paradise-music-102,Music [Madonna] [CD] [1 disc] [093624786528], Ultimate Spa Asian Blend, The Rising [Bruce Springsteen], Human Conditions [Bonus Track], The Fifties - Complete

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Rolling Stone (1/4/01, p.106) - Ranked #3 in Rolling Stone's Top 10 Albums of 2000.Rolling Stone (10/12/00, p.86) - 4 stars out of 5 - "...Dirty, casually urgent....[It's] her most radical sonics yet....intimate, futurist pop..."Spin (1/01, p.73) - Ranked #18 in Spin's "Top 20 Albums of the Year [2000]".Spin (10/00, p.173) - 7 out of 10 - "...It's the first Madonna record in years that feels as effortless as the dance-pop of her Ciccone youth..."Entertainment Weekly (9/24/00, pp.72-3) - "...[She's] encased in a jet-stream, hard-disco beat and continually contorting her voice....MUSIC burps and thumps harder than RAY OF LIGHT, and it allows her moments of playful humor absent from that predecessor..." - Rating: BQ (1/01, p.93) - Included in Q's "50 Best Albums of 2000".Q (10/00, pp.108-9) - 4 stars out of 5 - "...A brave, radical and punchy album....thrilling non-stop Eurocentric disco....this is Madonna without a safety net."Uncut (10/00, p.86) - 3.5 stars out of 5 - "...Nursery rhyme melodies hang off twinkling, cut-glass keyboard lines..."Mixmag (10/00, p.179) - 3 out of 5 - "...It's full of Mirwais' trademark production gimmicks: stuttering vocal edits, tortured analog synth howls and oceans of vocoder....Yet the album's finest moment is the ruthlessly simple guitar-and-voice ballad 'I Deserve It'..."Vibe (11/00, p.173) - 4 discs out of 5 - "...A masterpiece of brilliantly arranged keyboards, futuristic drums and electronica dressings....it's a weird and fresh-sounding mix..."Melody Maker (9/26/00, pp.50-1) - 4 stars out of 5 - "...A collection of her slickest and sexiest sounds since 'Justify My Love'....impressive..."Mojo (Publisher) (10/00, p.102) - "...Still doing what she does best - giving a lick of pop genius to the unlikely genre of experimental dance music."NME (Magazine) (12/30/00, p.79) - Ranked #47 in NME's "Top 50 Albums Of The Year".NME (Magazine) (9/16/00, p.35) - 8 out of 10 - "...A bionic record, a triumph of advanced mechanics and the faultless design of a consumate superstar..."10.10007

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8.043084

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Rolling Stone (12/26/02, p.110) - Included in Rolling Stone's "50 Best Albums of 2002" - "...In the grainy force of Springsteen's voice and the muscular exultation of the music, the power of ordinary men and women to build anew, atop so much loss, rings loud and true."Spin (1/03, p.71) - Ranked #14 on Spin's list of 2002's "Albums of the Year" - "...A boldly corny, plainspoken album by a songwriter who sincerely believes that working stiffs deserve a spokesman who's not a jingoistic yokel."Entertainment Weekly (12/20-27/02, p.126) - Ranked #5 on EW's list of 2002's "Albums of the Year"Entertainment Weekly (8/2/02, pp.71-2) - "...His voice is in robust, throat-clearing form...the post-Sept.11 world has refocused his songwriting....the songs grab hold and don't let go..." - Rating: A-Q (12/02, p.68) - Included in Q Magazine's "The 50 Best Albums of 2002."Q (9/02, p.111) - 4 stars out of 5 - "...A compassionate celebration of the human spirit, one bolstered by the strength of family, community and individual heroism..."Uncut (1/03, p.94) - Ranked #2 in Uncut's "100 Best Albums of the Year"Uncut (9/02, pp.102, 103) - 5 stars out of 5 - "...a brave and beautiful album of humanity, hope and hurt from the songwriter best qualified to speak to and for his country."Q (Magazine) (p.120) - "[I]t's an expansive collection, from the rousing title track to sombre reflections such as 'You're Missing.'"Mojo (Publisher) (1/03, p.73) - Ranked #11 in Mojo's "Best Albums of 2002"Mojo (Publisher) (9/02, p.94) - "In the end THE RISING's message...is one of indomitability."NME (Magazine) (8/10/02, p.34) - 6 out of 10 - "...His best for some time..."3.084299

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Rolling Stone (3/6/03, p.68) - 3 stars out of 5 - "...Ashcroft's mastery of balladry makes 'Buy It in Bottles' his best since the Verve's 'Lucky Man'..."Spin (3/03, p.118) - 8 out of 10 - "...Stunning pop for pale after-party people..."Entertainment Weekly (3/7/03, p.73) - "...Though elaborately orchestrated, the songs retain their intimacy, communicated in Ashcroft's vocals, which, over the years, keep getting warmer..." - Rating: AUncut (11/02, p.114) - 3 stars out of 5 - "...The orchestration is fantastic...there is nobody in British pop who does those string-laden crescendos more convincingly than Ashcroft and his arranger Will Malone..."CMJ (12/02/02, p.7) - "...Ashcroft has gradually made the shift from staring inward to looking outward, as his songs have taken on an increasingly cosmic scope..."Mojo (Publisher) (11/02, p.102) - "...Charms with its hungry troubadour's idealism."1.619515

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Rolling Stone (7/9/92, p.102) - 3 Stars - Good - "...an unabashed attempt to to consolidate commercial gains made by the Nevilles during the past few years by hitting the rhythm hard and getting across old home truths that need to be heard..."Entertainment Weekly (5/8/92, p.54) - "...this one comes closest to capturing the joyous buoyancy of their live performances...soaring over the polyrhythms are the incomparable Neville voices..." - Rating: A-Q (6/92, p.103) - 3 Stars - Good - "...The all-encompassing, multi-rhythmic music is as inviting as ever..."0.1651466

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Rolling Stone (p.60) - 5 stars out of 5 -- "The music is surprisingly lush and pretty....Yet it's all punk rage, thanks to Pete Thomas' drums and Steve Nieve's cranky organ."Rolling Stone (12/11/03, p.118) - Ranked #98 in Rolling Stone's "500 Greatest Albums Of All Time" - "...The most 'punk' of Costello's records....Costello vs. the world. And Costello wins..."Rolling Stone (2/28/02, p.61) - 5 stars out of 5- "...Loosed punk's bilious hyperactivity upon the soul-based virtuosity of pub rock....uncoiling with an intensity Costello rarely equaled afterward..."Spin (12/03, p.122) - "...Some of the most stinging songs ever committed to record...'Spin (p.102) - "His nastiest and most awesome record..."Entertainment Weekly (2/22/02, p.149) - "...Redefined the quirky troubadour as bilious rocker...For those alienated by his C&W and classical forays, this is a reminder of the black-hearted virtuoisty they fell for in the forst place." - Rating: A+Q (6/00, p.62) - Ranked #82 in Q's "100 Greatest British Albums"Q (5/02 SE, p.135) - Included in Q's "100 Best Punk Albums".Q (11/93, p.143) - 4 Stars - Excellent - "...THIS YEAR'S MODEL shows the benefits of [Costello] establishing his own band..."Uncut (p.84) - 5 stars out of 5 -- "[H]e delivered a scathing attack on everything from his own status as Next Big Thing to celebrity culture to boy-girl romance itself, all backed with The Attractions' wired intensity."Uncut (1/03, p.97) - Included in Uncut's "100 Best Albums of the Year"Mojo (Publisher) (p.120) - 4 stars out of 5 -- "[I]t still dazzles....His goggle-eyed legacy remains inspiring."Mojo (Publisher) (3/02, p.122) - "...The petulant intensity strikes you first. It's all gall. With his part Dylan, part Lydon, part, ahem, Graham Parker delivery, he was so 'cross'..."Record Collector (magazine) (p.90) - 4 stars out of 5 -- "THIS YEAR'S MODEL was the post-punk distillation of the times, especially in its portraits of London."0.1094205

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Rolling Stone (p.60) - 5 stars out of 5 -- "The music is surprisingly lush and pretty....Yet it's all punk rage, thanks to Pete Thomas' drums and Steve Nieve's cranky organ."Rolling Stone (12/11/03, p.118) - Ranked #98 in Rolling Stone's "500 Greatest Albums Of All Time" - "...The most 'punk' of Costello's records....Costello vs. the world. And Costello wins..."Rolling Stone (2/28/02, p.61) - 5 stars out of 5- "...Loosed punk's bilious hyperactivity upon the soul-based virtuosity of pub rock....uncoiling with an intensity Costello rarely equaled afterward..."Spin (12/03, p.122) - "...Some of the most stinging songs ever committed to record...'Spin (p.102) - "His nastiest and most awesome record..."Entertainment Weekly (2/22/02, p.149) - "...Redefined the quirky troubadour as bilious rocker...For those alienated by his C&W and classical forays, this is a reminder of the black-hearted virtuoisty they fell for in the forst place." - Rating: A+Q (6/00, p.62) - Ranked #82 in Q's "100 Greatest British Albums"Q (5/02 SE, p.135) - Included in Q's "100 Best Punk Albums".Q (11/93, p.143) - 4 Stars - Excellent - "...THIS YEAR'S MODEL shows the benefits of [Costello] establishing his own band..."Uncut (p.84) - 5 stars out of 5 -- "[H]e delivered a scathing attack on everything from his own status as Next Big Thing to celebrity culture to boy-girl romance itself, all backed with The Attractions' wired intensity."Uncut (1/03, p.97) - Included in Uncut's "100 Best Albums of the Year"Mojo (Publisher) (p.120) - 4 stars out of 5 -- "[I]t still dazzles....His goggle-eyed legacy remains inspiring."Mojo (Publisher) (3/02, p.122) - "...The petulant intensity strikes you first. It's all gall. With his part Dylan, part Lydon, part, ahem, Graham Parker delivery, he was so 'cross'..."Record Collector (magazine) (p.90) - 4 stars out of 5 -- "THIS YEAR'S MODEL was the post-punk distillation of the times, especially in its portraits of London."0.08257329

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0.05761867

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