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Rolling Stone (2/19/98, pp.55-56) - 4 Stars (out of 5) - "...even the rockers have an uncommonly easy touch that's new to Pearl Jam....Vedder is singing more frankly about his life as an adult....shows that Pearl Jam have made the most out of growing up in public..."Spin (3/98, p.129) - 8 (out of 10) - "...Part touchstone, part pariah, Pearl Jam have tried arty gestures; they've ostentatiously declined to rock; and now they've come back with an album full of gracefully ambivalent anthems. All commodities should be this unstable, and have this much blood pumping through them."Entertainment Weekly (2/6/98, pp.58-59) - "...an intermittently affecting album that veers between fiery garage rock and rootsy, acoustic-based ruminations. Perhaps mindful of their position as the last alt-rock ambassadors with any degree of clout, they've come up with their most cohesive album since their 1991 debut, TEN..." - Rating: BNME (Magazine) (1/31/98, p.44) - 7 (out of 10) - "...Here's where Pearl Jam put on their diverse boots and stomp across their bluesy roots, careering through various styles and pop-mongous strops..."104.8144

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Rolling Stone (6/8/00, pp.117-8) - 3.5 stars out of 5 - "...A warts-and-all album...it comes across as part of an extended conversation among the band....delving into jumpy post-punk and somber meditations, tightly wound folk rock and turbulent, neopsychedelic rockers..."Spin (7/00, p.149) - 7 out of 10 - "...[They] relax into rock's postures and refine them....Everything you want is still there - goofy experimentalism, guitar frenzy, Eddie's self-abusive wail. It's just more solid, more clear..."Entertainment Weekly (5/19/00, p.74) - "...Features more vulnerability than anger in its probing words....featuring the most forceful riffs since their best work, VS..." - Rating: B+Q (7/00, p.121) - 3 stars out of 5 - "...Easy to listen to....When Pearl jam gel...it's close to special....Grunge may have died, but Pearl Jam it seems will never be slayed..."Magnet (8-9/00, pp.86-7) - "...Near-brilliant...[they] are bravely going into the woods....jolts of psychological amphetamines [and] smoldering slabs of sonic complexity..."CMJ (5/29/00, p.3) - "...The group delivers a well-rounded work of earthy rock....confidently vacillating between epic power rock, slower, and experimental spacious tracks....[proving] Pearl Jam is still capable of sheer brilliance..."NME (Magazine) (5/13/00, p.33) - 9 out of 10 - "...It's a seething, furious album; a declamatory statement against cynicism and passivity and the simple injustices of everyday life....An object lesson in rock'n'roll from some true believers, [it] burns with the intensity and desperation of a last stand..."104.6761

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Rolling Stone (p.74) - 4.5 stars out of 5 -- "[T]he songs sound steelier than ever....Despite his rage, Vedder was also more willing than his peers to dip into folky beauty."Rolling Stone (5/13/99, p.53) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (11/11/93, p.72) - 4.5 Stars (out of 5) - "...the g-word in Pearl Jam's sound [on VS.] isn't `grunge' but `groove'....VS. isn't a one-man show--it's a group effort..."Entertainment Weekly (10/29/93, p.72) - "...Eddie keeps getting Vedder....I'm particularly impressed by that 12-second scream he emits in `Blood'..." - Rating: B-Q (1/94, p.82) - Included in Q's list of `The 50 Best Albums Of 1993' - "...a mature, progressive, marvelous new record..."Melody Maker (1/1/94, p.76) - Ranked #4 in Melody Maker's list of the "Albums Of The Year" for 1993 - "...about as great as classic American rock gets..."Melody Maker (10/16/93, p.40) - "... a raw, festering wound of an album, a brilliant, relentless passion play..."Village Voice (3/94, p.5) - Ranked #2 in the Village Voice's 1993 Pazz & Jop Critics Poll.Village Voice (3/1/94, p.5) - Ranked #14 in the Village Voice's 1993 Pazz & Jop Critics Poll.104.5246

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Rolling Stone (p.66) - 4 stars out of 5 -- "'Alive' hits harder; 'Black' feels broader in scope; and Eddie Vedder's soaring vocals on 'Oceans' shine brighter."Spin (9/99, p.136) - Ranked #32 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/93) - Ranked #15 in Spin's list of the 20 Best Albums Of 1991.Q (12/99, p.74) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (1/93, p.73) - Included in Q's list of the 50 Best Albums Of 1992.Q (3/92, p.79) - 4 Stars - Excellent - "...a raucous modern rock, spiked with infectious guitar motifs and powered with driving bass and drums...may well be the face of the 90's metal..."Village Voice (3/2/93, p.5) - Ranked #34 in the Village Voice's list of the 40 Best Albums Of 1992.Stereo Review (1/92, p.80) - Performance "Challenging" / Recording "Good" - "...the band sounds larger than life, producing a towering inferno of roaring guitars, monumental bass and drums, and from-the-gut vocals...the tunes here surge, ebb, and surge again..."Kerrang (Magazine) (p.51) - "[T]hese songs are as touching today as the day they came out..."Kerrang (Magazine) (p.52) - "With its nod to classic '70s rock in the shotgun guitars and engaging Vedder's ragged, back-to-the-wall fury dissecting a fractured family life anthem like 'Alive' and 'Jeremy' sound as relevant and impassioned today as they did on the original release."Q (Magazine) (p.123) - "The hit singles 'Jeremy' and 'Alive' wove serious lyrical subject matter to flurrying guitar solos and singer Eddie Vedder's hectoring vocals..."Q (Magazine) (p.114) - 4 stars out of 5 -- "[With] classic songwriting that wasn't afraid to wear its influences on its sleeve....The freewheeling guitars of 'Even Flow' and 'Jeremy' sounded vintage even then, so it's no surprise that they've held up so well after all these years."Mojo (Publisher) (p.116) - 4 stars out of 5 -- "TEN is a classic of the grunge era, its super-sized anthems and introspective mood pieces powerfully voiced by Eddie Vedder..."Blender (Magazine) (p.64) - 5 stars out of 5 -- "It's an exhilarating punk howl....It's a batch of outsider's tales coursing with beefy swagger..."Uncut (magazine) - 5 stars out of 5 -- "It sounds great...from the inflammatory guitar intro to the momentous 'Once' to the final handsome drift of 'Release,' it's a resplendent thing."73.02236

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Entertainment Weekly (6/2/00, pp.78-9) - "...Shows the boys have assiduously studied the Metallica/Pearl Jam/Creed oeuvres. At its swaggering best, LIFE crackles with energy and crowd-pleasing choruses..." - Rating: B-Q (12/00, p.136) - 3 stars out of 5 - "...A bolt-together Stone Temple Alice in Pearl Jam's Soundgarden hybrid....this is rock for people who wear woolen muscle vests and worry about hair products..."0.5854124

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Rolling Stone (12/11/03, p.208) - 3 stars out of 5 - "...The real surprise the deep library of ballads here....LOST DOGS sure sounds a lot like a pack of hits..."Spin (2/04, p.97) - "[I]t's flecked with gold. The Hendrix-indebted power ballad 'Yellow Ledbetter' is some of the best Pearl Jam music ever recorded..." - Grade: B+Entertainment Weekly (11/21/03, p.86) - "...This double CD ranges from Motown covers [and] acoustic musings [to] tossed-off 'rap' [and] weirdo funk....Best of all, you don't need to be a PJ freak to enjoy it..." - Rating: B0.3311593

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Rolling Stone (8/30/01, p.125) - 3 stars out of 5 - "...This sounds more like peak '70s Pretenders than anyone in black music history....HOW DO I does that rare thing: It provides an original direction..."Q (May 2002, p.119) - 3 out of 5 stars - "...Res offers a hotchpotch of musical styles....one minute swooping soulfully, the next a husky mutter..."NME (Magazine) (4/6/02, p.34) - 7 out of 10 - "...[Res] can probably only be understood...in relevance to a life lived as a classically trained prodigy who gets as much from '70s soul as Pearl Jam..."0.3311593

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Rolling Stone (8/30/01, p.125) - 3 stars out of 5 - "...This sounds more like peak '70s Pretenders than anyone in black music history....HOW DO I does that rare thing: It provides an original direction..."Q (May 2002, p.119) - 3 out of 5 stars - "...Res offers a hotchpotch of musical styles....one minute swooping soulfully, the next a husky mutter..."NME (Magazine) (4/6/02, p.34) - 7 out of 10 - "...[Res] can probably only be understood...in relevance to a life lived as a classically trained prodigy who gets as much from '70s soul as Pearl Jam..."0.3311593

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Rolling Stone (1/4/01, p.106) - Ranked #10 in Rolling Stone's Top 10 Albums of 2000.Rolling Stone (7/20/00, p.139) - 3 stars out of 5 - "...They are to Rage as the young Stone Temple Pilots were to Pearl Jam....improving upon the original with songs that are more hummable than most fast-food jingles..."Q (11/00, p.113) - 3 stars out of 5 - "...Combines sinewy Rage Against The Machine riffage with traditional metal dynamics and frontman Coby Dick's melodic, quasi-rap stylings...this year's essential accessory for Middle America's trenchcoat and pipe-bomb brigade..."CMJ (6/00, p.69) - "...Ushers in the Bushification of rap-metal....canned grudge-groove....[the] subtle and complex guitar interplay over hefty axe-grinding adds dimension..."NME (Magazine) (10/14/00, p.40) - 6 out of 10 - "...A big moshpit soundtrack, a corner sighted...in America's disastrous intergenerational relations..."0.2483695

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Rolling Stone (1/25/96, p.41) - Ranked #6 in the 1996 Critics' Poll.Spin (9/95, p.109) - 8 - Very Good - "...Young, like today's grunge kids, has always seen anomie as sufficient unto itself....MIRROR BALL...suggests another parallel: Sometimes it's easier to string together some...power chords and a few forlorn references to religion, fame and suicide than to actually write songs. And sometimes that's just fine..."Entertainment Weekly (6/30-7/7/95, pp.96-97) - "...mostly three-chord stompers, and Pearl Jam seems content to kick out the jams behind him....aims for that anthemic mode of the Neil Young of old, and despite a few muddled chords and even more muddled lyrics, the collaborative magic works..." - Rating: A-Q (8/95, p.128) - 3 Stars - Good - "...a rough and ready collection of Young songs, alive with studio ambience and, well, grungy..."Melody Maker (6/17/95, p.37) - Recommended - "...VS. meets ON THE BEACH at ARC/WELD volume....What gets you first is the throb--the mantra-like whack of the hooks and the circular propulsion of the chord progressions....these aren't conventional songs, they're thunderclap soliloquies, raw grooves set to telegraphic narratives..."Musician (9/95, pp.85-86) - "...Part of what makes MIRROR BALL so moving is [a] sense of being unstuck in time, not so much musically--though the combination of Pearl Jam's uncompromised attack with Young's folk melodicism...suggests the spanning of generations--but by Young's vision..."Village Voice (2/20/96) - Ranked #5 in Village Voice's 1995 Pazz & Jop Critics' Poll.NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #41 in NME's 'Top 50 Albums Of The Year' for 1995.NME (Magazine) (6/24/95, p.56) - 9 (out of 10) - "...as shabby, as unrehearsed, as rugged and raw as anything he's released. But it is another fine Neil Young album....the record's sound is...big, woolly, live and booming..."0.234165

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Entertainment Weekly (7/10/92, p.60) - "...funky horn-driven party jams...rousing..." - Rating: B+0.3079253

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Rolling Stone (p.110) - Ranked #10 in Rolling Stone's "The Top 10 Reissues Of 2006" -- "[T]hese are thrilling hard-bop jams featuring Coltrane as an impetuous seeker..."Mojo (Publisher) (p.117) - 4 stars out of 5 -- "Here Coltrane honed his famous 'sheets of sound' style and explored uncharted music vistas."0.1636036

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