paradise-music-102,Music [Bonus CD], Music [Madonna] [CD] [1 disc] [093624786528], This Year's Model [Universal 2007 Bonus Track] [Digipak] [Limited]
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3 Items Found For paradise music 102

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Rolling Stone (1/4/01, p.106) - Ranked #3 in Rolling Stone's Top 10 Albums of 2000.Rolling Stone (10/12/00, p.86) - 4 stars out of 5 - "...Dirty, casually urgent....[It's] her most radical sonics yet....intimate, futurist pop..."Spin (1/01, p.73) - Ranked #18 in Spin's "Top 20 Albums of the Year [2000]".Spin (10/00, p.173) - 7 out of 10 - "...It's the first Madonna record in years that feels as effortless as the dance-pop of her Ciccone youth..."Entertainment Weekly (9/24/00, pp.72-3) - "...[She's] encased in a jet-stream, hard-disco beat and continually contorting her voice....MUSIC burps and thumps harder than RAY OF LIGHT, and it allows her moments of playful humor absent from that predecessor..." - Rating: BQ (1/01, p.93) - Included in Q's "50 Best Albums of 2000".Q (10/00, pp.108-9) - 4 stars out of 5 - "...A brave, radical and punchy album....thrilling non-stop Eurocentric disco....this is Madonna without a safety net."Uncut (10/00, p.86) - 3.5 stars out of 5 - "...Nursery rhyme melodies hang off twinkling, cut-glass keyboard lines..."Mixmag (10/00, p.179) - 3 out of 5 - "...It's full of Mirwais' trademark production gimmicks: stuttering vocal edits, tortured analog synth howls and oceans of vocoder....Yet the album's finest moment is the ruthlessly simple guitar-and-voice ballad 'I Deserve It'..."Vibe (11/00, p.173) - 4 discs out of 5 - "...A masterpiece of brilliantly arranged keyboards, futuristic drums and electronica dressings....it's a weird and fresh-sounding mix..."Melody Maker (9/26/00, pp.50-1) - 4 stars out of 5 - "...A collection of her slickest and sexiest sounds since 'Justify My Love'....impressive..."Mojo (Publisher) (10/00, p.102) - "...Still doing what she does best - giving a lick of pop genius to the unlikely genre of experimental dance music."NME (Magazine) (12/30/00, p.79) - Ranked #47 in NME's "Top 50 Albums Of The Year".NME (Magazine) (9/16/00, p.35) - 8 out of 10 - "...A bionic record, a triumph of advanced mechanics and the faultless design of a consumate superstar..."11.19926

$17.97
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Rolling Stone (1/4/01, p.106) - Ranked #3 in Rolling Stone's Top 10 Albums of 2000.Rolling Stone (10/12/00, p.86) - 4 stars out of 5 - "...Dirty, casually urgent....[It's] her most radical sonics yet....intimate, futurist pop..."Spin (1/01, p.73) - Ranked #18 in Spin's "Top 20 Albums of the Year [2000]".Spin (10/00, p.173) - 7 out of 10 - "...It's the first Madonna record in years that feels as effortless as the dance-pop of her Ciccone youth..."Entertainment Weekly (9/24/00, pp.72-3) - "...[She's] encased in a jet-stream, hard-disco beat and continually contorting her voice....MUSIC burps and thumps harder than RAY OF LIGHT, and it allows her moments of playful humor absent from that predecessor..." - Rating: BQ (1/01, p.93) - Included in Q's "50 Best Albums of 2000".Q (10/00, pp.108-9) - 4 stars out of 5 - "...A brave, radical and punchy album....thrilling non-stop Eurocentric disco....this is Madonna without a safety net."Uncut (10/00, p.86) - 3.5 stars out of 5 - "...Nursery rhyme melodies hang off twinkling, cut-glass keyboard lines..."Mixmag (10/00, p.179) - 3 out of 5 - "...It's full of Mirwais' trademark production gimmicks: stuttering vocal edits, tortured analog synth howls and oceans of vocoder....Yet the album's finest moment is the ruthlessly simple guitar-and-voice ballad 'I Deserve It'..."Vibe (11/00, p.173) - 4 discs out of 5 - "...A masterpiece of brilliantly arranged keyboards, futuristic drums and electronica dressings....it's a weird and fresh-sounding mix..."Melody Maker (9/26/00, pp.50-1) - 4 stars out of 5 - "...A collection of her slickest and sexiest sounds since 'Justify My Love'....impressive..."Mojo (Publisher) (10/00, p.102) - "...Still doing what she does best - giving a lick of pop genius to the unlikely genre of experimental dance music."NME (Magazine) (12/30/00, p.79) - Ranked #47 in NME's "Top 50 Albums Of The Year".NME (Magazine) (9/16/00, p.35) - 8 out of 10 - "...A bionic record, a triumph of advanced mechanics and the faultless design of a consumate superstar..."9.236391

$5.21
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Rolling Stone (p.60) - 5 stars out of 5 -- "The music is surprisingly lush and pretty....Yet it's all punk rage, thanks to Pete Thomas' drums and Steve Nieve's cranky organ."Rolling Stone (12/11/03, p.118) - Ranked #98 in Rolling Stone's "500 Greatest Albums Of All Time" - "...The most 'punk' of Costello's records....Costello vs. the world. And Costello wins..."Rolling Stone (2/28/02, p.61) - 5 stars out of 5- "...Loosed punk's bilious hyperactivity upon the soul-based virtuosity of pub rock....uncoiling with an intensity Costello rarely equaled afterward..."Spin (12/03, p.122) - "...Some of the most stinging songs ever committed to record...'Spin (p.102) - "His nastiest and most awesome record..."Entertainment Weekly (2/22/02, p.149) - "...Redefined the quirky troubadour as bilious rocker...For those alienated by his C&W and classical forays, this is a reminder of the black-hearted virtuoisty they fell for in the forst place." - Rating: A+Q (6/00, p.62) - Ranked #82 in Q's "100 Greatest British Albums"Q (5/02 SE, p.135) - Included in Q's "100 Best Punk Albums".Q (11/93, p.143) - 4 Stars - Excellent - "...THIS YEAR'S MODEL shows the benefits of [Costello] establishing his own band..."Uncut (p.84) - 5 stars out of 5 -- "[H]e delivered a scathing attack on everything from his own status as Next Big Thing to celebrity culture to boy-girl romance itself, all backed with The Attractions' wired intensity."Uncut (1/03, p.97) - Included in Uncut's "100 Best Albums of the Year"Mojo (Publisher) (p.120) - 4 stars out of 5 -- "[I]t still dazzles....His goggle-eyed legacy remains inspiring."Mojo (Publisher) (3/02, p.122) - "...The petulant intensity strikes you first. It's all gall. With his part Dylan, part Lydon, part, ahem, Graham Parker delivery, he was so 'cross'..."Record Collector (magazine) (p.90) - 4 stars out of 5 -- "THIS YEAR'S MODEL was the post-punk distillation of the times, especially in its portraits of London."0.09974642

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