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38 Items Found For paul beck

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18.4936

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18.23265

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14.84707

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6.87208

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6.87208

$28.52
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Spin (5/98, p.141) - 8 (out of 10) - "...Always a hippie groove band at heart, Morcheeba have responded impressively to trip-hop's AOR-ization with BIG CALM--possibly the most seamless mix of VH1 pop and DJ culture so far, and a joint that recalls the Mamas & the Papas as much as Portishead..."Vibe (4/98, p.142) - "...Ross and Paul's moody blend of hip hop and twangy guitar licks, coupled with Skye's sweetly angelic vocals, seep easily into your consciousness..."NME (Magazine) (4/11/98, p.39) - 8 (out of 10) - "...A widescreen collection, it aspires more to inspirational airborne pirouetting of the Beck and Cornershop variety than floating face down in the murky pond of trip-hop....They sound like they like life."0.2100483

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Spin (5/98, p.141) - 8 (out of 10) - "...Always a hippie groove band at heart, Morcheeba have responded impressively to trip-hop's AOR-ization with BIG CALM--possibly the most seamless mix of VH1 pop and DJ culture so far, and a joint that recalls the Mamas & the Papas as much as Portishead..."Vibe (4/98, p.142) - "...Ross and Paul's moody blend of hip hop and twangy guitar licks, coupled with Skye's sweetly angelic vocals, seep easily into your consciousness..."NME (Magazine) (4/11/98, p.39) - 8 (out of 10) - "...A widescreen collection, it aspires more to inspirational airborne pirouetting of the Beck and Cornershop variety than floating face down in the murky pond of trip-hop....They sound like they like life."0.2100483

$7.33
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0.1988771

$9.34
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Rolling Stone (p.83) - 5 stars out of 5 -- "[F]or Odelay, he hooked up with the Dust Brothers to play around with punk, hip-hop, acoustic folk, bossa nova, Latin soul, mainstream R&B and line-dance country -- there's as much Babyface as Bob Dylan on this record..."Rolling Stone (4/11/02, p.107) - Ranked #27 in Rolling Stone's "50 Coolest Records".Rolling Stone (5/13/99, p.63) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (1/23/97, p.44) - Ranked #1 on Rolling Stone's list of the "Ten Best Albums" of 1996.Rolling Stone (6/13/96, pp.77-78) - 4 Stars (out of 5) - "...[crams] his encyclopedic knowledge of 20th century musical styles into three- and four-minute nuggets of pure pop....while Beck may appear to be flip in his no-holds-barred approach to music, no other contemporary artist...comes close to his ambitious sense of adventure..."Spin (p.97) - 4.5 out of 5 stars -- "This splatter painting of breakbeats, electric blues, garage-style kitsch, and Dada versifying still sounds fresh..."Spin (9/99, p.118) - Ranked #4 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/97, p.58) - Ranked #1 on Spin's list of the "20 Best Albums Of '96."Spin (7/96, p.87) - 10 (out of 10) - "...Just as Dylan created an entire universe around his helplessly strange vocal instrument, Beck uses sound and imagery to turn his congested yelp into the voice of a prophet....It's a beautiful thing."Entertainment Weekly (6/21/96, p.65) - "...Beck has enlisted the Dust Brothers, the producers responsible for...the Beastie Boys' seminal PAUL'S BOUTIQUE. The result: a pastiche of twangy country licks, hip-hop beats, surrealistic folk, jive-turkey rap, and samples...that further affirms Beck's rock-chameleon identity..." - Rating: A-Q (10/01, p.63) - Ranked #28 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (8/96, p.111) - 4 Stars (out of 5) - "...A more ambitious individual probably couldn't have made an album as relaxed, funky, stylish and left-of-center as ODELAY....the album...mooches attractively between country, folk and hip-hop..."Uncut (p.104) - 5 stars out of 5 -- "A '90s cultural landmark....Beck's freakfolk freestyle yields some solid gold nuggets among the jive."CMJ (1/6/03, p.16) - Included in CMJ's list of "Top 25 College Radio Albums of All Time"Vibe (9/96, p.223) - "...Beck goes Hollywood....Drums pounce with blunted park-jam finesse. Turntable-scratched hooks pan whimsically throughout....a more sophisticated Beck relays his own introspective emotions..."Option (7-8/96, p.89) - "...a brilliant kaleidoscope....a lazy, cruising groove....a sprawling, confident album....Nothing sounds out of place in Beck's world..."Melody Maker (12/21-28/96, pp.66-67) - Ranked #6 on Melody Maker's list of 1996's "Albums Of The Year."Musician (9/96, p.86) - "...ODELAY is intoxicating, proving Beck to be one of the era's more inventive songwriters. His observations are as catchy as his...songs....ODELAY is largely upbeat, even punk, but occasionally Beck reveals a sad soul under his clown's mask..."Village Voice (2/25/97) - Ranked #1 in the Village Voice's 1996 Pazz & Jop Critics' Poll.Q (Magazine) (p.120) - 4 stars out of 5 -- "[I]t's a definition of '90s pop....ODELAY is as cannibalistic as a Tarantino movie: a riot of decontextualised pop-cultural detritus."Mojo (Publisher) (p.66) - Ranked #10 in Mojo's "100 Modern Classics" -- "Even better than ODELAY's crazy-quilt sampling...was the dazzling songwriting."Mojo (Publisher) (p.123) - 4 stars out of 5 -- "[I]t was skeetering, excited, a grab bag of ideas."NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #1 in NME's 1996 Critics' Poll.NME (Magazine) (6/22/96, p.54) - 8 (out of 10) - "...[Beck] plunges into the deep foreboding lake of received musical wisdom....All around is madness. Beck takes the thinking man's solution and makes music to make sense of it all. Or nonsense, even....Genius means never having to think too hard..."Blender (Magazine) (p.105) - 4 stars out of 5 -- "Against grunge's death knells, Beck's sunny mosaic of sound and style seemed to augur a radically expansive new form."Paste (magazine) (p.80) - "ODELAY is a pop-art nexus where everything is admissable, and nothing means anything outside of its immediate context -- a fine summary of the 20th century indeed."Record Collector (magazine) (p.87) - 5 stars out of 5 -- "Beck stepped out a true maverick, laying hip-hop vocals on top of country guitar lines in one song, paying equal homage to heavy metal and Serge Gainsbourg in another."0.1920842

$12.96
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Rolling Stone (p.83) - 5 stars out of 5 -- "[F]or Odelay, he hooked up with the Dust Brothers to play around with punk, hip-hop, acoustic folk, bossa nova, Latin soul, mainstream R&B and line-dance country -- there's as much Babyface as Bob Dylan on this record..."Rolling Stone (4/11/02, p.107) - Ranked #27 in Rolling Stone's "50 Coolest Records".Rolling Stone (5/13/99, p.63) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (1/23/97, p.44) - Ranked #1 on Rolling Stone's list of the "Ten Best Albums" of 1996.Rolling Stone (6/13/96, pp.77-78) - 4 Stars (out of 5) - "...[crams] his encyclopedic knowledge of 20th century musical styles into three- and four-minute nuggets of pure pop....while Beck may appear to be flip in his no-holds-barred approach to music, no other contemporary artist...comes close to his ambitious sense of adventure..."Spin (p.97) - 4.5 out of 5 stars -- "This splatter painting of breakbeats, electric blues, garage-style kitsch, and Dada versifying still sounds fresh..."Spin (9/99, p.118) - Ranked #4 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/97, p.58) - Ranked #1 on Spin's list of the "20 Best Albums Of '96."Spin (7/96, p.87) - 10 (out of 10) - "...Just as Dylan created an entire universe around his helplessly strange vocal instrument, Beck uses sound and imagery to turn his congested yelp into the voice of a prophet....It's a beautiful thing."Entertainment Weekly (6/21/96, p.65) - "...Beck has enlisted the Dust Brothers, the producers responsible for...the Beastie Boys' seminal PAUL'S BOUTIQUE. The result: a pastiche of twangy country licks, hip-hop beats, surrealistic folk, jive-turkey rap, and samples...that further affirms Beck's rock-chameleon identity..." - Rating: A-Q (10/01, p.63) - Ranked #28 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (8/96, p.111) - 4 Stars (out of 5) - "...A more ambitious individual probably couldn't have made an album as relaxed, funky, stylish and left-of-center as ODELAY....the album...mooches attractively between country, folk and hip-hop..."Uncut (p.104) - 5 stars out of 5 -- "A '90s cultural landmark....Beck's freakfolk freestyle yields some solid gold nuggets among the jive."CMJ (1/6/03, p.16) - Included in CMJ's list of "Top 25 College Radio Albums of All Time"Vibe (9/96, p.223) - "...Beck goes Hollywood....Drums pounce with blunted park-jam finesse. Turntable-scratched hooks pan whimsically throughout....a more sophisticated Beck relays his own introspective emotions..."Option (7-8/96, p.89) - "...a brilliant kaleidoscope....a lazy, cruising groove....a sprawling, confident album....Nothing sounds out of place in Beck's world..."Melody Maker (12/21-28/96, pp.66-67) - Ranked #6 on Melody Maker's list of 1996's "Albums Of The Year."Musician (9/96, p.86) - "...ODELAY is intoxicating, proving Beck to be one of the era's more inventive songwriters. His observations are as catchy as his...songs....ODELAY is largely upbeat, even punk, but occasionally Beck reveals a sad soul under his clown's mask..."Village Voice (2/25/97) - Ranked #1 in the Village Voice's 1996 Pazz & Jop Critics' Poll.Q (Magazine) (p.120) - 4 stars out of 5 -- "[I]t's a definition of '90s pop....ODELAY is as cannibalistic as a Tarantino movie: a riot of decontextualised pop-cultural detritus."Mojo (Publisher) (p.66) - Ranked #10 in Mojo's "100 Modern Classics" -- "Even better than ODELAY's crazy-quilt sampling...was the dazzling songwriting."Mojo (Publisher) (p.123) - 4 stars out of 5 -- "[I]t was skeetering, excited, a grab bag of ideas."NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #1 in NME's 1996 Critics' Poll.NME (Magazine) (6/22/96, p.54) - 8 (out of 10) - "...[Beck] plunges into the deep foreboding lake of received musical wisdom....All around is madness. Beck takes the thinking man's solution and makes music to make sense of it all. Or nonsense, even....Genius means never having to think too hard..."Blender (Magazine) (p.105) - 4 stars out of 5 -- "Against grunge's death knells, Beck's sunny mosaic of sound and style seemed to augur a radically expansive new form."Paste (magazine) (p.80) - "ODELAY is a pop-art nexus where everything is admissable, and nothing means anything outside of its immediate context -- a fine summary of the 20th century indeed."Record Collector (magazine) (p.87) - 5 stars out of 5 -- "Beck stepped out a true maverick, laying hip-hop vocals on top of country guitar lines in one song, paying equal homage to heavy metal and Serge Gainsbourg in another."0.1920842

$7.84
(0 reviews)

Rolling Stone (12/29/94-1/12/95, p.181) - "...With second guitarist Judah Bauer and drummer Russell Simins...[Spencer] wails fractured postmodern bluesoid stuff that's as weird, fun and spooky as original blues-dripping rockabilly."Entertainment Weekly (11/25/94, p.77) - "...New Yorker Spencer and his two bandmates jam like it's blues night in the psych ward....The resulting cross between rock and insanity can be thrilling in its fervency..."- Rating: BQ (10/94, p.126) - 3 Stars - Good - "...Blues Explosion manage to work on entertaining, lurching variations on the power trio format with Spencer himself exhibiting a hectoring deference to both Mark E. Smith and Jerry Lee Lewis..."Alternative Press (12/94, p.86) - "...ORANGE is an ambitious, well-executed release that shows growth while still shaking some action..."Option (3-4/95, p.135) - "...the third official Blues Explosion album peppers its scrungy, bar-based blues with funk, rockabilly, disco, Stax soul, several Elvis shudders, a bit o'white noise, and Beck's infamous phoned-in guest rap....More importantly, it works..."Village Voice (2/28/95) - Ranked #16 in the Village Voice's 1994 Pazz & Jop Critics Poll.Billboard (p.36) - "Fast, punky and laced with nods to the sounds of the '70s..."Mojo (Publisher) (p.58) - Ranked #68 in Mojo's "100 Modern Classics" -- "Beefheart, Stax, James Brown: all get stomped under the Cuban heel of Russell Simins' monster beat."Mojo (Publisher) (p.112) - 4 stars out of 5 -- "ORANGE was the blues as heard from the streets of Manhattan, post-Public Enemy, punk rock and all that other New York noise."NME (Magazine) (12/24/94, p.22) - Ranked #16 in NME's list of the `Top 50 Albums Of 1994.'Pitchfork (Website) - "The Blues Explosion were honest, organic experimenters -- fusing tons of different styles into their musical assault without compromising their ferocity or making any of it sound forced."Record Collector (magazine) (p.94) - 4 stars out of 5 -- "[The] balance of rough with smooth, the comic with the deadly serious, was perfect."0.1697466

$18.18
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0.1622843

$32.98
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0.1419988

$17.62
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0.1419988

$16.27
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0.1419988

$152.04
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0.1316468

$40.62
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0.1291659

$12.27
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0.1217132

$9.02
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0.1217132

$13.71
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0.1217132

$12.59
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0.1217132

$14.48
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0.1217132

$17.80
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0.1143909

$11.40
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0.1069374

$41.96
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0.1014277

$23.96
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0.09943855

$17.55
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Uncut (magazine) (p.107) - 4 stars out of 5 -- "Each of the group's stellar guitarists regularly gets to shine..."0.09203245

$65.59
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0.08114215

$28.03
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0.08114215

$11.54
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0.08007361

$24.61
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0.0717202

$17.56
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0.07099938

$13.61
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Down Beat (p.81) - 4.5 stars out of 5 - "[W]hat really juices this joint is the contributions from the relative unknowns who brought the six-string guitar away from its origins as poor relation to the banjo and the Hawaiian steel guitar and into its contemporary role..."JazzTimes (p.93) - "For some, the stunning revelation here will be the masterful clarity of Barney Kessely. For others, it will be the sensuous ear candy of George Van Eps..."0.06863452

$44.77
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0.06863452

$11.13
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0.06523861

$11.08
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Rolling Stone (p.60) - 3 stars out of 5 -- "Pete Townshend's fingerpicked `Corrina, Corrina' captures the grace and grief of Dylan's best love songs..."Uncut (magazine) (p.88) - 3 stars out of 5 -- "Some straightforward takes are lovely -- Mark Knopfler's 'Restless Farewell', Thea Gilmore's 'I'll Remember You'."0.06085661

$22.57
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0.06085661

$53.40
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