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0.7249025
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0.4832683
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0.4271528
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0.4228598
$9.08
0.4228598
$12.20
37.49778
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35.3967
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27.38172
$13.67
BOOK REVIEWS COMING SOON!!!!18.68823
$23.06
15.06432
$16.09
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$12.93
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$23.00
BOOK REVIEWS COMING SOON!!!!12.70396
$26.33
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$26.33
10.61901
$20.90
10.61901
$17.14
10.61901
$17.11
10.12127
$46.41
9.074254
$12.62
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$35.33
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$28.75
7.417063
$14.19
7.259403
$17.96
7.259403
$9.18
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$17.42
6.568609
$10.98
"[A] striking debut....Mixing social commentary and black humor with copious amounts of blood and cracking bones, WE ARE WHAT WE ARE offers a cannibal's eye view of Mexico City's seamier side..." -- Grade: BA.V. Club "[A]n unexpectedly rich exploration of family bonds...played out with a sharp undertow of political allegory and darkly comic sensibility."Los Angeles Times 3 stars out of 5 -- "Though flecked with dark wit, this is a mostly sombre affair that draws power from its chilling social commentary..."Total Film6.52817
$15.31
"[A] striking debut....Mixing social commentary and black humor with copious amounts of blood and cracking bones, WE ARE WHAT WE ARE offers a cannibal's eye view of Mexico City's seamier side..." -- Grade: BA.V. Club "[A]n unexpectedly rich exploration of family bonds...played out with a sharp undertow of political allegory and darkly comic sensibility."Los Angeles Times 3 stars out of 5 -- "Though flecked with dark wit, this is a mostly sombre affair that draws power from its chilling social commentary..."Total Film6.518061
$17.99
6.467512
$12.44
6.467512
$19.28
6.467512
$7.42
BOOK REVIEWS COMING SOON!!!!6.351978
$26.47
"...A wry, intelligent, compassionate screenplay....[With] a brilliant performance in the title role by legit vet Sally Kirkland [and] an engaging screen debut by international fashion model Paulina Porizkova..." Variety "...ANNA is the best kind of surprise -- a small, frequently funny, fine-boned film set in the worlds of the theater and movies which unexpectedly becomes a consummate study of love, alienation and loss..." Los Angeles Times5.805075
$14.59
3.5 stars out of 5 -- "The director filmed this tense blend of sociological drama and street thriller on real locations, working with a saturated palette that utilized natural decaying backgrounds with hot spots of color....It's always thrilling to discover an emerging talent with enormous potential."Box Office "A big new talent arrives on the scene with SIN NOMBRE. Writer-director Cary Joji Fukunaga's enthralling feature debut takes viewers into a shadow world inhabited by many but noticed by few -- that of Central America migrants making the perilous trip through Mexico to get the United States border."Variety "SIN NOMBRE is a powerful, wrenching thriller that weaves together several absorbing stories set in Central America. It is also the most moving and well-told saga of Latin American immigrants bound for the USA since 1983's EL NORTE."USA Today "[A]n evocative and impressive first feature....There is bitter and breathtaking truth in the story and in the story-telling..."Los Angeles Times "[SIN NOMBRE is] written and directed by the young American Cary Joji Fukunaga....What keeps you watching is his superb eye. Working with his cinematographer, Adriano Goldman, he fills in the cracks of his story with moments of beauty..."New York Times "This Sundance prizewinner is a journalistic saga of immigration directed with a thriller's physicality by Cary Joji Fukunaga....Whenever SIN NOMBRE turns violent, it seizes you with its convulsive skill..." -- Grade: B-Entertainment Weekly "This astonishing debut feature announces the arrival of a lavishly gifted filmmaker, Cary Joji Fukunaga....The scope is epic and the achievement, though solidly grounded in conventional storytelling, is a revelation."Wall Street Journal 4 stars out of 4 -- "It contains risk, violence, a little romance, even fleeting moments of humor, but most of all, it sees what danger and heartbreak are involved. It is riveting from start to finish."Chicago Sun-Times 4 stars out of 5 -- "[I]t's the scenes of immigrants heading north atop moving trains which resonate the most -- a testament to Adriano Goldman's brilliant, expansive cinematography."Total Film Included in Chicago Sun-Times's "The Best Foreign Films Of 2009" -- "An extraordinary debut by Cary Fukunaga..."Chicago Sun-Times Ranked #4 in USA Today's "Top Ten Films Of 2009."USA Today5.659073
$29.90
3.5 stars out of 5 -- "The director filmed this tense blend of sociological drama and street thriller on real locations, working with a saturated palette that utilized natural decaying backgrounds with hot spots of color....It's always thrilling to discover an emerging talent with enormous potential."Box Office "A big new talent arrives on the scene with SIN NOMBRE. Writer-director Cary Joji Fukunaga's enthralling feature debut takes viewers into a shadow world inhabited by many but noticed by few -- that of Central America migrants making the perilous trip through Mexico to get the United States border."Variety "SIN NOMBRE is a powerful, wrenching thriller that weaves together several absorbing stories set in Central America. It is also the most moving and well-told saga of Latin American immigrants bound for the USA since 1983's EL NORTE."USA Today "[A]n evocative and impressive first feature....There is bitter and breathtaking truth in the story and in the story-telling..."Los Angeles Times "[SIN NOMBRE is] written and directed by the young American Cary Joji Fukunaga....What keeps you watching is his superb eye. Working with his cinematographer, Adriano Goldman, he fills in the cracks of his story with moments of beauty..."New York Times "This Sundance prizewinner is a journalistic saga of immigration directed with a thriller's physicality by Cary Joji Fukunaga....Whenever SIN NOMBRE turns violent, it seizes you with its convulsive skill..." -- Grade: B-Entertainment Weekly "This astonishing debut feature announces the arrival of a lavishly gifted filmmaker, Cary Joji Fukunaga....The scope is epic and the achievement, though solidly grounded in conventional storytelling, is a revelation."Wall Street Journal 4 stars out of 4 -- "It contains risk, violence, a little romance, even fleeting moments of humor, but most of all, it sees what danger and heartbreak are involved. It is riveting from start to finish."Chicago Sun-Times 4 stars out of 5 -- "[I]t's the scenes of immigrants heading north atop moving trains which resonate the most -- a testament to Adriano Goldman's brilliant, expansive cinematography."Total Film Included in Chicago Sun-Times's "The Best Foreign Films Of 2009" -- "An extraordinary debut by Cary Fukunaga..."Chicago Sun-Times Ranked #4 in USA Today's "Top Ten Films Of 2009."USA Today5.659073
$9.14
4 stars out of 5 -- "Gonzalez-Rubio immerses us in a world of natural beauty; better still, he never allows the bonding to turn soggy."Total Film0.3645619
$21.57
0.2979488
$16.86
"SHALL WE DANCE? remains blissfully untethered to reality....[A] gaudy, sequined invitation to freedom."New York Times "Gere and Sarandon make middle-age seem enviably alluring, and Lopez is as disciplined as Paulina in one of her best performances yet."Los Angeles Times0.2358604
$6.45
"SHALL WE DANCE? remains blissfully untethered to reality....[A] gaudy, sequined invitation to freedom."New York Times "Gere and Sarandon make middle-age seem enviably alluring, and Lopez is as disciplined as Paulina in one of her best performances yet."Los Angeles Times0.2358604
$8.28
"SHALL WE DANCE? remains blissfully untethered to reality....[A] gaudy, sequined invitation to freedom."New York Times "Gere and Sarandon make middle-age seem enviably alluring, and Lopez is as disciplined as Paulina in one of her best performances yet."Los Angeles Times0.2358604
$12.02
0.1617552
$16.98
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$13.18
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$11.23
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$17.96
0.1351369
$5.55
