patty-griffin,Children Running Through [Patty Griffin], Live From the Artists Den - Patty Griffin, One Moment More, Feel That Fire [Digipak], Written in Chalk [Digipak]

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Rolling Stone (p.74) - 3.5 stars out of 5 -- "[I]t is Griffin's voice -- its clear, natural force and her disciplined way with vibrato -- that hits you first..."Entertainment Weekly (p.72) - "The most breathtaking son is 'Trapeze,' a harmony-rich Emmylou Harris duet that's a paradigm of Griffin's empathic alt-country." -- Grade: A-Q (p.125) - 4 stars out of 5 -- "Griffin's voice is a startlingly expressive instrument, pitched somewhere between the feather-light intimacy of Norah Hones and the gospel-tinged populism of Eva Cassidy."Uncut (p.82) - 4 stars out of 5 -- "[H]er songwriting here...demonstrates a depth and majesty previously absent from her work."Dirty Linen (p.72) - "These songs are well sung, the lyrics are smart, and they're set to attractive arrangements....A thoughtful, carefully delivered contemporary folk album."No Depression (p.82) - "CHILDREN RUNNING THROUGH is all about Griffin reveling in the suddenly -- startlingly -- enormous power of her singing."58.30703

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Rolling Stone (2/5/04, p.58) - 3 stars out of 5 - "Smith's voice is marvelous....[She] borrows a page from [singers Patty Griffin and Gillian Welch] and synthesizes them into a pretty package..."Entertainment Weekly (1/23/04, p.100) - "In a bold, wistful alto that recalls Alison Krauss and Patty Griffin, Smith offers rocking folk gospel, understated studies of insecurity and loss, and pacifying pleas for faith." - Rating: B+Q (4/04, p.120) - 3 stars out of 5 - "[V]ocally there's a touch of Alison Krauss about her, with just a hint of Patty Griffin....There's still sufficient freshness and individuality here to constitute a highly accomplished start."Mojo (Publisher) (4/04, p.108) - 4 stars out of 5 - "[T]he mostly low-key, self-penned songs are shot through with spirituality and sadness....It's a very good, very real music."0.8319281

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Entertainment Weekly (p.57) - "Credit Bentley's broad, crackly baritone, a voice that can do sentimental -- as on richly arranged mash note 'You Hold Me Together' -- without losing an ounce of its outlaw energy." -- Grade: A-Billboard (p.33) - "'I Can't Forget Her,' with its decidedly Southwestern feel and fine storytelling, would make Marty Robbins proud."Paste (magazine) (p.67) - "FEEL THAT FIRE effortlessly runs the gamut from classic country to twang to rock and pop....As usual, Bentley co-wrote every song, and Patty Griffin joins him for a charming duet..."0.5489302

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Rolling Stone (p.77) - 4 stars out of 5 -- "[T]he real star is Buddy, who brings a poet's knack for fresh imagery to songs of spiritual thirst and romantic strife."Spin (p.80) - "WRITTEN IN CHALK sounds like a breakup record, with the Millers picking through an emotional boneyard of broken promises, shattered hearts, and spiritual uncertainty."Mojo (Publisher) (p.109) - 4 stars out of 5 -- "Julie wrote most of the songs, most are country ballads -- sentimental, heartfelt and tend towards the sacred."Paste (magazine) (p.58) - "There's a soul-clasped gut intuition to the way their voices dance about one another that just breaks your heart."0.4368198

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Uncut (magazine) (p.102) - 4 stars out of 5 -- "[S]tandout 'Brand New Day' pulls off the artful feat of being restrained and anthemic at the same time."0.3088783

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Rolling Stone (10/02, p.72) - 3 stars out of 5 - "...Their most heartening work since 1988's IRISH HEARTBEAT..."Uncut (12/02, p.132) - 3 stars out of 5 - "...An album of old-time bluegrass and Appalachian tunes..."Uncut (magazine) (p.69) - "Standouts include Del McCoury wailing high and lonesome on 'Rain And Snow' and Gillian Welch stealing the show on the murder ballad 'Katie Dear'."0.2316587

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Uncut (p.117) - 3 stars out of 5 - "[It] has its share of golden moments. There are surprises, too....Thirty-seven Bruce tunes all in..."0.1544391

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Option (July-Aug./92, p.130) - "..The third in the sampler series that boasts Dwight Yoakim and Lucinda Williams among its alumni, TSOB 3 focuses on L.A. hillbilly music...The truest gem: Harry Dean Stanton's recording debut, "I Hope I Never Get Too Old (To Rock & Roll)".."0.1636986

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