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34.45145

$14.00
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34.19478

$13.38
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"As an insight into the spirit-sapping rigours of the rock band in the information age, Grant Morrison's cross-continental tour documentary is unrivalled..." Mojo27.56116

$15.98
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27.56116

$10.67
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27.53549

$15.77
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"...Dark, phantasmagoric and mostly brilliant..."Rolling Stone27.35583

$11.87
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24.24435

$19.96
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24.20308

$13.92
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Rolling Stone (p.64) - 3 stars out of 5 -- "Amid blustery post-punk and a heavy-breathing acoustic 'Creep' were dystopian fever dreams and catchy Luddite paranoia.."Entertainment Weekly (5/28/93, p.56) - "...mates Smiths-type self-consciousness with dramatic U2-like vocals and guitar, with Cure-style heavy but crunchy pop..." - Rating: BQ (4/93, p.86) - 3 Stars - Good - "...British teenagerhood has never been grumpier....the best bits rival Nirvana, Dinosaur Jr. and even the mighty Sugar..."NME (Magazine) (12/25/93, p.67) - Ranked #35 in New Musical Express' list of `The Top 50 LPs Of 1993' - "...is a throwback to a homegrown tradition of great guitar-band albums...."Record Collector (magazine) (p.89) - 3 stars out of 5 -- "[I]t contains their 'biggest' single in 'Creep.' A 12-bar blues jam with added crunch..."23.93635

$15.25
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Rolling Stone (1/4/01, p.106) - Ranked #8 in Rolling Stone's Top 10 Albums of 2000.Rolling Stone (10/12/00, pp.85-6) - 4 stars out of 5 - "...A clear-eyed space opera about a plausible future....this 'is' pop, a music of ornery, glistening guile and honest ache, and it will feel good under your skin once you let it get there..."Spin (1/01, p.73) - Ranked #2 in Spin's "Top 20 Albums of the Year [2000]".Spin (10/00, pp.171-2) - 9 out of 10 - "...The songfullness emerges from the strangeness, and a beautifully sequenced CD assumes the shape of a classic LP....KID A is not only [its] bravest album but its best one as well."Spin (10/00, pp.171-2) - 9 out of 10 - "...The songfullness emerges from the strangeness, and a beautifully sequenced CD assumes the shape of a classic LP....KID A is not only [their] bravest album but its best one as well."Entertainment Weekly (10/6/00, pp.85-6) - "...A genuinely challenging work....a sonic journey..." - Rating: B+Q (10/01, p.91) - Ranked #13 in Q's "Best 50 Albums of Q's Lifetime"Q (1/01, p.93) - Included in Q's "50 Best Albums of 2000".Q (11/00, p.96) - 3 stars out of 5 - "...Beautiful as it is strange....Musically, [its] best features are its keening, lapwing guitars and a thin, atonal orchestral drizzle....best enjoyed with the lights off..."Alternative Press (11/00, p.95) - 3 out of 5 - "...Like the soundtrack to a movie that hasn't been filmed....This is music that messes with your insides..."Magnet (1-2/01, p.45) - Included in Magnet's "20 Best Albums of 2000" - "...This year's version of R.E.M.'s UP: a genre-resistant sonic scuplture that plays wicked eardrum tricks at every turn..."The Wire (1/01, p.34) - Included in Wire's "50 Records Of The Year".Muzik (11/00, p.90) - 4 out of 5 - "...A record of experiments....This deserves your attention."CMJ (1/08/01, p.17) - Included in CMJ's "Best of the Year" for 2000.CMJ (10/2/00, p.3) - "...An epic audio experiment punctuated with raw emotion and inspiring innovation....an unquestionable masterpiece..."Vibe (11/00, p.166) - 4 discs out of 5 - "...Richly sculpted with multi-colored chords, ebbing rhythms, and oddball time measures, KID A floats...through the galaxy in search of musical cliches to annihilate..."Mojo (Publisher) (p.66) - Ranked #7 in Mojo's "100 Modern Classics" -- "[W]eeping icons of heartbreaking loveliness..."Mojo (Publisher) (10/00, p.86) - "...Intriguing, eccentric, obviously a grower....It still sounds a mess, but that's obviously the plan..."NME (Magazine) (12/30/00, p.77) - Ranked #11 in NME's "Top 50 Albums Of The Year" - "...Warp-style electronica, modern jazz....chill atmospherics and curdled, bitter soundscapes..."Pitchfork (Website) - "[A] complete album, one where everything from production to arrangements to lyrics to album art were carefully crafted towards a unified purpose."Record Collector (magazine) (p.92) - 5 stars out of 5 -- "[S]uitably liberated....These are recordings with soul..."23.93635

$14.57
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23.93635

$17.76
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23.93635

$14.33
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23.93635

$17.46
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23.93635

$14.57
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20.80725

$16.78
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20.51687

$10.98
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17.69328

$19.16
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17.45672

$14.38
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The Wire (p.59) - "[H]is unsettling siren voice emerges from the Lynchian gloom of the charred soundtrack like a strange hybrid of Scott Walker, Robert Wyatt and Radiohead."0.3774032

$15.36
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"[E]ven a partial rundown of the musicians who speak on camera is dazzling: Jarvis Cocker, Damon Albarn, Alison Goldfrapp, Brian Eno and members of Radiohead. Many of them are shown simply listening to Scott Walker recordings, and the looks of surprise and delight on their faces speak volumes."Los Angeles Times "As part of the Walker Brothers and then in his solo albums, Walker forged an out-of-time mystique that is vividly captured here."Entertainment Weekly "A fascinating meditation on the nexus of art and celebrity with a deeply charismatic figure at its center, director Stephen Kijak's profile of reclusive pop icon Scott Walker is one of the most remarkable music documentaries in ages..."Box Office0.3170345

$11.03
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Alternative Press (12/00, p.98) - 4 out of 5 - "...As winsomely insulating as daydreaming on a rainy day....you're left reeling from the richness..."CMJ (8/21/00, p.3) - "...Sparkles and dazzles...the prog-y post-hardcore scene's answer to Radiohead;s sprawling masterpiece OK COMPUTER."0.2830524

$18.05
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Uncut (1/04, p.122) - 5 stars out of 5 - "CLOSE TO THE EDGE remains an untarnished pinnalce of '70s tech-flash..."Q (Magazine) (p.120) - "Yes achieved unity here....The title track alone set the template for a strand of brainy rock music that continues through Radiohead's PARANOID ANDROID..."0.2830524

$10.15
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Rolling Stone (4/15/04, p.151) - 3 stars out of 5 - "On this live album, Dublin's Frames set dark Radiohead-style arenea rock over textures ranging from craggy folk grooves...to guitar-heavy punk thrash."0.2830524

$14.12
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Uncut (1/04, p.122) - 5 stars out of 5 - "CLOSE TO THE EDGE remains an untarnished pinnalce of '70s tech-flash..."Q (Magazine) (p.120) - "Yes achieved unity here....The title track alone set the template for a strand of brainy rock music that continues through Radiohead's PARANOID ANDROID..."0.2830524

$8.97
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Uncut (1/04, p.122) - 5 stars out of 5 - "CLOSE TO THE EDGE remains an untarnished pinnalce of '70s tech-flash..."Q (Magazine) (p.120) - "Yes achieved unity here....The title track alone set the template for a strand of brainy rock music that continues through Radiohead's PARANOID ANDROID..."0.2830524

$10.33
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Q (3/02, pp.126-7) - 4 stars out of 5 - "...That their new-found focus means they sound even more like U2 playing Radiohead covers only adds to the appeal."Alternative Press (12/01, p.92) - 7 out of 10 - "...BENDS-era-Radiohead style modern-rock radio flavors..."CMJ (8/13/01, p.4) - "...A collection of sprawling, almost orchestral pop songs..."NME (Magazine) (3/16/02, p.28) - 7 out of 10 - "...This album remains a graceful achievement..."0.2668643

$6.41
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Rolling Stone (4/1/04, p.89) - 3 stars out of 5 - "[G]ive Muse, from the English town of Teignmouth, some credit for adopting Radiohead's bombastic BENDS approach and adding prog-rock-style instrumental virtuosity."Q (Magazine) (p.121) - "Muse's grandiose ideas and boundless energy are channelled into songs that rarely last longer than five minutes. Progressive rock for the post-Nirvana generation."0.235877

$11.30
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Rolling Stone (8/30/01, pp.127-8) - 3 stars out of 5 - "...A grand, melancholy stunner in the tradition of Radiohead and Jeff Buckley....singer Jimmy Gnecco has an operatic voice that could make angels weep....chillingly spooky..."CMJ (5/28/01, p.4) - "...If there ever was a band to properly fuse Jeff Buckley and U2...Ours has enough genuine soul to pull it off..."0.235877

$6.54
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Magnet (1-2/01, p.103) - "...[Their] organic melodies and lyrics head off to unpredictable places, making this haunting album an exercise in agile listening..."CMJ (12/00, p.67) - "...A striking work of mournful elegance and cinematic beauty..."Mojo (Publisher) (5/01, p.104) - "...Sounding more cinematic than ever...Doomy and textured like Radiohead taken over by Calexico..."0.235877

$13.43
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Rolling Stone (11/22/01, p.89) - 4 stars out of 5 - "...Offers a clue about why Radiohead are so compelling live....the peaks are still somehow shaped by Yorke's sense of beautiful understatement."Q (12/02, p.67) - Included in Q Magazine's "The 50 Best Albums of 2002."Q (12/01, pp.126-7) - 4 stars out of 5 - "...Listening to this live album, aside from its musical pleasures, you alight on a striking sound indeed: the most intelligent music of the age being received by thousands upon thousands of cheers..."Uncut (12/01, p.124) - 3 stars out of 5 - "...Radiohead prove here that they can conjure blazing intensity, visceral physicality and raging rock dynamics from even willfully opaque jazzoid chuffing..."NME (Magazine) (11/10/01, p.40) - 8 out of 10 - "...This sounds significantly better than both the studio albums that spawned it..."0.2335063

$12.49
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0.2053326

$14.00
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0.2053326

$11.83
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0.2053326

$10.94
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0.2053326

$21.69
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Entertainment Weekly (10/1/99, p.75) - "...combining a technical grasp with a knack for transcending traditionalism and making each solo an excursion....He's in tune with his generation, too, turning Radiohead's 'Exit Music (for a Film)' into an inventive etude." - Rating: A-JazzTimes (12/99, p.145) - "...continues a remarkable evolutionary course...another fluidly empathetic trio date....art is precisely the right term."Mojo (Publisher) (1/00, p.31) - Included in Mojo Magazine's "Best Jazz Albums" of 1999.0.1887016

$10.15
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Rolling Stone (7/5/01, p.138) - 3.5 out of 5 stars - "...SUGAR RAY drifts further from the group's early aggro-pop sound....Their laid-back attitude is infectiously unfussy....pulling sounds together withthe glee of teens collecting cool stuff...from a baking Southside beach."Spin (8/01, pp.129-30) - 6 out of 10 - "...Pretty good...especially 'When It's Over'....And the videos are great, too. Damn the '00s - famous-sounding music is probably going to stay famous for a long time..."Q (9/01, p.120) - 4 stars out of 5 - "...As radio-friendly as Radiohead are not..."0.1887016

$10.23
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Rolling Stone (p.64) - 5 stars out of 5 -- "[P]anicked, paranoid and product-coded; tranquilized, arena-size and indelible."Rolling Stone (5/13/99, p.65) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (7/10-24/97, pp.117-118) - 4 Stars (out of 5) - "...OK COMPUTER - a stunning art-rock tour de force - will have you reeling back to their debut, PABLO HONEY, for insight into the group's dramatic evolution..."Spin (9/99, p.122) - Ranked #9 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/98, p.86) - Ranked #2 on Spin's list of the "Top 20 Albums Of The Year."Spin (8/97, pp.112-113) - 8 (out of 10) - "...Unlike their majestic models U2, Radiohead take on techno without switching instruments or employing trendy producers....As with post-rockers Tortoise, Laika, and Seefeel, Radiohead have a fuzzbox or two and obviously know how to use 'em..."Entertainment Weekly (Spring 2000, p.166) - Ranked #4 in EW's "Top 10 albums of the '90s"Entertainment Weekly (7/11/97, pp.65-66) - "...Shrouded in wafting guitars, swoony rhythms, and moody-blue strings, it shrugs off mosh-pit conventions for a poignant delicacy and breadth, with Yorke's cracked-throat voice the album's melancholy center....For all of Radiohead's growing pains...their aim--to take British pop to a heavenly new level--is true..." - Rating: B+Q (6/00, p.91) - Ranked #2 in Q's "100 Greatest British Albums"Q (12/99, p.92) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (10/01, p.112) - Ranked #1 in Q's "Best 50 Albums of Q's Lifetime"Q (1/98, p.114) - Included in Q Magazine's "50 Best Albums of 1997."Melody Maker (12/20-27/97, pp.66-67) - Ranked #2 on Melody Maker's list of 1997's "Albums Of The Year."Melody Maker (6/14/97, p.49) - "...unlike anything I've ever heard....I definitley know it isn't good for me, and I'm certain it says more about my life than I'd like....in terms of composition and performance, it's very impressive. Radiohead have excelled themselves. They've seen the future."Village Voice (2/24/98) - Ranked #2 in the Village Voice's 1997 Pazz & Jop Critics' Poll.Mojo (Publisher) (p.67) - Ranked #3 in Mojo's "100 Modern Classics" -- "OK COMPUTER sought to disturb as much as delight. It's still succeeding."NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #2 in NME's 1997 Critics' Poll.Pitchfork (Website) - "[R]eal songs and tunes, but ones that didn't shrink from the increasingly unlimited possibilities of modern music-making. In that sense, Radiohead were not only record-collectors but futurists..."Record Collector (magazine) (p.89) - 5 stars out of 5 -- "It's a brilliant album....[V]isual, visceral and complete..."0.1846029

$18.23
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"...Endearing..."Entertainment Weekly "...His videos are visual invitations to bang your head..." Rolling Stone "There's a roaming inventiveness here..." Sight and Sound "Simple but brilliant ideas unforgettably expressed." Mojo0.179666

$22.16
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0.179666

$9.22
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Uncut (p.106) - 4 stars out of 5 - "[H]ere's the real crunch: exclusive tracks from Interpol and the astounding, effortlessly melancholic Arcade Fire."0.179666

$15.98
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0.179666

$11.97
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Rolling Stone (10/14/99, pp.125-6) - 3 stars out of 5 - "...SHOWBIZ is no maverick masterstroke, but it is passionate and loud and also unexpectedly gentle - a great first shot from three guys barely old enough to drink on their U.S. tour."Entertainment Weekly (10/1/99, p.75) - "...the trio's dark, complex sound, kick-ass musicality...and hook-laden songs...combine to make SHOWBIZ one of the more compelling rock records of the year." - Rating: B+Q (1/01, p.92) - Included in Q's "50 Best Albums of 2000" - "...The best rock debut in years..."Mojo (Publisher) (11/99, p.100) - "There's no getting around it, Muse sound...a lot like Radiohead....In the end it comes down to songs, and there's a lot of strong ones here..."0.1651139

$8.86
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Rolling Stone (p.116) - 3 stars out of 5 -- "[T]he selling -- and sticking -- point is still the dark drama, with shadowy, shimmery textures, agonized choruses and frontman Jesse Lacey yowling away."Spin (p.99) - 3.5 stars out of 5 -- "[With] the sort of Radiohead-indebted bombast that begs to be played at lease-breaking volumes."Alternative Press (p.136) - Included in Alternative Press's "10 Essential Albums Of 2006" -- "[A]n exercise in horrifying beauty, bordering on brilliance at every deconstructed song structure..."CMJ (p.33) - "[With] unabashedly large, dynamic, midtempo bangers lifted by the doubled, loquacious lines of frontman Jesse Lacey."Kerrang (Magazine) (p.47) - "As the layers pile on, this quickly becomes a tightly honed, huge-sounding album..."0.1651139

$11.39
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Rolling Stone (12/25/03, p.109) - Included in Rolling Stone's "50 Best Albums of 2003"Rolling Stone (6/26/03, p.72) - 4 stars out of 5 - "...There are so many delicious melodies here, so much that's both soothing and twisted and catchy, so much to sing along with, even if our prognosis is grim..."Spin (7/03, pp.103-4) - "...THIEF seesaws between the chill of sequencers and the warmth of fingers on strings and keys....It's strewn with the burnished, elongated melodies that have made them the most diversely covered band since the Beatles..." - Grade: AEntertainment Weekly (6/6/03, pp.76-7) - "...Like all Radiohead albums, it's a slow grower, a densely packed collection of rapidly mutating sounds and surfaces that takes a while to comprehend..." - Rating: A-Q (01/01/04, p.82) - Ranked #11 in Q's "The 50 Best Albums of 2003" - "[T]here are classic Yorke moments throughout..."Uncut (01/04, pp.84-7) - Ranked #26 in Uncut's "Albums Of The Year 2003"Uncut (6/03, p.112) - 4 stars out of 5 - "...Deep, broad and sprawling....It is a magnificently engaging and expansive work..."CMJ (12/29/03, p.5) - Ranked #3 in CMJ's "Top 10 of 2003" - "Fourteen tracks of political anger, aggressive guitars, [and] thumping drum machines..."Vibe (7/03, p.145) - 4 out of 5 - "...Radiohead's definition of pop has evolved from guitar-driven tracks with a Beatles influence to textured, willfully complex songs dripping with Pink Floyd-like ambition..."Mojo (Publisher) (01/01/04, p.59) - Ranked #6 in Mojo's "The Best of 2003" - "[Marries] Radiohead's cerebal laptop wielding side with the rock might of THE BENDS."Pitchfork (Website) - "[A] well-sequenced collection of songs that finds them internalizing the blend of experimental electronics and straightforward rock they wore so far out on their sleeves just a few years earlier."0.1634204

$13.48
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Rolling Stone (5/13/99, pp.91-93) - 3 1/2 Stars (out of 5) - "...a four-piece string section adorns many of these tracks, lending them a lush, cinematic feel....filled with...richly melodic ballads that take the form of romantic declarations that wind up expressing far more ambivalent emotions..."Rolling Stone (5/13/99, pp.91-93) - 3 1/2 stars (out of 5) - "...ambitious, irritating, confounding, catchy and strangely compelling....'Radiohead for geeks'....Folds goes for the gusto here..."Spin (6/99, p.140) - 8 (out of 10) - "...Folds and Co. embrace old-fashioned sunny-but-sad pop art echoing prime Dionne Warwick, 10cc, and Fold's beloved Captain Fantastic. It can be impressive..."Entertainment Weekly (5/7/99, pp.60-61) - "...Folds writes chirpy pop melodies much sparer than those of old-school art-rock bands, and the Five are less taken with electronic gizmos..." - Rating: BQ (6/99, p.102) - (4 out of 5) - Excellent - "...vaguely conceptual,less frantic than previous work, more lush in both scope and arrangement. Influences seem more diverse and somehow older....Exciting stuff. And they're memorable, individual and kinda odball fun."CMJ (4/26/99, p.3) - "...faithful and pateient adherents to Folds' slacker gospel will...accept [REINHOLD MESSNER] as required reading."Melody Maker (5/8/99, p.46) - 4 stars (out of 5) - "...loads of great piano flourishes....this soundtracks the swagger of conquering a whole heap of very, very beautiful humpback bridges..."Mojo (Publisher) (1/00, p.31) - Ranked #9 in Mojo Magazine's "Best of 1999."Mojo (Publisher) (5/99, p.108) - "...exhilarating, amusingly inappropriate and just plain silly by turns....fresh textures have been employed to considerable effect and there's an attention to dynamic detail and palpable compositional ambition that marks the album as a significant development..."NME (Magazine) (5/1/99, p.40) - 7 out of 10 - "...It has the ambitious scope and fragile bravado of a record hewn out of tremendous passion....reeling from plinkety cabaret to '70s AOR to breathless Beach Boys melodics with panoramic ease..."0.1634204

$11.28
(0 reviews)

Rolling Stone (p.82) - 4.5 stars out of 5 -- "All of it rocks; none of it sounds like any other band on Earth; it delivers an emotional punch....[Yorke's] voice has an R&B lilt that suits the songs' romantic directness."Rolling Stone (p.108) - Included in Rolling Stone's "50 Top Albums of the Year 2007" -- "Radiohead haven't sounded this aggressive and infuriates -- so rock & roll -- since OK COMPUTER..."Spin (p.111) - 4 stars out of 5 -- "[With] a handful of gorgeous quiet-storm ballads that seem to have been imported from a time even less troubled than the late '90s."Entertainment Weekly (p.66) - "Using the full musical and emotional spectra to conjure breathtaking beauty, the collection is well named. It may have arrived via computer, but the vision is timeless." -- Grade: AUncut (p.86) - 4 stars out of 5 -- "[T]he tender, if not sunny, mood is maintained across a beautiful suite of songs..."Uncut (p.82) - 4 stars out of 5 -- "[T]he shuffling fever-funk of 'Down Is The New Up' reaches a state of grace that very few bands ever get to achieve."The Wire (p.63) - "[T]racks like opener '15 Step' are injected with almost Rephlex-like accelerating rhythms....The album is sonically diverse..."The Wire (p.35) - Included in The Wire's "50 Records of the Year 2007".Down Beat (p.77) - 4 stars out of 5 -- "Subtle electronics and tastefully deployed string arrangements are woven into the fabric of the tunes..."Q (Magazine) (p.107) - 5 stars out of 5 -- "IN RAINBOWS still leaves Radiohead in the most enviable position: progressively perfecting their art while able to command autonomy beyond the record industry."Q (Magazine) (p.88) - Ranked #04 in Q's "The 50 Best Albums Of 2007" -- "Beneath its approachable surface swam myriad subtleties, multiplying with every play."Mojo (Publisher) (p.96) - 4 stars out of 5 -- "IN RAINBOWS is a necessary masterstroke....Rejoice in a glorious moment for Radiohead, and for the art and business of rock in general."Blender (Magazine) (pp.141-142) - 4 stars out of 5 -- "IN RAINBOWS formulates a lush, sensualized ideal out of vague, layered discomfort....Far more pensive and reflective than its predecessor..."Clash (magazine) (p.77) - "IN RAINBOWS shines as a magical, mysterious and multi-faceted album to cherish forever."Record Collector (magazine) (p.87) - 3 stars out of 5 -- "[It] is a smashing record to actually listen to....Piano lines follow unpredictable patterns and cymbals get clipped at every other bar..."0.1634204

$13.57
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"Kubrick is an obvious touchstone, revealed in the casting of Blur as CLOCKWORK ORANGE droogs in the video for 'The Universal' and in the referencing to THE SHINING for Massive Attack's 'Karmacoma'." Sight and Sound0.1539994

$24.87
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Entertainment Weekly (12/14/01, p.84) - "...A characteristically smart compilation....a tidily eclectic set." - Rating: B+0.1539994

$11.70
(0 reviews)

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