker (1/1/94, p.76) - Ranked #12 in Melody Maker's list of the `Albums Of The Year' for 1993 - "...it's addictive, joyous and sexy as sin...."Village Voice (3/1/94, p.5) - Ranked #4 in the Village Voice's 1993 Pazz & Jop Critics Poll.NME (Magazine) (12/25/93, p.67) - Ranked #36 in New Musical Express' list of `The Top 50 LPs Of 1993' - "...a fascinating collection of styles....an intoxicating mixture of light and shade..."0.2672284

$39.65
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Rolling Stone (11/14/02, p.88) - 4 stars out of 5 - "...This inspired collection embraces whimsy and conveys wonderment..."Spin (2/03, p.102) - "...Give the producers their own radio station now..."0.242119

$10.92
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Rolling Stone (5/13/99, p.80) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (1/25/96, p.41) - Ranked #3 in the 1996 Critics' Poll.Rolling Stone (6/15/95, p.83) - 4 Stars - Excellent - "...Trip-hop is the current label being given this music, but it's no more than a cute, reasonably accurate headline. At any given time, certain pop records--more than books or movies or whatever--strike a chord...as the sound of the beyond cool. Right now, Tricky's MAXINQUAYE is it..."Spin (9/99, p.125) - Ranked #14 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (12/95, p.62) - Ranked #2 on Spin's list of the `20 Best Albums Of '95.'Spin (6/95, p.99) - 8 - Very Good - "...Imagine the cracked-out vibe of vintage Schoolly D generated by a black British outcast who loves Billie Holiday and PJ Harvey as much as he digs sluggish beats and singsong melodies....Their attitude is mean-spirited, but much of the aggression is directed inward..."Entertainment Weekly (6/2/95, p.56) - "...R&B for the head, MAXINQUAYE is engrossing music collage art that bumps, grinds, and simmers....singer Martine's sly phrasing--is mind-bending..." - Rating: AQ (12/99, p.84) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (2/96, p.67) - Included in Q's 50 Best Albums of 1995.Q (6/00, p.75) - Ranked #36 in Q's "100 Greatest British Albums"Q (3/95, p.104) - 4 Stars - Excellent - "...Tricky proves himself to be more challenging and eclectic than his peers, leapfrogging from...thick tribal beats to...sub-metal thrash...amid the more typical ambient dub....a highly inventive and intoxicating collection."Option (7-8/95, p.141) - "...street beats and turntable scratching with guitars, dub bass, industrial noise and other elements....cool subdued music....This is among the best albums of the year..."Melody Maker (12/23-30/95, pp.66-67) - Tied for #1 on Melody Maker's list of 1995's `Albums Of The Year' - "...sounded like the apex of an epoch. Taking cues from...Massive Attack and Portishead, and blending them with more sinister hues borrowed from John Barry's Bond themes..."Musician (6/95, p.76) - "...It's not just `bottom end,' though there's plenty of bass rumbling through these dub-wise grooves, but the music's depth of field--the way the vocals, samples and keyboard parts arrange themselves into layers of foreground and background..."Village Voice (2/20/96) - Ranked #2 in Village Voice's 1995 Pazz & Jop Critics' Poll.Q (Magazine) (p.132) - 5 stars out of 5 -- "[I]t's an album of contradictions, at once restless an soothing, profane and profound....His experiments here still glow with mystery and magic."Mojo (Publisher) (p.57) - Ranked #77in Mojo's "100 Modern Classics" -- "[I]t sounds like a greatest hits."New York Times (Publisher) (1/5/96, p.C16) - Included on Jon Pareles' list of the Top 10 Albums of '95 - "...the first album-length masterpiece of trip-hop..."NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #1 in NME's `Top 50 Albums Of The Year' for 1995 - "...foggy hip-hop track without a compass, a record where you never quite know what's going to happen next or where it's going to take you..."Clash (magazine) - "[A] dark, paranoid classic....Containing classics 'Overcome,' 'Ponderosa, 'Hell Is Round The Corner'..."Record Collector (magazine) (p.96) - 4 stars out of 5 -- "MAXINQUAYE remains the British postmodern album of the 90s....'Brand New Retro' is the most driving thing here..."0.160337

$6.47
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