pocket-classics,Dubliners [James Joyce, Del Doughty] [Book] [ENGLISH] [Paperback] [Pocket Classics], Romeo and Juliet [9780743477116], The Count of Monte Cristo [9780743487559], Pygmalion [9781416500407], Kon-Tiki [9780671726522]

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BOOK REVIEWS COMING SOON!!!!44.75797

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BOOK REVIEWS COMING SOON!!!!25.80436

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BOOK REVIEWS COMING SOON!!!!25.80436

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BOOK REVIEWS COMING SOON!!!!25.80436

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BOOK REVIEWS COMING SOON!!!!25.80436

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BOOK REVIEWS COMING SOON!!!!25.80436

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Spin (4/02, pp.124-5) - 8 out of 10 - "...Vibrant...tougher and deeper - the sound of traffic lights reflected through Rolling Rock empties, of clothes permanently reeking of cigarette smoke..."Uncut (1/03, p.95) - Ranked #23 in Uncut's "100 Best Albums of the Year"Uncut (12/02, p.131) - 3 stars out of 5 - "...LOST IN REVELRY's trump cards are its sudden, exhilarating turns of weather, its restless - sometimes uncomfortable - soul-searching, and its knack of throwing up instantly hummable pocket classics..."CMJ (4/8/02, p.11) - "...Country-folk tunes bathed in glowing organs and twangy pedal..."0.3398795

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17.76435

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6.885758

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5.933825

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CMJ (9/2/02) - "...Steely and Clevie are able to maintain the spirit of the original classics while giving them a modern sound vibrant enough for Dancehall fans and clubs..."5.169411

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4.792804

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Down Beat (9/93, p.44) - 4.5 Stars - Very Good Plus - "...Bluesy, laid-back seemingly spontaneous consistency...Bags floats over and through well- turned ensembles, Basie flicks at the keys: the heat increases from a simmer to a boil..."3.486302

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3.463633

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JazzTimes (4/97, pp.76-77) - "...Count Basie never had a bigger hit than APRIL IN PARIS, and this album--starring the polished arrangements of Thad Jones and Neil Hefti--remains his best-known to this day. In fact, it has become an iconic summation of the Basie Sound..."3.421303

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JazzTimes (Jan.-Feb./93, p.74) - "...The tunes are from the bebop era and the improvising is informed by the bop tradition that produced Rodney, one of bop's finest second-generation trumpeters..."Village Voice (2/2/93, p.78) - "...the year's best purebred bop album. Garry Dial's arrangements contrive a new sheen for Dizzy, Bird, Bud and Dameron classics; the solos and spirit are dead on, in the pocket, authentic..."Stereophile (2/93, p.109) - "...Red and his band give a new feel to old classics while remaining true to the originals...THEN AND NOW has some of the best sound ever captured on a jazz recording..."0.2825831

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Record Collector (magazine) (p.101) - 4 stars out of 5 -- "[The collection] kicks off with jumping, pumping late 60s classics..."0.2351386

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Rolling Stone (2/4/99, p.61) - "...a DJ-mix CD that works as a pocket history of Motor City microchip music, explicitly admitting techno's evolution from Seventies European disco..."Spin (1/99, pp.121-122) - 7 (out of 10) - "...If you'd rather ride the train than spot it, climb aboard MASTERMIX. Juan may not have aced his engineer's exam, but he usually knows where he's going."Entertainment Weekly (1/15/99, p.63) - "...a beautiful, warts-and-all set of genre classics....smart liner notes provide some historical context, and the diverse mix belies techno's rep as monolithic. And oh, yeah: You can dance to it." - Rating: A-The Wire (02/99, p.46) - "...MasterMix Volume 1 has a strange kind of authority - it feels like an important record."CMJ (1/3/99, p.26) - "...fuses the pulse of old-school techno, house and electro into a unified, empowered urban discourse. Listen and learn..."Vibe (2/99, p.139) - "...Detroit's own brand of mechanized assembly line funk....techno delicately balances electronics with soul..."0.1819883

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BOOK REVIEWS COMING SOON!!!!0.1419711

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Rolling Stone (12/25/03, p.111) - Included in Rolling Stone's "50 Best Albums of 2003"Rolling Stone (4/17/03, p.102) - 5 stars out of 5 - "...There are still only two of them, but now they sound like an army....Equal measure of Lightnin' Hopkins' crude strum, Marc Bolan's sequined boogie and the cut-'n'-thrust song hooks of the Buzzcocks..."Spin (5/03, pp.107-8) - "...A remarkably good record, quite possibly a great record....This is not garage rock; this is art rock: And that's a compliment..." - Grade: AEntertainment Weekly (12/26/03-1/2/04, p.140) - Ranked #1 in Entertainment Weekly's 2003 "Records of the Year"Entertainment Weekly (4/04/03, pp.98-99) - "...Jack is a top-notch frontman, a charismatic yowler with a seemingly endless supply of brilliantly simplistic guitar riffs that often find fresh musical twists on tired rock & roll cliches..." - Rating: BQ (01/01/04, p.84) - Ranked #1 in Q's "The 50 Best Albums of 2003" - "[A] record that made white-boy blues sound like pop music for the first time in over 30 years..."Uncut (01/04, pp.84-7) - Ranked #23 in Uncut's "Albums Of The Year 2003"Uncut (5/03, pp.94-5) - 5 stars out of 5 - "...ELEPHANT features a group at their peak, rejoicing in basic forms while bursting beyond their limitations....They are quite simply in a league of their own..."Magnet (4/03, pp.109-111) - "...It sounds warm and well-aged....At the core is Jack's increasingly stunning songwriting..."CMJ (12/29/03, p.4) - Ranked #1 in CMJ's "Top 10 of 2003"CMJ (04/07/03, p.8) - "...With Meg's perfectly imperfect drumming and Jack's Detroit wail excavating Jon Spencer or Plant or Willie Dixon, the divinely sloppy and unadorned ELEPHANT is RAW POWER with a GED..."Mojo (Publisher) (p.67) - Ranked #8 in Mojo's "100 Modern Classics" -- "Emotionally, the needle rarely drops beneath total overload."Mojo (Publisher) (01/01/04, p.62) - Ranked #1 in Mojo's "The Best of 2003"Mojo (Publisher) (4/03, pp.88-90) - 4 stars out of 5 - "...Where ELEPHANT differs from what has gone before is in terms of quality. It's just better all round: consistently better songs, more explosive performances - and, when required, more tender performances..."0.1328614

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0.1216895

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