radiohead,Radiohead: 7 Television Commercials, Pablo Honey [Radiohead] [CD] [1 disc] [077778140924], The String Quartet Tribute to Radiohead: Enigmatic, Rockabye Baby! Lullaby Renditions of Radiohead [027297960329], Rockabye Baby! Lullaby Renditions of Radiohead [027297980020]

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"...Dark, phantasmagoric and mostly brilliant..."Rolling Stone58.70674

$11.87
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Rolling Stone (p.64) - 3 stars out of 5 -- "Amid blustery post-punk and a heavy-breathing acoustic 'Creep' were dystopian fever dreams and catchy Luddite paranoia.."Entertainment Weekly (5/28/93, p.56) - "...mates Smiths-type self-consciousness with dramatic U2-like vocals and guitar, with Cure-style heavy but crunchy pop..." - Rating: BQ (4/93, p.86) - 3 Stars - Good - "...British teenagerhood has never been grumpier....the best bits rival Nirvana, Dinosaur Jr. and even the mighty Sugar..."NME (Magazine) (12/25/93, p.67) - Ranked #35 in New Musical Express' list of `The Top 50 LPs Of 1993' - "...is a throwback to a homegrown tradition of great guitar-band albums...."Record Collector (magazine) (p.89) - 3 stars out of 5 -- "[I]t contains their 'biggest' single in 'Creep.' A 12-bar blues jam with added crunch..."51.3684

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51.3684

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51.3684

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51.3684

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Alternative Press (12/00, p.98) - 4 out of 5 - "...As winsomely insulating as daydreaming on a rainy day....you're left reeling from the richness..."CMJ (8/21/00, p.3) - "...Sparkles and dazzles...the prog-y post-hardcore scene's answer to Radiohead;s sprawling masterpiece OK COMPUTER."0.2979444

$11.88
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Rolling Stone (4/15/04, p.151) - 3 stars out of 5 - "On this live album, Dublin's Frames set dark Radiohead-style arenea rock over textures ranging from craggy folk grooves...to guitar-heavy punk thrash."0.2979444

$10.80
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Uncut (1/04, p.122) - 5 stars out of 5 - "CLOSE TO THE EDGE remains an untarnished pinnalce of '70s tech-flash..."Q (Magazine) (p.120) - "Yes achieved unity here....The title track alone set the template for a strand of brainy rock music that continues through Radiohead's PARANOID ANDROID..."0.2979444

$6.04
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Q (3/02, pp.126-7) - 4 stars out of 5 - "...That their new-found focus means they sound even more like U2 playing Radiohead covers only adds to the appeal."Alternative Press (12/01, p.92) - 7 out of 10 - "...BENDS-era-Radiohead style modern-rock radio flavors..."CMJ (8/13/01, p.4) - "...A collection of sprawling, almost orchestral pop songs..."NME (Magazine) (3/16/02, p.28) - 7 out of 10 - "...This album remains a graceful achievement..."0.2809047

$6.62
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Rolling Stone (4/1/04, p.89) - 3 stars out of 5 - "[G]ive Muse, from the English town of Teignmouth, some credit for adopting Radiohead's bombastic BENDS approach and adding prog-rock-style instrumental virtuosity."Q (Magazine) (p.121) - "Muse's grandiose ideas and boundless energy are channelled into songs that rarely last longer than five minutes. Progressive rock for the post-Nirvana generation."0.248287

$10.53
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Rolling Stone (8/30/01, pp.127-8) - 3 stars out of 5 - "...A grand, melancholy stunner in the tradition of Radiohead and Jeff Buckley....singer Jimmy Gnecco has an operatic voice that could make angels weep....chillingly spooky..."CMJ (5/28/01, p.4) - "...If there ever was a band to properly fuse Jeff Buckley and U2...Ours has enough genuine soul to pull it off..."0.248287

$5.89
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Uncut (p.106) - 4 stars out of 5 - "[H]ere's the real crunch: exclusive tracks from Interpol and the astounding, effortlessly melancholic Arcade Fire."0.2216849

$14.16
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Entertainment Weekly (10/1/99, p.75) - "...combining a technical grasp with a knack for transcending traditionalism and making each solo an excursion....He's in tune with his generation, too, turning Radiohead's 'Exit Music (for a Film)' into an inventive etude." - Rating: A-JazzTimes (12/99, p.145) - "...continues a remarkable evolutionary course...another fluidly empathetic trio date....art is precisely the right term."Mojo (Publisher) (1/00, p.31) - Included in Mojo Magazine's "Best Jazz Albums" of 1999.0.1986296

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Rolling Stone (7/5/01, p.138) - 3.5 out of 5 stars - "...SUGAR RAY drifts further from the group's early aggro-pop sound....Their laid-back attitude is infectiously unfussy....pulling sounds together withthe glee of teens collecting cool stuff...from a baking Southside beach."Spin (8/01, pp.129-30) - 6 out of 10 - "...Pretty good...especially 'When It's Over'....And the videos are great, too. Damn the '00s - famous-sounding music is probably going to stay famous for a long time..."Q (9/01, p.120) - 4 stars out of 5 - "...As radio-friendly as Radiohead are not..."0.1986296

$6.57
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Entertainment Weekly (12/14/01, p.84) - "...A characteristically smart compilation....a tidily eclectic set." - Rating: B+0.1900156

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Vibe (p.111) - "Demetrio Muniz's arrangements invest these pop standards with a solid sense of hot Havana polyrhythms."0.1900156

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Rolling Stone (10/14/99, pp.125-6) - 3 stars out of 5 - "...SHOWBIZ is no maverick masterstroke, but it is passionate and loud and also unexpectedly gentle - a great first shot from three guys barely old enough to drink on their U.S. tour."Entertainment Weekly (10/1/99, p.75) - "...the trio's dark, complex sound, kick-ass musicality...and hook-laden songs...combine to make SHOWBIZ one of the more compelling rock records of the year." - Rating: B+Q (1/01, p.92) - Included in Q's "50 Best Albums of 2000" - "...The best rock debut in years..."Mojo (Publisher) (11/99, p.100) - "There's no getting around it, Muse sound...a lot like Radiohead....In the end it comes down to songs, and there's a lot of strong ones here..."0.1738009

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Rolling Stone (10/26/00, p.111) - 3.5 stars out of 5 - "...Straight-ahead, melodic Brit pop that strives for 'significance' with a capial 's'....[The album] rises above its influences to become a work of real transcendence..."Spin (1/01, p.73) - Ranked #19 in Spin's "Top 20 Albums of the Year [2000]" - "...[They] hoist their blue guitars and tug on Radiohead's cape....evoking the forgotten shoegazers like Ride....Chris Martin makes early-'90s nostalgia seem like the next frontier."Q (10/01, p.73) - Ranked #21 in Q's "Best 50 Albums of Q's Lifetime"Q (1/01, p.91) - Included in Q's "50 Best Albums of 2000" - "...[The] soundtrack to cheap vino-and-fag sessions..."Alternative Press (12/00, p.94) - 4 out of 5 - "...Shimmering guitars haunt tormented tunes, dark gravel growls vie with Thom Yorke-y high notes....songs dawdle out of either a gentle whisper of sound or an awesome blurge of noise..."NME (Magazine) (12/30/00, p.77) - Ranked #6 in NME's "Top 50 Albums Of The Year" - "...Effortlessly moving and hugely popular at the same time..."0.1489722

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Rolling Stone (2/6/97, p.49) - 3 Stars (out of 5) - "...Built To Spill dip into the psychedelic garden cultivated by guitar-based precursors, from the Beatles to the Flaming Lips....maintains an emphasis on instrumental passages that are short on flash, but long on atmospheric swirl..."Spin (2/97, p.84) - 8 (out of 10) - "...Martsch's ability to avoid derivativeness,...to keep generating ideas and achieve bigness through the accumulation of small parts [amazes]. Let the pieces of this album sink in and, sure enough, you won't be able to get Martsch's sounds out of your head."Entertainment Weekly (1/31/97, p.58) - "...Muddling around in a fog of spacey guitar, nasal vocals, and meandering song structures, they seem to stumble on melodies by accident....When the fuzzy guitar lines and pinched vocal whines mysteriously mutate into recognizable songs, the band discovers beauty in excess." - Rating: B+Alternative Press (4/97, p.65) - 5 (out of 5) - "...Martsch is posessed with a genius for...lyric writing and the ability to create memorable and unusual songs....although its entertaining enough to appeal to a wide audience, PERFECT still contains enough personality to make Martsch's excellent vision uniquely his own."Melody Maker (5/16/00, p.47) - 3 stars out of 5 - "If Neil Young singing with some sort of Radiohead/Seventies-metallers Rush amalgam appeals, this is the album for you..."Village Voice (2/24/98) - Ranked #32 in the Village Voice's 1997 Pazz & Jop Critics' Poll.0.1241435

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Rolling Stone (11/14/02, p.86) - 4 stars out of 5 - "...Sigur Ros make atmospheric music with lyrics in garbled Icelandic, heavy on the strings and keyboards - beautiful..."Spin (1/03, p.71) - Ranked #22 on Spin's list of 2002's "Albums of the Year"Spin (12/01/02, p.140) - 8 out of 10 - "...There's something awe-inspiring about this band's single-minded pursuit of mellow drama..."Entertainment Weekly (11/1/02, p.70) - "...The Icelandic quartet again create an ethereal stir with sparse, atmospheric melodies and a falsetto wail..." - Rating: B+Q (12/02, p.112) - 4 stars out of 5 - "...They make soaring, mind-expanding music that's near impossible to resist....This is a masterpiece of bombed orchestral elegance, at once expansive and intense..."Uncut (12/02, p.140) - 4 stars out of 5 - "...It weaves a gigantic, undulating backdrop onto which you can project what you will..."Magnet (1/03, p.106) - "...Sigur Ros occupies a space somewhere between the free-soaring folk jazz of Tim Buckley, the aquatic ethereality of the Cocteau Twins and the oceanic post-rock of Mogwai....The instrumentation arrives in vast, dense, Radiohead-plays-Pink Floyd waves..."CMJ (11/18/01, p.6) - "...A soothing, uplifting compilation of wonder, reflection and vicissitude and an extended glimpse beyond the mundane..."Mojo (Publisher) (1/03, p.98) - "...The album rocks, its symphonic depth and stratosphere-surfing melodies more affecting with each subsequent listen..."0.1241435

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Rolling Stone (p.173) - 4 stars out of 5 - "FUNERAL aches with elegiac intensity....FUNERAL captures the agony and even ecstasy of surviving death all around you."Rolling Stone (p.141) - Included in Rolling Stone's Top 50 Records Of 2004 - "[W]ith lavishly orchestrated, emotionally stunning tales..."Entertainment Weekly (p.81) - "FUNERAL is a lovely, uplifting, and often pleasingly grandiose whirl through a panoply of sounds..." - Grade: B+Uncut (p.104) - 4 stars out of 5 - "Their songs strike out at unexpected angles, bringing to mind a morbidly romantic 19th-century Radiohead."Magnet (p.100) - "[A] compelling debut....FUNERAL deals with grief by obsessing over new relations and future births, decorating each lost leaf in brilliant fall colors."CMJ (p.38) - "Putting the 'fun' back in FUNERAL, the debut disc from Montreal indie-pop sextet Arcade Fire exhumes instrumentation extinct since third-grade music class and sets them ablaze in anything but a macabre fashion."Mojo (Publisher) (p.58) - Ranked #2 in Mojo's "The 50 Best Albums Of 2005" - "[T]he Montreal orch-rock sextet's debut was fervent and uplifting."Mojo (Publisher) (p.59) - Ranked #60 in Mojo's "100 Modern Classics" -- "Joyful, original and sweet."Mojo (Publisher) (p.96) - 4 stars out of 5 - "Echoes of Wire at their mid-'80s jackhammer funk zenith abound on 'Rebellion', while yearning cellos frame a breathtaking turn from Chassagne on 'In the Backseat'."Clash (magazine) (p.78) - "Few albums of similar emotional intensity have had the same staying power as FUNERAL..."0.1241435

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Rolling Stone (No. 969, p.108) - 4 stars out of 5 - "[T]he Mars Volta's second album is an exhilarating transgression: concussive, nonlinear rhythms; mad-dog guitar alegebra; bloody-nightmare suites hung in bilingual free verse. In short, the beastly spawn of Radiohead's OK COMPUTER and Rush's 2112..."Spin (p.63) - Ranked #12 in Spin's "40 Best Albums Of 2005" - "[T]heir space jams still have roots in our doomed stratosphere, and their noodling has a hardcore pulse."Spin (pp.83-4) - "77 dizzying minutes...with timbales, loping strings, guest musicians and tortured moans....The Mars Volta are typing as fast as they can, throwing up screen after screen of concepts and rhythms." - Grade: A-Uncut (p.91) - 3 stars out of 5 - "[M]ighty entertaining. Beyond the obvious ambition and virtuosity, it's zeal which makes this so exhilarating..."Alternative Press (p.130) - 5 out of 5 - "[I]t's already the most riveting album of 2005 - provided you're ready to carve a wide enough hole in your consciousness to accept it."Magnet (p.106) - "The diversity of this album will appeal to all sorts of instrument-emporium loiterers....To the chagrin of jaded, knee-jerk critics and musicians, the Mars Volta is taking rock music in that elusive direction: forward."The Wire (p.58) - "[A]lmost literally breathtaking music."Mojo (Publisher) (p.63) - Ranked #39 in Mojo's "The 50 Best Albums Of 2005" - "[T]hey risked ridicule to deliver the sublime."Mojo (Publisher) (p.88) - 4 stars out of 5 - "[I]t is quite possibly the most ambitious, compelling and rewarding rock album you will hear this year."0.1241435

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Rolling Stone (6/7/01, pp.109-10) - 4 stars out of 5 - "...Drums, bass and guitars move injarring cycles of hyperhowl and near-silent death march....the cumulativ eforce of muscle, imagination and immaculately wrought suspense....In another era, this would have been considered prog rock..."Spin (1/02, p.77) - Ranked #16 in Spin's "Albums of the Year 2001" - "...Spine-crushing dynamics and the best rock howl of the year..."Spin (10/03, p.107) - "...Their first No. 1 album is also their spaciest and most technical..."Entertainment Weekly (5/25/01, pp.76-7) - "...It's the sound of a giant beast slowly rousing from a slumber, raising havoc, and then settling back in again. LATERALUS reasserts their strengths....leaving you admiring their principles..." - Rating: B-Q (8/01, pp.141-2) - 4 stars out of 5 - "...Extraordinary in every sense..."Alternative Press (2/02, p.64) - Ranked #2 in AP's "25 Best Albums of 2001".Alternative Press (7/01, p.57) - 7 out of 10 - "...A thick slab of art-rock..."CMJ (6/4/01, p.15) - "...Staggerringly brilliant..."Kerrang (Magazine) (p.53) - "Complex, depressing, uplifting, spiritual and arcane, LATERALUS is rock at its most epic and transcendental."NME (Magazine) (6/2/01, p.38) - 7 out of 10 - "...Adds a little more color to their palette of chanting, drumming and high drama....They're the metal Radiohead..."0.1241435

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Rolling Stone (p.100) - 3.5 stars out of 5 -- "For every head-nodding beat, GAME THEORY has a head-turning treat, from the 'om' chant intro on the gospel-style 'Baby' to the melancholy Radiohead sample of 'Atonement'."Rolling Stone (p.104) - Ranked #18 in Rolling Stone's "The Top 50 Albums Of 2006" -- "GAME THEORY is classic studio Roots, full of invention and left turns."Spin (p.114) - 4 stars out of 5 -- "GAME THEORY is The Roots at their heaviest. Keyboards that once draped a gauzy texture over their funk excursions now elbow their way into the mix."Spin (p.59) - Ranked #23 in Spin's "The 40 Best Albums of 2006" -- "[A] suite of intensely glowering songs..."Entertainment Weekly (p.p.77) - "GAME THEORY is their toughest, weightiest, and most uncommercial effort yet....This is the rare hip-hop release that's both gripping and touching." -- Grade: A-Uncut (p.123) - 4 stars out of 5 -- "[A] focused, intelligent record....The reshuffle yields some of their best material with assaults like 'In The Music' and the J Dilla tribute 'Can't Stop This'..."Vibe (p.212) - "THEORY is a masterfully crafted, sobering wake-up call....GAME THEORY boasts top-notch craftsmanship -- mixing and sequencing do count....but it's continuity that makes this album unique."XXL (Magazine) (p.173) - "[T]he Roots have continued to evolve and experiment with their sound. With tracks ranging from high velocity boast fests to spacey jams..."Mojo (Publisher) (p.100) - 4 stars out of 5 -- "This ferociously politicized record recalls the urgency of Public Enemy's NATION OF MILLIONS....A focused tour de force..."0.1241435

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Rolling Stone (9/30/99, pp.83-4) - 3.5 stars out of 5 - "...proves you can get sappy while continuing to radiate the kind of heat that wilts daises at fifty paces....if you're looking to be viscerally and intellectually bowled over, this is music that satisfies the need."Entertainment Weekly (9/24/99, p.146) - "...[Cornell] delves back into '60s psychedelic melodies and acoustic dities, to moving effect. Fans will hear much of the punch and yowl they yearn for - only with more refined melodies and Cornell's character finally clarified." - Rating: B+fQ (10/99, p.117) - 3 stars out of 5 - "...[big] on songwriterly grace. Building on a slow rock framework, these 12 songs have much to offer....The bid for adulthood occasionally spells acoustic dirge, but otherwise a good effort."Alternative Press (10/99, p.77) - 3 out of 5 - "...intelligent, introspective music that draws equally from the psychedelic experimentation of the late Beatles and the operatic histronics of Queen, as well as from more contemporary influences as Jeff Buckley and Radiohead..."Mojo (Publisher) (10/99, p.104) - "...Musically downbeat, lyrically full of distance and loneliness, its intricate and often understated songs have a black undercurrent....Bedsit-metal cuts like 'Sweet Euphoria', 'Steel Rain' and 'Flutter Girl' are among my favorites..."0.1241435

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0.1108424

$9,999.00
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Rolling Stone (p.84) - 4.5 stars out of 5 -- "[F]rontman Tunde Adebimpe sings in a full-throated bellow -- often in harmony with guitarist Kyp Malone's spooky falsetto -- that is among the most soulful and arresting voices in rock."Rolling Stone (p.102) - Ranked #4 in Rolling Stone's "The Top 50 Albums Of 2006" -- "The deliberate enigma of TV on the Radio's art rock has given way to a spacey magic..."Spin (p.64) - Ranked #01 in Spin's "The 40 Best Albums of 2006" -- "[They] turn the dystopian wallow of Radiohead's KID A on its ear, finding a shocked freedom in alienation."Entertainment Weekly (p.73) - "You won't hear airier, more evocative singing on a record this year, from the Beach Boys-like dissonant harmonies on 'A Method' to the eerie counterpoint vocals of 'Hours'." -- Grade: A-Entertainment Weekly (p.128) - Ranked #2 in Entertainment Weekly's "Top 10 Records Of 2006" -- "TV on the Radio show us that harmony and noise can blissfully exist in the same space."Q (p.115) - 4 stars out of 5 -- "[I]t's an album full of playful daring, where Tunde Adebimpe and Kyp Malone weave vocal harmonies together over David Sitek's narcotic musical backdrop."Q (p.121) - Ranked #39 in Q Magazine's "100 Greatest Albums of 2006" -- "[T]heir finest set of songs, with 'Hours' and 'Let The Devil In' combining their oddball sensitivity with smart, memorable hooks."Alternative Press (p.190) - "The ultimate majesty of RETURN TO COOKIE MOUNTAIN is that it reveals something new with each listen. Yes, the journey is often challenging, but that's what makes it unforgettable."CMJ (p.42) - "[With] misting, compact melodies that could be hits while doubling as the soundtrack for their world domination."Clash (magazine) (p.76) - "Bold, ambitious, experimental -- it's the sound of a band realising their potential brilliantly."0.09931481

$7.16
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Rolling Stone (5/13/99, p.50) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (3/5/92, p.68) - 4 Stars - Excellent - "...guitarists Bilinda Butcher and Kevin Shields gently breathe pretty tunes into the thick, sweet waves of droning distortion....In My Bloody Valentine's magical kingdom, cacophany is the mind-altering path to beauty..."Spin (p.110) - "This dreamy tsunami of sound blew minds, from Kurt Cobain to Radiohead to Isis."Spin (9/99, p.126) - Ranked #16 in Spin Magazine's "90 Greatest Albums of the '90s."Entertainment Weekly (2/21/92, p.55) - "...simply the most astounding-sounding album produced last year..." - Rating: AQ (10/01, p.49) - Ranked #39 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.70) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (1/92, p.71) - 4 Stars - Very Good - "...the last word in noise-pop....amounts to a virtual reinvention of the guitar....The rock-is-dead argument could very well stop here..."Alternative Press (7/95, p.79) - Ranked #14 in AP's list of the `Top 99 Of '85-'95' - "...overcame their influences and fulfilled their promise....a record at once so exhausting yet exhilarating, so beautiful yet ugly, so soothing and swirling yet chaotic and dissonant....It will alter your perception of everything music can be..."Alternative Press (5/01, pp.90-1) - "...One of rock's greatest, most innovative and most celebrated albums..."Melody Maker (12/91) - Ranked #7 in Melody Maker's list of the `Top 30 Albums Of 1991.'Q (Magazine) (p.148) - 5 stars out of 5 -- "All the hard lines of rock'n'roll -- the riff, the lyric, the beat -- have been collapsed into something freer....LOVELESS was -- and remains -- inimitable."Q (Magazine) (p.119) - 5 stars out of 5 -- "On LOVELESS, a sublime sense of disorientation comes as standard, not least on 'What You Want' and 'When You Sleep,' where pile-driving guitars surge..."Mojo (Publisher) (p.118) - 5 stars out of 5 -- "[T]he result is a kind of sonic rapture, infinitely deep and wide and spiritually charged....There are great pop songs in here, too..."Mojo (Publisher) (p.50) - Ranked #18 in Mojo's "The 50 Most Out There Albums Of All Time" - "LOVELESS twisted the sonic clutter rattling within Kevin Shields' imagination into an epic reality."New York Times (Publisher) (1/1/92) - "...While most current rock prizes crisply articulated digital sounds and rhymes, My Bloody Valentine offers pure defiance: songs in which thickly layered guitars and nearly indecipherable voices add up to a tuneful murk, elusive but memorable..."Uncut (magazine) (p.91) - "The album] holds its own as one of the great rock albums, period....Its extensive 'glide guitar' and curious lack of low end add up to a soundworld no-one could ever hope to replicate."0.08690046

$12.23
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